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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA594CE it is the complementary color #245A6BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA594CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA594CE shade: #E0A58FCE, #F1B7A2CE, #FFC9B5CE, #FFDBC8CE and #FFEDDBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA594CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA594CE shade: #DBA594CE, #CA9381CE, #B9816ECE, #A86F5BCE and #975D48CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA594CE shade: #DBA594 and #DB9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA594CE shade: #DBA594, #DBB894, #DBCC94, #D8DB94 and #C5DB94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA594CE shade matches the following richer shades: #DBA594, #E79F88, #F2997D and #FE9371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA594CE shade: #DBA594, #D0AB9F, #C4B1AB, #B9B7B7 and #ADBDC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA594CE shade: #DB94A9, #DB9496, #DBA594, #DBB894 and #DBCB94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA594CE shade: #C77156, #D18B75, #DBA594, #E6BFB3 and #F0D9D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA594CE shade: #DBA594, #BCDB94 and #94A0DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA594CE shade: #DBA594, #94DBA5 and #A594DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA594CE shade: #DBA594, #BCDB94, #94CBDB and #B394DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA594CE shade: #DBA594, #A7DB94, #94CBDB and #C894DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 26 / 11

HEX #DBA594CE

RGBA 219 165 148 0.81

HSLA 14.37, 0.5%, 0.72%, 0.81

LABA 72.3, 17.6, 16.56, 0.81

 

Complementary color

CMYK 54 / 13 / 0 / 47

HEX #245A6BCE

RGBA 36 90 107 0.81

HSLA 194.37, 0.5%, 0.28%, 0.81

LABA 35.5, -12.01, -15.03, 0.81

 

CMYK 0 / 21 / 29 / 10

HEX #E0A58FCE

RGBA 224 165 143 0.81

HSLA 16.3, 0.57%, 0.72%, 0.81

LABA 72.72, 18.92, 19.95, 0.81

 

CMYK 0 / 19 / 27 / 4

HEX #F1B7A2CE

RGBA 241 183 162 0.81

HSLA 15.95, 0.74%, 0.79%, 0.81

LABA 79.14, 18.18, 18.82, 0.81

 

CMYK 0 / 17 / 24 / 0

HEX #FFC9B5CE

RGBA 255 201 181 0.81

HSLA 16.22, 1%, 0.85%, 0.81

LABA 85.18, 16.4, 17.32, 0.81

 

CMYK 0 / 11 / 17 / 0

HEX #FFDBC8CE

RGBA 255 219 200 0.81

HSLA 20.73, 1%, 0.89%, 0.81

LABA 89.9, 9.63, 13.95, 0.81

 

CMYK 0 / 6 / 11 / 0

HEX #FFEDDBCE

RGBA 255 237 219 0.81

HSLA 30, 1%, 0.93%, 0.81

LABA 94.71, 3.2, 10.9, 0.81

 

CMYK 0 / 20 / 26 / 11

HEX #DBA594CE

RGBA 219 165 148 0.81

HSLA 14.37, 0.5%, 0.72%, 0.81

LABA 72.3, 17.6, 16.56, 0.81

 

CMYK 0 / 22 / 29 / 17

HEX #CA9381CE

RGBA 202 147 129 0.81

HSLA 14.79, 0.41%, 0.65%, 0.81

LABA 65.76, 18.37, 17.7, 0.81

 

CMYK 0 / 25 / 33 / 22

HEX #B9816ECE

RGBA 185 129 110 0.81

HSLA 15.2, 0.35%, 0.58%, 0.81

LABA 59.1, 19.23, 18.97, 0.81

 

CMYK 0 / 27 / 37 / 28

HEX #A86F5BCE

RGBA 168 111 91 0.81

HSLA 15.58, 0.31%, 0.51%, 0.81

LABA 52.34, 20.23, 20.38, 0.81

 

CMYK 0 / 31 / 42 / 33

HEX #975D48CE

RGBA 151 93 72 0.81

HSLA 15.95, 0.35%, 0.44%, 0.81

LABA 45.46, 21.38, 21.99, 0.81

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 0 / 32 / 32 / 14

HEX #DB9494

RGB 219 148 148

HSL 0, 0.5%, 0.72%

LAB 68.3, 26.77, 10.94

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 0 / 16 / 32 / 14

HEX #DBB894

RGB 219 184 148

HSL 30.42, 0.5%, 0.72%

LAB 76.97, 7.42, 22.99

 

CMYK 0 / 7 / 32 / 14

HEX #DBCC94

RGB 219 204 148

HSL 47.32, 0.5%, 0.72%

LAB 82.05, -3.07, 29.84

 

CMYK 1 / 0 / 32 / 14

HEX #D8DB94

RGB 216 219 148

HSL 62.54, 0.5%, 0.72%

LAB 85.71, -11.87, 34.65

 

CMYK 10 / 0 / 32 / 14

HEX #C5DB94

RGB 197 219 148

HSL 78.59, 0.5%, 0.72%

LAB 84.31, -19.03, 32.55

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 0 / 31 / 41 / 9

HEX #E79F88

RGB 231 159 136

HSL 14.53, 0.66%, 0.72%

LAB 71.94, 24.05, 22.82

 

