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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA522CE it is the complementary color #245ADDCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA522CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA522CE shade: #E0A51DCE, #F1B730CE, #FFC943CE, #FFDB56CE and #FFED69CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA522CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA522CE shade: #DBA522CE, #CA930FCE, #B98100CE, #A86F00CE and #975D00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA522CE shade: #DDA622, #DD7422, #DD4222 and #DD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA522CE shade: #DDA622, #DDD822, #AFDD22, #7CDD22 and #4ADD22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA522CE shade matches the following richer shades: #DDA622 and #F1AF0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA522CE shade: #DDA622, #C89E37, #B3954C, #9F8C60 and #8A8475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA522CE shade: #DD4122, #DD7322, #DDA522, #DDD622 and #B1DD22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA522CE shade: #957017, #B98B1D, #DDA622, #E2B546 and #E8C36A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA522CE shade: #DBA522, #35DD22 and #5A22DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA522CE shade: #DBA522, #22DDA5 and #A522DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA522CE shade: #DBA522, #35DD22, #225ADD and #CA22DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA522CE shade: #DBA522, #22DD48, #225ADD and #DD22B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 68 / 11

HEX #DBA522CE

RGBA 219 165 34 0.81

HSLA 42.49, 0.73%, 0.5%, 0.81

LABA 70.93, 9.01, 68.36, 0.81

 

Complementary color

CMYK 68 / 48 / 0 / 11

HEX #245ADDCE

RGBA 36 90 221 0.81

HSLA 222.49, 0.73%, 0.5%, 0.81

LABA 42.62, 31.4, -71.52, 0.81

 

CMYK 0 / 21 / 71 / 10

HEX #E0A51DCE

RGBA 224 165 29 0.81

HSLA 41.85, 0.77%, 0.5%, 0.81

LABA 71.45, 11.07, 70.31, 0.81

 

CMYK 0 / 19 / 65 / 4

HEX #F1B730CE

RGBA 241 183 48 0.81

HSLA 41.97, 0.87%, 0.57%, 0.81

LABA 77.75, 9.38, 70.94, 0.81

 

CMYK 0 / 17 / 60 / 0

HEX #FFC943CE

RGBA 255 201 67 0.81

HSLA 42.77, 1%, 0.63%, 0.81

LABA 83.67, 6.65, 70.36, 0.81

 

CMYK 0 / 11 / 54 / 0

HEX #FFDB56CE

RGBA 255 219 86 0.81

HSLA 47.22, 1%, 0.67%, 0.81

LABA 88.25, -1.63, 67.56, 0.81

 

CMYK 0 / 6 / 48 / 0

HEX #FFED69CE

RGBA 255 237 105 0.81

HSLA 52.8, 1%, 0.71%, 0.81

LABA 92.95, -9.47, 64.64, 0.81

 

CMYK 0 / 20 / 68 / 11

HEX #DBA522CE

RGBA 219 165 34 0.81

HSLA 42.49, 0.73%, 0.5%, 0.81

LABA 70.93, 9.01, 68.36, 0.81

 

CMYK 0 / 22 / 75 / 17

HEX #CA930FCE

RGBA 202 147 15 0.81

HSLA 42.35, 0.86%, 0.43%, 0.81

LABA 64.53, 10.85, 66.88, 0.81

 

CMYK 0 / 25 / 81 / 22

HEX #B98100CE

RGBA 185 129 0 0.81

HSLA 41.84, 1%, 0.36%, 0.81

LABA 58.05, 12.94, 63.76, 0.81

 

CMYK 0 / 27 / 81 / 28

HEX #A86F00CE

RGBA 168 111 0 0.81

HSLA 39.64, 1%, 0.33%, 0.81

LABA 51.49, 15.31, 58.4, 0.81

 

CMYK 0 / 31 / 81 / 33

HEX #975D00CE

RGBA 151 93 0 0.81

HSLA 36.95, 1%, 0.3%, 0.81

LABA 44.81, 17.79, 52.95, 0.81

 

