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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB97DF it is the complementary color #246820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB97DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB97DF shade: #E097DA, #F1A9ED, #FFBBFF, #FFCDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB97DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB97DF shade: #DB97DF, #CA85CC, #B973B9, #A861A6 and #974F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB97DF shade: #DB96DF, #DF96CF, #DF96BB, #DF96A8 and #DF9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB97DF shade: #DB96DF, #C796DF, #B396DF, #A096DF and #9696DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB97DF shade matches the following richer shades: #DB96DF, #E48BEA and #EE7FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB97DF shade: #DB96DF, #D1A1D4, #C7ACC8, #BDB7BD and #B3C2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB97DF shade: #B396DF, #C696DF, #DA96DF, #DF96D0 and #DF96BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB97DF shade: #C557CB, #D076D5, #DB96DF, #E5B5E8 and #F0D5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB97DF shade: #DB97DF, #DF9F96 and #96DFBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB97DF shade: #DB97DF, #DFDA96 and #96DFDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB97DF shade: #DB97DF, #DF9F96, #9BDF96 and #96D5DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB97DF shade: #DB97DF, #DFB596, #9BDF96 and #96BFDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 32 / 0 / 13

HEX #DB97DF

RGB 219 151 223

HSL 296.67, 0.53%, 0.73%

LAB 71.23, 37.1, -26.39

 

Complementary color

CMYK 65 / 0 / 69 / 59

HEX #246820

RGB 36 104 32

HSL 116.67, 0.53%, 0.27%

LAB 38.52, -36.58, 33.21

 

CMYK 0 / 33 / 3 / 12

HEX #E097DA

RGB 224 151 218

HSL 304.93, 0.54%, 0.74%

LAB 71.58, 37.78, -23.05

 

CMYK 0 / 30 / 2 / 5

HEX #F1A9ED

RGB 241 169 237

HSL 303.33, 0.72%, 0.8%

LAB 77.99, 37.08, -23.48

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 2 / 32 / 0 / 13

HEX #DB97DF

RGB 219 151 223

HSL 296.67, 0.53%, 0.73%

LAB 71.23, 37.1, -26.39

 

CMYK 1 / 35 / 0 / 20

HEX #CA85CC

RGB 202 133 204

HSL 298.31, 0.41%, 0.66%

LAB 64.72, 37.83, -26

 

CMYK 0 / 38 / 0 / 27

HEX #B973B9

RGB 185 115 185

HSL 300, 0.33%, 0.59%

LAB 58.11, 38.58, -25.58

 

CMYK 0 / 42 / 1 / 34

HEX #A861A6

RGB 168 97 166

HSL 301.69, 0.29%, 0.52%

LAB 51.41, 39.35, -25.11

 

CMYK 0 / 48 / 3 / 41

HEX #974F93

RGB 151 79 147

HSL 303.33, 0.31%, 0.45%

LAB 44.63, 40.1, -24.53

 

CMYK 2 / 33 / 0 / 13

HEX #DB96DF

RGB 219 150 223

HSL 296.71, 0.53%, 0.73%

LAB 71.01, 37.64, -26.72

 

CMYK 0 / 33 / 7 / 13

HEX #DF96CF

RGB 223 150 207

HSL 313.15, 0.53%, 0.73%

LAB 70.87, 36.05, -18.07

 

CMYK 0 / 33 / 16 / 13

HEX #DF96BB

RGB 223 150 187

HSL 329.59, 0.53%, 0.73%

LAB 70.24, 32.74, -7.94

 

CMYK 0 / 33 / 25 / 13

HEX #DF96A8

RGB 223 150 168

HSL 345.21, 0.53%, 0.73%

LAB 69.7, 29.88, 1.85

 

CMYK 0 / 33 / 33 / 13

HEX #DF9696

RGB 223 150 150

HSL 0, 0.53%, 0.73%

LAB 69.26, 27.46, 11.24

 

CMYK 2 / 33 / 0 / 13

HEX #DB96DF

RGB 219 150 223

HSL 296.71, 0.53%, 0.73%

LAB 71.01, 37.64, -26.72

 

CMYK 11 / 33 / 0 / 13

HEX #C796DF

RGB 199 150 223

HSL 280.27, 0.53%, 0.73%

LAB 68.96, 31.37, -30.06

 

CMYK 20 / 33 / 0 / 13

HEX #B396DF

RGB 179 150 223

HSL 263.84, 0.53%, 0.73%

LAB 67.07, 25.23, -33.13

 

CMYK 28 / 33 / 0 / 13

HEX #A096DF

RGB 160 150 223

HSL 248.22, 0.53%, 0.73%

LAB 65.45, 19.6, -35.77

 

CMYK 33 / 33 / 0 / 13

HEX #9696DF

RGB 150 150 223

HSL 240, 0.53%, 0.73%

LAB 64.66, 16.75, -37.05

 

CMYK 2 / 33 / 0 / 13

HEX #DB96DF

RGB 219 150 223

HSL 296.71, 0.53%, 0.73%

LAB 71.01, 37.64, -26.72

 

CMYK 3 / 41 / 0 / 8

HEX #E48BEA

RGB 228 139 234

HSL 296.21, 0.69%, 0.73%

LAB 70.11, 48.22, -34.08

 

CMYK 3 / 48 / 0 / 4

HEX #EE7FF5

RGB 238 127 245

HSL 296.44, 0.86%, 0.73%

LAB 69.43, 59.07, -41.07

 

CMYK 2 / 33 / 0 / 13

HEX #DB96DF

RGB 219 150 223

HSL 296.71, 0.53%, 0.73%

LAB 71.01, 37.64, -26.72

 