CMYK 0 / 37 / 48 / 5

HEX #F2997D

RGB 242 153 125

HSL 14.36, 0.82%, 0.72%

LAB 71.65, 30.38, 28.65

 

CMYK 0 / 42 / 56 / 0

HEX #FE9371

RGB 254 147 113

HSL 14.47, 0.99%, 0.72%

LAB 71.64, 37.08, 35.4

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 0 / 18 / 24 / 18

HEX #D0AB9F

RGB 208 171 159

HSL 14.69, 0.34%, 0.72%

LAB 72.92, 11.65, 11.24

 

CMYK 0 / 10 / 13 / 23

HEX #C4B1AB

RGB 196 177 171

HSL 14.4, 0.17%, 0.72%

LAB 73.62, 5.79, 5.53

 

CMYK 0 / 1 / 1 / 27

HEX #B9B7B7

RGB 185 183 183

HSL 0, 0.01%, 0.72%

LAB 74.57, 0.71, 0.24

 

CMYK 11 / 3 / 0 / 24

HEX #ADBDC2

RGB 173 189 194

HSL 194.29, 0.15%, 0.72%

LAB 75.56, -4.47, -4.4

 

CMYK 0 / 32 / 23 / 14

HEX #DB94A9

RGB 219 148 169

HSL 342.25, 0.5%, 0.72%

LAB 68.83, 29.66, -0.04

 

CMYK 0 / 32 / 32 / 14

HEX #DB9496

RGB 219 148 150

HSL 358.31, 0.5%, 0.72%

LAB 68.35, 27.03, 9.89

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 0 / 16 / 32 / 14

HEX #DBB894

RGB 219 184 148

HSL 30.42, 0.5%, 0.72%

LAB 76.97, 7.42, 22.99

 

CMYK 0 / 7 / 32 / 14

HEX #DBCB94

RGB 219 203 148

HSL 46.48, 0.5%, 0.72%

LAB 81.79, -2.55, 29.5

 

CMYK 0 / 43 / 57 / 22

HEX #C77156

RGB 199 113 86

HSL 14.34, 0.5%, 0.56%

LAB 56.71, 31.29, 29.69

 

CMYK 0 / 33 / 44 / 18

HEX #D18B75

RGB 209 139 117

HSL 14.35, 0.5%, 0.64%

LAB 64.41, 24.13, 22.68

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 0 / 17 / 22 / 10

HEX #E6BFB3

RGB 230 191 179

HSL 14.12, 0.5%, 0.8%

LAB 80.37, 12.1, 11.26

 

CMYK 0 / 10 / 13 / 6

HEX #F0D9D2

RGB 240 217 210

HSL 14, 0.5%, 0.88%

LAB 88.35, 6.79, 6.32

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 14 / 0 / 32 / 14

HEX #BCDB94

RGB 188 219 148

HSL 86.2, 0.5%, 0.72%

LAB 83.7, -22.34, 31.63

 

CMYK 32 / 27 / 0 / 14

HEX #94A0DB

RGB 148 160 219

HSL 229.86, 0.5%, 0.72%

LAB 66.94, 9.45, -31.32

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 32 / 0 / 25 / 14

HEX #94DBA5

RGB 148 219 165

HSL 134.37, 0.5%, 0.72%

LAB 81.66, -33.18, 19.65

 

CMYK 25 / 32 / 0 / 14

HEX #A594DB

RGB 165 148 219

HSL 254.37, 0.5%, 0.72%

LAB 65.19, 21.23, -33.92

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 14 / 0 / 32 / 14

HEX #BCDB94

RGB 188 219 148

HSL 86.2, 0.5%, 0.72%

LAB 83.7, -22.34, 31.63

 

CMYK 32 / 7 / 0 / 14

HEX #94CBDB

RGB 148 203 219

HSL 193.52, 0.5%, 0.72%

LAB 78.53, -13.9, -13.66

 

CMYK 18 / 32 / 0 / 14

HEX #B394DB

RGB 179 148 219

HSL 266.2, 0.5%, 0.72%

LAB 66.43, 25.45, -31.91

 

CMYK 0 / 25 / 32 / 14

HEX #DBA594

RGB 219 165 148

HSL 14.37, 0.5%, 0.72%

LAB 72.3, 17.6, 16.56

 

CMYK 24 / 0 / 32 / 14

HEX #A7DB94

RGB 167 219 148

HSL 103.94, 0.5%, 0.72%

LAB 82.39, -29.78, 29.65

 

CMYK 32 / 7 / 0 / 14

HEX #94CBDB

RGB 148 203 219

HSL 193.52, 0.5%, 0.72%

LAB 78.53, -13.9, -13.66

 

CMYK 9 / 32 / 0 / 14

HEX #C894DB

RGB 200 148 219

HSL 283.94, 0.5%, 0.72%

LAB 68.44, 31.96, -28.63

 

Description

Color code: HEX #DBA594CE | qconv.com Color code: HEX #DBA594CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 165 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 165 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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