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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB8CC6 it is the complementary color #247339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB8CC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB8CC6 shade: #E08CC1, #F19ED4, #FFB0E7, #FFC2FA and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB8CC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB8CC6 shade: #DB8CC6, #CA7AB3, #B968A0, #A8568D and #97447A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB8CC6 shade: #DA8BC5, #DA8BB0, #DA8B9A and #DA8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB8CC6 shade: #DA8BC5, #DA8BDA, #C58BDA, #AF8BDA and #9A8BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB8CC6 shade matches the following richer shades: #DA8BC5, #E77ECB and #F372D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB8CC6 shade: #DA8BC5, #CE97BF, #C2A3BA, #B5B0B4 and #A9BCAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB8CC6 shade: #C48BDA, #D98BDA, #DA8BC6, #DA8BB1 and #DA8B9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB8CC6 shade: #C64CA6, #D06BB6, #DA8BC5, #E4AAD5 and #EEC9E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB8CC6 shade: #DB8CC6, #DAAF8B and #8BDACE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB8CC6 shade: #DB8CC6, #C6DA8B and #8BC6DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB8CC6 shade: #DB8CC6, #DAAF8B, #8BDA9F and #8BB6DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB8CC6 shade: #DB8CC6, #DAC68B, #8BDA9F and #8B9FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 10 / 14

HEX #DB8CC6

RGB 219 140 198

HSL 315.95, 0.52%, 0.7%

LAB 67.94, 38.51, -17.56

 

Complementary color

CMYK 69 / 0 / 50 / 55

HEX #247339

RGB 36 115 57

HSL 135.95, 0.52%, 0.3%

LAB 42.66, -37.47, 25.17

 

CMYK 0 / 38 / 14 / 12

HEX #E08CC1

RGB 224 140 193

HSL 322.14, 0.58%, 0.71%

LAB 68.35, 39.34, -14.09

 

CMYK 0 / 34 / 12 / 5

HEX #F19ED4

RGB 241 158 212

HSL 320.96, 0.75%, 0.78%

LAB 74.77, 38.6, -14.75

 

CMYK 0 / 31 / 9 / 0

HEX #FFB0E7

RGB 255 176 231

HSL 318.23, 1%, 0.85%

LAB 80.78, 36.91, -15.87

 

CMYK 0 / 24 / 2 / 0

HEX #FFC2FA

RGB 255 194 250

HSL 304.92, 1%, 0.88%

LAB 85.38, 30.73, -19.12

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 36 / 10 / 14

HEX #DB8CC6

RGB 219 140 198

HSL 315.95, 0.52%, 0.7%

LAB 67.94, 38.51, -17.56

 

CMYK 0 / 40 / 11 / 21

HEX #CA7AB3

RGB 202 122 179

HSL 317.25, 0.43%, 0.64%

LAB 61.42, 39.27, -16.92

 

CMYK 0 / 44 / 14 / 27

HEX #B968A0

RGB 185 104 160

HSL 318.52, 0.37%, 0.57%

LAB 54.82, 40.05, -16.2

 

CMYK 0 / 49 / 16 / 34

HEX #A8568D

RGB 168 86 141

HSL 319.76, 0.32%, 0.5%

LAB 48.14, 40.81, -15.35

 

CMYK 0 / 55 / 19 / 41

HEX #97447A

RGB 151 68 122

HSL 320.96, 0.38%, 0.43%

LAB 41.4, 41.51, -14.31

 

CMYK 0 / 36 / 10 / 15

HEX #DA8BC5

RGB 218 139 197

HSL 315.95, 0.52%, 0.7%

LAB 67.58, 38.54, -17.56

 

CMYK 0 / 36 / 19 / 15

HEX #DA8BB0

RGB 218 139 176

HSL 331.9, 0.52%, 0.7%

LAB 66.9, 35.17, -6.8

 