CMYK 0 / 25 / 85 / 13

HEX #DDA622

RGB 221 166 34

HSL 42.35, 0.73%, 0.5%

LAB 71.39, 9.35, 68.83

 

CMYK 0 / 48 / 85 / 13

HEX #DD7422

RGB 221 116 34

HSL 26.31, 0.73%, 0.5%

LAB 59.87, 35.92, 59.2

 

CMYK 0 / 70 / 85 / 13

HEX #DD4222

RGB 221 66 34

HSL 10.27, 0.73%, 0.5%

LAB 51.13, 58.67, 51.76

 

CMYK 0 / 85 / 85 / 13

HEX #DD2222

RGB 221 34 34

HSL 0, 0.73%, 0.5%

LAB 47.79, 68.02, 48.87

 

CMYK 0 / 25 / 85 / 13

HEX #DDA622

RGB 221 166 34

HSL 42.35, 0.73%, 0.5%

LAB 71.39, 9.35, 68.83

 

CMYK 0 / 2 / 85 / 13

HEX #DDD822

RGB 221 216 34

HSL 58.4, 0.73%, 0.5%

LAB 84.28, -16.42, 79.46

 

CMYK 21 / 0 / 85 / 13

HEX #AFDD22

RGB 175 221 34

HSL 74.76, 0.73%, 0.5%

LAB 82.35, -37.64, 76.51

 

CMYK 44 / 0 / 85 / 13

HEX #7CDD22

RGB 124 221 34

HSL 91.12, 0.73%, 0.5%

LAB 79.68, -55.89, 73.17

 

CMYK 67 / 0 / 85 / 13

HEX #4ADD22

RGB 74 221 34

HSL 107.17, 0.73%, 0.5%

LAB 78.04, -68.87, 71.1

 

CMYK 0 / 25 / 85 / 13

HEX #DDA622

RGB 221 166 34

HSL 42.35, 0.73%, 0.5%

LAB 71.39, 9.35, 68.83

 

CMYK 0 / 27 / 94 / 5

HEX #F1AF0E

RGB 241 175 14

HSL 42.56, 0.89%, 0.5%

LAB 75.69, 12.87, 77.12

 

CMYK 0 / 25 / 85 / 13

HEX #DDA622

RGB 221 166 34

HSL 42.35, 0.73%, 0.5%

LAB 71.39, 9.35, 68.83

 

CMYK 0 / 21 / 73 / 22

HEX #C89E37

RGB 200 158 55

HSL 42.62, 0.57%, 0.5%

LAB 67.28, 5.23, 57.05

 

CMYK 0 / 17 / 58 / 30

HEX #B3954C

RGB 179 149 76

HSL 42.52, 0.4%, 0.5%

LAB 63.01, 2.28, 42.18

 

CMYK 0 / 12 / 40 / 38

HEX #9F8C60

RGB 159 140 96

HSL 41.9, 0.25%, 0.5%

LAB 58.95, 0.64, 26.13

 

CMYK 0 / 4 / 15 / 46

HEX #8A8475

RGB 138 132 117

HSL 42.86, 0.08%, 0.5%

LAB 55.27, -0.46, 8.9

HEX #8A8475

CMYK 0 / 71 / 85 / 13

HEX #DD4122

RGB 221 65 34

HSL 9.95, 0.73%, 0.5%

LAB 51, 59.04, 51.65

 

CMYK 0 / 48 / 85 / 13

HEX #DD7322

RGB 221 115 34

HSL 25.99, 0.73%, 0.5%

LAB 59.66, 36.43, 59.02

 

CMYK 0 / 25 / 85 / 13

HEX #DDA522

RGB 221 165 34

HSL 42.03, 0.73%, 0.5%

LAB 71.14, 9.88, 68.63

 

CMYK 0 / 3 / 85 / 13

HEX #DDD622

RGB 221 214 34

HSL 57.75, 0.73%, 0.5%

LAB 83.75, -15.43, 79.02

 

