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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA8C0 it is the complementary color #24573F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA8C0 shade: #E0A8BB, #F1BACE, #FFCCE1, #FFDEF4 and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA8C0 shade: #DBA8C0, #CA96AD, #B9849A, #A87287 and #976074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA8C0 shade: #DBA9C0, #DBA9B3 and #DBA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA8C0 shade: #DBA9C0, #DBA9CE, #DAA9DB, #CDA9DB and #BFA9DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA8C0 shade matches the following richer shades: #DBA9C0, #E59FC0, #EF95BF and #F98BBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA8C0 shade: #DBA9C0, #D1B3C1, #C7BDC1, #BDC6C2 and #B3D0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA8C0 shade: #DAA9DB, #DBA9CE, #DBA9C1, #DBA9B4 and #DBABA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA8C0 shade: #C36F96, #CF8CAB, #DBA9C0, #E7C6D5 and #F3E3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA8C0 shade: #DBA8C0, #DBCDA9 and #A9D5DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA8C0 shade: #DBA8C0, #C1DBA9 and #A9C1DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA8C0 shade: #DBA8C0, #DBCDA9, #A9DBC3 and #A9B7DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA8C0 shade: #DBA8C0, #DADBA9, #A9DBC3 and #AAA9DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 12 / 14

HEX #DBA8C0

RGB 219 168 192

HSL 331.76, 0.41%, 0.76%

LAB 74.11, 22.45, -5.01

 

Complementary color

CMYK 59 / 0 / 28 / 66

HEX #24573F

RGB 36 87 63

HSL 151.76, 0.41%, 0.24%

LAB 33.03, -23.57, 8.87

 

CMYK 0 / 25 / 17 / 12

HEX #E0A8BB

RGB 224 168 187

HSL 339.64, 0.47%, 0.77%

LAB 74.47, 23.42, -1.68

 

CMYK 0 / 23 / 15 / 5

HEX #F1BACE

RGB 241 186 206

HSL 338.18, 0.66%, 0.84%

LAB 80.89, 22.82, -2.39

 

CMYK 0 / 20 / 12 / 0

HEX #FFCCE1

RGB 255 204 225

HSL 335.29, 1%, 0.9%

LAB 86.94, 21.24, -3.51

 

CMYK 0 / 13 / 4 / 0

HEX #FFDEF4

RGB 255 222 244

HSL 320, 1%, 0.94%

LAB 91.7, 15.01, -6.5

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 23 / 12 / 14

HEX #DBA8C0

RGB 219 168 192

HSL 331.76, 0.41%, 0.76%

LAB 74.11, 22.45, -5.01

 

CMYK 0 / 26 / 14 / 21

HEX #CA96AD

RGB 202 150 173

HSL 333.46, 0.33%, 0.69%

LAB 67.57, 23.06, -4.34

 

CMYK 0 / 29 / 17 / 27

HEX #B9849A

RGB 185 132 154

HSL 335.09, 0.27%, 0.62%

LAB 60.91, 23.73, -3.61

 

CMYK 0 / 32 / 20 / 34

HEX #A87287

RGB 168 114 135

HSL 336.67, 0.24%, 0.55%

LAB 54.14, 24.47, -2.81

 

CMYK 0 / 36 / 23 / 41

HEX #976074

RGB 151 96 116

HSL 338.18, 0.22%, 0.48%

LAB 47.24, 25.28, -1.92

 

CMYK 0 / 23 / 12 / 14

HEX #DBA9C0

RGB 219 169 192

HSL 332.4, 0.41%, 0.76%

LAB 74.34, 21.91, -4.66

 

CMYK 0 / 23 / 18 / 14

HEX #DBA9B3

RGB 219 169 179

HSL 348, 0.41%, 0.76%

LAB 73.99, 19.83, 1.95

 

CMYK 0 / 23 / 23 / 14

HEX #DBA9A9

RGB 219 169 169

HSL 0, 0.41%, 0.76%

LAB 73.74, 18.33, 7.08

 

