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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA294CE it is the complementary color #245D6BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA294CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA294CE shade: #E0A28FCE, #F1B4A2CE, #FFC6B5CE, #FFD8C8CE and #FFEADBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA294CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA294CE shade: #DBA294CE, #CA9081CE, #B97E6ECE, #A86C5BCE and #975A48CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA294CE shade: #DBA294 and #DB9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA294CE shade: #DBA294, #DBB594, #DBC894, #DBDB94 and #C8DB94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA294CE shade matches the following richer shades: #DBA294, #E79B88, #F2947D and #FE8D71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA294CE shade: #DBA294, #D0A99F, #C4B0AB, #B9B7B7 and #ADBEC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA294CE shade: #DB94AD, #DB949A, #DBA194, #DBB494 and #DBC794

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA294CE shade: #C76C56, #D18775, #DBA294, #E6BDB3 and #F0D8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA294CE shade: #DBA294, #C0DB94 and #94A3DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA294CE shade: #DBA294, #94DBA1 and #A194DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA294CE shade: #DBA294, #C0DB94, #94CEDB and #AF94DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA294CE shade: #DBA294, #ABDB94, #94CEDB and #C594DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 26 / 11

HEX #DBA294CE

RGBA 219 162 148 0.81

HSLA 11.83, 0.5%, 0.72%, 0.81

LABA 71.58, 19.22, 15.55, 0.81

 

Complementary color

CMYK 54 / 11 / 0 / 47

HEX #245D6BCE

RGBA 36 93 107 0.81

HSLA 191.83, 0.5%, 0.28%, 0.81

LABA 36.49, -13.76, -13.51, 0.81

 

CMYK 0 / 22 / 29 / 10

HEX #E0A28FCE

RGBA 224 162 143 0.81

HSLA 14.07, 0.57%, 0.72%, 0.81

LABA 72.01, 20.53, 18.97, 0.81

 

CMYK 0 / 21 / 27 / 4

HEX #F1B4A2CE

RGBA 241 180 162 0.81

HSLA 13.67, 0.74%, 0.79%, 0.81

LABA 78.43, 19.77, 17.83, 0.81

 

CMYK 0 / 18 / 24 / 0

HEX #FFC6B5CE

RGBA 255 198 181 0.81

HSLA 13.78, 1%, 0.85%, 0.81

LABA 84.48, 17.96, 16.32, 0.81

 

CMYK 0 / 12 / 17 / 0

HEX #FFD8C8CE

RGBA 255 216 200 0.81

HSLA 17.45, 1%, 0.89%, 0.81

LABA 89.18, 11.18, 12.93, 0.81

 

CMYK 0 / 7 / 11 / 0

HEX #FFEADBCE

RGBA 255 234 219 0.81

HSLA 25, 1%, 0.93%, 0.81

LABA 93.98, 4.73, 9.85, 0.81

 

CMYK 0 / 21 / 26 / 11

HEX #DBA294CE

RGBA 219 162 148 0.81

HSLA 11.83, 0.5%, 0.72%, 0.81

LABA 71.58, 19.22, 15.55, 0.81

 

CMYK 0 / 23 / 29 / 17

HEX #CA9081CE

RGBA 202 144 129 0.81

HSLA 12.33, 0.41%, 0.65%, 0.81

LABA 65.03, 20.01, 16.71, 0.81

 

CMYK 0 / 26 / 33 / 22

HEX #B97E6ECE

RGBA 185 126 110 0.81

HSLA 12.8, 0.35%, 0.58%, 0.81

LABA 58.38, 20.9, 17.98, 0.81

 

CMYK 0 / 29 / 37 / 28

HEX #A86C5BCE

RGBA 168 108 91 0.81

HSLA 13.25, 0.31%, 0.51%, 0.81

LABA 51.62, 21.92, 19.41, 0.81

 

CMYK 0 / 33 / 42 / 33

HEX #975A48CE

RGBA 151 90 72 0.81

HSLA 13.67, 0.35%, 0.44%, 0.81

LABA 44.74, 23.1, 21.05, 0.81

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 0 / 32 / 32 / 14

HEX #DB9494

RGB 219 148 148

HSL 0, 0.5%, 0.72%

LAB 68.3, 26.77, 10.94

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 0 / 17 / 32 / 14

HEX #DBB594

RGB 219 181 148

HSL 27.89, 0.5%, 0.72%

LAB 76.22, 9.02, 21.97

 

CMYK 0 / 9 / 32 / 14

HEX #DBC894

RGB 219 200 148

HSL 43.94, 0.5%, 0.72%

LAB 81.02, -0.99, 28.47

 

CMYK 0 / 0 / 32 / 14

HEX #DBDB94

RGB 219 219 148

HSL 60, 0.5%, 0.72%

LAB 85.94, -10.73, 34.99

 

CMYK 9 / 0 / 32 / 14

HEX #C8DB94

RGB 200 219 148

HSL 76.06, 0.5%, 0.72%

LAB 84.53, -17.92, 32.87

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 0 / 33 / 41 / 9

HEX #E79B88

RGB 231 155 136

HSL 12, 0.66%, 0.72%

LAB 71.01, 26.18, 21.57

 

