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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB91AC it is the complementary color #246E53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB91AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB91AC shade: #E091A7, #F1A3BA, #FFB5CD, #FFC7E0 and #FFD9F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB91AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB91AC shade: #DB91AC, #CA7F99, #B96D86, #A85B73 and #974960

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB91AC shade: #DB8FAB, #DB8F97 and #DB8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB91AC shade: #DB8FAB, #DB8FBF, #DB8FD4, #CE8FDB and #B98FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB91AC shade matches the following richer shades: #DB8FAB, #E783A8, #F377A4 and #FF6BA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB91AC shade: #DB8FAB, #CF9BAE, #C3A7B1, #B7B3B5 and #ABBFB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB91AC shade: #DB8FD3, #DB8FBF, #DB8FAB, #DB8F97 and #DB9C8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB91AC shade: #C7517C, #D17093, #DB8FAB, #E5AEC2 and #EFCEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB91AC shade: #DB91AC, #DBCE8F and #8FC9DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB91AC shade: #DB91AC, #ABDB8F and #8FABDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB91AC shade: #DB91AC, #DBCE8F, #8FDBBF and #8F9CDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB91AC shade: #DB91AC, #D1DB8F, #8FDBBF and #998FDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 21 / 14

HEX #DB91AC

RGB 219 145 172

HSL 338.11, 0.51%, 0.71%

LAB 68.23, 31.71, -2.58

 

Complementary color

CMYK 67 / 0 / 25 / 57

HEX #246E53

RGB 36 110 83

HSL 158.11, 0.51%, 0.29%

LAB 41.46, -29.77, 8.48

 

CMYK 0 / 35 / 25 / 12

HEX #E091A7

RGB 224 145 167

HSL 343.29, 0.56%, 0.72%

LAB 68.67, 32.77, 0.92

 

CMYK 0 / 32 / 23 / 5

HEX #F1A3BA

RGB 241 163 186

HSL 342.31, 0.74%, 0.79%

LAB 75.1, 31.99, 0.01

 

CMYK 0 / 29 / 20 / 0

HEX #FFB5CD

RGB 255 181 205

HSL 340.54, 1%, 0.85%

LAB 81.13, 30.22, -1.33

 

CMYK 0 / 22 / 12 / 0

HEX #FFC7E0

RGB 255 199 224

HSL 333.21, 1%, 0.89%

LAB 85.75, 23.7, -4.73

 

CMYK 0 / 15 / 5 / 0

HEX #FFD9F3

RGB 255 217 243

HSL 318.95, 1%, 0.93%

LAB 90.49, 17.44, -7.78

 

CMYK 0 / 34 / 21 / 14

HEX #DB91AC

RGB 219 145 172

HSL 338.11, 0.51%, 0.71%

LAB 68.23, 31.71, -2.58

 

CMYK 0 / 37 / 24 / 21

HEX #CA7F99

RGB 202 127 153

HSL 339.2, 0.41%, 0.65%

LAB 61.68, 32.51, -1.68

 

CMYK 0 / 41 / 28 / 27

HEX #B96D86

RGB 185 109 134

HSL 340.26, 0.35%, 0.58%

LAB 55.04, 33.37, -0.66

 

CMYK 0 / 46 / 32 / 34

HEX #A85B73

RGB 168 91 115

HSL 341.3, 0.31%, 0.51%

LAB 48.32, 34.28, 0.52

 

CMYK 0 / 52 / 36 / 41

HEX #974960

RGB 151 73 96

HSL 342.31, 0.35%, 0.44%

LAB 41.51, 35.21, 1.94

 

CMYK 0 / 35 / 22 / 14

HEX #DB8FAB

RGB 219 143 171

HSL 337.89, 0.51%, 0.71%

LAB 67.76, 32.63, -2.72

 

CMYK 0 / 35 / 31 / 14

HEX #DB8F97

RGB 219 143 151

HSL 353.68, 0.51%, 0.71%

LAB 67.23, 29.85, 7.74

 

