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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA9C4 it is the complementary color #24563B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA9C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA9C4 shade: #E0A9BF, #F1BBD2, #FFCDE5, #FFDFF8 and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA9C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA9C4 shade: #DBA9C4, #CA97B1, #B9859E, #A8738B and #976178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA9C4 shade: #DBA9C4, #DBA9B6 and #DBA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA9C4 shade: #DBA9C4, #DBA9D1, #D7A9DB, #C9A9DB and #BCA9DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA9C4 shade matches the following richer shades: #DBA9C4, #E59FC5, #EF95C5 and #F98BC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA9C4 shade: #DBA9C4, #D1B3C3, #C7BDC2, #BDC6C1 and #B3D0C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA9C4 shade: #D7A9DB, #DBA9D2, #DBA9C4, #DBA9B7 and #DBA9AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA9C4 shade: #C36F9C, #CF8CB0, #DBA9C4, #E7C6D8 and #F3E3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA9C4 shade: #DBA9C4, #DBC9A9 and #A9D8DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA9C4 shade: #DBA9C4, #C4DBA9 and #A9C4DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA9C4 shade: #DBA9C4, #DBC9A9, #A9DBBF and #A9BADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA9C4 shade: #DBA9C4, #DBD8A9, #A9DBBF and #A9ABDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

Complementary color

CMYK 58 / 0 / 31 / 66

HEX #24563B

RGB 36 86 59

HSL 147.6, 0.41%, 0.24%

LAB 32.58, -24.02, 10.74

 

CMYK 0 / 25 / 15 / 12

HEX #E0A9BF

RGB 224 169 191

HSL 336, 0.47%, 0.77%

LAB 74.82, 23.52, -3.36

 

CMYK 0 / 22 / 13 / 5

HEX #F1BBD2

RGB 241 187 210

HSL 334.44, 0.66%, 0.84%

LAB 81.23, 22.93, -4.04

 

CMYK 0 / 20 / 10 / 0

HEX #FFCDE5

RGB 255 205 229

HSL 331.2, 1%, 0.9%

LAB 87.28, 21.37, -5.13

 

CMYK 0 / 13 / 3 / 0

HEX #FFDFF8

RGB 255 223 248

HSL 313.13, 1%, 0.94%

LAB 92.05, 15.19, -8.08

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 25 / 12 / 21

HEX #CA97B1

RGB 202 151 177

HSL 329.41, 0.32%, 0.69%

LAB 67.92, 23.18, -6.05

 

CMYK 0 / 28 / 15 / 27

HEX #B9859E

RGB 185 133 158

HSL 331.15, 0.27%, 0.62%

LAB 61.27, 23.83, -5.37

 

CMYK 0 / 32 / 17 / 34

HEX #A8738B

RGB 168 115 139

HSL 332.83, 0.23%, 0.55%

LAB 54.5, 24.55, -4.62

 

CMYK 0 / 36 / 21 / 41

HEX #976178

RGB 151 97 120

HSL 334.44, 0.22%, 0.49%

LAB 47.6, 25.34, -3.79

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 23 / 17 / 14

HEX #DBA9B6

RGB 219 169 182

HSL 344.4, 0.41%, 0.76%

LAB 74.07, 20.3, 0.42

 

CMYK 0 / 23 / 23 / 14

HEX #DBA9A9

RGB 219 169 169

HSL 0, 0.41%, 0.76%

LAB 73.74, 18.33, 7.08

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 23 / 5 / 14

HEX #DBA9D1

RGB 219 169 209

HSL 312, 0.41%, 0.76%

LAB 74.85, 24.84, -13.22

 

CMYK 2 / 23 / 0 / 14

HEX #D7A9DB

RGB 215 169 219

HSL 295.2, 0.41%, 0.76%

LAB 74.79, 25.34, -18.82

 

CMYK 8 / 23 / 0 / 14

HEX #C9A9DB

RGB 201 169 219

HSL 278.4, 0.41%, 0.76%

LAB 73.49, 20.75, -20.91

 

CMYK 14 / 23 / 0 / 14

HEX #BCA9DB

RGB 188 169 219

HSL 262.8, 0.41%, 0.76%

LAB 72.35, 16.56, -22.74

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 31 / 14 / 10

HEX #E59FC5

RGB 229 159 197

HSL 327.43, 0.57%, 0.76%

LAB 73.21, 31.6, -8.98

 

CMYK 0 / 38 / 18 / 6

HEX #EF95C5

RGB 239 149 197

HSL 328, 0.74%, 0.76%

LAB 72.15, 40.28, -10.45

 

