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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB826ACE it is the complementary color #247D95CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB826ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB826ACE shade: #E08265CE, #F19478CE, #FFA68BCE, #FFB89ECE and #FFCAB1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB826ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB826ACE shade: #DB826ACE, #CA7057CE, #B95E44CE, #A84C31CE and #973A1ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB826ACE shade: #DB836B and #DB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB826ACE shade: #DB836B, #DBA16B, #DBBF6B, #D9DB6B and #BBDB6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB826ACE shade matches the following richer shades: #DB836B, #EA7A5C and #F9724D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB826ACE shade: #DB836B, #CC8C7A, #BD9489, #AF9D98 and #A0A5A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB826ACE shade: #DB6B91, #DB6B73, #DB826B, #DB9F6B and #DBBD6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB826ACE shade: #C44F30, #D3674A, #DB836B, #E39F8C and #EBBBAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB826ACE shade: #DB826A, #AEDB6B and #6B82DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB826ACE shade: #DB826A, #6BDB82 and #826BDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB826ACE shade: #DB826A, #AEDB6B, #6BC5DB and #986BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB826ACE shade: #DB826A, #8DDB6B, #6BC5DB and #BA6BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 42 / 11

HEX #DB826ACE

RGBA 219 130 106 0.81

HSLA 12.74, 0.61%, 0.64%, 0.81

LABA 63.4, 31.83, 27.68, 0.81

 

Complementary color

CMYK 61 / 13 / 0 / 34

HEX #247D95CE

RGBA 36 125 149 0.81

HSLA 192.74, 0.61%, 0.36%, 0.81

LABA 48.53, -17.34, -20.38, 0.81

 

CMYK 0 / 34 / 44 / 10

HEX #E08265CE

RGBA 224 130 101 0.81

HSLA 14.15, 0.66%, 0.64%, 0.81

LABA 63.96, 33.36, 31.3, 0.81

 

CMYK 0 / 31 / 41 / 4

HEX #F19478CE

RGBA 241 148 120 0.81

HSLA 13.88, 0.81%, 0.71%, 0.81

LABA 70.34, 32.15, 29.62, 0.81

 

CMYK 0 / 28 / 37 / 0

HEX #FFA68BCE

RGBA 255 166 139 0.81

HSLA 13.97, 1%, 0.77%, 0.81

LABA 76.31, 29.91, 27.56, 0.81

 

CMYK 0 / 23 / 31 / 0

HEX #FFB89ECE

RGBA 255 184 158 0.81

HSLA 16.08, 1%, 0.81%, 0.81

LABA 80.74, 22.5, 23.39, 0.81

 

CMYK 0 / 17 / 25 / 0

HEX #FFCAB1CE

RGBA 255 202 177 0.81

HSLA 19.23, 1%, 0.85%, 0.81

LABA 85.34, 15.36, 19.65, 0.81

 

CMYK 0 / 33 / 42 / 11

HEX #DB826ACE

RGBA 219 130 106 0.81

HSLA 12.74, 0.61%, 0.64%, 0.81

LABA 63.4, 31.83, 27.68, 0.81

 

CMYK 0 / 36 / 46 / 17

HEX #CA7057CE

RGBA 202 112 87 0.81

HSLA 13.04, 0.52%, 0.57%, 0.81

LABA 56.91, 33.09, 29.48, 0.81

 

CMYK 0 / 40 / 51 / 22

HEX #B95E44CE

RGBA 185 94 68 0.81

HSLA 13.33, 0.46%, 0.5%, 0.81

LABA 50.38, 34.48, 31.51, 0.81

 

CMYK 0 / 44 / 57 / 28

HEX #A84C31CE

RGBA 168 76 49 0.81

HSLA 13.61, 0.55%, 0.43%, 0.81

LABA 43.82, 35.97, 33.81, 0.81

 

CMYK 0 / 50 / 65 / 33

HEX #973A1ECE

RGBA 151 58 30 0.81

HSLA 13.88, 0.67%, 0.35%, 0.81

LABA 37.3, 37.5, 36.32, 0.81

 

