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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB78FD it is the complementary color #248702. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB78FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB78FD shade: #E078F8, #F18AFF, #FF9CFF, #FFAEFF and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB78FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB78FD shade: #DB78FD, #CA66EA, #B954D7, #A842C4 and #9730B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB78FD shade: #DB77FD, #FD77FB, #FD77D7, #FD77B3 and #FD778F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB78FD shade: #DB77FD, #B777FD, #9377FD and #7777FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB78FD shade matches the following richer shades: #DB77FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB78FD shade: #DB77FD, #D583F2, #D08EE7, #CA99DC and #C5A4D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB78FD shade: #9277FD, #B677FD, #D977FD, #FD77FD and #FD77D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB78FD shade: #C526FC, #D04FFC, #DB77FD, #E6A0FE and #F0C9FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB78FD shade: #DB78FD, #FD7780 and #77FDA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB78FD shade: #DB78FD, #FDD977 and #77FDD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB78FD shade: #DB78FD, #FD7780, #9BFD77 and #77FDF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB78FD shade: #DB78FD, #FD9777, #9BFD77 and #77DEFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 53 / 0 / 1

HEX #DB78FD

RGB 219 120 253

HSL 284.66, 0.97%, 0.73%

LAB 66.2, 58.93, -50.7

 

Complementary color

CMYK 73 / 0 / 99 / 47

HEX #248702

RGB 36 135 2

HSL 104.66, 0.97%, 0.27%

LAB 49.14, -49.53, 52.04

 

CMYK 10 / 52 / 0 / 3

HEX #E078F8

RGB 224 120 248

HSL 288.75, 0.9%, 0.72%

LAB 66.56, 59.26, -47.34

 

CMYK 5 / 46 / 0 / 0

HEX #F18AFF

RGB 241 138 255

HSL 292.82, 1%, 0.77%

LAB 72.29, 56.33, -42.03

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 13 / 53 / 0 / 1

HEX #DB78FD

RGB 219 120 253

HSL 284.66, 0.97%, 0.73%

LAB 66.2, 58.93, -50.7

 

CMYK 14 / 56 / 0 / 8

HEX #CA66EA

RGB 202 102 234

HSL 285.45, 0.76%, 0.66%

LAB 59.89, 59.57, -50.32

 

CMYK 14 / 61 / 0 / 16

HEX #B954D7

RGB 185 84 215

HSL 286.26, 0.62%, 0.59%

LAB 53.56, 60.07, -49.83

 

CMYK 14 / 66 / 0 / 23

HEX #A842C4

RGB 168 66 196

HSL 287.08, 0.52%, 0.51%

LAB 47.24, 60.33, -49.14

 

CMYK 15 / 73 / 0 / 31

HEX #9730B1

RGB 151 48 177

HSL 287.91, 0.57%, 0.44%

LAB 41, 60.14, -48.15

 

CMYK 13 / 53 / 0 / 1

HEX #DB77FD

RGB 219 119 253

HSL 284.78, 0.97%, 0.73%

LAB 66.02, 59.42, -50.99

 

CMYK 0 / 53 / 1 / 1

HEX #FD77FB

RGB 253 119 251

HSL 300.9, 0.97%, 0.73%

LAB 70.2, 67.85, -43.01

 

CMYK 0 / 53 / 15 / 1

HEX #FD77D7

RGB 253 119 215

HSL 317.01, 0.97%, 0.73%

LAB 68.74, 62.16, -25.43

 

CMYK 0 / 53 / 29 / 1

HEX #FD77B3

RGB 253 119 179

HSL 333.13, 0.97%, 0.73%

LAB 67.52, 57.25, -7.08

 

CMYK 0 / 53 / 43 / 1

HEX #FD778F

RGB 253 119 143

HSL 349.25, 0.97%, 0.73%

LAB 66.57, 53.22, 11.92

 

CMYK 13 / 53 / 0 / 1

HEX #DB77FD

RGB 219 119 253

HSL 284.78, 0.97%, 0.73%

LAB 66.02, 59.42, -50.99

 

CMYK 28 / 53 / 0 / 1

HEX #B777FD

RGB 183 119 253

HSL 268.66, 0.97%, 0.73%

LAB 61.96, 50.34, -57.69

 

CMYK 42 / 53 / 0 / 1

HEX #9377FD

RGB 147 119 253

HSL 252.54, 0.97%, 0.73%

LAB 58.5, 41.85, -63.42

 

CMYK 53 / 53 / 0 / 1

HEX #7777FD

RGB 119 119 253

HSL 240, 0.97%, 0.73%

LAB 56.29, 35.98, -67.08

 

CMYK 13 / 53 / 0 / 1

HEX #DB77FD

RGB 219 119 253

HSL 284.78, 0.97%, 0.73%

LAB 66.02, 59.42, -50.99

 

CMYK 13 / 53 / 0 / 1

HEX #DB77FD

RGB 219 119 253

HSL 284.78, 0.97%, 0.73%

LAB 66.02, 59.42, -50.99

 

CMYK 12 / 46 / 0 / 5

HEX #D583F2

RGB 213 131 242

HSL 284.32, 0.81%, 0.73%

LAB 67.12, 49.57, -43.26

 

CMYK 10 / 39 / 0 / 9

HEX #D08EE7

RGB 208 142 231

HSL 284.49, 0.65%, 0.73%

LAB 68.41, 40.1, -35.24

 

