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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB94DB it is the complementary color #246B24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB94DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB94DB shade: #E094D6, #F1A6E9, #FFB8FC, #FFCAFF and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB94DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB94DB shade: #DB94DB, #CA82C8, #B970B5, #A85EA2 and #974C8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB94DB shade: #DB94DB, #DB94C8, #DB94B5, #DB94A2 and #DB9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB94DB shade: #DB94DB, #C894DB, #B594DB, #A294DB and #9494DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB94DB shade matches the following richer shades: #DB94DB, #E788E7, #F27DF2 and #FE71FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB94DB shade: #DB94DB, #D09FD0, #C4ABC4, #B9B7B9 and #ADC2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB94DB shade: #B594DB, #C894DB, #DB94DB, #DB94C8 and #DB94B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB94DB shade: #C756C7, #D175D1, #DB94DB, #E6B3E6 and #F0D2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB94DB shade: #DB94DB, #DBA294 and #94DBBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB94DB shade: #DB94DB, #DBDB94 and #94DBDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB94DB shade: #DB94DB, #DBA294, #94DB94 and #94CDDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB94DB shade: #DB94DB, #DBB894, #94DB94 and #94B8DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

Complementary color

CMYK 66 / 0 / 66 / 58

HEX #246B24

RGB 36 107 36

HSL 120, 0.5%, 0.28%

LAB 39.61, -37.31, 32.51

 

CMYK 0 / 34 / 4 / 12

HEX #E094D6

RGB 224 148 214

HSL 307.89, 0.55%, 0.73%

LAB 70.79, 38.66, -22.05

 

CMYK 0 / 31 / 3 / 5

HEX #F1A6E9

RGB 241 166 233

HSL 306.4, 0.73%, 0.8%

LAB 77.19, 37.95, -22.53

 

CMYK 0 / 28 / 1 / 0

HEX #FFB8FC

RGB 255 184 252

HSL 302.54, 1%, 0.86%

LAB 83.22, 36.33, -23.46

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 36 / 1 / 21

HEX #CA82C8

RGB 202 130 200

HSL 301.67, 0.4%, 0.65%

LAB 63.91, 38.69, -25

 

CMYK 0 / 39 / 2 / 27

HEX #B970B5

RGB 185 112 181

HSL 303.29, 0.34%, 0.58%

LAB 57.31, 39.45, -24.53

 

CMYK 0 / 44 / 4 / 34

HEX #A85EA2

RGB 168 94 162

HSL 304.86, 0.3%, 0.51%

LAB 50.62, 40.21, -23.99

 

CMYK 0 / 50 / 5 / 41

HEX #974C8F

RGB 151 76 143

HSL 306.4, 0.33%, 0.45%

LAB 43.85, 40.95, -23.34

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 32 / 9 / 14

HEX #DB94C8

RGB 219 148 200

HSL 316.06, 0.5%, 0.72%

LAB 69.76, 34.58, -15.92

 

CMYK 0 / 32 / 17 / 14

HEX #DB94B5

RGB 219 148 181

HSL 332.11, 0.5%, 0.72%

LAB 69.17, 31.47, -6.24

 

CMYK 0 / 32 / 26 / 14

HEX #DB94A2

RGB 219 148 162

HSL 348.17, 0.5%, 0.72%

LAB 68.64, 28.65, 3.61

 

CMYK 0 / 32 / 32 / 14

HEX #DB9494

RGB 219 148 148

HSL 0, 0.5%, 0.72%

LAB 68.3, 26.77, 10.94

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 9 / 32 / 0 / 14

HEX #C894DB

RGB 200 148 219

HSL 283.94, 0.5%, 0.72%

LAB 68.44, 31.96, -28.63

 

CMYK 17 / 32 / 0 / 14

HEX #B594DB

RGB 181 148 219

HSL 267.89, 0.5%, 0.72%

LAB 66.61, 26.06, -31.61

 

CMYK 26 / 32 / 0 / 14

HEX #A294DB

RGB 162 148 219

HSL 251.83, 0.5%, 0.72%

LAB 64.94, 20.34, -34.33

 

CMYK 32 / 32 / 0 / 14

HEX #9494DB

RGB 148 148 219

HSL 240, 0.5%, 0.72%

LAB 63.83, 16.3, -36.15

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 41 / 0 / 9

HEX #E788E7

RGB 231 136 231

HSL 300, 0.66%, 0.72%

LAB 69.73, 50.1, -32.98

 

