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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB7E9C00 it is the complementary color #24816300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB7E9C00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB7E9C00 shade: #E07E9700, #F190AA00, #FFA2BD00, #FFB4D000 and #FFC6E300

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB7E9C00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB7E9C00 shade: #DB7E9C00, #CA6C8900, #B95A7600, #A8486300 and #97365000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB7E9C00 shade: #DB809D, #DB8085 and #DB8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB7E9C00 shade: #DB809D, #DB80B6, #DB80CE, #CF80DB and #B680DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB7E9C00 shade matches the following richer shades: #DB809D, #E87398 and #F66594

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB7E9C00 shade: #DB809D, #CE8DA2, #C19AA7, #B3A7AB and #A6B5B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB7E9C00 shade: #DB80CF, #DB80B7, #DB809E, #DB8086 and #DB9280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB7E9C00 shade: #C93F6C, #D26084, #DB809D, #E4A0B6 and #EDC0CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB7E9C00 shade: #DB7E9C, #DBCF80 and #80C3DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB7E9C00 shade: #DB7E9C, #9EDB80 and #809EDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB7E9C00 shade: #DB7E9C, #DBCF80, #80DBBD and #808CDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB7E9C00 shade: #DB7E9C, #CCDB80, #80DBBD and #8F80DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #DB7E9C00

RGBA 219 126 156 0

HSLA 340.65, 0.56%, 0.68%, 0

LABA 63.66, 39.52, -0.25, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #24816300

RGBA 36 129 99 0

HSLA 160.65, 0.56%, 0.32%, 0

LABA 48.23, -34.45, 8.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E07E9700

RGBA 224 126 151 0

HSLA 344.69, 0.61%, 0.69%, 0

LABA 64.16, 40.63, 3.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F190AA00

RGBA 241 144 170 0

HSLA 343.92, 0.78%, 0.75%, 0

LABA 70.56, 39.75, 2.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA2BD00

RGBA 255 162 189 0

HSLA 342.58, 1%, 0.82%, 0

LABA 76.54, 37.86, 0.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4D000

RGBA 255 180 208 0

HSLA 337.6, 1%, 0.85%, 0

LABA 80.99, 31.19, -3.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6E300

RGBA 255 198 227 0

HSLA 329.47, 1%, 0.89%, 0

LABA 85.6, 24.71, -6.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DB7E9C00

RGBA 219 126 156 0

HSLA 340.65, 0.56%, 0.68%, 0

LABA 63.66, 39.52, -0.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CA6C8900

RGBA 202 108 137 0

HSLA 341.49, 0.47%, 0.61%, 0

LABA 57.16, 40.4, 0.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B95A7600

RGBA 185 90 118 0

HSLA 342.32, 0.4%, 0.54%, 0

LABA 50.61, 41.3, 2.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A8486300

RGBA 168 72 99 0

HSLA 343.13, 0.4%, 0.47%, 0

LABA 44.03, 42.15, 4.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #97365000

RGBA 151 54 80 0

HSLA 343.92, 0.47%, 0.4%, 0

LABA 37.48, 42.85, 6.18, 0

 

CMYK 0 / 42 / 28 / 14

HEX #DB809D

RGB 219 128 157

HSL 340.88, 0.56%, 0.68%

LAB 64.11, 38.61, -0.17

 

CMYK 0 / 42 / 39 / 14

HEX #DB8085

RGB 219 128 133

HSL 356.7, 0.56%, 0.68%

LAB 63.5, 35.62, 12.62

 

CMYK 0 / 42 / 42 / 14

HEX #DB8080

RGB 219 128 128

HSL 0, 0.56%, 0.68%

LAB 63.39, 35.07, 15.3

 

CMYK 0 / 42 / 28 / 14

HEX #DB809D

RGB 219 128 157

HSL 340.88, 0.56%, 0.68%

LAB 64.11, 38.61, -0.17

 

CMYK 0 / 42 / 17 / 14

HEX #DB80B6

RGB 219 128 182

HSL 324.4, 0.56%, 0.68%

LAB 64.86, 42.23, -13.22

 

CMYK 0 / 42 / 6 / 14

HEX #DB80CE

RGB 219 128 206

HSL 308.57, 0.56%, 0.68%

LAB 65.71, 46.16, -25.42

 

CMYK 5 / 42 / 0 / 14

HEX #CF80DB

RGB 207 128 219

HSL 292.09, 0.56%, 0.68%

LAB 64.82, 44.88, -34.18

 

CMYK 17 / 42 / 0 / 14

HEX #B680DB

RGB 182 128 219

HSL 275.6, 0.56%, 0.68%

LAB 62.08, 37.5, -38.65

 

CMYK 0 / 42 / 28 / 14

HEX #DB809D

RGB 219 128 157

HSL 340.88, 0.56%, 0.68%

LAB 64.11, 38.61, -0.17

 

CMYK 0 / 50 / 34 / 9

HEX #E87398

RGB 232 115 152

HSL 341.03, 0.72%, 0.68%

LAB 63.08, 49.05, 1.4

 

CMYK 0 / 59 / 40 / 4

HEX #F66594

RGB 246 101 148

HSL 340.55, 0.89%, 0.68%

LAB 62.54, 59.65, 3.17

 

CMYK 0 / 42 / 28 / 14

HEX #DB809D

RGB 219 128 157

HSL 340.88, 0.56%, 0.68%

LAB 64.11, 38.61, -0.17

 

CMYK 0 / 32 / 21 / 19

HEX #CE8DA2

RGB 206 141 162

HSL 340.62, 0.4%, 0.68%

LAB 65.58, 27.7, -1.03

 