CMYK 8 / 30 / 0 / 14

HEX #CA99DC

RGB 202 153 220

HSL 283.88, 0.49%, 0.73%

LAB 69.83, 30.06, -27.04

 

CMYK 5 / 21 / 0 / 18

HEX #C5A4D0

RGB 197 164 208

HSL 285, 0.32%, 0.73%

LAB 71.54, 19.98, -17.87

 

CMYK 42 / 53 / 0 / 1

HEX #9277FD

RGB 146 119 253

HSL 252.09, 0.97%, 0.73%

LAB 58.41, 41.63, -63.56

 

CMYK 28 / 53 / 0 / 1

HEX #B677FD

RGB 182 119 253

HSL 268.21, 0.97%, 0.73%

LAB 61.85, 50.09, -57.86

 

CMYK 14 / 53 / 0 / 1

HEX #D977FD

RGB 217 119 253

HSL 283.88, 0.97%, 0.73%

LAB 65.78, 58.9, -51.38

 

CMYK 0 / 53 / 0 / 1

HEX #FD77FD

RGB 253 119 253

HSL 300, 0.97%, 0.73%

LAB 70.29, 68.19, -43.96

 

CMYK 0 / 53 / 14 / 1

HEX #FD77D9

RGB 253 119 217

HSL 316.12, 0.97%, 0.73%

LAB 68.81, 62.46, -26.42

 

CMYK 22 / 85 / 0 / 1

HEX #C526FC

RGB 197 38 252

HSL 284.58, 0.97%, 0.57%

LAB 52.16, 84.9, -72.81

 

CMYK 17 / 69 / 0 / 1

HEX #D04FFC

RGB 208 79 252

HSL 284.74, 0.97%, 0.65%

LAB 58.07, 74.39, -63.19

 

CMYK 13 / 53 / 0 / 1

HEX #DB77FD

RGB 219 119 253

HSL 284.78, 0.97%, 0.73%

LAB 66.02, 59.42, -50.99

 

CMYK 9 / 37 / 0 / 0

HEX #E6A0FE

RGB 230 160 254

HSL 284.68, 0.98%, 0.81%

LAB 75.53, 41.66, -36.55

 

CMYK 6 / 21 / 0 / 0

HEX #F0C9FE

RGB 240 201 254

HSL 284.15, 0.96%, 0.89%

LAB 85.73, 22.94, -20.83

 

CMYK 13 / 53 / 0 / 1

HEX #DB78FD

RGB 219 120 253

HSL 284.66, 0.97%, 0.73%

LAB 66.2, 58.93, -50.7

 

CMYK 0 / 53 / 49 / 1

HEX #FD7780

RGB 253 119 128

HSL 355.97, 0.97%, 0.73%

LAB 66.24, 51.82, 19.96

 

CMYK 53 / 0 / 35 / 1

HEX #77FDA4

RGB 119 253 164

HSL 140.15, 0.97%, 0.73%

LAB 90.25, -55.89, 31.67

 

CMYK 13 / 53 / 0 / 1

HEX #DB78FD

RGB 219 120 253

HSL 284.66, 0.97%, 0.73%

LAB 66.2, 58.93, -50.7

 

CMYK 0 / 14 / 53 / 1

HEX #FDD977

RGB 253 217 119

HSL 43.88, 0.97%, 0.73%

LAB 87.89, 0.8, 52.39

 

CMYK 53 / 0 / 14 / 1

HEX #77FDD9

RGB 119 253 217

HSL 163.88, 0.97%, 0.73%

LAB 91.32, -45.27, 6.06

 

CMYK 13 / 53 / 0 / 1

HEX #DB78FD

RGB 219 120 253

HSL 284.66, 0.97%, 0.73%

LAB 66.2, 58.93, -50.7

 

CMYK 0 / 53 / 49 / 1

HEX #FD7780

RGB 253 119 128

HSL 355.97, 0.97%, 0.73%

LAB 66.24, 51.82, 19.96

 

CMYK 39 / 0 / 53 / 1

HEX #9BFD77

RGB 155 253 119

HSL 103.88, 0.97%, 0.73%

LAB 91.03, -52.47, 54.57

 

CMYK 53 / 0 / 4 / 1

HEX #77FDF4

RGB 119 253 244

HSL 175.97, 0.97%, 0.73%

LAB 92, -38.85, -6.93

 

CMYK 13 / 53 / 0 / 1

HEX #DB78FD

RGB 219 120 253

HSL 284.66, 0.97%, 0.73%

LAB 66.2, 58.93, -50.7

 

CMYK 0 / 40 / 53 / 1

HEX #FD9777

RGB 253 151 119

HSL 14.33, 0.97%, 0.73%

LAB 72.46, 35.12, 33.2

 

CMYK 39 / 0 / 53 / 1

HEX #9BFD77

RGB 155 253 119

HSL 103.88, 0.97%, 0.73%

LAB 91.03, -52.47, 54.57

 

CMYK 53 / 12 / 0 / 1

HEX #77DEFD

RGB 119 222 253

HSL 193.88, 0.97%, 0.73%

LAB 83.58, -21.7, -24.28

 

Description

Color code: HEX #DB78FD | qconv.com Color code: HEX #DB78FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 120 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 120 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 53 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 53% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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