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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB983E it is the complementary color #2467C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB983E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB983E shade: #E09839, #F1AA4C, #FFBC5F, #FFCE72 and #FFE085

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB983E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB983E shade: #DB983E, #CA862B, #B97418, #A86205 and #975000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB983E shade: #DB983D, #DB6D3D, #DB423D and #DB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB983E shade: #DB983D, #DBC33D, #CADB3D, #9FDB3D and #74DB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB983E shade matches the following richer shades: #DB983D and #EE9B2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB983E shade: #DB983D, #C99550, #B69262, #A49075 and #918D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB983E shade: #DB423D, #DB6D3D, #DB973D, #DBC13D and #CCDB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB983E shade: #A76D1F, #CA8425, #DB983D, #E2AA60 and #E8BD83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB983E shade: #DB983E, #62DB3D and #573DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB983E shade: #DB983E, #3DDB97 and #973DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB983E shade: #DB983E, #62DB3D, #3D82DB and #B63DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB983E shade: #DB983E, #3DDB48, #3D82DB and #DB3DD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 72 / 14

HEX #DB983E

RGB 219 152 62

HSL 34.39, 0.69%, 0.55%

LAB 67.92, 17.02, 55.4

 

Complementary color

CMYK 81 / 47 / 0 / 24

HEX #2467C1

RGB 36 103 193

HSL 214.39, 0.69%, 0.45%

LAB 44.13, 12.25, -53

 

CMYK 0 / 32 / 75 / 12

HEX #E09839

RGB 224 152 57

HSL 34.13, 0.73%, 0.55%

LAB 68.46, 18.91, 58.27

 

CMYK 0 / 29 / 68 / 5

HEX #F1AA4C

RGB 241 170 76

HSL 34.18, 0.85%, 0.62%

LAB 74.81, 17.41, 57.18

 

CMYK 0 / 26 / 63 / 0

HEX #FFBC5F

RGB 255 188 95

HSL 34.88, 1%, 0.69%

LAB 80.77, 14.86, 55.47

 

CMYK 0 / 19 / 55 / 0

HEX #FFCE72

RGB 255 206 114

HSL 39.15, 1%, 0.72%

LAB 85.31, 6.86, 51.75

 

CMYK 0 / 12 / 48 / 0

HEX #FFE085

RGB 255 224 133

HSL 44.75, 1%, 0.76%

LAB 89.98, -0.75, 48.24

 

CMYK 0 / 31 / 72 / 14

HEX #DB983E

RGB 219 152 62

HSL 34.39, 0.69%, 0.55%

LAB 67.92, 17.02, 55.4

 

CMYK 0 / 34 / 79 / 21

HEX #CA862B

RGB 202 134 43

HSL 34.34, 0.65%, 0.48%

LAB 61.46, 18.65, 56.3

 

CMYK 0 / 37 / 87 / 27

HEX #B97418

RGB 185 116 24

HSL 34.29, 0.77%, 0.41%

LAB 54.94, 20.53, 56.46

 

CMYK 0 / 42 / 97 / 34

HEX #A86205

RGB 168 98 5

HSL 34.23, 0.94%, 0.34%

LAB 48.35, 22.7, 55.22

 

CMYK 0 / 47 / 100 / 41

HEX #975000

RGB 151 80 0

HSL 31.79, 1%, 0.3%

LAB 41.71, 25.17, 51

 

CMYK 0 / 31 / 72 / 14

HEX #DB983D

RGB 219 152 61

HSL 34.56, 0.69%, 0.55%

LAB 67.91, 16.97, 55.83

 

CMYK 0 / 50 / 72 / 14

HEX #DB6D3D

RGB 219 109 61

HSL 18.23, 0.69%, 0.55%

LAB 58.35, 39.68, 45.76

 

CMYK 0 / 70 / 72 / 14

HEX #DB423D

RGB 219 66 61

HSL 1.9, 0.69%, 0.55%

LAB 51.03, 58.93, 37.59

 

CMYK 0 / 72 / 72 / 14

HEX #DB3D3D

RGB 219 61 61

HSL 0, 0.69%, 0.55%

LAB 50.38, 60.73, 36.84

 

CMYK 0 / 31 / 72 / 14

HEX #DB983D

RGB 219 152 61

HSL 34.56, 0.69%, 0.55%

LAB 67.91, 16.97, 55.83

 

CMYK 0 / 11 / 72 / 14

HEX #DBC33D

RGB 219 195 61

HSL 50.89, 0.69%, 0.55%

LAB 78.71, -5.76, 66.59

 

CMYK 8 / 0 / 72 / 14

HEX #CADB3D

RGB 202 219 61

HSL 66.46, 0.69%, 0.55%

LAB 83.73, -24.84, 70.96

 

CMYK 27 / 0 / 72 / 14

HEX #9FDB3D

RGB 159 219 61

HSL 82.78, 0.69%, 0.55%

LAB 80.94, -41.7, 67.3

 

CMYK 47 / 0 / 72 / 14

HEX #74DB3D

RGB 116 219 61

HSL 99.11, 0.69%, 0.55%

LAB 78.88, -56.19, 64.55

 

CMYK 0 / 31 / 72 / 14

HEX #DB983D

RGB 219 152 61

HSL 34.56, 0.69%, 0.55%

LAB 67.91, 16.97, 55.83

 

CMYK 0 / 35 / 82 / 7

HEX #EE9B2B

RGB 238 155 43

HSL 34.46, 0.85%, 0.55%

LAB 70.73, 22.72, 66.28

 

CMYK 0 / 31 / 72 / 14

HEX #DB983D

RGB 219 152 61

HSL 34.56, 0.69%, 0.55%

LAB 67.91, 16.97, 55.83

 