CMYK 0 / 20 / 13 / 24

HEX #C19AA7

RGB 193 154 167

HSL 340, 0.24%, 0.68%

LAB 67.46, 16.6, -1.25

 

CMYK 0 / 7 / 4 / 30

HEX #B3A7AB

RGB 179 167 171

HSL 340, 0.07%, 0.68%

LAB 69.58, 5.04, -0.51

 

CMYK 8 / 0 / 3 / 29

HEX #A6B5B0

RGB 166 181 176

HSL 160, 0.09%, 0.68%

LAB 72.42, -6.16, 0.76

 

CMYK 0 / 42 / 5 / 14

HEX #DB80CF

RGB 219 128 207

HSL 307.91, 0.56%, 0.68%

LAB 65.75, 46.33, -25.92

 

CMYK 0 / 42 / 16 / 14

HEX #DB80B7

RGB 219 128 183

HSL 323.74, 0.56%, 0.68%

LAB 64.9, 42.38, -13.73

 

CMYK 0 / 42 / 28 / 14

HEX #DB809E

RGB 219 128 158

HSL 340.22, 0.56%, 0.68%

LAB 64.13, 38.74, -0.69

 

CMYK 0 / 42 / 39 / 14

HEX #DB8086

RGB 219 128 134

HSL 356.04, 0.56%, 0.68%

LAB 63.52, 35.74, 12.08

 

CMYK 0 / 33 / 42 / 14

HEX #DB9280

RGB 219 146 128

HSL 11.87, 0.56%, 0.68%

LAB 67.41, 25.47, 20.83

 

CMYK 0 / 69 / 46 / 21

HEX #C93F6C

RGB 201 63 108

HSL 340.43, 0.56%, 0.52%

LAB 48.33, 57.66, 5.43

 

CMYK 0 / 54 / 37 / 18

HEX #D26084

RGB 210 96 132

HSL 341.05, 0.56%, 0.6%

LAB 55.82, 48.56, 2.07

 

CMYK 0 / 42 / 28 / 14

HEX #DB809D

RGB 219 128 157

HSL 340.88, 0.56%, 0.68%

LAB 64.11, 38.61, -0.17

 

CMYK 0 / 30 / 20 / 11

HEX #E4A0B6

RGB 228 160 182

HSL 340.59, 0.56%, 0.76%

LAB 72.9, 28.38, -1.18

 

CMYK 0 / 19 / 13 / 7

HEX #EDC0CF

RGB 237 192 207

HSL 340, 0.56%, 0.84%

LAB 81.95, 18.39, -1.42

 

CMYK 0 / 42 / 29 / 14

HEX #DB7E9C

RGB 219 126 156

HSL 340.65, 0.56%, 0.68%

LAB 63.66, 39.52, -0.25

 

CMYK 0 / 5 / 42 / 14

HEX #DBCF80

RGB 219 207 128

HSL 52.09, 0.56%, 0.68%

LAB 82.51, -6.89, 40.69

 

CMYK 42 / 11 / 0 / 14

HEX #80C3DB

RGB 128 195 219

HSL 195.82, 0.56%, 0.68%

LAB 75.29, -15.06, -18.65

 

CMYK 0 / 42 / 29 / 14

HEX #DB7E9C

RGB 219 126 156

HSL 340.65, 0.56%, 0.68%

LAB 63.66, 39.52, -0.25

 

CMYK 28 / 0 / 42 / 14

HEX #9EDB80

RGB 158 219 128

HSL 100.22, 0.56%, 0.68%

LAB 81.56, -35.71, 38.62

 

CMYK 42 / 28 / 0 / 14

HEX #809EDB

RGB 128 158 219

HSL 220.22, 0.56%, 0.68%

LAB 65.09, 5.13, -34.29

 

CMYK 0 / 42 / 29 / 14

HEX #DB7E9C

RGB 219 126 156

HSL 340.65, 0.56%, 0.68%

LAB 63.66, 39.52, -0.25

 

CMYK 0 / 5 / 42 / 14

HEX #DBCF80

RGB 219 207 128

HSL 52.09, 0.56%, 0.68%

LAB 82.51, -6.89, 40.69

 

CMYK 42 / 0 / 14 / 14

HEX #80DBBD

RGB 128 219 189

HSL 160.22, 0.56%, 0.68%

LAB 81.25, -34.11, 6.27

 

CMYK 42 / 36 / 0 / 14

HEX #808CDB

RGB 128 140 219

HSL 232.09, 0.56%, 0.68%

LAB 60.3, 15.53, -41.77

 

CMYK 0 / 42 / 29 / 14

HEX #DB7E9C

RGB 219 126 156

HSL 340.65, 0.56%, 0.68%

LAB 63.66, 39.52, -0.25

 

CMYK 7 / 0 / 42 / 14

HEX #CCDB80

RGB 204 219 128

HSL 69.89, 0.56%, 0.68%

LAB 84.51, -18.8, 42.98

 

CMYK 42 / 0 / 14 / 14

HEX #80DBBD

RGB 128 219 189

HSL 160.22, 0.56%, 0.68%

LAB 81.25, -34.11, 6.27

 

CMYK 35 / 42 / 0 / 14

HEX #8F80DB

RGB 143 128 219

HSL 249.89, 0.56%, 0.68%

LAB 58.41, 26.51, -44.68

 

Description

Color code: HEX #DB7E9C00 | qconv.com Color code: HEX #DB7E9C00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 126 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 126 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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