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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9F3C it is the complementary color #2460C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9F3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9F3C shade: #E09F37, #F1B14A, #FFC35D, #FFD570 and #FFE783

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9F3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9F3C shade: #DB9F3C, #CA8D29, #B97B16, #A86903 and #975700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9F3C shade: #DB9F3D, #DB743D, #DB4A3D and #DB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9F3C shade: #DB9F3D, #DBCA3D, #C1DB3D, #97DB3D and #6CDB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9F3C shade matches the following richer shades: #DB9F3D and #EDA42A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9F3C shade: #DB9F3D, #C89B4F, #B69662, #A39274 and #918D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9F3C shade: #DB4A3D, #DB743D, #DB9E3D, #DBC83D and #C3DB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9F3C shade: #A7731E, #CA8B25, #DB9F3D, #E1B05F and #E8C182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9F3C shade: #DB9F3C, #5ADB3D and #5F3DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9F3C shade: #DB9F3C, #3DDB9E and #9E3DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9F3C shade: #DB9F3C, #5ADB3D, #3D79DB and #BE3DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9F3C shade: #DB9F3C, #3DDB4F, #3D79DB and #DB3DC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 73 / 14

HEX #DB9F3C

RGB 219 159 60

HSL 37.36, 0.69%, 0.55%

LAB 69.6, 13.16, 57.97

 

Complementary color

CMYK 82 / 51 / 0 / 24

HEX #2460C3

RGB 36 96 195

HSL 217.36, 0.69%, 0.45%

LAB 42.28, 17.56, -57.14

 

CMYK 0 / 29 / 75 / 12

HEX #E09F37

RGB 224 159 55

HSL 36.92, 0.73%, 0.55%

LAB 70.12, 15.08, 60.71

 

CMYK 0 / 27 / 69 / 5

HEX #F1B14A

RGB 241 177 74

HSL 37.01, 0.86%, 0.62%

LAB 76.46, 13.61, 59.82

 

CMYK 0 / 24 / 64 / 0

HEX #FFC35D

RGB 255 195 93

HSL 37.78, 1%, 0.68%

LAB 82.42, 11.1, 58.25

 

CMYK 0 / 16 / 56 / 0

HEX #FFD570

RGB 255 213 112

HSL 42.38, 1%, 0.72%

LAB 87.01, 3.11, 54.7

 

CMYK 0 / 9 / 49 / 0

HEX #FFE783

RGB 255 231 131

HSL 48.39, 1%, 0.76%

LAB 91.71, -4.46, 51.32

 

CMYK 0 / 27 / 73 / 14

HEX #DB9F3C

RGB 219 159 60

HSL 37.36, 0.69%, 0.55%

LAB 69.6, 13.16, 57.97

 

CMYK 0 / 30 / 80 / 21

HEX #CA8D29

RGB 202 141 41

HSL 37.27, 0.66%, 0.48%

LAB 63.15, 14.75, 58.61

 

CMYK 0 / 34 / 88 / 27

HEX #B97B16

RGB 185 123 22

HSL 37.18, 0.79%, 0.41%

LAB 56.62, 16.61, 58.4

 

CMYK 0 / 38 / 98 / 34

HEX #A86903

RGB 168 105 3

HSL 37.09, 0.96%, 0.34%

LAB 50.02, 18.74, 56.78

 

CMYK 0 / 42 / 100 / 41

HEX #975700

RGB 151 87 0

HSL 34.57, 1%, 0.3%

LAB 43.35, 21.22, 52.02

 

CMYK 0 / 27 / 72 / 14

HEX #DB9F3D

RGB 219 159 61

HSL 37.22, 0.69%, 0.55%

LAB 69.61, 13.21, 57.56

 

CMYK 0 / 47 / 72 / 14

HEX #DB743D

RGB 219 116 61

HSL 20.89, 0.69%, 0.55%

LAB 59.79, 36.1, 47.31

 

CMYK 0 / 66 / 72 / 14

HEX #DB4A3D

RGB 219 74 61

HSL 4.94, 0.69%, 0.55%

LAB 52.17, 55.82, 38.89

 

CMYK 0 / 72 / 72 / 14

HEX #DB3D3D

RGB 219 61 61

HSL 0, 0.69%, 0.55%

LAB 50.38, 60.73, 36.84

 

CMYK 0 / 27 / 72 / 14

HEX #DB9F3D

RGB 219 159 61

HSL 37.22, 0.69%, 0.55%

LAB 69.61, 13.21, 57.56

 

CMYK 0 / 8 / 72 / 14

HEX #DBCA3D

RGB 219 202 61

HSL 53.54, 0.69%, 0.55%

LAB 80.54, -9.34, 68.36

 

CMYK 12 / 0 / 72 / 14

HEX #C1DB3D

RGB 193 219 61

HSL 69.87, 0.69%, 0.55%

LAB 83.09, -28.49, 70.12

 

CMYK 31 / 0 / 72 / 14

HEX #97DB3D

RGB 151 219 61

HSL 85.82, 0.69%, 0.55%

LAB 80.5, -44.62, 66.72

 

CMYK 51 / 0 / 72 / 14

HEX #6CDB3D

RGB 108 219 61

HSL 102.15, 0.69%, 0.55%

LAB 78.57, -58.51, 64.15

 

CMYK 0 / 27 / 72 / 14

HEX #DB9F3D

RGB 219 159 61

HSL 37.22, 0.69%, 0.55%

LAB 69.61, 13.21, 57.56

 

CMYK 0 / 31 / 82 / 7

HEX #EDA42A

RGB 237 164 42

HSL 37.54, 0.84%, 0.55%

LAB 72.71, 17.51, 68.28

 

CMYK 0 / 27 / 72 / 14

HEX #DB9F3D

RGB 219 159 61

HSL 37.22, 0.69%, 0.55%

LAB 69.61, 13.21, 57.56

 

