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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB8266 it is the complementary color #247D99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB8266. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB8266 shade: #E08261, #F19474, #FFA687, #FFB89A and #FFCAAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB8266. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB8266 shade: #DB8266, #CA7053, #B95E40, #A84C2D and #973A1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB8266 shade: #DB8266 and #DB6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB8266 shade: #DB8266, #DBA166, #DBC166, #D5DB66 and #B5DB66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB8266 shade matches the following richer shades: #DB8266, #EA7A56 and #F97247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB8266 shade: #DB8266, #CB8A75, #BC9284, #AD9A93 and #9EA1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB8266 shade: #DB6689, #DB666A, #DB8166, #DBA066 and #DBBF66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB8266 shade: #C1502D, #D36644, #DB8266, #E29D87 and #EAB8A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB8266 shade: #DB8266, #A8DB66 and #6679DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB8266 shade: #DB8266, #66DB81 and #8166DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB8266 shade: #DB8266, #A8DB66, #66BFDB and #9866DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB8266 shade: #DB8266, #85DB66, #66BFDB and #BB66DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

Complementary color

CMYK 76 / 18 / 0 / 40

HEX #247D99

RGB 36 125 153

HSL 194.36, 0.62%, 0.37%

LAB 48.69, -15.96, -22.48

 

CMYK 0 / 42 / 57 / 12

HEX #E08261

RGB 224 130 97

HSL 15.59, 0.67%, 0.63%

LAB 63.9, 33.04, 33.41

 

CMYK 0 / 39 / 52 / 5

HEX #F19474

RGB 241 148 116

HSL 15.36, 0.82%, 0.7%

LAB 70.27, 31.8, 31.7

 

CMYK 0 / 35 / 47 / 0

HEX #FFA687

RGB 255 166 135

HSL 15.5, 1%, 0.76%

LAB 76.24, 29.53, 29.62

 

CMYK 0 / 28 / 40 / 0

HEX #FFB89A

RGB 255 184 154

HSL 17.82, 1%, 0.8%

LAB 80.67, 22.06, 25.42

 

CMYK 0 / 21 / 32 / 0

HEX #FFCAAD

RGB 255 202 173

HSL 21.22, 1%, 0.84%

LAB 85.26, 14.86, 21.65

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 0 / 45 / 59 / 21

HEX #CA7053

RGB 202 112 83

HSL 14.62, 0.53%, 0.56%

LAB 56.85, 32.78, 31.64

 

CMYK 0 / 49 / 65 / 27

HEX #B95E40

RGB 185 94 64

HSL 14.88, 0.49%, 0.49%

LAB 50.32, 34.21, 33.68

 

CMYK 0 / 55 / 73 / 34

HEX #A84C2D

RGB 168 76 45

HSL 15.12, 0.58%, 0.42%

LAB 43.78, 35.76, 35.96

 

CMYK 0 / 62 / 83 / 41

HEX #973A1A

RGB 151 58 26

HSL 15.36, 0.71%, 0.35%

LAB 37.26, 37.35, 38.34

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 0 / 53 / 53 / 14

HEX #DB6666

RGB 219 102 102

HSL 0, 0.62%, 0.63%

LAB 57.58, 45.82, 22.25

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 0 / 26 / 53 / 14

HEX #DBA166

RGB 219 161 102

HSL 30.26, 0.62%, 0.63%

LAB 70.53, 14.85, 38.93

 

CMYK 0 / 12 / 53 / 14

HEX #DBC166

RGB 219 193 102

HSL 46.67, 0.62%, 0.63%

LAB 78.55, -2.11, 48.67

 

CMYK 3 / 0 / 53 / 14

HEX #D5DB66

RGB 213 219 102

HSL 63.08, 0.62%, 0.63%

LAB 84.88, -17.73, 55.94

 

CMYK 17 / 0 / 53 / 14

HEX #B5DB66

RGB 181 219 102

HSL 79.49, 0.62%, 0.63%

LAB 82.62, -30.29, 52.73

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 0 / 48 / 63 / 8

HEX #EA7A56

RGB 234 122 86

HSL 14.59, 0.78%, 0.63%

LAB 63.41, 40.26, 39.06

 

CMYK 0 / 54 / 71 / 2

HEX #F97247

RGB 249 114 71

HSL 14.49, 0.94%, 0.63%

LAB 63.86, 48.97, 47.99

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 0 / 32 / 42 / 20

HEX #CB8A75

RGB 203 138 117

HSL 14.65, 0.45%, 0.63%

LAB 63.47, 22.29, 21.3

 

