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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB80A8 it is the complementary color #247F57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB80A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB80A8 shade: #E080A3, #F192B6, #FFA4C9, #FFB6DC and #FFC8EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB80A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB80A8 shade: #DB80A8, #CA6E95, #B95C82, #A84A6F and #97385C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB80A8 shade: #DB80A8, #DB808F and #DB8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB80A8 shade: #DB80A8, #DB80C1, #DB80D9, #C480DB and #AC80DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB80A8 shade matches the following richer shades: #DB80A8, #E873A6 and #F665A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB80A8 shade: #DB80A8, #CE8DA9, #C19AAB, #B3A7AD and #A6B5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB80A8 shade: #DB80DA, #DB80C1, #DB80A9, #DB8090 and #DB8780

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB80A8 shade: #C93F7C, #D26092, #DB80A8, #E4A0BE and #EDC0D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB80A8 shade: #DB80A8, #DBC480 and #80CDDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB80A8 shade: #DB80A8, #A9DB80 and #80A9DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB80A8 shade: #DB80A8, #DBC480, #80DBB2 and #8097DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB80A8 shade: #DB80A8, #D7DB80, #80DBB2 and #8480DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

Complementary color

CMYK 72 / 0 / 31 / 50

HEX #247F57

RGB 36 127 87

HSL 153.63, 0.56%, 0.32%

LAB 47.29, -36.47, 14.25

 

CMYK 0 / 43 / 27 / 12

HEX #E080A3

RGB 224 128 163

HSL 338.13, 0.61%, 0.69%

LAB 64.91, 41.16, -2.33

 

CMYK 0 / 39 / 24 / 5

HEX #F192B6

RGB 241 146 182

HSL 337.26, 0.77%, 0.76%

LAB 71.31, 40.33, -3.34

 

CMYK 0 / 36 / 21 / 0

HEX #FFA4C9

RGB 255 164 201

HSL 335.6, 1%, 0.82%

LAB 77.3, 38.5, -4.8

 

CMYK 0 / 29 / 14 / 0

HEX #FFB6DC

RGB 255 182 220

HSL 328.77, 1%, 0.86%

LAB 81.77, 31.99, -8.47

 

CMYK 0 / 22 / 6 / 0

HEX #FFC8EF

RGB 255 200 239

HSL 317.45, 1%, 0.89%

LAB 86.41, 25.66, -11.73

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 0 / 46 / 26 / 21

HEX #CA6E95

RGB 202 110 149

HSL 334.57, 0.46%, 0.61%

LAB 57.92, 40.97, -4.92

 

CMYK 0 / 50 / 30 / 27

HEX #B95C82

RGB 185 92 130

HSL 335.48, 0.4%, 0.54%

LAB 51.36, 41.81, -3.71

 

CMYK 0 / 56 / 34 / 34

HEX #A84A6F

RGB 168 74 111

HSL 336.38, 0.39%, 0.47%

LAB 44.76, 42.6, -2.26

 

CMYK 0 / 63 / 39 / 41

HEX #97385C

RGB 151 56 92

HSL 337.26, 0.46%, 0.41%

LAB 38.16, 43.23, -0.44

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 0 / 42 / 35 / 14

HEX #DB808F

RGB 219 128 143

HSL 350.11, 0.56%, 0.68%

LAB 63.74, 36.8, 7.27

 

CMYK 0 / 42 / 42 / 14

HEX #DB8080

RGB 219 128 128

HSL 0, 0.56%, 0.68%

LAB 63.39, 35.07, 15.3

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 0 / 42 / 12 / 14

HEX #DB80C1

RGB 219 128 193

HSL 317.14, 0.56%, 0.68%

LAB 65.24, 43.98, -18.86

 

CMYK 0 / 42 / 1 / 14

HEX #DB80D9

RGB 219 128 217

HSL 301.32, 0.56%, 0.68%

LAB 66.14, 48.1, -30.9

 

CMYK 11 / 42 / 0 / 14

HEX #C480DB

RGB 196 128 219

HSL 284.84, 0.56%, 0.68%

LAB 63.58, 41.62, -36.2

 

CMYK 21 / 42 / 0 / 14

HEX #AC80DB

RGB 172 128 219

HSL 269.01, 0.56%, 0.68%

LAB 61.07, 34.6, -40.32

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 0 / 50 / 28 / 9

HEX #E873A6

RGB 232 115 166

HSL 333.85, 0.72%, 0.68%

LAB 63.48, 50.79, -6.02

 

CMYK 0 / 59 / 33 / 4

HEX #F665A5

RGB 246 101 165

HSL 333.52, 0.89%, 0.68%

LAB 63.02, 61.52, -5.9

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 0 / 32 / 18 / 19

HEX #CE8DA9

RGB 206 141 169

HSL 334.15, 0.4%, 0.68%

LAB 65.78, 28.77, -4.68

 