CMYK 0 / 36 / 29 / 15

HEX #DA8B9A

RGB 218 139 154

HSL 348.61, 0.52%, 0.7%

LAB 66.29, 32.02, 4.69

 

CMYK 0 / 36 / 36 / 15

HEX #DA8B8B

RGB 218 139 139

HSL 0, 0.52%, 0.7%

LAB 65.93, 30.11, 12.62

 

CMYK 0 / 36 / 10 / 15

HEX #DA8BC5

RGB 218 139 197

HSL 315.95, 0.52%, 0.7%

LAB 67.58, 38.54, -17.56

 

CMYK 0 / 36 / 0 / 15

HEX #DA8BDA

RGB 218 139 218

HSL 300, 0.52%, 0.7%

LAB 68.34, 42.24, -28.08

 

CMYK 10 / 36 / 0 / 15

HEX #C58BDA

RGB 197 139 218

HSL 284.05, 0.52%, 0.7%

LAB 66.06, 35.75, -31.79

 

CMYK 20 / 36 / 0 / 15

HEX #AF8BDA

RGB 175 139 218

HSL 267.34, 0.52%, 0.7%

LAB 63.87, 29.07, -35.35

 

CMYK 29 / 36 / 0 / 15

HEX #9A8BDA

RGB 154 139 218

HSL 251.39, 0.52%, 0.7%

LAB 62, 22.92, -38.42

 

CMYK 0 / 36 / 10 / 15

HEX #DA8BC5

RGB 218 139 197

HSL 315.95, 0.52%, 0.7%

LAB 67.58, 38.54, -17.56

 

CMYK 0 / 45 / 12 / 9

HEX #E77ECB

RGB 231 126 203

HSL 316, 0.69%, 0.7%

LAB 66.69, 50.4, -22.12

 

CMYK 0 / 53 / 14 / 5

HEX #F372D1

RGB 243 114 209

HSL 315.81, 0.84%, 0.7%

LAB 66.28, 60.69, -25.96

 

CMYK 0 / 36 / 10 / 15

HEX #DA8BC5

RGB 218 139 197

HSL 315.95, 0.52%, 0.7%

LAB 67.58, 38.54, -17.56

 

CMYK 0 / 27 / 7 / 19

HEX #CE97BF

RGB 206 151 191

HSL 316.36, 0.36%, 0.7%

LAB 68.76, 26.99, -12.56

 

CMYK 0 / 16 / 4 / 24

HEX #C2A3BA

RGB 194 163 186

HSL 315.48, 0.2%, 0.7%

LAB 70.32, 15.32, -7.58

 

CMYK 0 / 3 / 1 / 29

HEX #B5B0B4

RGB 181 176 180

HSL 312, 0.03%, 0.7%

LAB 72.34, 2.52, -1.42

 

CMYK 10 / 0 / 7 / 26

HEX #A9BCAE

RGB 169 188 174

HSL 135.79, 0.12%, 0.7%

LAB 74.48, -9.21, 4.86

 

CMYK 10 / 36 / 0 / 15

HEX #C48BDA

RGB 196 139 218

HSL 283.29, 0.52%, 0.7%

LAB 65.95, 35.45, -31.96

 

CMYK 0 / 36 / 0 / 15

HEX #D98BDA

RGB 217 139 218

HSL 299.24, 0.52%, 0.7%

LAB 68.23, 41.93, -28.26

 

CMYK 0 / 36 / 9 / 15

HEX #DA8BC6

RGB 218 139 198

HSL 315.19, 0.52%, 0.7%

LAB 67.61, 38.71, -18.07

 

CMYK 0 / 36 / 19 / 15

HEX #DA8BB1

RGB 218 139 177

HSL 331.14, 0.52%, 0.7%

LAB 66.93, 35.32, -7.32

 

CMYK 0 / 36 / 28 / 15

HEX #DA8B9C

RGB 218 139 156

HSL 347.09, 0.52%, 0.7%

LAB 66.34, 32.29, 3.64

 

