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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB8F3ACE it is the complementary color #2470C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB8F3ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB8F3ACE shade: #E08F35CE, #F1A148CE, #FFB35BCE, #FFC56ECE and #FFD781CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB8F3ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB8F3ACE shade: #DB8F3ACE, #CA7D27CE, #B96B14CE, #A85901CE and #974700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB8F3ACE shade: #DB8E39, #DB6339 and #DB3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB8F3ACE shade: #DB8E39, #DBBA39, #D0DB39, #A4DB39 and #78DB39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB8F3ACE shade matches the following richer shades: #DB8E39 and #EE8F26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB8F3ACE shade: #DB8E39, #C88D4C, #B58C5F, #A28B72 and #8F8A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB8F3ACE shade: #DB393B, #DB6139, #DB8C39, #DBB839 and #D3DB39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB8F3ACE shade: #A3641E, #C67A24, #DB8E39, #E1A25C and #E7B67E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB8F3ACE shade: #DB8F3A, #67DB39 and #4C39DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB8F3ACE shade: #DB8F3A, #39DB8C and #8C39DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB8F3ACE shade: #DB8F3A, #67DB39, #3987DB and #AD39DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB8F3ACE shade: #DB8F3A, #39DB3B, #3987DB and #DB39D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 60 / 11

HEX #DB8F3ACE

RGBA 219 143 58 0.81

HSLA 31.68, 0.69%, 0.54%, 0.81

LABA 65.76, 21.67, 54.94, 0.81

 

Complementary color

CMYK 66 / 35 / 0 / 18

HEX #2470C5CE

RGBA 36 112 197 0.81

HSLA 211.68, 0.69%, 0.46%, 0.81

LABA 46.97, 8.07, -50.75, 0.81

 

CMYK 0 / 29 / 62 / 10

HEX #E08F35CE

RGBA 224 143 53 0.81

HSLA 31.58, 0.73%, 0.54%, 0.81

LABA 66.33, 23.56, 57.84, 0.81

 

CMYK 0 / 27 / 57 / 4

HEX #F1A148CE

RGBA 241 161 72 0.81

HSLA 31.6, 0.86%, 0.61%, 0.81

LABA 72.67, 21.96, 56.7, 0.81

 

CMYK 0 / 24 / 52 / 0

HEX #FFB35BCE

RGBA 255 179 91 0.81

HSLA 32.2, 1%, 0.68%, 0.81

LABA 78.61, 19.32, 54.91, 0.81

 

CMYK 0 / 18 / 46 / 0

HEX #FFC56ECE

RGBA 255 197 110 0.81

HSLA 36, 1%, 0.72%, 0.81

LABA 83.08, 11.21, 51.02, 0.81

HEX #FFC56ECE

CMYK 0 / 13 / 40 / 0

HEX #FFD781CE

RGBA 255 215 129 0.81

HSLA 40.95, 1%, 0.75%, 0.81

LABA 87.7, 3.47, 47.37, 0.81

HEX #FFD781CE

CMYK 0 / 28 / 60 / 11

HEX #DB8F3ACE

RGBA 219 143 58 0.81

HSLA 31.68, 0.69%, 0.54%, 0.81

LABA 65.76, 21.67, 54.94, 0.81

 

CMYK 0 / 31 / 65 / 17

HEX #CA7D27CE

RGBA 202 125 39 0.81

HSLA 31.66, 0.68%, 0.47%, 0.81

LABA 59.32, 23.41, 55.86, 0.81

 

CMYK 0 / 34 / 72 / 22

HEX #B96B14CE

RGBA 185 107 20 0.81

HSLA 31.64, 0.8%, 0.4%, 0.81

LABA 52.82, 25.39, 55.96, 0.81

 

CMYK 0 / 38 / 81 / 28

HEX #A85901CE

RGBA 168 89 1 0.81

HSLA 31.62, 0.99%, 0.33%, 0.81

LABA 46.27, 27.61, 54.82, 0.81

 