CMYK 0 / 35 / 35 / 14

HEX #DB8F8F

RGB 219 143 143

HSL 0, 0.51%, 0.71%

LAB 67.04, 28.83, 11.96

 

CMYK 0 / 35 / 22 / 14

HEX #DB8FAB

RGB 219 143 171

HSL 337.89, 0.51%, 0.71%

LAB 67.76, 32.63, -2.72

 

CMYK 0 / 35 / 13 / 14

HEX #DB8FBF

RGB 219 143 191

HSL 322.11, 0.51%, 0.71%

LAB 68.36, 35.75, -13.01

 

CMYK 0 / 35 / 3 / 14

HEX #DB8FD4

RGB 219 143 212

HSL 305.53, 0.51%, 0.71%

LAB 69.08, 39.35, -23.6

 

CMYK 6 / 35 / 0 / 14

HEX #CE8FDB

RGB 206 143 219

HSL 289.74, 0.51%, 0.71%

LAB 67.93, 36.56, -29.37

 

CMYK 16 / 35 / 0 / 14

HEX #B98FDB

RGB 185 143 219

HSL 273.16, 0.51%, 0.71%

LAB 65.81, 30.08, -32.83

 

CMYK 0 / 35 / 22 / 14

HEX #DB8FAB

RGB 219 143 171

HSL 337.89, 0.51%, 0.71%

LAB 67.76, 32.63, -2.72

 

CMYK 0 / 43 / 27 / 9

HEX #E783A8

RGB 231 131 168

HSL 337.8, 0.68%, 0.71%

LAB 66.56, 42.71, -2.63

 

CMYK 0 / 51 / 33 / 5

HEX #F377A4

RGB 243 119 164

HSL 338.23, 0.84%, 0.71%

LAB 65.69, 52.2, -1.45

 

CMYK 0 / 58 / 37 / 0

HEX #FF6BA1

RGB 255 107 161

HSL 338.11, 1%, 0.71%

LAB 65.24, 61.2, -0.2

 

CMYK 0 / 35 / 22 / 14

HEX #DB8FAB

RGB 219 143 171

HSL 337.89, 0.51%, 0.71%

LAB 67.76, 32.63, -2.72

 

CMYK 0 / 25 / 16 / 19

HEX #CF9BAE

RGB 207 155 174

HSL 338.08, 0.35%, 0.71%

LAB 69.3, 22.29, -2.28

 

CMYK 0 / 14 / 9 / 24

HEX #C3A7B1

RGB 195 167 177

HSL 338.57, 0.19%, 0.71%

LAB 71.16, 11.88, -1.36

 

CMYK 0 / 2 / 1 / 28

HEX #B7B3B5

RGB 183 179 181

HSL 330, 0.03%, 0.71%

LAB 73.31, 1.78, -0.52

 

CMYK 10 / 0 / 4 / 25

HEX #ABBFB8

RGB 171 191 184

HSL 159, 0.14%, 0.71%

LAB 75.69, -8.19, 1.2

 

CMYK 0 / 35 / 4 / 14

HEX #DB8FD3

RGB 219 143 211

HSL 306.32, 0.51%, 0.71%

LAB 69.05, 39.17, -23.11

 

CMYK 0 / 35 / 13 / 14

HEX #DB8FBF

RGB 219 143 191

HSL 322.11, 0.51%, 0.71%

LAB 68.36, 35.75, -13.01

 

CMYK 0 / 35 / 22 / 14

HEX #DB8FAB

RGB 219 143 171

HSL 337.89, 0.51%, 0.71%

LAB 67.76, 32.63, -2.72

 

CMYK 0 / 35 / 31 / 14

HEX #DB8F97

RGB 219 143 151

HSL 353.68, 0.51%, 0.71%

LAB 67.23, 29.85, 7.74

 

CMYK 0 / 29 / 35 / 14

HEX #DB9C8F

RGB 219 156 143

HSL 10.26, 0.51%, 0.71%

LAB 70.05, 21.83, 16.17

 

