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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB7E22 it is the complementary color #2481DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB7E22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB7E22 shade: #E07E1D, #F19030, #FFA243, #FFB456 and #FFC669

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB7E22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB7E22 shade: #DB7E22, #CA6C0F, #B95A00, #A84800 and #973600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB7E22 shade: #DC7F22, #DC4C22 and #DC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB7E22 shade: #DC7F22, #DCB122, #D5DC22, #A3DC22 and #71DC22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB7E22 shade matches the following richer shades: #DC7F22 and #F17E0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB7E22 shade: #DC7F22, #C77F37, #B37F4B, #9E7F60 and #8A7F74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB7E22 shade: #DC222B, #DC4A22, #DC7C22, #DCAE22 and #D9DC22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB7E22 shade: #955517, #B86A1C, #DC7F22, #E29346 and #E7A869

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB7E22 shade: #DB7E22, #5DDC22 and #3122DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB7E22 shade: #DB7E22, #22DC7C and #7C22DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB7E22 shade: #DB7E22, #5DDC22, #2282DC and #A122DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB7E22 shade: #DB7E22, #25DC22, #2282DC and #D922DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 84 / 14

HEX #DB7E22

RGB 219 126 34

HSL 29.84, 0.73%, 0.5%

LAB 61.74, 29.88, 60.67

 

Complementary color

CMYK 84 / 42 / 0 / 13

HEX #2481DD

RGB 36 129 221

HSL 209.84, 0.73%, 0.5%

LAB 53.27, 6.67, -54.3

 

CMYK 0 / 44 / 87 / 12

HEX #E07E1D

RGB 224 126 29

HSL 29.85, 0.77%, 0.5%

LAB 62.39, 31.83, 63.09

 

CMYK 0 / 40 / 80 / 5

HEX #F19030

RGB 241 144 48

HSL 29.84, 0.87%, 0.57%

LAB 68.65, 29.9, 62.77

 

CMYK 0 / 36 / 74 / 0

HEX #FFA243

RGB 255 162 67

HSL 30.32, 1%, 0.63%

LAB 74.51, 26.96, 61.32

 

CMYK 0 / 29 / 66 / 0

HEX #FFB456

RGB 255 180 86

HSL 33.37, 1%, 0.67%

LAB 78.8, 18.5, 57.43

 

CMYK 0 / 22 / 59 / 0

HEX #FFC669

RGB 255 198 105

HSL 37.2, 1%, 0.71%

LAB 83.27, 10.33, 53.63

 

CMYK 0 / 42 / 84 / 14

HEX #DB7E22

RGB 219 126 34

HSL 29.84, 0.73%, 0.5%

LAB 61.74, 29.88, 60.67

 

CMYK 0 / 47 / 93 / 21

HEX #CA6C0F

RGB 202 108 15

HSL 29.84, 0.86%, 0.43%

LAB 55.4, 31.95, 60.23

 

CMYK 0 / 51 / 100 / 27

HEX #B95A00

RGB 185 90 0

HSL 29.19, 1%, 0.36%

LAB 49.04, 34.2, 58.04

 

CMYK 0 / 57 / 100 / 34

HEX #A84800

RGB 168 72 0

HSL 25.71, 1%, 0.33%

LAB 42.7, 36.56, 52.97

 

CMYK 0 / 64 / 100 / 41

HEX #973600

RGB 151 54 0

HSL 21.46, 1%, 0.3%

LAB 36.4, 38.71, 47.95

 

CMYK 0 / 42 / 85 / 14

HEX #DC7F22

RGB 220 127 34

HSL 30, 0.73%, 0.5%

LAB 62.09, 29.77, 61.02

 

CMYK 0 / 65 / 85 / 14

HEX #DC4C22

RGB 220 76 34

HSL 13.55, 0.73%, 0.5%

LAB 52.4, 54.42, 52.78

 

CMYK 0 / 85 / 85 / 14

HEX #DC2222

RGB 220 34 34

HSL 0, 0.73%, 0.5%

LAB 47.59, 67.75, 48.62

 

CMYK 0 / 42 / 85 / 14

HEX #DC7F22

RGB 220 127 34

HSL 30, 0.73%, 0.5%

LAB 62.09, 29.77, 61.02

 

CMYK 0 / 20 / 85 / 14

HEX #DCB122

RGB 220 177 34

HSL 46.13, 0.73%, 0.5%

LAB 74.05, 3.08, 70.99

 

CMYK 3 / 0 / 85 / 14

HEX #D5DC22

RGB 213 220 34

HSL 62.26, 0.73%, 0.5%

LAB 84.71, -21.74, 79.56

 

CMYK 26 / 0 / 85 / 14

HEX #A3DC22

RGB 163 220 34

HSL 78.39, 0.73%, 0.5%

LAB 81.34, -41.82, 75.37

 

CMYK 49 / 0 / 85 / 14

HEX #71DC22

RGB 113 220 34

HSL 94.52, 0.73%, 0.5%

LAB 78.93, -58.87, 72.34

 

CMYK 0 / 42 / 85 / 14

HEX #DC7F22

RGB 220 127 34

HSL 30, 0.73%, 0.5%

LAB 62.09, 29.77, 61.02

 

CMYK 0 / 48 / 95 / 5

HEX #F17E0D

RGB 241 126 13

HSL 29.74, 0.9%, 0.5%

LAB 64.69, 38.45, 69.62

 

CMYK 0 / 42 / 85 / 14

HEX #DC7F22

RGB 220 127 34

HSL 30, 0.73%, 0.5%

LAB 62.09, 29.77, 61.02

 