CMYK 0 / 62 / 16 / 22

HEX #C64CA6

RGB 198 76 166

HSL 315.74, 0.52%, 0.54%

LAB 51.76, 58.5, -24.23

 

CMYK 0 / 49 / 13 / 18

HEX #D06BB6

RGB 208 107 182

HSL 315.45, 0.52%, 0.62%

LAB 59.25, 49.43, -21.87

 

CMYK 0 / 36 / 10 / 15

HEX #DA8BC5

RGB 218 139 197

HSL 315.95, 0.52%, 0.7%

LAB 67.58, 38.54, -17.56

 

CMYK 0 / 25 / 7 / 11

HEX #E4AAD5

RGB 228 170 213

HSL 315.52, 0.52%, 0.78%

LAB 76.1, 28.05, -13.44

 

CMYK 0 / 16 / 4 / 7

HEX #EEC9E4

RGB 238 201 228

HSL 316.22, 0.52%, 0.86%

LAB 84.77, 17.51, -8.49

 

CMYK 0 / 36 / 10 / 14

HEX #DB8CC6

RGB 219 140 198

HSL 315.95, 0.52%, 0.7%

LAB 67.94, 38.51, -17.56

 

CMYK 0 / 20 / 36 / 15

HEX #DAAF8B

RGB 218 175 139

HSL 27.34, 0.52%, 0.7%

LAB 74.46, 10.73, 24.39

 

CMYK 36 / 0 / 6 / 15

HEX #8BDACE

RGB 139 218 206

HSL 170.89, 0.52%, 0.7%

LAB 81.89, -26.93, -1.78

 

CMYK 0 / 36 / 10 / 14

HEX #DB8CC6

RGB 219 140 198

HSL 315.95, 0.52%, 0.7%

LAB 67.94, 38.51, -17.56

 

CMYK 9 / 0 / 36 / 15

HEX #C6DA8B

RGB 198 218 139

HSL 75.19, 0.52%, 0.7%

LAB 83.97, -19.32, 36.7

 

CMYK 36 / 9 / 0 / 15

HEX #8BC6DA

RGB 139 198 218

HSL 195.19, 0.52%, 0.7%

LAB 76.64, -14.01, -16.01

 

CMYK 0 / 36 / 10 / 14

HEX #DB8CC6

RGB 219 140 198

HSL 315.95, 0.52%, 0.7%

LAB 67.94, 38.51, -17.56

 

CMYK 0 / 20 / 36 / 15

HEX #DAAF8B

RGB 218 175 139

HSL 27.34, 0.52%, 0.7%

LAB 74.46, 10.73, 24.39

 

CMYK 36 / 0 / 27 / 15

HEX #8BDA9F

RGB 139 218 159

HSL 135.19, 0.52%, 0.7%

LAB 80.81, -36.53, 21.55

 

CMYK 36 / 17 / 0 / 15

HEX #8BB6DA

RGB 139 182 218

HSL 207.34, 0.52%, 0.7%

LAB 72.23, -5.53, -22.69

 

CMYK 0 / 36 / 10 / 14

HEX #DB8CC6

RGB 219 140 198

HSL 315.95, 0.52%, 0.7%

LAB 67.94, 38.51, -17.56

 

CMYK 0 / 9 / 36 / 15

HEX #DAC68B

RGB 218 198 139

HSL 44.81, 0.52%, 0.7%

LAB 80.27, -1.43, 32.15

 

CMYK 36 / 0 / 27 / 15

HEX #8BDA9F

RGB 139 218 159

HSL 135.19, 0.52%, 0.7%

LAB 80.81, -36.53, 21.55

 

CMYK 36 / 27 / 0 / 15

HEX #8B9FDA

RGB 139 159 218

HSL 224.81, 0.52%, 0.7%

LAB 66.02, 7.23, -32.24

 

Description

Color code: HEX #DB8CC6 | qconv.com Color code: HEX #DB8CC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 140 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 140 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 10 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 10% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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