CMYK 0 / 40 / 51 / 14

HEX #DB836B

RGB 219 131 107

HSL 12.86, 0.61%, 0.64%

LAB 63.63, 31.39, 27.44

 

CMYK 0 / 51 / 51 / 14

HEX #DB6B6B

RGB 219 107 107

HSL 0, 0.61%, 0.64%

LAB 58.64, 43.78, 20.79

 

CMYK 0 / 40 / 51 / 14

HEX #DB836B

RGB 219 131 107

HSL 12.86, 0.61%, 0.64%

LAB 63.63, 31.39, 27.44

 

CMYK 0 / 26 / 51 / 14

HEX #DBA16B

RGB 219 161 107

HSL 28.93, 0.61%, 0.64%

LAB 70.6, 15.29, 36.41

 

CMYK 0 / 13 / 51 / 14

HEX #DBBF6B

RGB 219 191 107

HSL 45, 0.61%, 0.64%

LAB 78.1, -0.64, 45.68

 

CMYK 1 / 0 / 51 / 14

HEX #D9DB6B

RGB 217 219 107

HSL 61.07, 0.61%, 0.64%

LAB 85.24, -15.71, 54.14

 

CMYK 15 / 0 / 51 / 14

HEX #BBDB6B

RGB 187 219 107

HSL 77.14, 0.61%, 0.64%

LAB 83.07, -27.52, 51.05

 

CMYK 0 / 40 / 51 / 14

HEX #DB836B

RGB 219 131 107

HSL 12.86, 0.61%, 0.64%

LAB 63.63, 31.39, 27.44

 

CMYK 0 / 48 / 61 / 8

HEX #EA7A5C

RGB 234 122 92

HSL 12.68, 0.77%, 0.64%

LAB 63.49, 40.66, 35.92

 

CMYK 0 / 54 / 69 / 2

HEX #F9724D

RGB 249 114 77

HSL 12.91, 0.93%, 0.64%

LAB 63.93, 49.26, 44.97

 

CMYK 0 / 40 / 51 / 14

HEX #DB836B

RGB 219 131 107

HSL 12.86, 0.61%, 0.64%

LAB 63.63, 31.39, 27.44

 

CMYK 0 / 31 / 40 / 20

HEX #CC8C7A

RGB 204 140 122

HSL 13.17, 0.45%, 0.64%

LAB 64.16, 22.16, 19.46

 

CMYK 0 / 22 / 28 / 26

HEX #BD9489

RGB 189 148 137

HSL 12.69, 0.28%, 0.64%

LAB 64.81, 13.76, 11.7

 

CMYK 0 / 10 / 13 / 31

HEX #AF9D98

RGB 175 157 152

HSL 13.04, 0.13%, 0.64%

LAB 66.13, 5.74, 5.01

 

CMYK 4 / 1 / 0 / 35

HEX #A0A5A7

RGB 160 165 167

HSL 197.14, 0.04%, 0.64%

LAB 67.41, -1.38, -1.66

HEX #A0A5A7

CMYK 0 / 51 / 34 / 14

HEX #DB6B91

RGB 219 107 145

HSL 339.64, 0.61%, 0.64%

LAB 59.54, 47.77, 0.06

 

CMYK 0 / 51 / 47 / 14

HEX #DB6B73

RGB 219 107 115

HSL 355.71, 0.61%, 0.64%

LAB 58.8, 44.52, 16.4

 

CMYK 0 / 41 / 51 / 14

HEX #DB826B

RGB 219 130 107

HSL 12.32, 0.61%, 0.64%

LAB 63.41, 31.92, 27.15

 

CMYK 0 / 27 / 51 / 14

HEX #DB9F6B

RGB 219 159 107

HSL 27.86, 0.61%, 0.64%

LAB 70.12, 16.37, 35.79

 

CMYK 0 / 14 / 51 / 14

HEX #DBBD6B

RGB 219 189 107

HSL 43.93, 0.61%, 0.64%

LAB 77.59, 0.4, 45.06

 