CMYK 0 / 36 / 72 / 22

HEX #C77F37

RGB 199 127 55

HSL 30, 0.57%, 0.5%

LAB 59.52, 21.7, 49.1

 

CMYK 0 / 29 / 58 / 30

HEX #B37F4B

RGB 179 127 75

HSL 30, 0.41%, 0.5%

LAB 57.34, 14.39, 35.95

 

CMYK 0 / 20 / 39 / 38

HEX #9E7F60

RGB 158 127 96

HSL 30, 0.24%, 0.5%

LAB 55.37, 7.52, 21.38

 

CMYK 0 / 8 / 16 / 46

HEX #8A7F74

RGB 138 127 116

HSL 30, 0.09%, 0.5%

LAB 53.86, 2.22, 7.48

 

CMYK 0 / 85 / 80 / 14

HEX #DC222B

RGB 220 34 43

HSL 357.1, 0.73%, 0.5%

LAB 47.67, 67.97, 44.02

 

CMYK 0 / 66 / 85 / 14

HEX #DC4A22

RGB 220 74 34

HSL 12.9, 0.73%, 0.5%

LAB 52.09, 55.24, 52.52

 

CMYK 0 / 44 / 85 / 14

HEX #DC7C22

RGB 220 124 34

HSL 29.03, 0.73%, 0.5%

LAB 61.43, 31.35, 60.46

 

CMYK 0 / 21 / 85 / 14

HEX #DCAE22

RGB 220 174 34

HSL 45.16, 0.73%, 0.5%

LAB 73.29, 4.67, 70.36

 

CMYK 1 / 0 / 85 / 14

HEX #D9DC22

RGB 217 220 34

HSL 60.97, 0.73%, 0.5%

LAB 85.02, -20.06, 79.94

 

CMYK 0 / 43 / 85 / 42

HEX #955517

RGB 149 85 23

HSL 29.52, 0.73%, 0.34%

LAB 42.69, 21.95, 44.51

 

CMYK 0 / 42 / 85 / 28

HEX #B86A1C

RGB 184 106 28

HSL 30, 0.74%, 0.42%

LAB 52.49, 25.7, 53.03

 

CMYK 0 / 42 / 85 / 14

HEX #DC7F22

RGB 220 127 34

HSL 30, 0.73%, 0.5%

LAB 62.09, 29.77, 61.02

 

CMYK 0 / 35 / 69 / 11

HEX #E29346

RGB 226 147 70

HSL 29.62, 0.73%, 0.58%

LAB 67.63, 23.06, 51.71

 

CMYK 0 / 27 / 55 / 9

HEX #E7A869

RGB 231 168 105

HSL 30, 0.72%, 0.66%

LAB 73.55, 16.29, 41.41

 

CMYK 0 / 42 / 84 / 14

HEX #DB7E22

RGB 219 126 34

HSL 29.84, 0.73%, 0.5%

LAB 61.74, 29.88, 60.67

 

CMYK 58 / 0 / 85 / 14

HEX #5DDC22

RGB 93 220 34

HSL 100.97, 0.73%, 0.5%

LAB 78.24, -64.3, 71.47

 

CMYK 78 / 85 / 0 / 14

HEX #3122DC

RGB 49 34 220

HSL 244.84, 0.73%, 0.5%

LAB 31.73, 63.02, -88.9

 

CMYK 0 / 42 / 84 / 14

HEX #DB7E22

RGB 219 126 34

HSL 29.84, 0.73%, 0.5%

LAB 61.74, 29.88, 60.67

 

CMYK 85 / 0 / 44 / 14

HEX #22DC7C

RGB 34 220 124

HSL 149.03, 0.73%, 0.5%

LAB 77.86, -64.57, 35.08

 

CMYK 44 / 85 / 0 / 14

HEX #7C22DC

RGB 124 34 220

HSL 269.03, 0.73%, 0.5%

LAB 38.89, 69.47, -76.82

 

CMYK 0 / 42 / 84 / 14

HEX #DB7E22

RGB 219 126 34

HSL 29.84, 0.73%, 0.5%

LAB 61.74, 29.88, 60.67

 

CMYK 58 / 0 / 85 / 14

HEX #5DDC22

RGB 93 220 34

HSL 100.97, 0.73%, 0.5%

LAB 78.24, -64.3, 71.47

 

CMYK 85 / 41 / 0 / 14

HEX #2282DC

RGB 34 130 220

HSL 209.03, 0.73%, 0.5%

LAB 53.46, 5.53, -53.44

 

CMYK 27 / 85 / 0 / 14

HEX #A122DC

RGB 161 34 220

HSL 280.97, 0.73%, 0.5%

LAB 44.07, 74.5, -68.14

 

CMYK 0 / 42 / 84 / 14

HEX #DB7E22

RGB 219 126 34

HSL 29.84, 0.73%, 0.5%

LAB 61.74, 29.88, 60.67

 

CMYK 83 / 0 / 85 / 14

HEX #25DC22

RGB 37 220 34

HSL 119.03, 0.73%, 0.5%

LAB 77.1, -74.05, 70.02

 

CMYK 85 / 41 / 0 / 14

HEX #2282DC

RGB 34 130 220

HSL 209.03, 0.73%, 0.5%

LAB 53.46, 5.53, -53.44

 

CMYK 1 / 85 / 0 / 14

HEX #D922DC

RGB 217 34 220

HSL 299.03, 0.73%, 0.5%

LAB 53.02, 83.66, -53.25

 

Description

Color code: HEX #DB7E22 | qconv.com Color code: HEX #DB7E22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 126 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 126 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 84 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 84% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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