CMYK 0 / 59 / 38 / 22

HEX #C7517C

RGB 199 81 124

HSL 338.14, 0.51%, 0.55%

LAB 51.25, 51.08, -0.05

 

CMYK 0 / 46 / 30 / 18

HEX #D17093

RGB 209 112 147

HSL 338.35, 0.51%, 0.63%

LAB 59.21, 42.09, -1.76

 

CMYK 0 / 35 / 22 / 14

HEX #DB8FAB

RGB 219 143 171

HSL 337.89, 0.51%, 0.71%

LAB 67.76, 32.63, -2.72

 

CMYK 0 / 24 / 15 / 10

HEX #E5AEC2

RGB 229 174 194

HSL 338.18, 0.51%, 0.79%

LAB 76.57, 23.09, -2.36

 

CMYK 0 / 14 / 9 / 6

HEX #EFCEDA

RGB 239 206 218

HSL 338.18, 0.51%, 0.87%

LAB 85.78, 13.5, -1.66

 

CMYK 0 / 34 / 21 / 14

HEX #DB91AC

RGB 219 145 172

HSL 338.11, 0.51%, 0.71%

LAB 68.23, 31.71, -2.58

 

CMYK 0 / 6 / 35 / 14

HEX #DBCE8F

RGB 219 206 143

HSL 49.74, 0.51%, 0.71%

LAB 82.48, -4.71, 33.01

 

CMYK 35 / 8 / 0 / 14

HEX #8FC9DB

RGB 143 201 219

HSL 194.21, 0.51%, 0.71%

LAB 77.71, -14.24, -14.92

 

CMYK 0 / 34 / 21 / 14

HEX #DB91AC

RGB 219 145 172

HSL 338.11, 0.51%, 0.71%

LAB 68.23, 31.71, -2.58

 

CMYK 22 / 0 / 35 / 14

HEX #ABDB8F

RGB 171 219 143

HSL 97.89, 0.51%, 0.71%

LAB 82.54, -29.13, 32.46

 

CMYK 35 / 22 / 0 / 14

HEX #8FABDB

RGB 143 171 219

HSL 217.89, 0.51%, 0.71%

LAB 69.53, 1.87, -27.36

 

CMYK 0 / 34 / 21 / 14

HEX #DB91AC

RGB 219 145 172

HSL 338.11, 0.51%, 0.71%

LAB 68.23, 31.71, -2.58

 

CMYK 0 / 6 / 35 / 14

HEX #DBCE8F

RGB 219 206 143

HSL 49.74, 0.51%, 0.71%

LAB 82.48, -4.71, 33.01

 

CMYK 35 / 0 / 13 / 14

HEX #8FDBBF

RGB 143 219 191

HSL 157.89, 0.51%, 0.71%

LAB 81.98, -29.59, 6.35

 

CMYK 35 / 29 / 0 / 14

HEX #8F9CDB

RGB 143 156 219

HSL 229.74, 0.51%, 0.71%

LAB 65.54, 10.31, -33.52

 

CMYK 0 / 34 / 21 / 14

HEX #DB91AC

RGB 219 145 172

HSL 338.11, 0.51%, 0.71%

LAB 68.23, 31.71, -2.58

 

CMYK 5 / 0 / 35 / 14

HEX #D1DB8F

RGB 209 219 143

HSL 67.89, 0.51%, 0.71%

LAB 85.1, -15.15, 36.29

 

CMYK 35 / 0 / 13 / 14

HEX #8FDBBF

RGB 143 219 191

HSL 157.89, 0.51%, 0.71%

LAB 81.98, -29.59, 6.35

 

CMYK 30 / 35 / 0 / 14

HEX #998FDB

RGB 153 143 219

HSL 247.89, 0.51%, 0.71%

LAB 62.95, 20.59, -37.48

 

Description

Color code: HEX #DB91AC | qconv.com Color code: HEX #DB91AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 145 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 145 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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