CMYK 0 / 44 / 20 / 2

HEX #F98BC6

RGB 249 139 198

HSL 327.82, 0.9%, 0.76%

LAB 71.34, 48.84, -12.08

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 14 / 7 / 18

HEX #D1B3C3

RGB 209 179 195

HSL 328, 0.25%, 0.76%

LAB 75.91, 13.48, -4.11

 

CMYK 0 / 5 / 3 / 22

HEX #C7BDC2

RGB 199 189 194

HSL 330, 0.08%, 0.76%

LAB 77.54, 4.41, -1.27

 

CMYK 5 / 0 / 3 / 22

HEX #BDC6C1

RGB 189 198 193

HSL 146.67, 0.07%, 0.76%

LAB 79.07, -4.02, 1.42

 

CMYK 14 / 0 / 7 / 18

HEX #B3D0C1

RGB 179 208 193

HSL 148.97, 0.24%, 0.76%

LAB 81.04, -12.59, 4.19

 

CMYK 2 / 23 / 0 / 14

HEX #D7A9DB

RGB 215 169 219

HSL 295.2, 0.41%, 0.76%

LAB 74.79, 25.34, -18.82

 

CMYK 0 / 23 / 4 / 14

HEX #DBA9D2

RGB 219 169 210

HSL 310.8, 0.41%, 0.76%

LAB 74.88, 25.01, -13.72

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 23 / 16 / 14

HEX #DBA9B7

RGB 219 169 183

HSL 343.2, 0.41%, 0.76%

LAB 74.1, 20.46, -0.09

 

CMYK 0 / 23 / 22 / 14

HEX #DBA9AA

RGB 219 169 170

HSL 358.8, 0.41%, 0.76%

LAB 73.76, 18.47, 6.56

 

CMYK 0 / 43 / 20 / 24

HEX #C36F9C

RGB 195 111 156

HSL 327.86, 0.41%, 0.6%

LAB 57.44, 39.07, -9.8

 

CMYK 0 / 32 / 15 / 19

HEX #CF8CB0

RGB 207 140 176

HSL 327.76, 0.41%, 0.68%

LAB 65.87, 30.79, -8.48

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 14 / 6 / 9

HEX #E7C6D8

RGB 231 198 216

HSL 327.27, 0.41%, 0.84%

LAB 83.09, 14.62, -4.63

 

CMYK 0 / 7 / 3 / 5

HEX #F3E3EC

RGB 243 227 236

HSL 326.25, 0.4%, 0.92%

LAB 91.71, 6.99, -2.42

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 8 / 23 / 14

HEX #DBC9A9

RGB 219 201 169

HSL 38.4, 0.41%, 0.76%

LAB 81.67, 1.28, 18.29

 

CMYK 23 / 1 / 0 / 14

HEX #A9D8DB

RGB 169 216 219

HSL 183.6, 0.41%, 0.76%

LAB 83.26, -14.5, -6.49

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 11 / 0 / 23 / 14

HEX #C4DBA9

RGB 196 219 169

HSL 87.6, 0.41%, 0.76%

LAB 84.62, -16.4, 22.09

 

CMYK 23 / 11 / 0 / 14

HEX #A9C4DB

RGB 169 196 219

HSL 207.6, 0.41%, 0.76%

LAB 77.89, -4.09, -14.49

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 8 / 23 / 14

HEX #DBC9A9

RGB 219 201 169

HSL 38.4, 0.41%, 0.76%

LAB 81.67, 1.28, 18.29

 

CMYK 23 / 0 / 13 / 14

HEX #A9DBBF

RGB 169 219 191

HSL 146.4, 0.41%, 0.76%

LAB 83.37, -21.75, 8.52

 

CMYK 23 / 15 / 0 / 14

HEX #A9BADB

RGB 169 186 219

HSL 219.6, 0.41%, 0.76%

LAB 75.24, 1.27, -18.48

 

CMYK 0 / 23 / 11 / 14

HEX #DBA9C4

RGB 219 169 196

HSL 327.6, 0.41%, 0.76%

LAB 74.46, 22.58, -6.69

 

CMYK 0 / 1 / 23 / 14

HEX #DBD8A9

RGB 219 216 169

HSL 56.4, 0.41%, 0.76%

LAB 85.52, -6.47, 23.61

 

CMYK 23 / 0 / 13 / 14

HEX #A9DBBF

RGB 169 219 191

HSL 146.4, 0.41%, 0.76%

LAB 83.37, -21.75, 8.52

 

CMYK 23 / 22 / 0 / 14

HEX #A9ABDB

RGB 169 171 219

HSL 237.6, 0.41%, 0.76%

LAB 71.33, 9.5, -24.43

 

Description

Color code: HEX #DBA9C4 | qconv.com Color code: HEX #DBA9C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 169 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 169 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 11 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 11% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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