CMYK 1 / 24 / 0 / 17

HEX #D1A1D4

RGB 209 161 212

HSL 296.47, 0.37%, 0.73%

LAB 72.09, 26.38, -19.12

 

CMYK 0 / 14 / 0 / 22

HEX #C7ACC8

RGB 199 172 200

HSL 297.86, 0.2%, 0.73%

LAB 73.43, 14.72, -10.62

 

CMYK 0 / 3 / 0 / 26

HEX #BDB7BD

RGB 189 183 189

HSL 300, 0.04%, 0.73%

LAB 75.05, 3.22, -2.29

 

CMYK 8 / 0 / 8 / 24

HEX #B3C2B2

RGB 179 194 178

HSL 116.25, 0.12%, 0.73%

LAB 76.91, -8.14, 6.28

 

CMYK 20 / 33 / 0 / 13

HEX #B396DF

RGB 179 150 223

HSL 263.84, 0.53%, 0.73%

LAB 67.07, 25.23, -33.13

 

CMYK 11 / 33 / 0 / 13

HEX #C696DF

RGB 198 150 223

HSL 279.45, 0.53%, 0.73%

LAB 68.86, 31.06, -30.22

 

CMYK 2 / 33 / 0 / 13

HEX #DA96DF

RGB 218 150 223

HSL 295.89, 0.53%, 0.73%

LAB 70.9, 37.32, -26.9

 

CMYK 0 / 33 / 7 / 13

HEX #DF96D0

RGB 223 150 208

HSL 312.33, 0.53%, 0.73%

LAB 70.91, 36.22, -18.57

 

CMYK 0 / 33 / 15 / 13

HEX #DF96BD

RGB 223 150 189

HSL 327.95, 0.53%, 0.73%

LAB 70.3, 33.05, -8.96

 

CMYK 3 / 57 / 0 / 20

HEX #C557CB

RGB 197 87 203

HSL 296.9, 0.53%, 0.57%

LAB 55.07, 59.44, -40.5

 

CMYK 2 / 45 / 0 / 16

HEX #D076D5

RGB 208 118 213

HSL 296.84, 0.53%, 0.65%

LAB 62.65, 49.24, -34.19

 

CMYK 2 / 33 / 0 / 13

HEX #DB96DF

RGB 219 150 223

HSL 296.71, 0.53%, 0.73%

LAB 71.01, 37.64, -26.72

 

CMYK 1 / 22 / 0 / 9

HEX #E5B5E8

RGB 229 181 232

HSL 296.47, 0.53%, 0.81%

LAB 79.35, 25.9, -18.84

 

CMYK 1 / 12 / 0 / 5

HEX #F0D5F2

RGB 240 213 242

HSL 295.86, 0.53%, 0.89%

LAB 88.22, 14.36, -10.75

 

CMYK 2 / 32 / 0 / 13

HEX #DB97DF

RGB 219 151 223

HSL 296.67, 0.53%, 0.73%

LAB 71.23, 37.1, -26.39

 

CMYK 0 / 29 / 33 / 13

HEX #DF9F96

RGB 223 159 150

HSL 7.4, 0.53%, 0.73%

LAB 71.34, 22.62, 14.18

 

CMYK 33 / 0 / 15 / 13

HEX #96DFBD

RGB 150 223 189

HSL 152.05, 0.53%, 0.73%

LAB 83.41, -29.89, 9.5

 

CMYK 2 / 32 / 0 / 13

HEX #DB97DF

RGB 219 151 223

HSL 296.67, 0.53%, 0.73%

LAB 71.23, 37.1, -26.39

 

CMYK 0 / 2 / 33 / 13

HEX #DFDA96

RGB 223 218 150

HSL 55.89, 0.53%, 0.73%

LAB 86.02, -8.45, 34.14

 

CMYK 33 / 0 / 2 / 13

HEX #96DFDA

RGB 150 223 218

HSL 175.89, 0.53%, 0.73%

LAB 84.13, -23.67, -4.79

 

CMYK 2 / 32 / 0 / 13

HEX #DB97DF

RGB 219 151 223

HSL 296.67, 0.53%, 0.73%

LAB 71.23, 37.1, -26.39

 

CMYK 0 / 29 / 33 / 13

HEX #DF9F96

RGB 223 159 150

HSL 7.4, 0.53%, 0.73%

LAB 71.34, 22.62, 14.18

 

CMYK 30 / 0 / 33 / 13

HEX #9BDF96

RGB 155 223 150

HSL 115.89, 0.53%, 0.73%

LAB 82.88, -35.35, 29.17

 

CMYK 33 / 4 / 0 / 13

HEX #96D5DF

RGB 150 213 223

HSL 188.22, 0.53%, 0.73%

LAB 81.51, -17.51, -11.33

 

CMYK 2 / 32 / 0 / 13

HEX #DB97DF

RGB 219 151 223

HSL 296.67, 0.53%, 0.73%

LAB 71.23, 37.1, -26.39

 

CMYK 0 / 19 / 33 / 13

HEX #DFB596

RGB 223 181 150

HSL 25.48, 0.53%, 0.73%

LAB 76.64, 10.83, 21.53

 

CMYK 30 / 0 / 33 / 13

HEX #9BDF96

RGB 155 223 150

HSL 115.89, 0.53%, 0.73%

LAB 82.88, -35.35, 29.17

 

CMYK 33 / 14 / 0 / 13

HEX #96BFDF

RGB 150 191 223

HSL 206.3, 0.53%, 0.73%

LAB 75.5, -6.05, -20.38

 

Description

Color code: HEX #DB97DF | qconv.com Color code: HEX #DB97DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 151 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 151 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 32 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 32% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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