CMYK 0 / 60 / 76 / 23

HEX #C44F30

RGB 196 79 48

HSL 12.57, 0.61%, 0.48%

LAB 48.93, 45.08, 41.27

 

CMYK 0 / 51 / 65 / 17

HEX #D3674A

RGB 211 103 74

HSL 12.7, 0.61%, 0.56%

LAB 56.13, 40.33, 36.03

 

CMYK 0 / 40 / 51 / 14

HEX #DB836B

RGB 219 131 107

HSL 12.86, 0.61%, 0.64%

LAB 63.63, 31.39, 27.44

 

CMYK 0 / 30 / 38 / 11

HEX #E39F8C

RGB 227 159 140

HSL 13.1, 0.61%, 0.72%

LAB 71.57, 22.95, 20.06

 

CMYK 0 / 20 / 26 / 8

HEX #EBBBAE

RGB 235 187 174

HSL 12.79, 0.6%, 0.8%

LAB 79.76, 15.37, 13.15

 

CMYK 0 / 41 / 52 / 14

HEX #DB826A

RGB 219 130 106

HSL 12.74, 0.61%, 0.64%

LAB 63.4, 31.83, 27.68

 

CMYK 21 / 0 / 51 / 14

HEX #AEDB6B

RGB 174 219 107

HSL 84.11, 0.61%, 0.64%

LAB 82.23, -32.44, 49.84

 

CMYK 51 / 41 / 0 / 14

HEX #6B82DB

RGB 107 130 219

HSL 227.68, 0.61%, 0.64%

LAB 56.29, 16.39, -48.2

 

CMYK 0 / 41 / 52 / 14

HEX #DB826A

RGB 219 130 106

HSL 12.74, 0.61%, 0.64%

LAB 63.4, 31.83, 27.68

 

CMYK 51 / 0 / 41 / 14

HEX #6BDB82

RGB 107 219 130

HSL 132.32, 0.61%, 0.64%

LAB 79.27, -50.83, 34.2

 

CMYK 41 / 51 / 0 / 14

HEX #826BDB

RGB 130 107 219

HSL 252.32, 0.61%, 0.64%

LAB 52.26, 35.47, -54.53

 

CMYK 0 / 41 / 52 / 14

HEX #DB826A

RGB 219 130 106

HSL 12.74, 0.61%, 0.64%

LAB 63.4, 31.83, 27.68

 

CMYK 21 / 0 / 51 / 14

HEX #AEDB6B

RGB 174 219 107

HSL 84.11, 0.61%, 0.64%

LAB 82.23, -32.44, 49.84

 

CMYK 51 / 10 / 0 / 14

HEX #6BC5DB

RGB 107 197 219

HSL 191.79, 0.61%, 0.64%

LAB 74.93, -21, -19.27

 

CMYK 31 / 51 / 0 / 14

HEX #986BDB

RGB 152 107 219

HSL 264.11, 0.61%, 0.64%

LAB 54.35, 40.92, -51.07

 

CMYK 0 / 41 / 52 / 14

HEX #DB826A

RGB 219 130 106

HSL 12.74, 0.61%, 0.64%

LAB 63.4, 31.83, 27.68

 

CMYK 36 / 0 / 51 / 14

HEX #8DDB6B

RGB 141 219 107

HSL 101.79, 0.61%, 0.64%

LAB 80.4, -44.05, 47.21

 

CMYK 51 / 10 / 0 / 14

HEX #6BC5DB

RGB 107 197 219

HSL 191.79, 0.61%, 0.64%

LAB 74.93, -21, -19.27

 

CMYK 15 / 51 / 0 / 14

HEX #BA6BDB

RGB 186 107 219

HSL 282.32, 0.61%, 0.64%

LAB 58.1, 49.88, -44.88

 

Description

Color code: HEX #DB826ACE | qconv.com Color code: HEX #DB826ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 130 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 130 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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