CMYK 0 / 23 / 12 / 14

HEX #DBA9C0

RGB 219 169 192

HSL 332.4, 0.41%, 0.76%

LAB 74.34, 21.91, -4.66

 

CMYK 0 / 23 / 6 / 14

HEX #DBA9CE

RGB 219 169 206

HSL 315.6, 0.41%, 0.76%

LAB 74.76, 24.3, -11.72

 

CMYK 0 / 23 / 0 / 14

HEX #DAA9DB

RGB 218 169 219

HSL 298.8, 0.41%, 0.76%

LAB 75.07, 26.33, -18.35

 

CMYK 6 / 23 / 0 / 14

HEX #CDA9DB

RGB 205 169 219

HSL 283.2, 0.41%, 0.76%

LAB 73.85, 22.05, -20.32

 

CMYK 13 / 23 / 0 / 14

HEX #BFA9DB

RGB 191 169 219

HSL 266.4, 0.41%, 0.76%

LAB 72.61, 17.52, -22.33

 

CMYK 0 / 23 / 12 / 14

HEX #DBA9C0

RGB 219 169 192

HSL 332.4, 0.41%, 0.76%

LAB 74.34, 21.91, -4.66

 

CMYK 0 / 31 / 16 / 10

HEX #E59FC0

RGB 229 159 192

HSL 331.71, 0.57%, 0.76%

LAB 73.06, 30.8, -6.44

 

CMYK 0 / 38 / 20 / 6

HEX #EF95BF

RGB 239 149 191

HSL 332, 0.74%, 0.76%

LAB 71.97, 39.38, -7.39

 

CMYK 0 / 44 / 23 / 2

HEX #F98BBF

RGB 249 139 191

HSL 331.64, 0.9%, 0.76%

LAB 71.12, 47.84, -8.51

 

CMYK 0 / 23 / 12 / 14

HEX #DBA9C0

RGB 219 169 192

HSL 332.4, 0.41%, 0.76%

LAB 74.34, 21.91, -4.66

 

CMYK 0 / 14 / 8 / 18

HEX #D1B3C1

RGB 209 179 193

HSL 332, 0.25%, 0.76%

LAB 75.85, 13.13, -3.1

 

CMYK 0 / 5 / 3 / 22

HEX #C7BDC1

RGB 199 189 193

HSL 336, 0.08%, 0.76%

LAB 77.51, 4.23, -0.76

 

CMYK 5 / 0 / 2 / 22

HEX #BDC6C2

RGB 189 198 194

HSL 153.33, 0.07%, 0.76%

LAB 79.1, -3.83, 0.92

 

CMYK 14 / 0 / 6 / 18

HEX #B3D0C3

RGB 179 208 195

HSL 153.1, 0.24%, 0.76%

LAB 81.09, -12.2, 3.19

 

CMYK 0 / 23 / 0 / 14

HEX #DAA9DB

RGB 218 169 219

HSL 298.8, 0.41%, 0.76%

LAB 75.07, 26.33, -18.35

 

CMYK 0 / 23 / 6 / 14

HEX #DBA9CE

RGB 219 169 206

HSL 315.6, 0.41%, 0.76%

LAB 74.76, 24.3, -11.72

 

CMYK 0 / 23 / 12 / 14

HEX #DBA9C1

RGB 219 169 193

HSL 331.2, 0.41%, 0.76%

LAB 74.37, 22.08, -5.17

 

CMYK 0 / 23 / 18 / 14

HEX #DBA9B4

RGB 219 169 180

HSL 346.8, 0.41%, 0.76%

LAB 74.02, 19.99, 1.44

 

CMYK 0 / 22 / 23 / 14

HEX #DBABA9

RGB 219 171 169

HSL 2.4, 0.41%, 0.76%

LAB 74.22, 17.25, 7.77

 

