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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9314 it is the complementary color #246CEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9314. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9314 shade: #E0930F, #F1A522, #FFB735, #FFC948 and #FFDB5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9314. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9314 shade: #DB9314, #CA8101, #B96F00, #A85D00 and #974B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9314 shade: #DB9314, #DB5D14, #DB2814 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9314 shade: #DB9314, #DBC814, #B8DB14, #82DB14 and #4CDB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9314 shade matches the following richer shades: #DB9314 and #EE9800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9314 shade: #DB9314, #C78D27, #B4883B, #A1834E and #8D7D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9314 shade: #DB2814, #DB5D14, #DB9214, #DBC714 and #BADB14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9314 shade: #8F600D, #B57910, #DB9314, #EBA62D and #EFB653

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9314 shade: #DB9314, #35DB14 and #4214DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9314 shade: #DB9314, #14DB92 and #9214DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9314 shade: #DB9314, #35DB14, #145DDB and #BA14DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9314 shade: #DB9314, #14DB2E, #145DDB and #DB14C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

Complementary color

CMYK 85 / 54 / 0 / 8

HEX #246CEB

RGB 36 108 235

HSL 218.29, 0.83%, 0.53%

LAB 48.38, 25.17, -70.05

 

CMYK 0 / 34 / 93 / 12

HEX #E0930F

RGB 224 147 15

HSL 37.89, 0.87%, 0.47%

LAB 67.09, 20.45, 69.91

 

CMYK 0 / 32 / 86 / 5

HEX #F1A522

RGB 241 165 34

HSL 37.97, 0.88%, 0.54%

LAB 73.37, 18.47, 71.36

 

CMYK 0 / 28 / 79 / 0

HEX #FFB735

RGB 255 183 53

HSL 38.61, 1%, 0.6%

LAB 79.26, 15.47, 71.21

 

CMYK 0 / 21 / 72 / 0

HEX #FFC948

RGB 255 201 72

HSL 42.3, 1%, 0.64%

LAB 83.71, 6.87, 68.49

 

CMYK 0 / 14 / 64 / 0

HEX #FFDB5B

RGB 255 219 91

HSL 46.83, 1%, 0.68%

LAB 88.29, -1.35, 65.53

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 0 / 36 / 100 / 21

HEX #CA8101

RGB 202 129 1

HSL 38.21, 0.99%, 0.4%

LAB 60.12, 20.49, 65.97

 

CMYK 0 / 40 / 100 / 27

HEX #B96F00

RGB 185 111 0

HSL 36, 1%, 0.36%

LAB 53.69, 22.9, 60.9

 

CMYK 0 / 45 / 100 / 34

HEX #A85D00

RGB 168 93 0

HSL 33.21, 1%, 0.33%

LAB 47.18, 25.4, 55.63

 

CMYK 0 / 50 / 100 / 41

HEX #974B00

RGB 151 75 0

HSL 29.8, 1%, 0.3%

LAB 40.59, 27.93, 50.32

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 0 / 58 / 91 / 14

HEX #DB5D14

RGB 219 93 20

HSL 22.01, 0.83%, 0.47%

LAB 55.01, 46.24, 59.84

 

CMYK 0 / 82 / 91 / 14

HEX #DB2814

RGB 219 40 20

HSL 6.03, 0.83%, 0.47%

LAB 47.79, 65.86, 54.81

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 0 / 9 / 91 / 14

HEX #DBC814

RGB 219 200 20

HSL 54.27, 0.83%, 0.47%

LAB 79.85, -9.54, 78.41

 

CMYK 16 / 0 / 91 / 14

HEX #B8DB14

RGB 184 219 20

HSL 70.55, 0.83%, 0.47%

LAB 82.33, -33.48, 79.19

 

CMYK 41 / 0 / 91 / 14

HEX #82DB14

RGB 130 219 20

HSL 86.83, 0.83%, 0.47%

LAB 79.31, -53.57, 75.49

 

CMYK 65 / 0 / 91 / 14

HEX #4CDB14

RGB 76 219 20

HSL 103.12, 0.83%, 0.47%

LAB 77.43, -68.3, 73.17

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 0 / 36 / 100 / 7

HEX #EE9800

RGB 238 152 0

HSL 38.32, 1%, 0.47%

LAB 69.92, 23.61, 74.69

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 0 / 29 / 80 / 22

HEX #C78D27

RGB 199 141 39

HSL 38.25, 0.67%, 0.47%

LAB 62.79, 13.37, 58.88

 