CMYK 0 / 39 / 48 / 5

HEX #F2947D

RGB 242 148 125

HSL 11.79, 0.82%, 0.72%

LAB 70.55, 33, 27.19

 

CMYK 0 / 44 / 56 / 0

HEX #FE8D71

RGB 254 141 113

HSL 11.91, 0.99%, 0.72%

LAB 70.39, 40.13, 33.8

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 0 / 19 / 24 / 18

HEX #D0A99F

RGB 208 169 159

HSL 12.24, 0.34%, 0.72%

LAB 72.42, 12.74, 10.53

 

CMYK 0 / 10 / 13 / 23

HEX #C4B0AB

RGB 196 176 171

HSL 12, 0.17%, 0.72%

LAB 73.37, 6.33, 5.16

 

CMYK 0 / 1 / 1 / 27

HEX #B9B7B7

RGB 185 183 183

HSL 0, 0.01%, 0.72%

LAB 74.57, 0.71, 0.24

 

CMYK 11 / 2 / 0 / 24

HEX #ADBEC2

RGB 173 190 194

HSL 191.43, 0.15%, 0.72%

LAB 75.83, -5, -4.01

 

CMYK 0 / 32 / 21 / 14

HEX #DB94AD

RGB 219 148 173

HSL 338.87, 0.5%, 0.72%

LAB 68.94, 30.25, -2.11

 

CMYK 0 / 32 / 30 / 14

HEX #DB949A

RGB 219 148 154

HSL 354.93, 0.5%, 0.72%

LAB 68.44, 27.56, 7.79

 

CMYK 0 / 26 / 32 / 14

HEX #DBA194

RGB 219 161 148

HSL 10.99, 0.5%, 0.72%

LAB 71.34, 19.76, 15.22

 

CMYK 0 / 18 / 32 / 14

HEX #DBB494

RGB 219 180 148

HSL 27.04, 0.5%, 0.72%

LAB 75.97, 9.55, 21.63

 

CMYK 0 / 9 / 32 / 14

HEX #DBC794

RGB 219 199 148

HSL 43.1, 0.5%, 0.72%

LAB 80.76, -0.47, 28.13

 

CMYK 0 / 46 / 57 / 22

HEX #C76C56

RGB 199 108 86

HSL 11.68, 0.5%, 0.56%

LAB 55.62, 33.95, 28.31

 

CMYK 0 / 35 / 44 / 18

HEX #D18775

RGB 209 135 117

HSL 11.74, 0.5%, 0.64%

LAB 63.48, 26.3, 21.43

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 0 / 18 / 22 / 10

HEX #E6BDB3

RGB 230 189 179

HSL 11.76, 0.5%, 0.8%

LAB 79.88, 13.16, 10.56

 

CMYK 0 / 10 / 13 / 6

HEX #F0D8D2

RGB 240 216 210

HSL 12, 0.5%, 0.88%

LAB 88.11, 7.31, 5.96

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 12 / 0 / 32 / 14

HEX #C0DB94

RGB 192 219 148

HSL 82.82, 0.5%, 0.72%

LAB 83.97, -20.88, 32.03

 

CMYK 32 / 26 / 0 / 14

HEX #94A3DB

RGB 148 163 219

HSL 227.32, 0.5%, 0.72%

LAB 67.73, 7.75, -30.1

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 32 / 0 / 26 / 14

HEX #94DBA1

RGB 148 219 161

HSL 130.99, 0.5%, 0.72%

LAB 81.58, -33.89, 21.64

 

CMYK 26 / 32 / 0 / 14

HEX #A194DB

RGB 161 148 219

HSL 250.99, 0.5%, 0.72%

LAB 64.86, 20.05, -34.46

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 12 / 0 / 32 / 14

HEX #C0DB94

RGB 192 219 148

HSL 82.82, 0.5%, 0.72%

LAB 83.97, -20.88, 32.03

 

CMYK 32 / 6 / 0 / 14

HEX #94CEDB

RGB 148 206 219

HSL 190.99, 0.5%, 0.72%

LAB 79.36, -15.44, -12.42

 

CMYK 20 / 32 / 0 / 14

HEX #AF94DB

RGB 175 148 219

HSL 262.82, 0.5%, 0.72%

LAB 66.07, 24.23, -32.5

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 22 / 0 / 32 / 14

HEX #ABDB94

RGB 171 219 148

HSL 100.56, 0.5%, 0.72%

LAB 82.62, -28.4, 30

 

CMYK 32 / 6 / 0 / 14

HEX #94CEDB

RGB 148 206 219

HSL 190.99, 0.5%, 0.72%

LAB 79.36, -15.44, -12.42

 

CMYK 10 / 32 / 0 / 14

HEX #C594DB

RGB 197 148 219

HSL 281.41, 0.5%, 0.72%

LAB 68.14, 31.02, -29.12

 

Description

Color code: HEX #DBA294CE | qconv.com Color code: HEX #DBA294CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 162 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 162 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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