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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB939E it is the complementary color #246C61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB939E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB939E shade: #E09399, #F1A5AC, #FFB7BF, #FFC9D2 and #FFDBE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB939E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB939E shade: #DB939E, #CA818B, #B96F78, #A85D65 and #974B52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB939E shade: #DB949F and #DB9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB939E shade: #DB949F, #DB94B2, #DB94C5, #DB94D9 and #CB94DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB939E shade matches the following richer shades: #DB949F, #E78897, #F27D8F and #FE7187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB939E shade: #DB949F, #D09FA7, #C4ABAF, #B9B7B7 and #ADC2BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB939E shade: #DB94C6, #DB94B3, #DB94A0, #DB9B94 and #DBAE94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB939E shade: #C75667, #D17583, #DB949F, #E6B3BB and #F0D2D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB939E shade: #DB939E, #D9DB94 and #94BCDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB939E shade: #DB939E, #A0DB94 and #94A0DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB939E shade: #DB939E, #D9DB94, #94DBCF and #9694DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB939E shade: #DB939E, #C4DB94, #94DBCF and #AC94DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 28 / 14

HEX #DB939E

RGB 219 147 158

HSL 350.83, 0.5%, 0.72%

LAB 68.31, 28.64, 5.37

 

Complementary color

CMYK 67 / 0 / 10 / 58

HEX #246C61

RGB 36 108 97

HSL 170.83, 0.5%, 0.28%

LAB 41.16, -25.01, -0.4

 

CMYK 0 / 34 / 32 / 12

HEX #E09399

RGB 224 147 153

HSL 355.32, 0.55%, 0.73%

LAB 68.76, 29.82, 8.88

 

CMYK 0 / 32 / 29 / 5

HEX #F1A5AC

RGB 241 165 172

HSL 354.47, 0.73%, 0.8%

LAB 75.2, 29, 7.82

 

CMYK 0 / 28 / 25 / 0

HEX #FFB7BF

RGB 255 183 191

HSL 353.33, 1%, 0.86%

LAB 81.23, 27.17, 6.36

 

CMYK 0 / 21 / 18 / 0

HEX #FFC9D2

RGB 255 201 210

HSL 350, 1%, 0.89%

LAB 85.85, 20.47, 2.87

 

CMYK 0 / 14 / 10 / 0

HEX #FFDBE5

RGB 255 219 229

HSL 343.33, 1%, 0.93%

LAB 90.59, 14.06, -0.27

 

CMYK 0 / 33 / 28 / 14

HEX #DB939E

RGB 219 147 158

HSL 350.83, 0.5%, 0.72%

LAB 68.31, 28.64, 5.37

 

CMYK 0 / 36 / 31 / 21

HEX #CA818B

RGB 202 129 139

HSL 351.78, 0.41%, 0.65%

LAB 61.76, 29.48, 6.44

 

CMYK 0 / 40 / 35 / 27

HEX #B96F78

RGB 185 111 120

HSL 352.7, 0.35%, 0.58%

LAB 55.11, 30.4, 7.64

 

CMYK 0 / 45 / 40 / 34

HEX #A85D65

RGB 168 93 101

HSL 353.6, 0.3%, 0.51%

LAB 48.38, 31.41, 9.03

 

CMYK 0 / 50 / 46 / 41

HEX #974B52

RGB 151 75 82

HSL 354.47, 0.34%, 0.44%

LAB 41.56, 32.49, 10.68

 

CMYK 0 / 32 / 27 / 14

HEX #DB949F

RGB 219 148 159

HSL 350.7, 0.5%, 0.72%

LAB 68.56, 28.23, 5.17

 

CMYK 0 / 32 / 32 / 14

HEX #DB9494

RGB 219 148 148

HSL 0, 0.5%, 0.72%

LAB 68.3, 26.77, 10.94

 

CMYK 0 / 32 / 27 / 14

HEX #DB949F

RGB 219 148 159

HSL 350.7, 0.5%, 0.72%

LAB 68.56, 28.23, 5.17

 

CMYK 0 / 32 / 19 / 14

HEX #DB94B2

RGB 219 148 178

HSL 334.65, 0.5%, 0.72%

LAB 69.08, 31.01, -4.69

 

CMYK 0 / 32 / 10 / 14

HEX #DB94C5

RGB 219 148 197

HSL 318.59, 0.5%, 0.72%

LAB 69.66, 34.07, -14.4

 

CMYK 0 / 32 / 1 / 14

HEX #DB94D9

RGB 219 148 217

HSL 301.69, 0.5%, 0.72%

LAB 70.35, 37.6, -24.43

 

CMYK 7 / 32 / 0 / 14

HEX #CB94DB

RGB 203 148 219

HSL 286.48, 0.5%, 0.72%

LAB 68.74, 32.91, -28.14

 

CMYK 0 / 32 / 27 / 14

HEX #DB949F

RGB 219 148 159

HSL 350.7, 0.5%, 0.72%

LAB 68.56, 28.23, 5.17

 

CMYK 0 / 41 / 35 / 9

HEX #E78897

RGB 231 136 151

HSL 350.53, 0.66%, 0.72%

LAB 67.15, 37.95, 7.82

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8F

RGB 242 125 143

HSL 350.77, 0.82%, 0.72%

LAB 66.16, 46.54, 11.12

 

CMYK 0 / 56 / 47 / 0

HEX #FE7187

RGB 254 113 135

HSL 350.64, 0.99%, 0.72%

LAB 65.46, 55.58, 14.94

 

CMYK 0 / 32 / 27 / 14

HEX #DB949F

RGB 219 148 159

HSL 350.7, 0.5%, 0.72%

LAB 68.56, 28.23, 5.17

 

