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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBACBC it is the complementary color #245343. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBACBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBACBC shade: #E0ACB7, #F1BECA, #FFD0DD, #FFE2F0 and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBACBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBACBC shade: #DBACBC, #CA9AA9, #B98896, #A87683 and #976470

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBACBC shade: #DBADBD, #DBADB1 and #DBADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBACBC shade: #DBADBD, #DBADC9, #DBADD6, #D4ADDB and #C8ADDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBACBC shade matches the following richer shades: #DBADBD, #E5A4BA, #EE9AB7 and #F891B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBACBC shade: #DBADBD, #D2B7C0, #C8C0C3, #BFCAC6 and #B5D3C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBACBC shade: #DBADD6, #DBADCA, #DBADBD, #DBADB1 and #DBB6AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBACBC shade: #C2748F, #CF91A6, #DBADBD, #E8CAD4 and #F4E7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBACBC shade: #DBACBC, #DBD4AD and #ADD0DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBACBC shade: #DBACBC, #BDDBAD and #ADBDDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBACBC shade: #DBACBC, #DBD4AD, #ADDBCB and #ADB4DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBACBC shade: #DBACBC, #D4DBAD, #ADDBCB and #B4ADDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 14 / 14

HEX #DBACBC

RGB 219 172 188

HSL 339.57, 0.39%, 0.77%

LAB 74.95, 19.64, -1.58

 

Complementary color

CMYK 57 / 0 / 19 / 67

HEX #245343

RGB 36 83 67

HSL 159.57, 0.39%, 0.23%

LAB 31.73, -20.49, 4.53

 

CMYK 0 / 23 / 18 / 12

HEX #E0ACB7

RGB 224 172 183

HSL 347.31, 0.46%, 0.78%

LAB 75.31, 20.65, 1.74

 

CMYK 0 / 21 / 16 / 5

HEX #F1BECA

RGB 241 190 202

HSL 345.88, 0.65%, 0.85%

LAB 81.72, 20.08, 0.98

 

CMYK 0 / 18 / 13 / 0

HEX #FFD0DD

RGB 255 208 221

HSL 343.4, 1%, 0.91%

LAB 87.77, 18.51, -0.17

 

CMYK 0 / 11 / 6 / 0

HEX #FFE2F0

RGB 255 226 240

HSL 331.03, 1%, 0.94%

LAB 92.55, 12.25, -3.16

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 21 / 14 / 14

HEX #DBACBC

RGB 219 172 188

HSL 339.57, 0.39%, 0.77%

LAB 74.95, 19.64, -1.58

 

CMYK 0 / 24 / 16 / 21

HEX #CA9AA9

RGB 202 154 169

HSL 341.25, 0.31%, 0.7%

LAB 68.41, 20.22, -0.86

 

CMYK 0 / 26 / 19 / 27

HEX #B98896

RGB 185 136 150

HSL 342.86, 0.26%, 0.63%

LAB 61.76, 20.86, -0.08

 

CMYK 0 / 30 / 22 / 34

HEX #A87683

RGB 168 118 131

HSL 344.4, 0.22%, 0.56%

LAB 54.99, 21.57, 0.77

 

CMYK 0 / 34 / 26 / 41

HEX #976470

RGB 151 100 112

HSL 345.88, 0.2%, 0.49%

LAB 48.09, 22.36, 1.72

 

CMYK 0 / 21 / 14 / 14

HEX #DBADBD

RGB 219 173 189

HSL 339.13, 0.39%, 0.77%

LAB 75.22, 19.26, -1.74

 

CMYK 0 / 21 / 19 / 14

HEX #DBADB1

RGB 219 173 177

HSL 354.78, 0.39%, 0.77%

LAB 74.9, 17.37, 4.37

 

CMYK 0 / 21 / 21 / 14

HEX #DBADAD

RGB 219 173 173

HSL 0, 0.39%, 0.77%

LAB 74.8, 16.76, 6.41

 