CMYK 0 / 43 / 23 / 24

HEX #C36F96

RGB 195 111 150

HSL 332.14, 0.41%, 0.6%

LAB 57.24, 38.17, -6.6

 

CMYK 0 / 32 / 17 / 19

HEX #CF8CAB

RGB 207 140 171

HSL 332.24, 0.41%, 0.68%

LAB 65.72, 29.99, -5.88

 

CMYK 0 / 23 / 12 / 14

HEX #DBA9C0

RGB 219 169 192

HSL 332.4, 0.41%, 0.76%

LAB 74.34, 21.91, -4.66

 

CMYK 0 / 14 / 8 / 9

HEX #E7C6D5

RGB 231 198 213

HSL 332.73, 0.41%, 0.84%

LAB 83.01, 14.11, -3.15

 

CMYK 0 / 7 / 3 / 5

HEX #F3E3EB

RGB 243 227 235

HSL 330, 0.4%, 0.92%

LAB 91.68, 6.81, -1.94

 

CMYK 0 / 23 / 12 / 14

HEX #DBA8C0

RGB 219 168 192

HSL 331.76, 0.41%, 0.76%

LAB 74.11, 22.45, -5.01

 

CMYK 0 / 6 / 23 / 14

HEX #DBCDA9

RGB 219 205 169

HSL 43.2, 0.41%, 0.76%

LAB 82.69, -0.8, 19.7

 

CMYK 23 / 3 / 0 / 14

HEX #A9D5DB

RGB 169 213 219

HSL 187.2, 0.41%, 0.76%

LAB 82.45, -12.97, -7.69

 

CMYK 0 / 23 / 12 / 14

HEX #DBA8C0

RGB 219 168 192

HSL 331.76, 0.41%, 0.76%

LAB 74.11, 22.45, -5.01

 

CMYK 12 / 0 / 23 / 14

HEX #C1DBA9

RGB 193 219 169

HSL 91.2, 0.41%, 0.76%

LAB 84.41, -17.47, 21.78

 

CMYK 23 / 12 / 0 / 14

HEX #A9C1DB

RGB 169 193 219

HSL 211.2, 0.41%, 0.76%

LAB 77.09, -2.5, -15.69

 

CMYK 0 / 23 / 12 / 14

HEX #DBA8C0

RGB 219 168 192

HSL 331.76, 0.41%, 0.76%

LAB 74.11, 22.45, -5.01

 

CMYK 0 / 6 / 23 / 14

HEX #DBCDA9

RGB 219 205 169

HSL 43.2, 0.41%, 0.76%

LAB 82.69, -0.8, 19.7

 

CMYK 23 / 0 / 11 / 14

HEX #A9DBC3

RGB 169 219 195

HSL 151.2, 0.41%, 0.76%

LAB 83.46, -20.98, 6.54

 

CMYK 23 / 16 / 0 / 14

HEX #A9B7DB

RGB 169 183 219

HSL 223.2, 0.41%, 0.76%

LAB 74.46, 2.9, -19.68

 

CMYK 0 / 23 / 12 / 14

HEX #DBA8C0

RGB 219 168 192

HSL 331.76, 0.41%, 0.76%

LAB 74.11, 22.45, -5.01

 

CMYK 0 / 0 / 23 / 14

HEX #DADBA9

RGB 218 219 169

HSL 61.2, 0.41%, 0.76%

LAB 86.22, -8.37, 24.55

 

CMYK 23 / 0 / 11 / 14

HEX #A9DBC3

RGB 169 219 195

HSL 151.2, 0.41%, 0.76%

LAB 83.46, -20.98, 6.54

 

CMYK 22 / 23 / 0 / 14

HEX #AAA9DB

RGB 170 169 219

HSL 241.2, 0.41%, 0.76%

LAB 70.9, 10.92, -25.09

 

Description

Color code: HEX #DBA8C0 | qconv.com Color code: HEX #DBA8C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 168 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 168 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 12 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 12% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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