CMYK 0 / 22 / 30 / 26

HEX #BC9284

RGB 188 146 132

HSL 15, 0.29%, 0.63%

LAB 64.09, 13.78, 13.49

 

CMYK 0 / 11 / 15 / 32

HEX #AD9A93

RGB 173 154 147

HSL 16.15, 0.14%, 0.63%

LAB 65.04, 5.8, 6.22

 

CMYK 3 / 1 / 0 / 36

HEX #9EA1A3

RGB 158 161 163

HSL 204, 0.03%, 0.63%

LAB 66.06, -0.68, -1.42

 

CMYK 0 / 53 / 37 / 14

HEX #DB6689

RGB 219 102 137

HSL 342.05, 0.62%, 0.63%

LAB 58.39, 49.26, 3.02

 

CMYK 0 / 53 / 52 / 14

HEX #DB666A

RGB 219 102 106

HSL 357.95, 0.62%, 0.63%

LAB 57.66, 46.16, 20.05

 

CMYK 0 / 41 / 53 / 14

HEX #DB8166

RGB 219 129 102

HSL 13.85, 0.62%, 0.63%

LAB 63.11, 32.01, 29.53

 

CMYK 0 / 27 / 53 / 14

HEX #DBA066

RGB 219 160 102

HSL 29.74, 0.62%, 0.63%

LAB 70.29, 15.39, 38.63

 

CMYK 0 / 13 / 53 / 14

HEX #DBBF66

RGB 219 191 102

HSL 45.64, 0.62%, 0.63%

LAB 78.04, -1.07, 48.06

 

CMYK 0 / 59 / 77 / 24

HEX #C1502D

RGB 193 80 45

HSL 14.19, 0.62%, 0.47%

LAB 48.59, 43.37, 42.32

 

CMYK 0 / 52 / 68 / 17

HEX #D36644

RGB 211 102 68

HSL 14.27, 0.62%, 0.55%

LAB 55.86, 40.48, 38.97

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 0 / 31 / 40 / 11

HEX #E29D87

RGB 226 157 135

HSL 14.51, 0.61%, 0.71%

LAB 70.89, 23.06, 21.86

 

CMYK 0 / 21 / 28 / 8

HEX #EAB8A8

RGB 234 184 168

HSL 14.55, 0.61%, 0.79%

LAB 78.81, 15.77, 15.02

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 23 / 0 / 53 / 14

HEX #A8DB66

RGB 168 219 102

HSL 86.15, 0.62%, 0.63%

LAB 81.81, -35.16, 51.58

 

CMYK 53 / 45 / 0 / 14

HEX #6679DB

RGB 102 121 219

HSL 230.26, 0.62%, 0.63%

LAB 53.62, 20.73, -52.48

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 53 / 0 / 41 / 14

HEX #66DB81

RGB 102 219 129

HSL 133.85, 0.62%, 0.63%

LAB 79.08, -52.23, 34.42

 

CMYK 41 / 53 / 0 / 14

HEX #8166DB

RGB 129 102 219

HSL 253.85, 0.62%, 0.63%

LAB 51.02, 38.14, -56.52

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 23 / 0 / 53 / 14

HEX #A8DB66

RGB 168 219 102

HSL 86.15, 0.62%, 0.63%

LAB 81.81, -35.16, 51.58

 

CMYK 53 / 13 / 0 / 14

HEX #66BFDB

RGB 102 191 219

HSL 194.36, 0.62%, 0.63%

LAB 73.02, -18.98, -22.19

 

CMYK 31 / 53 / 0 / 14

HEX #9866DB

RGB 152 102 219

HSL 265.64, 0.62%, 0.63%

LAB 53.27, 43.69, -52.79

 

CMYK 0 / 41 / 53 / 14

HEX #DB8266

RGB 219 130 102

HSL 14.36, 0.62%, 0.63%

LAB 63.33, 31.48, 29.81

 

CMYK 39 / 0 / 53 / 14

HEX #85DB66

RGB 133 219 102

HSL 104.1, 0.62%, 0.63%

LAB 79.96, -47.21, 48.94

 

CMYK 53 / 13 / 0 / 14

HEX #66BFDB

RGB 102 191 219

HSL 194.36, 0.62%, 0.63%

LAB 73.02, -18.98, -22.19

 

CMYK 15 / 53 / 0 / 14

HEX #BB66DB

RGB 187 102 219

HSL 283.59, 0.62%, 0.63%

LAB 57.25, 52.7, -46.21

 

Description

Color code: HEX #DB8266 | qconv.com Color code: HEX #DB8266 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 130 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 130 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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