CMYK 0 / 24 / 67 / 29

HEX #B4883B

RGB 180 136 59

HSL 38.18, 0.51%, 0.47%

LAB 59.55, 8.68, 46.59

 

CMYK 0 / 19 / 52 / 37

HEX #A1834E

RGB 161 131 78

HSL 38.31, 0.35%, 0.47%

LAB 56.45, 4.59, 32.8

 

CMYK 0 / 11 / 31 / 45

HEX #8D7D61

RGB 141 125 97

HSL 38.18, 0.18%, 0.47%

LAB 53.16, 1.63, 17.53

 

CMYK 0 / 82 / 91 / 14

HEX #DB2814

RGB 219 40 20

HSL 6.03, 0.83%, 0.47%

LAB 47.79, 65.86, 54.81

 

CMYK 0 / 58 / 91 / 14

HEX #DB5D14

RGB 219 93 20

HSL 22.01, 0.83%, 0.47%

LAB 55.01, 46.24, 59.84

 

CMYK 0 / 33 / 91 / 14

HEX #DB9214

RGB 219 146 20

HSL 37.99, 0.83%, 0.47%

LAB 66.27, 18.91, 68.09

 

CMYK 0 / 9 / 91 / 14

HEX #DBC714

RGB 219 199 20

HSL 53.97, 0.83%, 0.47%

LAB 79.59, -9.04, 78.21

 

CMYK 15 / 0 / 91 / 14

HEX #BADB14

RGB 186 219 20

HSL 69.95, 0.83%, 0.47%

LAB 82.46, -32.67, 79.36

 

CMYK 0 / 33 / 91 / 44

HEX #8F600D

RGB 143 96 13

HSL 38.31, 0.83%, 0.31%

LAB 44.57, 12.59, 49.08

 

CMYK 0 / 33 / 91 / 29

HEX #B57910

RGB 181 121 16

HSL 38.18, 0.84%, 0.39%

LAB 55.62, 15.81, 58.92

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 0 / 29 / 81 / 8

HEX #EBA62D

RGB 235 166 45

HSL 38.21, 0.83%, 0.55%

LAB 72.97, 15.69, 67.45

 

CMYK 0 / 24 / 65 / 6

HEX #EFB653

RGB 239 182 83

HSL 38.08, 0.83%, 0.63%

LAB 77.54, 10.64, 56.92

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 76 / 0 / 91 / 14

HEX #35DB14

RGB 53 219 20

HSL 110.05, 0.83%, 0.47%

LAB 76.96, -72.32, 72.59

 

CMYK 70 / 91 / 0 / 14

HEX #4214DB

RGB 66 20 219

HSL 253.87, 0.83%, 0.47%

LAB 31.28, 68.08, -89.03

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 91 / 0 / 33 / 14

HEX #14DB92

RGB 20 219 146

HSL 157.99, 0.83%, 0.47%

LAB 77.81, -60.88, 23.73

 

CMYK 33 / 91 / 0 / 14

HEX #9214DB

RGB 146 20 219

HSL 277.99, 0.83%, 0.47%

LAB 40.78, 75.16, -73.04

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 76 / 0 / 91 / 14

HEX #35DB14

RGB 53 219 20

HSL 110.05, 0.83%, 0.47%

LAB 76.96, -72.32, 72.59

 

CMYK 91 / 58 / 0 / 14

HEX #145DDB

RGB 20 93 219

HSL 217.99, 0.83%, 0.47%

LAB 42.9, 27.77, -69.94

 

CMYK 15 / 91 / 0 / 14

HEX #BA14DB

RGB 186 20 219

HSL 290.05, 0.83%, 0.47%

LAB 47.05, 80.69, -62.56

 

CMYK 0 / 33 / 91 / 14

HEX #DB9314

RGB 219 147 20

HSL 38.29, 0.83%, 0.47%

LAB 66.5, 18.37, 68.27

 

CMYK 91 / 0 / 79 / 14

HEX #14DB2E

RGB 20 219 46

HSL 127.84, 0.83%, 0.47%

LAB 76.68, -74.46, 66.5

 

CMYK 91 / 58 / 0 / 14

HEX #145DDB

RGB 20 93 219

HSL 217.99, 0.83%, 0.47%

LAB 42.9, 27.77, -69.94

 

CMYK 0 / 91 / 12 / 14

HEX #DB14C0

RGB 219 20 192

HSL 308.14, 0.83%, 0.47%

LAB 51.11, 82.2, -40.17

 

Description

Color code: HEX #DB9314 | qconv.com Color code: HEX #DB9314 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 147 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 147 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 91 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 91% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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