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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB7B9F it is the complementary color #248460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB7B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB7B9F shade: #E07B9A, #F18DAD, #FF9FC0, #FFB1D3 and #FFC3E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB7B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB7B9F shade: #DB7B9F, #CA698C, #B95779, #A84566 and #973353

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB7B9F shade: #DB7B9F, #DB7B85 and #DB7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB7B9F shade: #DB7B9F, #DB7BB9, #DB7BD3, #C97BDB and #AF7BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB7B9F shade matches the following richer shades: #DB7B9F, #E86D9B and #F66098

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB7B9F shade: #DB7B9F, #CD88A2, #C096A6, #B2A4A9 and #A4B1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB7B9F shade: #DB7BD3, #DB7BB9, #DB7BA0, #DB7B86 and #DB897B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB7B9F shade: #C93A70, #D25A87, #DB7B9F, #E49BB6 and #EDBCCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB7B9F shade: #DB7B9F, #DBC97B and #7BC6DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB7B9F shade: #DB7B9F, #A0DB7B and #7BA0DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB7B9F shade: #DB7B9F, #DBC97B, #7BDBB6 and #7B8CDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB7B9F shade: #DB7B9F, #D0DB7B, #7BDBB6 and #867BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

Complementary color

CMYK 73 / 0 / 27 / 48

HEX #248460

RGB 36 132 96

HSL 157.5, 0.57%, 0.33%

LAB 49.16, -36.52, 11.63

 

CMYK 0 / 45 / 31 / 12

HEX #E07B9A

RGB 224 123 154

HSL 341.58, 0.62%, 0.68%

LAB 63.63, 42.55, 0.92

 

CMYK 0 / 41 / 28 / 5

HEX #F18DAD

RGB 241 141 173

HSL 340.8, 0.78%, 0.75%

LAB 70.01, 41.69, -0.23

 

CMYK 0 / 38 / 25 / 0

HEX #FF9FC0

RGB 255 159 192

HSL 339.38, 1%, 0.81%

LAB 75.98, 39.82, -1.8

 

CMYK 0 / 31 / 17 / 0

HEX #FFB1D3

RGB 255 177 211

HSL 333.85, 1%, 0.85%

LAB 80.41, 33.21, -5.64

 

CMYK 0 / 24 / 10 / 0

HEX #FFC3E6

RGB 255 195 230

HSL 325, 1%, 0.88%

LAB 85, 26.78, -9.04

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 0 / 48 / 31 / 21

HEX #CA698C

RGB 202 105 140

HSL 338.35, 0.48%, 0.6%

LAB 56.64, 42.34, -1.57

 

CMYK 0 / 53 / 35 / 27

HEX #B95779

RGB 185 87 121

HSL 339.18, 0.41%, 0.53%

LAB 50.11, 43.19, -0.17

 

CMYK 0 / 59 / 39 / 34

HEX #A84566

RGB 168 69 102

HSL 340, 0.42%, 0.46%

LAB 43.57, 43.95, 1.53

 

CMYK 0 / 66 / 45 / 41

HEX #973353

RGB 151 51 83

HSL 340.8, 0.5%, 0.4%

LAB 37.06, 44.5, 3.68

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 0 / 44 / 39 / 14

HEX #DB7B85

RGB 219 123 133

HSL 353.75, 0.57%, 0.67%

LAB 62.44, 38.24, 11.13

 

CMYK 0 / 44 / 44 / 14

HEX #DB7B7B

RGB 219 123 123

HSL 0, 0.57%, 0.67%

LAB 62.22, 37.15, 16.52

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 0 / 44 / 16 / 14

HEX #DB7BB9

RGB 219 123 185

HSL 321.25, 0.57%, 0.67%

LAB 63.94, 45.28, -16.31

 

CMYK 0 / 44 / 4 / 14

HEX #DB7BD3

RGB 219 123 211

HSL 305, 0.57%, 0.67%

LAB 64.91, 49.59, -29.46

 

CMYK 8 / 44 / 0 / 14

HEX #C97BDB

RGB 201 123 219

HSL 288.75, 0.57%, 0.67%

LAB 63.09, 45.75, -36.92

 

CMYK 20 / 44 / 0 / 14

HEX #AF7BDB

RGB 175 123 219

HSL 272.5, 0.57%, 0.67%

LAB 60.24, 38.24, -41.59

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 0 / 53 / 33 / 9

HEX #E86D9B

RGB 232 109 155

HSL 337.56, 0.73%, 0.67%

LAB 62.05, 52.31, -1.83

 

CMYK 0 / 61 / 38 / 4

HEX #F66098

RGB 246 96 152

HSL 337.6, 0.89%, 0.67%

LAB 61.85, 62.22, -0.15

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 0 / 34 / 21 / 20

HEX #CD88A2

RGB 205 136 162

HSL 337.39, 0.41%, 0.67%

LAB 64.32, 30.05, -2.89

 