CMYK 0 / 21 / 14 / 14

HEX #DBADBD

RGB 219 173 189

HSL 339.13, 0.39%, 0.77%

LAB 75.22, 19.26, -1.74

 

CMYK 0 / 21 / 8 / 14

HEX #DBADC9

RGB 219 173 201

HSL 323.48, 0.39%, 0.77%

LAB 75.55, 21.27, -7.8

 

CMYK 0 / 21 / 2 / 14

HEX #DBADD6

RGB 219 173 214

HSL 306.52, 0.39%, 0.77%

LAB 75.95, 23.57, -14.3

 

CMYK 3 / 21 / 0 / 14

HEX #D4ADDB

RGB 212 173 219

HSL 290.87, 0.39%, 0.77%

LAB 75.45, 22.17, -17.84

 

CMYK 9 / 21 / 0 / 14

HEX #C8ADDB

RGB 200 173 219

HSL 275.22, 0.39%, 0.77%

LAB 74.37, 18.23, -19.58

 

CMYK 0 / 21 / 14 / 14

HEX #DBADBD

RGB 219 173 189

HSL 339.13, 0.39%, 0.77%

LAB 75.22, 19.26, -1.74

 

CMYK 0 / 28 / 19 / 10

HEX #E5A4BA

RGB 229 164 186

HSL 339.69, 0.56%, 0.77%

LAB 74.03, 27.2, -1.71

 

CMYK 0 / 35 / 23 / 7

HEX #EE9AB7

RGB 238 154 183

HSL 339.29, 0.71%, 0.77%

LAB 72.7, 35.25, -1.9

 

CMYK 0 / 42 / 27 / 3

HEX #F891B4

RGB 248 145 180

HSL 339.61, 0.88%, 0.77%

LAB 71.89, 42.98, -1.27

 

CMYK 0 / 21 / 14 / 14

HEX #DBADBD

RGB 219 173 189

HSL 339.13, 0.39%, 0.77%

LAB 75.22, 19.26, -1.74

 

CMYK 0 / 13 / 9 / 18

HEX #D2B7C0

RGB 210 183 192

HSL 340, 0.23%, 0.77%

LAB 76.91, 11.16, -1

 

CMYK 0 / 4 / 3 / 22

HEX #C8C0C3

RGB 200 192 195

HSL 337.5, 0.07%, 0.77%

LAB 78.41, 3.34, -0.52

 

CMYK 5 / 0 / 2 / 21

HEX #BFCAC6

RGB 191 202 198

HSL 158.18, 0.09%, 0.77%

LAB 80.4, -4.5, 0.69

 

CMYK 14 / 0 / 5 / 17

HEX #B5D3C9

RGB 181 211 201

HSL 160, 0.25%, 0.77%

LAB 82.18, -11.92, 1.59

 

CMYK 0 / 21 / 2 / 14

HEX #DBADD6

RGB 219 173 214

HSL 306.52, 0.39%, 0.77%

LAB 75.95, 23.57, -14.3

 

CMYK 0 / 21 / 8 / 14

HEX #DBADCA

RGB 219 173 202

HSL 322.17, 0.39%, 0.77%

LAB 75.58, 21.44, -8.3

 

CMYK 0 / 21 / 14 / 14

HEX #DBADBD

RGB 219 173 189

HSL 339.13, 0.39%, 0.77%

LAB 75.22, 19.26, -1.74

 

CMYK 0 / 21 / 19 / 14

HEX #DBADB1

RGB 219 173 177

HSL 354.78, 0.39%, 0.77%

LAB 74.9, 17.37, 4.37

 

CMYK 0 / 17 / 21 / 14

HEX #DBB6AD

RGB 219 182 173

HSL 11.74, 0.39%, 0.77%

LAB 77, 11.93, 9.56

 

