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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB901ACE it is the complementary color #246FE5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB901ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB901ACE shade: #E09015CE, #F1A228CE, #FFB43BCE, #FFC64ECE and #FFD861CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB901ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB901ACE shade: #DB901ACE, #CA7E07CE, #B96C00CE, #A85A00CE and #974800CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB901ACE shade: #DB901A, #DB5C1A, #DB281A and #DB1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB901ACE shade: #DB901A, #DBC41A, #BEDB1A, #8ADB1A and #56DB1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB901ACE shade matches the following richer shades: #DB901A and #EF9406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB901ACE shade: #DB901A, #C78C2E, #B38741, #A08355 and #8C7E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB901ACE shade: #DB271A, #DB5A1A, #DB8E1A, #DBC11A and #C1DB1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB901ACE shade: #915F11, #B67815, #DB901A, #E7A337 and #ECB45B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB901ACE shade: #DB901A, #40DB1A and #401ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB901ACE shade: #DB901A, #1ADB8E and #8E1ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB901ACE shade: #DB901A, #40DB1A, #1A67DB and #B41ADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB901ACE shade: #DB901A, #1ADB2D, #1A67DB and #DB1AC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 71 / 11

HEX #DB901ACE

RGBA 219 144 26 0.81

HSLA 36.68, 0.79%, 0.48%, 0.81

LABA 65.81, 20.09, 66.35, 0.81

 

Complementary color

CMYK 68 / 42 / 0 / 8

HEX #246FE5CE

RGBA 36 111 229 0.81

HSLA 216.68, 0.79%, 0.52%, 0.81

LABA 48.76, 20.98, -66.07, 0.81

 

CMYK 0 / 29 / 73 / 10

HEX #E09015CE

RGBA 224 144 21 0.81

HSLA 36.35, 0.83%, 0.48%, 0.81

LABA 66.4, 22.14, 68.25, 0.81

 

CMYK 0 / 27 / 68 / 4

HEX #F1A228CE

RGBA 241 162 40 0.81

HSLA 36.42, 0.88%, 0.55%, 0.81

LABA 72.69, 20.21, 69.07, 0.81

 

CMYK 0 / 24 / 62 / 0

HEX #FFB43BCE

RGBA 255 180 59 0.81

HSLA 37.04, 1%, 0.62%, 0.81

LABA 78.59, 17.24, 68.47, 0.81

 

CMYK 0 / 18 / 56 / 0

HEX #FFC64ECE

RGBA 255 198 78 0.81

HSLA 40.68, 1%, 0.65%, 0.81

LABA 83.02, 8.71, 65.4, 0.81

 

CMYK 0 / 12 / 50 / 0

HEX #FFD861CE

RGBA 255 216 97 0.81

HSLA 45.19, 1%, 0.69%, 0.81

LABA 87.6, 0.54, 62.2, 0.81

 

CMYK 0 / 28 / 71 / 11

HEX #DB901ACE

RGBA 219 144 26 0.81

HSLA 36.68, 0.79%, 0.48%, 0.81

LABA 65.81, 20.09, 66.35, 0.81

 

CMYK 0 / 30 / 78 / 17

HEX #CA7E07CE

RGBA 202 126 7 0.81

HSLA 36.62, 0.93%, 0.41%, 0.81

LABA 59.43, 22.19, 64.53, 0.81

 

CMYK 0 / 34 / 81 / 22

HEX #B96C00CE

RGBA 185 108 0 0.81

HSLA 35.03, 1%, 0.36%, 0.81

LABA 52.99, 24.55, 60.46, 0.81

 

CMYK 0 / 38 / 81 / 28

HEX #A85A00CE

RGBA 168 90 0 0.81

HSLA 32.14, 1%, 0.33%, 0.81

LABA 46.49, 27.05, 55.21, 0.81

 

CMYK 0 / 42 / 81 / 33

HEX #974800CE

RGBA 151 72 0 0.81

HSLA 28.61, 1%, 0.3%, 0.81

LABA 39.94, 29.57, 49.93, 0.81

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 0 / 58 / 88 / 14

HEX #DB5C1A

RGB 219 92 26

HSL 20.52, 0.79%, 0.48%

LAB 54.85, 46.82, 57.82

 

CMYK 0 / 82 / 88 / 14

HEX #DB281A

RGB 219 40 26

HSL 4.35, 0.79%, 0.48%

LAB 47.82, 65.95, 52.43

 

CMYK 0 / 88 / 88 / 14

HEX #DB1A1A

RGB 219 26 26

HSL 0, 0.79%, 0.48%

LAB 46.81, 68.83, 51.66

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 0 / 11 / 88 / 14

HEX #DBC41A

RGB 219 196 26

HSL 52.85, 0.79%, 0.48%

LAB 78.82, -7.4, 76.59

 

CMYK 13 / 0 / 88 / 14

HEX #BEDB1A

RGB 190 219 26

HSL 69.02, 0.79%, 0.48%

LAB 82.75, -30.93, 78.77

 

CMYK 37 / 0 / 88 / 14

HEX #8ADB1A

RGB 138 219 26

HSL 85.18, 0.79%, 0.48%

LAB 79.69, -50.71, 75.01

 