CMYK 0 / 43 / 81 / 33

HEX #974700CE

RGBA 151 71 0 0.81

HSLA 28.21, 1%, 0.3%, 0.81

LABA 39.72, 30.1, 49.81, 0.81

 

CMYK 0 / 35 / 74 / 14

HEX #DB8E39

RGB 219 142 57

HSL 31.48, 0.69%, 0.54%

LAB 65.52, 22.16, 55.13

 

CMYK 0 / 55 / 74 / 14

HEX #DB6339

RGB 219 99 57

HSL 15.56, 0.69%, 0.54%

LAB 56.37, 44.45, 45.64

 

CMYK 0 / 74 / 74 / 14

HEX #DB3939

RGB 219 57 57

HSL 0, 0.69%, 0.54%

LAB 49.84, 61.93, 38.5

 

CMYK 0 / 35 / 74 / 14

HEX #DB8E39

RGB 219 142 57

HSL 31.48, 0.69%, 0.54%

LAB 65.52, 22.16, 55.13

 

CMYK 0 / 15 / 74 / 14

HEX #DBBA39

RGB 219 186 57

HSL 47.78, 0.69%, 0.54%

LAB 76.36, -1.28, 65.78

 

CMYK 5 / 0 / 74 / 14

HEX #D0DB39

RGB 208 219 57

HSL 64.07, 0.69%, 0.54%

LAB 84.16, -22.56, 72.83

 

CMYK 25 / 0 / 74 / 14

HEX #A4DB39

RGB 164 219 57

HSL 80.37, 0.69%, 0.54%

LAB 81.21, -40.05, 69

 

CMYK 45 / 0 / 74 / 14

HEX #78DB39

RGB 120 219 57

HSL 96.67, 0.69%, 0.54%

LAB 79.01, -55.25, 66.11

 

CMYK 0 / 35 / 74 / 14

HEX #DB8E39

RGB 219 142 57

HSL 31.48, 0.69%, 0.54%

LAB 65.52, 22.16, 55.13

 

CMYK 0 / 40 / 84 / 7

HEX #EE8F26

RGB 238 143 38

HSL 31.5, 0.85%, 0.54%

LAB 67.99, 28.9, 65.6

 

CMYK 0 / 35 / 74 / 14

HEX #DB8E39

RGB 219 142 57

HSL 31.48, 0.69%, 0.54%

LAB 65.52, 22.16, 55.13

 

CMYK 0 / 30 / 62 / 22

HEX #C88D4C

RGB 200 141 76

HSL 31.45, 0.53%, 0.54%

LAB 63.22, 15.72, 42.99

 

CMYK 0 / 23 / 48 / 29

HEX #B58C5F

RGB 181 140 95

HSL 31.4, 0.37%, 0.54%

LAB 61.14, 9.82, 29.95

 

CMYK 0 / 14 / 30 / 36

HEX #A28B72

RGB 162 139 114

HSL 31.25, 0.21%, 0.54%

LAB 59.31, 4.77, 16.59

 

CMYK 0 / 3 / 7 / 44

HEX #8F8A85

RGB 143 138 133

HSL 30, 0.04%, 0.54%

LAB 57.76, 0.92, 3.33

 

CMYK 0 / 74 / 73 / 14

HEX #DB393B

RGB 219 57 59

HSL 359.26, 0.69%, 0.54%

LAB 49.86, 62.01, 37.39

 

CMYK 0 / 56 / 74 / 14

HEX #DB6139

RGB 219 97 57

HSL 14.81, 0.69%, 0.54%

LAB 55.99, 45.41, 45.24

 

CMYK 0 / 36 / 74 / 14

HEX #DB8C39

RGB 219 140 57

HSL 30.74, 0.69%, 0.54%

LAB 65.05, 23.23, 54.66

 

CMYK 0 / 16 / 74 / 14

HEX #DBB839

RGB 219 184 57

HSL 47.04, 0.69%, 0.54%

LAB 75.85, -0.24, 65.29

 

