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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9E9C it is the complementary color #246163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9E9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9E9C shade: #E09E97, #F1B0AA, #FFC2BD, #FFD4D0 and #FFE6E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9E9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9E9C shade: #DB9E9C, #CA8C89, #B97A76, #A86863 and #975650

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9E9C shade: #DCA09E and #DC9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9E9C shade: #DCA09E, #DCB09E, #DCC19E, #DCD29E and #D5DC9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9E9C shade matches the following richer shades: #DCA09E, #E79593, #F18B88 and #FC817D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9E9C shade: #DCA09E, #D1AAA8, #C6B4B3, #BCBEBE and #B1C8C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9E9C shade: #DC9EBE, #DC9EAD, #DC9F9E, #DCAF9E and #DCC09E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9E9C shade: #C66461, #D1827F, #DCA09E, #E7BDBC and #F2DBDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9E9C shade: #DB9E9C, #CEDC9E and #9EB5DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9E9C shade: #DB9E9C, #9EDC9F and #9F9EDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9E9C shade: #DB9E9C, #CEDC9E, #9EDBDC and #AB9EDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9E9C shade: #DB9E9C, #BCDC9E, #9EDBDC and #BE9EDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 29 / 14

HEX #DB9E9C

RGB 219 158 156

HSL 1.9, 0.47%, 0.74%

LAB 70.81, 22.43, 10.06

 

Complementary color

CMYK 64 / 2 / 0 / 61

HEX #246163

RGB 36 97 99

HSL 181.9, 0.47%, 0.26%

LAB 37.53, -18.63, -6.99

 

CMYK 0 / 29 / 33 / 12

HEX #E09E97

RGB 224 158 151

HSL 5.75, 0.54%, 0.74%

LAB 71.24, 23.67, 13.5

 

CMYK 0 / 27 / 29 / 5

HEX #F1B0AA

RGB 241 176 170

HSL 5.07, 0.72%, 0.81%

LAB 77.67, 22.91, 12.44

 

CMYK 0 / 24 / 26 / 0

HEX #FFC2BD

RGB 255 194 189

HSL 4.55, 1%, 0.87%

LAB 83.71, 21.12, 10.99

 

CMYK 0 / 17 / 18 / 0

HEX #FFD4D0

RGB 255 212 208

HSL 5.11, 1%, 0.91%

LAB 88.4, 14.42, 7.61

 

CMYK 0 / 10 / 11 / 0

HEX #FFE6E3

RGB 255 230 227

HSL 6.43, 1%, 0.95%

LAB 93.19, 8.04, 4.55

 

CMYK 0 / 28 / 29 / 14

HEX #DB9E9C

RGB 219 158 156

HSL 1.9, 0.47%, 0.74%

LAB 70.81, 22.43, 10.06

 

CMYK 0 / 31 / 32 / 21

HEX #CA8C89

RGB 202 140 137

HSL 2.77, 0.38%, 0.66%

LAB 64.26, 23.21, 11.13

 

CMYK 0 / 34 / 36 / 27

HEX #B97A76

RGB 185 122 118

HSL 3.58, 0.32%, 0.59%

LAB 57.6, 24.09, 12.31

 

CMYK 0 / 38 / 41 / 34

HEX #A86863

RGB 168 104 99

HSL 4.35, 0.28%, 0.52%

LAB 50.83, 25.07, 13.65

 

CMYK 0 / 43 / 47 / 41

HEX #975650

RGB 151 86 80

HSL 5.07, 0.31%, 0.45%

LAB 43.97, 26.19, 15.21

 

CMYK 0 / 27 / 28 / 14

HEX #DCA09E

RGB 220 160 158

HSL 1.94, 0.47%, 0.74%

LAB 71.44, 22, 9.85

 

CMYK 0 / 28 / 28 / 14

HEX #DC9E9E

RGB 220 158 158

HSL 0, 0.47%, 0.74%

LAB 70.97, 23.08, 9.18

 