CMYK 0 / 24 / 20 / 18

HEX #D09FA7

RGB 208 159 167

HSL 350.2, 0.34%, 0.72%

LAB 70.17, 19.37, 2.89

 

CMYK 0 / 13 / 11 / 23

HEX #C4ABAF

RGB 196 171 175

HSL 350.4, 0.17%, 0.72%

LAB 72.2, 9.72, 1.28

 

CMYK 0 / 1 / 1 / 27

HEX #B9B7B7

RGB 185 183 183

HSL 0, 0.01%, 0.72%

LAB 74.57, 0.71, 0.24

 

CMYK 11 / 0 / 2 / 24

HEX #ADC2BF

RGB 173 194 191

HSL 171.43, 0.15%, 0.72%

LAB 76.82, -7.71, -0.93

 

CMYK 0 / 32 / 10 / 14

HEX #DB94C6

RGB 219 148 198

HSL 317.75, 0.5%, 0.72%

LAB 69.69, 34.24, -14.91

 

CMYK 0 / 32 / 18 / 14

HEX #DB94B3

RGB 219 148 179

HSL 333.8, 0.5%, 0.72%

LAB 69.11, 31.16, -5.21

 

CMYK 0 / 32 / 27 / 14

HEX #DB94A0

RGB 219 148 160

HSL 349.86, 0.5%, 0.72%

LAB 68.59, 28.37, 4.65

 

CMYK 0 / 29 / 32 / 14

HEX #DB9B94

RGB 219 155 148

HSL 5.92, 0.5%, 0.72%

LAB 69.92, 23, 13.23

 

CMYK 0 / 21 / 32 / 14

HEX #DBAE94

RGB 219 174 148

HSL 21.97, 0.5%, 0.72%

LAB 74.49, 12.76, 19.59

 

CMYK 0 / 57 / 48 / 22

HEX #C75667

RGB 199 86 103

HSL 350.97, 0.5%, 0.56%

LAB 51.58, 46.57, 12.99

 

CMYK 0 / 44 / 37 / 18

HEX #D17583

RGB 209 117 131

HSL 350.87, 0.5%, 0.64%

LAB 59.81, 37.49, 8.37

 

CMYK 0 / 32 / 27 / 14

HEX #DB949F

RGB 219 148 159

HSL 350.7, 0.5%, 0.72%

LAB 68.56, 28.23, 5.17

 

CMYK 0 / 22 / 19 / 10

HEX #E6B3BB

RGB 230 179 187

HSL 350.59, 0.5%, 0.8%

LAB 77.67, 19.68, 3.06

 

CMYK 0 / 13 / 11 / 6

HEX #F0D2D6

RGB 240 210 214

HSL 352, 0.5%, 0.88%

LAB 86.74, 11.09, 1.87

 

CMYK 0 / 33 / 28 / 14

HEX #DB939E

RGB 219 147 158

HSL 350.83, 0.5%, 0.72%

LAB 68.31, 28.64, 5.37

 

CMYK 1 / 0 / 32 / 14

HEX #D9DB94

RGB 217 219 148

HSL 61.69, 0.5%, 0.72%

LAB 85.78, -11.49, 34.76

 

CMYK 32 / 14 / 0 / 14

HEX #94BCDB

RGB 148 188 219

HSL 206.2, 0.5%, 0.72%

LAB 74.43, -6, -19.85

 

CMYK 0 / 33 / 28 / 14

HEX #DB939E

RGB 219 147 158

HSL 350.83, 0.5%, 0.72%

LAB 68.31, 28.64, 5.37

 

CMYK 27 / 0 / 32 / 14

HEX #A0DB94

RGB 160 219 148

HSL 109.86, 0.5%, 0.72%

LAB 81.99, -32.16, 29.04

 

CMYK 32 / 27 / 0 / 14

HEX #94A0DB

RGB 148 160 219

HSL 229.86, 0.5%, 0.72%

LAB 66.94, 9.45, -31.32

 

CMYK 0 / 33 / 28 / 14

HEX #DB939E

RGB 219 147 158

HSL 350.83, 0.5%, 0.72%

LAB 68.31, 28.64, 5.37

 

CMYK 1 / 0 / 32 / 14

HEX #D9DB94

RGB 217 219 148

HSL 61.69, 0.5%, 0.72%

LAB 85.78, -11.49, 34.76

 

CMYK 32 / 0 / 5 / 14

HEX #94DBCF

RGB 148 219 207

HSL 169.86, 0.5%, 0.72%

LAB 82.63, -24.73, -1.18

 

CMYK 32 / 32 / 0 / 14

HEX #9694DB

RGB 150 148 219

HSL 241.69, 0.5%, 0.72%

LAB 63.98, 16.86, -35.9

 

CMYK 0 / 33 / 28 / 14

HEX #DB939E

RGB 219 147 158

HSL 350.83, 0.5%, 0.72%

LAB 68.31, 28.64, 5.37

 

CMYK 11 / 0 / 32 / 14

HEX #C4DB94

RGB 196 219 148

HSL 79.44, 0.5%, 0.72%

LAB 84.24, -19.4, 32.45

 

CMYK 32 / 0 / 5 / 14

HEX #94DBCF

RGB 148 219 207

HSL 169.86, 0.5%, 0.72%

LAB 82.63, -24.73, -1.18

 

CMYK 21 / 32 / 0 / 14

HEX #AC94DB

RGB 172 148 219

HSL 260.28, 0.5%, 0.72%

LAB 65.8, 23.32, -32.93

 

Description

Color code: HEX #DB939E | qconv.com Color code: HEX #DB939E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 147 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 147 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 28 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 28% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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