CMYK 0 / 22 / 14 / 25

HEX #C096A6

RGB 192 150 166

HSL 337.14, 0.25%, 0.67%

LAB 66.35, 18.28, -2.33

 

CMYK 0 / 8 / 5 / 30

HEX #B2A4A9

RGB 178 164 169

HSL 338.57, 0.08%, 0.67%

LAB 68.66, 5.97, -0.76

 

CMYK 7 / 0 / 3 / 31

HEX #A4B1AC

RGB 164 177 172

HSL 156.92, 0.08%, 0.67%

LAB 71.09, -5.5, 0.99

 

CMYK 0 / 44 / 4 / 14

HEX #DB7BD3

RGB 219 123 211

HSL 305, 0.57%, 0.67%

LAB 64.91, 49.59, -29.46

 

CMYK 0 / 44 / 16 / 14

HEX #DB7BB9

RGB 219 123 185

HSL 321.25, 0.57%, 0.67%

LAB 63.94, 45.28, -16.31

 

CMYK 0 / 44 / 27 / 14

HEX #DB7BA0

RGB 219 123 160

HSL 336.88, 0.57%, 0.67%

LAB 63.15, 41.61, -3.28

 

CMYK 0 / 44 / 39 / 14

HEX #DB7B86

RGB 219 123 134

HSL 353.13, 0.57%, 0.67%

LAB 62.46, 38.35, 10.59

 

CMYK 0 / 37 / 44 / 14

HEX #DB897B

RGB 219 137 123

HSL 8.75, 0.57%, 0.67%

LAB 65.26, 29.76, 20.7

 

CMYK 0 / 71 / 44 / 21

HEX #C93A70

RGB 201 58 112

HSL 337.34, 0.57%, 0.51%

LAB 47.77, 59.89, 2.18

 

CMYK 0 / 57 / 36 / 18

HEX #D25A87

RGB 210 90 135

HSL 337.5, 0.57%, 0.59%

LAB 54.83, 51.75, -1.15

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 0 / 32 / 20 / 11

HEX #E49BB6

RGB 228 155 182

HSL 337.81, 0.57%, 0.75%

LAB 71.77, 31.05, -2.84

 

CMYK 0 / 21 / 13 / 7

HEX #EDBCCE

RGB 237 188 206

HSL 337.96, 0.58%, 0.83%

LAB 80.98, 20.36, -2.31

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 0 / 8 / 44 / 14

HEX #DBC97B

RGB 219 201 123

HSL 48.75, 0.57%, 0.67%

LAB 80.89, -4.32, 41.15

 

CMYK 44 / 10 / 0 / 14

HEX #7BC6DB

RGB 123 198 219

HSL 193.13, 0.57%, 0.67%

LAB 75.89, -17.84, -17.76

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 27 / 0 / 44 / 14

HEX #A0DB7B

RGB 160 219 123

HSL 96.88, 0.57%, 0.67%

LAB 81.6, -35.66, 41.17

 

CMYK 44 / 27 / 0 / 14

HEX #7BA0DB

RGB 123 160 219

HSL 216.88, 0.57%, 0.67%

LAB 65.33, 2.71, -33.94

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 0 / 8 / 44 / 14

HEX #DBC97B

RGB 219 201 123

HSL 48.75, 0.57%, 0.67%

LAB 80.89, -4.32, 41.15

 

CMYK 44 / 0 / 17 / 14

HEX #7BDBB6

RGB 123 219 182

HSL 156.88, 0.57%, 0.67%

LAB 80.88, -36.91, 9.42

 

CMYK 44 / 36 / 0 / 14

HEX #7B8CDB

RGB 123 140 219

HSL 229.38, 0.57%, 0.67%

LAB 59.96, 14.26, -42.33

 

CMYK 0 / 44 / 27 / 14

HEX #DB7B9F

RGB 219 123 159

HSL 337.5, 0.57%, 0.67%

LAB 63.12, 41.48, -2.75

 

CMYK 5 / 0 / 44 / 14

HEX #D0DB7B

RGB 208 219 123

HSL 66.88, 0.57%, 0.67%

LAB 84.74, -17.78, 45.78

 

CMYK 44 / 0 / 17 / 14

HEX #7BDBB6

RGB 123 219 182

HSL 156.88, 0.57%, 0.67%

LAB 80.88, -36.91, 9.42

 

CMYK 39 / 44 / 0 / 14

HEX #867BDB

RGB 134 123 219

HSL 246.88, 0.57%, 0.67%

LAB 56.44, 27.08, -47.85

 

Description

Color code: HEX #DB7B9F | qconv.com Color code: HEX #DB7B9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 123 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 123 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 27 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 27% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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