CMYK 0 / 20 / 11 / 24

HEX #C19AAB

RGB 193 154 171

HSL 333.85, 0.24%, 0.68%

LAB 67.57, 17.27, -3.32

 

CMYK 0 / 7 / 3 / 30

HEX #B3A7AD

RGB 179 167 173

HSL 330, 0.07%, 0.68%

LAB 69.64, 5.41, -1.54

 

CMYK 8 / 0 / 4 / 29

HEX #A6B5AE

RGB 166 181 174

HSL 152, 0.09%, 0.68%

LAB 72.37, -6.55, 1.77

 

CMYK 0 / 42 / 0 / 14

HEX #DB80DA

RGB 219 128 218

HSL 300.66, 0.56%, 0.68%

LAB 66.18, 48.28, -31.4

 

CMYK 0 / 42 / 12 / 14

HEX #DB80C1

RGB 219 128 193

HSL 317.14, 0.56%, 0.68%

LAB 65.24, 43.98, -18.86

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A9

RGB 219 128 169

HSL 332.97, 0.56%, 0.68%

LAB 64.45, 40.28, -6.47

 

CMYK 0 / 42 / 34 / 14

HEX #DB8090

RGB 219 128 144

HSL 349.45, 0.56%, 0.68%

LAB 63.76, 36.93, 6.74

 

CMYK 0 / 38 / 42 / 14

HEX #DB8780

RGB 219 135 128

HSL 4.62, 0.56%, 0.68%

LAB 64.92, 31.36, 17.42

 

CMYK 0 / 69 / 38 / 21

HEX #C93F7C

RGB 201 63 124

HSL 333.48, 0.56%, 0.52%

LAB 48.79, 59.26, -3.61

 

CMYK 0 / 54 / 30 / 18

HEX #D26092

RGB 210 96 146

HSL 333.68, 0.56%, 0.6%

LAB 56.23, 50.26, -5.55

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 0 / 30 / 17 / 11

HEX #E4A0BE

RGB 228 160 190

HSL 333.53, 0.56%, 0.76%

LAB 73.12, 29.6, -5.26

 

CMYK 0 / 19 / 11 / 7

HEX #EDC0D4

RGB 237 192 212

HSL 333.33, 0.56%, 0.84%

LAB 82.09, 19.21, -3.91

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 0 / 11 / 42 / 14

HEX #DBC480

RGB 219 196 128

HSL 44.84, 0.56%, 0.68%

LAB 79.67, -1.22, 37.07

 

CMYK 42 / 6 / 0 / 14

HEX #80CDDB

RGB 128 205 219

HSL 189.23, 0.56%, 0.68%

LAB 78.09, -20.19, -14.42

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 23 / 0 / 42 / 14

HEX #A9DB80

RGB 169 219 128

HSL 92.97, 0.56%, 0.68%

LAB 82.19, -31.86, 39.55

 

CMYK 42 / 23 / 0 / 14

HEX #80A9DB

RGB 128 169 219

HSL 212.97, 0.56%, 0.68%

LAB 68.08, -1.06, -29.66

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 0 / 11 / 42 / 14

HEX #DBC480

RGB 219 196 128

HSL 44.84, 0.56%, 0.68%

LAB 79.67, -1.22, 37.07

 

CMYK 42 / 0 / 19 / 14

HEX #80DBB2

RGB 128 219 178

HSL 152.97, 0.56%, 0.68%

LAB 81, -36.44, 11.74

 

CMYK 42 / 31 / 0 / 14

HEX #8097DB

RGB 128 151 219

HSL 224.84, 0.56%, 0.68%

LAB 63.21, 9.14, -37.22

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A8

RGB 219 128 168

HSL 333.63, 0.56%, 0.68%

LAB 64.42, 40.14, -5.95

 

CMYK 2 / 0 / 42 / 14

HEX #D7DB80

RGB 215 219 128

HSL 62.64, 0.56%, 0.68%

LAB 85.34, -14.53, 44.18

 

CMYK 42 / 0 / 19 / 14

HEX #80DBB2

RGB 128 219 178

HSL 152.97, 0.56%, 0.68%

LAB 81, -36.44, 11.74

 

CMYK 40 / 42 / 0 / 14

HEX #8480DB

RGB 132 128 219

HSL 242.64, 0.56%, 0.68%

LAB 57.52, 23.62, -46.14

 

Description

Color code: HEX #DB80A8 | qconv.com Color code: HEX #DB80A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 128 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 128 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 23 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 23% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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