CMYK 0 / 27 / 28 / 14

HEX #DCA09E

RGB 220 160 158

HSL 1.94, 0.47%, 0.74%

LAB 71.44, 22, 9.85

 

CMYK 0 / 20 / 28 / 14

HEX #DCB09E

RGB 220 176 158

HSL 17.42, 0.47%, 0.74%

LAB 75.29, 13.39, 15.29

 

CMYK 0 / 12 / 28 / 14

HEX #DCC19E

RGB 220 193 158

HSL 33.87, 0.47%, 0.74%

LAB 79.51, 4.34, 21.16

 

CMYK 0 / 5 / 28 / 14

HEX #DCD29E

RGB 220 210 158

HSL 50.32, 0.47%, 0.74%

LAB 83.85, -4.51, 27.07

 

CMYK 3 / 0 / 28 / 14

HEX #D5DC9E

RGB 213 220 158

HSL 66.77, 0.47%, 0.74%

LAB 85.91, -12.24, 29.75

 

CMYK 0 / 27 / 28 / 14

HEX #DCA09E

RGB 220 160 158

HSL 1.94, 0.47%, 0.74%

LAB 71.44, 22, 9.85

 

CMYK 0 / 35 / 36 / 9

HEX #E79593

RGB 231 149 147

HSL 1.43, 0.64%, 0.74%

LAB 69.89, 30.63, 13.93

 

CMYK 0 / 42 / 44 / 5

HEX #F18B88

RGB 241 139 136

HSL 1.71, 0.79%, 0.74%

LAB 68.71, 38.37, 18.6

 

CMYK 0 / 49 / 50 / 1

HEX #FC817D

RGB 252 129 125

HSL 1.89, 0.95%, 0.74%

LAB 67.93, 46.38, 23.91

 

CMYK 0 / 27 / 28 / 14

HEX #DCA09E

RGB 220 160 158

HSL 1.94, 0.47%, 0.74%

LAB 71.44, 22, 9.85

 

CMYK 0 / 19 / 20 / 18

HEX #D1AAA8

RGB 209 170 168

HSL 2.93, 0.31%, 0.74%

LAB 72.98, 13.92, 6.4

 

CMYK 0 / 9 / 10 / 22

HEX #C6B4B3

RGB 198 180 179

HSL 3.16, 0.14%, 0.74%

LAB 74.76, 6.25, 2.83

 

CMYK 1 / 0 / 0 / 25

HEX #BCBEBE

RGB 188 190 190

HSL 180, 0.02%, 0.74%

LAB 76.82, -0.69, -0.25

 

CMYK 12 / 0 / 0 / 22

HEX #B1C8C8

RGB 177 200 200

HSL 180, 0.17%, 0.74%

LAB 78.94, -7.73, -2.64

 

CMYK 0 / 28 / 14 / 14

HEX #DC9EBE

RGB 220 158 190

HSL 329.03, 0.47%, 0.74%

LAB 71.82, 27.88, -7.29

 

CMYK 0 / 28 / 21 / 14

HEX #DC9EAD

RGB 220 158 173

HSL 345.48, 0.47%, 0.74%

LAB 71.34, 25.22, 1.42

 

CMYK 0 / 28 / 28 / 14

HEX #DC9F9E

RGB 220 159 158

HSL 0.97, 0.47%, 0.74%

LAB 71.2, 22.54, 9.52

 

CMYK 0 / 20 / 28 / 14

HEX #DCAF9E

RGB 220 175 158

HSL 16.45, 0.47%, 0.74%

LAB 75.04, 13.92, 14.94

 

CMYK 0 / 13 / 28 / 14

HEX #DCC09E

RGB 220 192 158

HSL 32.9, 0.47%, 0.74%

LAB 79.26, 4.87, 20.81

 