CMYK 4 / 0 / 74 / 14

HEX #D3DB39

RGB 211 219 57

HSL 62.96, 0.69%, 0.54%

LAB 84.38, -21.32, 73.13

 

CMYK 0 / 39 / 82 / 36

HEX #A3641E

RGB 163 100 30

HSL 31.58, 0.69%, 0.38%

LAB 48.25, 19.92, 47.43

 

CMYK 0 / 38 / 82 / 22

HEX #C67A24

RGB 198 122 36

HSL 31.85, 0.69%, 0.46%

LAB 58.09, 23.22, 55.7

 

CMYK 0 / 35 / 74 / 14

HEX #DB8E39

RGB 219 142 57

HSL 31.48, 0.69%, 0.54%

LAB 65.52, 22.16, 55.13

 

CMYK 0 / 28 / 59 / 12

HEX #E1A25C

RGB 225 162 92

HSL 31.58, 0.69%, 0.62%

LAB 71.3, 16.01, 45.12

 

CMYK 0 / 21 / 45 / 9

HEX #E7B67E

RGB 231 182 126

HSL 32, 0.69%, 0.7%

LAB 77.25, 10.76, 35.21

 

CMYK 0 / 35 / 74 / 14

HEX #DB8F3A

RGB 219 143 58

HSL 31.68, 0.69%, 0.54%

LAB 65.76, 21.67, 54.94

 

CMYK 53 / 0 / 74 / 14

HEX #67DB39

RGB 103 219 57

HSL 102.96, 0.69%, 0.54%

LAB 78.37, -60.15, 65.26

 

CMYK 65 / 74 / 0 / 14

HEX #4C39DB

RGB 76 57 219

HSL 247.04, 0.69%, 0.54%

LAB 37.07, 54.21, -79.41

 

CMYK 0 / 35 / 74 / 14

HEX #DB8F3A

RGB 219 143 58

HSL 31.68, 0.69%, 0.54%

LAB 65.76, 21.67, 54.94

 

CMYK 74 / 0 / 36 / 14

HEX #39DB8C

RGB 57 219 140

HSL 150.74, 0.69%, 0.54%

LAB 78.13, -58.78, 27.34

 

CMYK 36 / 74 / 0 / 14

HEX #8C39DB

RGB 140 57 219

HSL 270.74, 0.69%, 0.54%

LAB 43.68, 63.4, -68.33

 

CMYK 0 / 35 / 74 / 14

HEX #DB8F3A

RGB 219 143 58

HSL 31.68, 0.69%, 0.54%

LAB 65.76, 21.67, 54.94

 

CMYK 53 / 0 / 74 / 14

HEX #67DB39

RGB 103 219 57

HSL 102.96, 0.69%, 0.54%

LAB 78.37, -60.15, 65.26

 

CMYK 74 / 38 / 0 / 14

HEX #3987DB

RGB 57 135 219

HSL 211.11, 0.69%, 0.54%

LAB 55.39, 4.47, -49.77

 

CMYK 21 / 74 / 0 / 14

HEX #AD39DB

RGB 173 57 219

HSL 282.96, 0.69%, 0.54%

LAB 48.17, 69.38, -60.85

 

CMYK 0 / 35 / 74 / 14

HEX #DB8F3A

RGB 219 143 58

HSL 31.68, 0.69%, 0.54%

LAB 65.76, 21.67, 54.94

 

CMYK 74 / 0 / 73 / 14

HEX #39DB3B

RGB 57 219 59

HSL 120.74, 0.69%, 0.54%

LAB 77.19, -69.75, 63.01

 

CMYK 74 / 38 / 0 / 14

HEX #3987DB

RGB 57 135 219

HSL 211.11, 0.69%, 0.54%

LAB 55.39, 4.47, -49.77

 

CMYK 0 / 74 / 1 / 14

HEX #DB39D8

RGB 219 57 216

HSL 301.11, 0.69%, 0.54%

LAB 55.01, 77.95, -47.78

 

Description

Color code: HEX #DB8F3ACE | qconv.com Color code: HEX #DB8F3ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 143 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 143 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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