CMYK 0 / 26 / 60 / 21

HEX #C99550

RGB 201 149 80

HSL 34.21, 0.53%, 0.55%

LAB 65.35, 12.06, 43.49

 

CMYK 0 / 20 / 46 / 29

HEX #B69262

RGB 182 146 98

HSL 34.29, 0.37%, 0.55%

LAB 62.83, 7.23, 30.51

 

CMYK 0 / 12 / 29 / 36

HEX #A49075

RGB 164 144 117

HSL 34.47, 0.21%, 0.55%

LAB 60.89, 3.21, 17.11

 

CMYK 0 / 3 / 7 / 43

HEX #918D87

RGB 145 141 135

HSL 36, 0.04%, 0.55%

LAB 58.81, 0.36, 3.71

 

CMYK 0 / 70 / 72 / 14

HEX #DB423D

RGB 219 66 61

HSL 1.9, 0.69%, 0.55%

LAB 51.03, 58.93, 37.59

 

CMYK 0 / 50 / 72 / 14

HEX #DB6D3D

RGB 219 109 61

HSL 18.23, 0.69%, 0.55%

LAB 58.35, 39.68, 45.76

 

CMYK 0 / 31 / 72 / 14

HEX #DB973D

RGB 219 151 61

HSL 34.18, 0.69%, 0.55%

LAB 67.67, 17.51, 55.58

 

CMYK 0 / 12 / 72 / 14

HEX #DBC13D

RGB 219 193 61

HSL 50.13, 0.69%, 0.55%

LAB 78.19, -4.73, 66.09

 

CMYK 7 / 0 / 72 / 14

HEX #CCDB3D

RGB 204 219 61

HSL 65.7, 0.69%, 0.55%

LAB 83.88, -24.02, 71.16

 

CMYK 0 / 35 / 81 / 35

HEX #A76D1F

RGB 167 109 31

HSL 34.41, 0.69%, 0.39%

LAB 50.98, 16.66, 49.72

 

CMYK 0 / 35 / 82 / 21

HEX #CA8425

RGB 202 132 37

HSL 34.55, 0.69%, 0.47%

LAB 60.95, 19.53, 58.08

 

CMYK 0 / 31 / 72 / 14

HEX #DB983D

RGB 219 152 61

HSL 34.56, 0.69%, 0.55%

LAB 67.91, 16.97, 55.83

 

CMYK 0 / 25 / 58 / 11

HEX #E2AA60

RGB 226 170 96

HSL 34.15, 0.69%, 0.63%

LAB 73.39, 12.45, 45.64

 

CMYK 0 / 19 / 44 / 9

HEX #E8BD83

RGB 232 189 131

HSL 34.46, 0.69%, 0.71%

LAB 79.15, 7.97, 35.08

 

CMYK 0 / 31 / 72 / 14

HEX #DB983E

RGB 219 152 62

HSL 34.39, 0.69%, 0.55%

LAB 67.92, 17.02, 55.4

 

CMYK 55 / 0 / 72 / 14

HEX #62DB3D

RGB 98 219 61

HSL 105.95, 0.69%, 0.55%

LAB 78.23, -61.19, 63.69

 

CMYK 60 / 72 / 0 / 14

HEX #573DDB

RGB 87 61 219

HSL 249.87, 0.69%, 0.55%

LAB 38.69, 53.45, -76.73

 

CMYK 0 / 31 / 72 / 14

HEX #DB983E

RGB 219 152 62

HSL 34.39, 0.69%, 0.55%

LAB 67.92, 17.02, 55.4

 

CMYK 72 / 0 / 31 / 14

HEX #3DDB97

RGB 61 219 151

HSL 154.18, 0.69%, 0.55%

LAB 78.4, -56.03, 22.01

 

CMYK 31 / 72 / 0 / 14

HEX #973DDB

RGB 151 61 219

HSL 274.18, 0.69%, 0.55%

LAB 45.68, 63.71, -65.02

 

CMYK 0 / 31 / 72 / 14

HEX #DB983E

RGB 219 152 62

HSL 34.39, 0.69%, 0.55%

LAB 67.92, 17.02, 55.4

 

CMYK 55 / 0 / 72 / 14

HEX #62DB3D

RGB 98 219 61

HSL 105.95, 0.69%, 0.55%

LAB 78.23, -61.19, 63.69

 

CMYK 72 / 41 / 0 / 14

HEX #3D82DB

RGB 61 130 219

HSL 213.8, 0.69%, 0.55%

LAB 54.1, 8.02, -51.81

 

CMYK 17 / 72 / 0 / 14

HEX #B63DDB

RGB 182 61 219

HSL 285.95, 0.69%, 0.55%

LAB 49.97, 69.68, -57.87

 

CMYK 0 / 31 / 72 / 14

HEX #DB983E

RGB 219 152 62

HSL 34.39, 0.69%, 0.55%

LAB 67.92, 17.02, 55.4

 

CMYK 72 / 0 / 67 / 14

HEX #3DDB48

RGB 61 219 72

HSL 124.18, 0.69%, 0.55%

LAB 77.35, -68.02, 58.37

 

CMYK 72 / 41 / 0 / 14

HEX #3D82DB

RGB 61 130 219

HSL 213.8, 0.69%, 0.55%

LAB 54.1, 8.02, -51.81

 

CMYK 0 / 72 / 5 / 14

HEX #DB3DD1

RGB 219 61 209

HSL 303.8, 0.69%, 0.55%

LAB 55.07, 75.66, -43.7

 

Description

Color code: HEX #DB983E | qconv.com Color code: HEX #DB983E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 152 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 152 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 72 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 72% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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