CMYK 20 / 0 / 85 / 13

HEX #B1DD22

RGB 177 221 34

HSL 74.12, 0.73%, 0.5%

LAB 82.47, -36.85, 76.67

 

CMYK 0 / 25 / 85 / 42

HEX #957017

RGB 149 112 23

HSL 42.38, 0.73%, 0.34%

LAB 49.54, 6.43, 50.49

 

CMYK 0 / 25 / 84 / 27

HEX #B98B1D

RGB 185 139 29

HSL 42.31, 0.73%, 0.42%

LAB 60.67, 7.93, 59.7

 

CMYK 0 / 25 / 85 / 13

HEX #DDA622

RGB 221 166 34

HSL 42.35, 0.73%, 0.5%

LAB 71.39, 9.35, 68.83

 

CMYK 0 / 20 / 69 / 11

HEX #E2B546

RGB 226 181 70

HSL 42.69, 0.73%, 0.58%

LAB 75.86, 4.96, 60.41

 

CMYK 0 / 16 / 54 / 9

HEX #E8C36A

RGB 232 195 106

HSL 42.38, 0.73%, 0.66%

LAB 80.31, 2.54, 49.11

 

CMYK 0 / 25 / 84 / 14

HEX #DBA522

RGB 219 165 34

HSL 42.49, 0.73%, 0.5%

LAB 70.93, 9.01, 68.36

 

CMYK 76 / 0 / 85 / 13

HEX #35DD22

RGB 53 221 34

HSL 113.9, 0.73%, 0.5%

LAB 77.63, -72.42, 70.57

 

CMYK 59 / 85 / 0 / 13

HEX #5A22DD

RGB 90 34 221

HSL 257.97, 0.73%, 0.5%

LAB 35.08, 66.11, -83.81

 

CMYK 0 / 25 / 84 / 14

HEX #DBA522

RGB 219 165 34

HSL 42.49, 0.73%, 0.5%

LAB 70.93, 9.01, 68.36

 

CMYK 85 / 0 / 25 / 13

HEX #22DDA5

RGB 34 221 165

HSL 162.03, 0.73%, 0.5%

LAB 78.91, -56.58, 15.31

 

CMYK 25 / 85 / 0 / 13

HEX #A522DD

RGB 165 34 221

HSL 282.03, 0.73%, 0.5%

LAB 44.75, 75.29, -67.58

 

CMYK 0 / 25 / 84 / 14

HEX #DBA522

RGB 219 165 34

HSL 42.49, 0.73%, 0.5%

LAB 70.93, 9.01, 68.36

 

CMYK 76 / 0 / 85 / 13

HEX #35DD22

RGB 53 221 34

HSL 113.9, 0.73%, 0.5%

LAB 77.63, -72.42, 70.57

 

CMYK 85 / 59 / 0 / 13

HEX #225ADD

RGB 34 90 221

HSL 222.03, 0.73%, 0.5%

LAB 42.57, 31.26, -71.61

 

CMYK 9 / 85 / 0 / 13

HEX #CA22DD

RGB 202 34 221

HSL 293.9, 0.73%, 0.5%

LAB 50.59, 81.23, -57.84

 

CMYK 0 / 25 / 84 / 14

HEX #DBA522

RGB 219 165 34

HSL 42.49, 0.73%, 0.5%

LAB 70.93, 9.01, 68.36

 

CMYK 85 / 0 / 67 / 13

HEX #22DD48

RGB 34 221 72

HSL 132.19, 0.73%, 0.5%

LAB 77.59, -71.97, 58.51

 

CMYK 85 / 59 / 0 / 13

HEX #225ADD

RGB 34 90 221

HSL 222.03, 0.73%, 0.5%

LAB 42.57, 31.26, -71.61

 

CMYK 0 / 85 / 17 / 13

HEX #DD22B7

RGB 221 34 183

HSL 312.19, 0.73%, 0.5%

LAB 51.76, 79.26, -33.88

 

Description

Color code: HEX #DBA522CE | qconv.com Color code: HEX #DBA522CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 165 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 165 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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