CMYK 0 / 23 / 61 / 22

HEX #C89B4F

RGB 200 155 79

HSL 37.69, 0.52%, 0.55%

LAB 66.74, 8.29, 45.57

 

CMYK 0 / 18 / 46 / 29

HEX #B69662

RGB 182 150 98

HSL 37.14, 0.37%, 0.55%

LAB 63.87, 5.03, 31.84

 

CMYK 0 / 10 / 29 / 36

HEX #A39274

RGB 163 146 116

HSL 38.3, 0.2%, 0.55%

LAB 61.31, 1.56, 18.23

 

CMYK 0 / 3 / 7 / 43

HEX #918D87

RGB 145 141 135

HSL 36, 0.04%, 0.55%

LAB 58.81, 0.36, 3.71

 

CMYK 0 / 66 / 72 / 14

HEX #DB4A3D

RGB 219 74 61

HSL 4.94, 0.69%, 0.55%

LAB 52.17, 55.82, 38.89

 

CMYK 0 / 47 / 72 / 14

HEX #DB743D

RGB 219 116 61

HSL 20.89, 0.69%, 0.55%

LAB 59.79, 36.1, 47.31

 

CMYK 0 / 28 / 72 / 14

HEX #DB9E3D

RGB 219 158 61

HSL 36.84, 0.69%, 0.55%

LAB 69.36, 13.75, 57.31

 

CMYK 0 / 9 / 72 / 14

HEX #DBC83D

RGB 219 200 61

HSL 52.78, 0.69%, 0.55%

LAB 80.01, -8.32, 67.85

 

CMYK 11 / 0 / 72 / 14

HEX #C3DB3D

RGB 195 219 61

HSL 69.11, 0.69%, 0.55%

LAB 83.23, -27.68, 70.31

 

CMYK 0 / 31 / 82 / 35

HEX #A7731E

RGB 167 115 30

HSL 37.23, 0.7%, 0.39%

LAB 52.48, 13.23, 51.45

 

CMYK 0 / 31 / 82 / 21

HEX #CA8B25

RGB 202 139 37

HSL 37.09, 0.69%, 0.47%

LAB 62.64, 15.71, 59.58

 

CMYK 0 / 27 / 72 / 14

HEX #DB9F3D

RGB 219 159 61

HSL 37.22, 0.69%, 0.55%

LAB 69.61, 13.21, 57.56

 

CMYK 0 / 22 / 58 / 12

HEX #E1B05F

RGB 225 176 95

HSL 37.38, 0.68%, 0.63%

LAB 74.75, 8.77, 47.72

 

CMYK 0 / 17 / 44 / 9

HEX #E8C182

RGB 232 193 130

HSL 37.06, 0.69%, 0.71%

LAB 80.13, 5.76, 36.86

 

CMYK 0 / 27 / 73 / 14

HEX #DB9F3C

RGB 219 159 60

HSL 37.36, 0.69%, 0.55%

LAB 69.6, 13.16, 57.97

 

CMYK 59 / 0 / 72 / 14

HEX #5ADB3D

RGB 90 219 61

HSL 108.99, 0.69%, 0.55%

LAB 77.98, -63.17, 63.35

 

CMYK 57 / 72 / 0 / 14

HEX #5F3DDB

RGB 95 61 219

HSL 252.91, 0.69%, 0.55%

LAB 39.39, 54.51, -75.55

 

CMYK 0 / 27 / 73 / 14

HEX #DB9F3C

RGB 219 159 60

HSL 37.36, 0.69%, 0.55%

LAB 69.6, 13.16, 57.97

 

CMYK 72 / 0 / 28 / 14

HEX #3DDB9E

RGB 61 219 158

HSL 156.84, 0.69%, 0.55%

LAB 78.53, -54.54, 18.53

 

CMYK 28 / 72 / 0 / 14

HEX #9E3DDB

RGB 158 61 219

HSL 276.84, 0.69%, 0.55%

LAB 46.61, 65.02, -63.47

 

CMYK 0 / 27 / 73 / 14

HEX #DB9F3C

RGB 219 159 60

HSL 37.36, 0.69%, 0.55%

LAB 69.6, 13.16, 57.97

 

CMYK 59 / 0 / 72 / 14

HEX #5ADB3D

RGB 90 219 61

HSL 108.99, 0.69%, 0.55%

LAB 77.98, -63.17, 63.35

 

CMYK 72 / 45 / 0 / 14

HEX #3D79DB

RGB 61 121 219

HSL 217.22, 0.69%, 0.55%

LAB 51.59, 13.55, -55.83

 

CMYK 13 / 72 / 0 / 14

HEX #BE3DDB

RGB 190 61 219

HSL 288.99, 0.69%, 0.55%

LAB 51.15, 71.28, -55.91

 

CMYK 0 / 27 / 73 / 14

HEX #DB9F3C

RGB 219 159 60

HSL 37.36, 0.69%, 0.55%

LAB 69.6, 13.16, 57.97

 

CMYK 72 / 0 / 64 / 14

HEX #3DDB4F

RGB 61 219 79

HSL 126.84, 0.69%, 0.55%

LAB 77.41, -67.32, 55.59

 

CMYK 72 / 45 / 0 / 14

HEX #3D79DB

RGB 61 121 219

HSL 217.22, 0.69%, 0.55%

LAB 51.59, 13.55, -55.83

 

CMYK 0 / 72 / 9 / 14

HEX #DB3DC8

RGB 219 61 200

HSL 307.22, 0.69%, 0.55%

LAB 54.62, 74.32, -39.26

 

Description

Color code: HEX #DB9F3C | qconv.com Color code: HEX #DB9F3C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 159 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 159 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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