CMYK 0 / 40 / 26 / 24

HEX #C2748F

RGB 194 116 143

HSL 339.23, 0.39%, 0.61%

LAB 57.98, 34.12, -1.46

 

CMYK 0 / 30 / 20 / 19

HEX #CF91A6

RGB 207 145 166

HSL 339.68, 0.39%, 0.69%

LAB 66.73, 26.49, -1.59

 

CMYK 0 / 21 / 14 / 14

HEX #DBADBD

RGB 219 173 189

HSL 339.13, 0.39%, 0.77%

LAB 75.22, 19.26, -1.74

 

CMYK 0 / 13 / 9 / 9

HEX #E8CAD4

RGB 232 202 212

HSL 340, 0.39%, 0.85%

LAB 84.04, 12.17, -1.09

 

CMYK 0 / 5 / 4 / 4

HEX #F4E7EB

RGB 244 231 235

HSL 341.54, 0.37%, 0.93%

LAB 92.74, 5.09, -0.37

 

CMYK 0 / 21 / 14 / 14

HEX #DBACBC

RGB 219 172 188

HSL 339.57, 0.39%, 0.77%

LAB 74.95, 19.64, -1.58

 

CMYK 0 / 3 / 21 / 14

HEX #DBD4AD

RGB 219 212 173

HSL 50.87, 0.39%, 0.77%

LAB 84.57, -3.85, 20.2

 

CMYK 21 / 5 / 0 / 14

HEX #ADD0DB

RGB 173 208 219

HSL 194.35, 0.39%, 0.77%

LAB 81.35, -9.18, -9.29

 

CMYK 0 / 21 / 14 / 14

HEX #DBACBC

RGB 219 172 188

HSL 339.57, 0.39%, 0.77%

LAB 74.95, 19.64, -1.58

 

CMYK 14 / 0 / 21 / 14

HEX #BDDBAD

RGB 189 219 173

HSL 99.13, 0.39%, 0.77%

LAB 84.22, -18.24, 19.38

 

CMYK 21 / 14 / 0 / 14

HEX #ADBDDB

RGB 173 189 219

HSL 219.13, 0.39%, 0.77%

LAB 76.31, 0.88, -16.85

 

CMYK 0 / 21 / 14 / 14

HEX #DBACBC

RGB 219 172 188

HSL 339.57, 0.39%, 0.77%

LAB 74.95, 19.64, -1.58

 

CMYK 0 / 3 / 21 / 14

HEX #DBD4AD

RGB 219 212 173

HSL 50.87, 0.39%, 0.77%

LAB 84.57, -3.85, 20.2

 

CMYK 21 / 0 / 7 / 14

HEX #ADDBCB

RGB 173 219 203

HSL 159.13, 0.39%, 0.77%

LAB 83.89, -18.14, 2.95

 

CMYK 21 / 18 / 0 / 14

HEX #ADB4DB

RGB 173 180 219

HSL 230.87, 0.39%, 0.77%

LAB 73.96, 5.77, -20.4

 

CMYK 0 / 21 / 14 / 14

HEX #DBACBC

RGB 219 172 188

HSL 339.57, 0.39%, 0.77%

LAB 74.95, 19.64, -1.58

 

CMYK 3 / 0 / 21 / 14

HEX #D4DBAD

RGB 212 219 173

HSL 69.13, 0.39%, 0.77%

LAB 85.84, -10.01, 21.88

 

CMYK 21 / 0 / 7 / 14

HEX #ADDBCB

RGB 173 219 203

HSL 159.13, 0.39%, 0.77%

LAB 83.89, -18.14, 2.95

 

CMYK 18 / 21 / 0 / 14

HEX #B4ADDB

RGB 180 173 219

HSL 249.13, 0.39%, 0.77%

LAB 72.7, 11.81, -22.27

 

Description

Color code: HEX #DBACBC | qconv.com Color code: HEX #DBACBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 172 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 172 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 14 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 14% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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