CMYK 61 / 0 / 88 / 14

HEX #56DB1A

RGB 86 219 26

HSL 101.35, 0.79%, 0.48%

LAB 77.71, -65.93, 72.53

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 0 / 38 / 97 / 6

HEX #EF9406

RGB 239 148 6

HSL 36.57, 0.95%, 0.48%

LAB 69.14, 26.19, 73.46

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 0 / 30 / 77 / 22

HEX #C78C2E

RGB 199 140 46

HSL 36.86, 0.62%, 0.48%

LAB 62.59, 14.18, 56.05

 

CMYK 0 / 25 / 64 / 30

HEX #B38741

RGB 179 135 65

HSL 36.84, 0.47%, 0.48%

LAB 59.24, 9.19, 43.32

 

CMYK 0 / 18 / 47 / 37

HEX #A08355

RGB 160 131 85

HSL 36.8, 0.31%, 0.48%

LAB 56.45, 4.86, 28.97

 

CMYK 0 / 10 / 25 / 45

HEX #8C7E69

RGB 140 126 105

HSL 36, 0.14%, 0.48%

LAB 53.51, 1.82, 13.39

 

CMYK 0 / 82 / 88 / 14

HEX #DB271A

RGB 219 39 26

HSL 4.04, 0.79%, 0.48%

LAB 47.73, 66.19, 52.36

 

CMYK 0 / 59 / 88 / 14

HEX #DB5A1A

RGB 219 90 26

HSL 19.9, 0.79%, 0.48%

LAB 54.5, 47.75, 57.55

 

CMYK 0 / 35 / 88 / 14

HEX #DB8E1A

RGB 219 142 26

HSL 36.06, 0.79%, 0.48%

LAB 65.34, 21.16, 65.99

 

CMYK 0 / 12 / 88 / 14

HEX #DBC11A

RGB 219 193 26

HSL 51.92, 0.79%, 0.48%

LAB 78.04, -5.86, 75.97

 

CMYK 12 / 0 / 88 / 14

HEX #C1DB1A

RGB 193 219 26

HSL 68.08, 0.79%, 0.48%

LAB 82.95, -29.71, 79.03

 

CMYK 0 / 34 / 88 / 43

HEX #915F11

RGB 145 95 17

HSL 36.56, 0.79%, 0.32%

LAB 44.58, 14.2, 48.04

 

CMYK 0 / 34 / 88 / 29

HEX #B67815

RGB 182 120 21

HSL 36.89, 0.79%, 0.4%

LAB 55.51, 16.92, 57.63

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 0 / 29 / 76 / 9

HEX #E7A337

RGB 231 163 55

HSL 36.82, 0.79%, 0.56%

LAB 71.87, 15.93, 62.66

 

CMYK 0 / 24 / 61 / 7

HEX #ECB45B

RGB 236 180 91

HSL 36.83, 0.79%, 0.64%

LAB 76.82, 10.95, 52.33

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 71 / 0 / 88 / 14

HEX #40DB1A

RGB 64 219 26

HSL 108.19, 0.79%, 0.48%

LAB 77.18, -70.4, 71.87

 

CMYK 71 / 88 / 0 / 14

HEX #401ADB

RGB 64 26 219

HSL 251.81, 0.79%, 0.48%

LAB 31.68, 66.31, -88.38

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 88 / 0 / 35 / 14

HEX #1ADB8E

RGB 26 219 142

HSL 156.06, 0.79%, 0.48%

LAB 77.78, -61.38, 25.77

 

CMYK 35 / 88 / 0 / 14

HEX #8E1ADB

RGB 142 26 219

HSL 276.06, 0.79%, 0.48%

LAB 40.58, 73.51, -73.38

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 71 / 0 / 88 / 14

HEX #40DB1A

RGB 64 219 26

HSL 108.19, 0.79%, 0.48%

LAB 77.18, -70.4, 71.87

 

CMYK 88 / 53 / 0 / 14

HEX #1A67DB

RGB 26 103 219

HSL 216.06, 0.79%, 0.48%

LAB 45.68, 21.59, -65.41

 

CMYK 18 / 88 / 0 / 14

HEX #B41ADB

RGB 180 26 219

HSL 287.88, 0.79%, 0.48%

LAB 46.39, 78.85, -63.67

 

CMYK 0 / 34 / 88 / 14

HEX #DB901A

RGB 219 144 26

HSL 36.68, 0.79%, 0.48%

LAB 65.81, 20.09, 66.35

 

CMYK 88 / 0 / 79 / 14

HEX #1ADB2D

RGB 26 219 45

HSL 125.91, 0.79%, 0.48%

LAB 76.72, -74.13, 66.84

 

CMYK 88 / 53 / 0 / 14

HEX #1A67DB

RGB 26 103 219

HSL 216.06, 0.79%, 0.48%

LAB 45.68, 21.59, -65.41

 

CMYK 0 / 88 / 9 / 14

HEX #DB1AC8

RGB 219 26 200

HSL 305.91, 0.79%, 0.48%

LAB 51.8, 82.47, -43.71

 

Description

Color code: HEX #DB901ACE | qconv.com Color code: HEX #DB901ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 144 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 144 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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