CMYK 0 / 48 / 0 / 5

HEX #F27DF2

RGB 242 125 242

HSL 300, 0.82%, 0.72%

LAB 69.44, 60.6, -39.38

 

CMYK 0 / 56 / 0 / 0

HEX #FE71FE

RGB 254 113 254

HSL 300, 0.99%, 0.72%

LAB 69.5, 71.25, -45.75

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 24 / 0 / 18

HEX #D09FD0

RGB 208 159 208

HSL 300, 0.34%, 0.72%

LAB 71.39, 26.39, -17.99

 

CMYK 0 / 13 / 0 / 23

HEX #C4ABC4

RGB 196 171 196

HSL 300, 0.17%, 0.72%

LAB 72.79, 13.48, -9.4

 

CMYK 0 / 1 / 0 / 27

HEX #B9B7B9

RGB 185 183 185

HSL 300, 0.01%, 0.72%

LAB 74.63, 1.08, -0.77

 

CMYK 11 / 0 / 11 / 24

HEX #ADC2AD

RGB 173 194 173

HSL 120, 0.15%, 0.72%

LAB 76.37, -11.14, 8.15

 

CMYK 17 / 32 / 0 / 14

HEX #B594DB

RGB 181 148 219

HSL 267.89, 0.5%, 0.72%

LAB 66.61, 26.06, -31.61

 

CMYK 9 / 32 / 0 / 14

HEX #C894DB

RGB 200 148 219

HSL 283.94, 0.5%, 0.72%

LAB 68.44, 31.96, -28.63

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 32 / 9 / 14

HEX #DB94C8

RGB 219 148 200

HSL 316.06, 0.5%, 0.72%

LAB 69.76, 34.58, -15.92

 

CMYK 0 / 32 / 17 / 14

HEX #DB94B5

RGB 219 148 181

HSL 332.11, 0.5%, 0.72%

LAB 69.17, 31.47, -6.24

 

CMYK 0 / 57 / 0 / 22

HEX #C756C7

RGB 199 86 199

HSL 300, 0.5%, 0.56%

LAB 54.99, 59.71, -38.31

 

CMYK 0 / 44 / 0 / 18

HEX #D175D1

RGB 209 117 209

HSL 300, 0.5%, 0.64%

LAB 62.41, 49.31, -32.31

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 22 / 0 / 10

HEX #E6B3E6

RGB 230 179 230

HSL 300, 0.5%, 0.8%

LAB 78.91, 26.93, -18.4

 

CMYK 0 / 13 / 0 / 6

HEX #F0D2F0

RGB 240 210 240

HSL 300, 0.5%, 0.88%

LAB 87.44, 15.57, -10.86

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 32 / 0 / 13 / 14

HEX #94DBBF

RGB 148 219 191

HSL 156.34, 0.5%, 0.72%

LAB 82.23, -28.16, 6.74

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 0 / 32 / 14

HEX #DBDB94

RGB 219 219 148

HSL 60, 0.5%, 0.72%

LAB 85.94, -10.73, 34.99

 

CMYK 32 / 0 / 0 / 14

HEX #94DBDB

RGB 148 219 219

HSL 180, 0.5%, 0.72%

LAB 82.95, -22, -7.07

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 32 / 0 / 32 / 14

HEX #94DB94

RGB 148 219 148

HSL 120, 0.5%, 0.72%

LAB 81.34, -36.08, 28.07

 

CMYK 32 / 6 / 0 / 14

HEX #94CDDB

RGB 148 205 219

HSL 191.83, 0.5%, 0.72%

LAB 79.08, -14.93, -12.83

 

CMYK 0 / 32 / 0 / 14

HEX #DB94DB

RGB 219 148 219

HSL 300, 0.5%, 0.72%

LAB 70.42, 37.96, -25.42

 

CMYK 0 / 16 / 32 / 14

HEX #DBB894

RGB 219 184 148

HSL 30.42, 0.5%, 0.72%

LAB 76.97, 7.42, 22.99

 

CMYK 32 / 0 / 32 / 14

HEX #94DB94

RGB 148 219 148

HSL 120, 0.5%, 0.72%

LAB 81.34, -36.08, 28.07

 

CMYK 32 / 16 / 0 / 14

HEX #94B8DB

RGB 148 184 219

HSL 209.58, 0.5%, 0.72%

LAB 73.34, -3.85, -21.49

 

Description

Color code: HEX #DB94DB | qconv.com Color code: HEX #DB94DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 148 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 148 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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