CMYK 0 / 49 / 51 / 22

HEX #C66461

RGB 198 100 97

HSL 1.78, 0.47%, 0.58%

LAB 54.01, 38.68, 19.83

 

CMYK 0 / 38 / 39 / 18

HEX #D1827F

RGB 209 130 127

HSL 2.2, 0.47%, 0.66%

LAB 62.55, 30.1, 14.51

 

CMYK 0 / 27 / 28 / 14

HEX #DCA09E

RGB 220 160 158

HSL 1.94, 0.47%, 0.74%

LAB 71.44, 22, 9.85

 

CMYK 0 / 18 / 19 / 9

HEX #E7BDBC

RGB 231 189 188

HSL 1.4, 0.47%, 0.82%

LAB 80.19, 14.86, 6.17

 

CMYK 0 / 10 / 10 / 5

HEX #F2DBDA

RGB 242 219 218

HSL 2.5, 0.48%, 0.9%

LAB 89.21, 7.75, 3.36

 

CMYK 0 / 28 / 29 / 14

HEX #DB9E9C

RGB 219 158 156

HSL 1.9, 0.47%, 0.74%

LAB 70.81, 22.43, 10.06

 

CMYK 6 / 0 / 28 / 14

HEX #CEDC9E

RGB 206 220 158

HSL 73.55, 0.47%, 0.74%

LAB 85.39, -14.85, 28.97

 

CMYK 28 / 18 / 0 / 14

HEX #9EB5DC

RGB 158 181 220

HSL 217.74, 0.47%, 0.74%

LAB 73.21, 0.92, -22.19

 

CMYK 0 / 28 / 29 / 14

HEX #DB9E9C

RGB 219 158 156

HSL 1.9, 0.47%, 0.74%

LAB 70.81, 22.43, 10.06

 

CMYK 28 / 0 / 28 / 14

HEX #9EDC9F

RGB 158 220 159

HSL 120.97, 0.47%, 0.74%

LAB 82.36, -31.52, 23.82

 

CMYK 28 / 28 / 0 / 14

HEX #9F9EDC

RGB 159 158 220

HSL 240.97, 0.47%, 0.74%

LAB 67.27, 14.02, -31.29

 

CMYK 0 / 28 / 29 / 14

HEX #DB9E9C

RGB 219 158 156

HSL 1.9, 0.47%, 0.74%

LAB 70.81, 22.43, 10.06

 

CMYK 6 / 0 / 28 / 14

HEX #CEDC9E

RGB 206 220 158

HSL 73.55, 0.47%, 0.74%

LAB 85.39, -14.85, 28.97

 

CMYK 28 / 0 / 0 / 14

HEX #9EDBDC

RGB 158 219 220

HSL 180.97, 0.47%, 0.74%

LAB 83.49, -19, -6.74

 

CMYK 22 / 28 / 0 / 14

HEX #AB9EDC

RGB 171 158 220

HSL 252.58, 0.47%, 0.74%

LAB 68.23, 17.61, -29.74

 

CMYK 0 / 28 / 29 / 14

HEX #DB9E9C

RGB 219 158 156

HSL 1.9, 0.47%, 0.74%

LAB 70.81, 22.43, 10.06

 

CMYK 15 / 0 / 28 / 14

HEX #BCDC9E

RGB 188 220 158

HSL 90.97, 0.47%, 0.74%

LAB 84.15, -21.41, 27.08

 

CMYK 28 / 0 / 0 / 14

HEX #9EDBDC

RGB 158 219 220

HSL 180.97, 0.47%, 0.74%

LAB 83.49, -19, -6.74

 

CMYK 14 / 28 / 0 / 14

HEX #BE9EDC

RGB 190 158 220

HSL 270.97, 0.47%, 0.74%

LAB 69.87, 23.5, -27.07

 

Description

Color code: HEX #DB9E9C | qconv.com Color code: HEX #DB9E9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 158 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 158 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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