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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB77A8 it is the complementary color #248857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB77A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB77A8 shade: #E077A3, #F189B6, #FF9BC9, #FFADDC and #FFBFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB77A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB77A8 shade: #DB77A8, #CA6595, #B95382, #A8416F and #972F5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB77A8 shade: #DB76A7, #DB768C and #DB7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB77A8 shade: #DB76A7, #DB76C2, #D876DB, #BD76DB and #A176DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB77A8 shade matches the following richer shades: #DB76A7, #E968A7 and #F75AA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB77A8 shade: #DB76A7, #CD84A8, #BF92A8, #B1A0A8 and #A2AEA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB77A8 shade: #D776DB, #DB76C3, #DB76A8, #DB768D and #DB7976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB77A8 shade: #C9357E, #D25592, #DB76A7, #E397BC and #ECB7D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB77A8 shade: #DB77A8, #DBBC76 and #76D1DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB77A8 shade: #DB77A8, #A8DB76 and #76A8DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB77A8 shade: #DB77A8, #DBBC76, #76DBA8 and #7694DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB77A8 shade: #DB77A8, #DBDB76, #76DBA8 and #7676DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 23 / 14

HEX #DB77A8

RGB 219 119 168

HSL 330.6, 0.58%, 0.66%

LAB 62.58, 44.78, -8.7

 

Complementary color

CMYK 74 / 0 / 36 / 47

HEX #248857

RGB 36 136 87

HSL 150.6, 0.58%, 0.34%

LAB 50.3, -40.27, 18.35

 

CMYK 0 / 47 / 27 / 12

HEX #E077A3

RGB 224 119 163

HSL 334.86, 0.63%, 0.67%

LAB 63.08, 45.77, -5.02

 

CMYK 0 / 43 / 24 / 5

HEX #F189B6

RGB 241 137 182

HSL 334.04, 0.79%, 0.74%

LAB 69.45, 44.95, -6.09

 

CMYK 0 / 39 / 21 / 0

HEX #FF9BC9

RGB 255 155 201

HSL 332.4, 1%, 0.8%

LAB 75.4, 43.14, -7.6

 

CMYK 0 / 32 / 14 / 0

HEX #FFADDC

RGB 255 173 220

HSL 325.61, 1%, 0.84%

LAB 79.79, 36.7, -11.42

 

CMYK 0 / 25 / 6 / 0

HEX #FFBFEF

RGB 255 191 239

HSL 315, 1%, 0.87%

LAB 84.36, 30.39, -14.8

 

CMYK 0 / 46 / 23 / 14

HEX #DB77A8

RGB 219 119 168

HSL 330.6, 0.58%, 0.66%

LAB 62.58, 44.78, -8.7

 

CMYK 0 / 50 / 26 / 21

HEX #CA6595

RGB 202 101 149

HSL 331.49, 0.49%, 0.59%

LAB 56.12, 45.58, -7.59

 

CMYK 0 / 55 / 30 / 27

HEX #B95382

RGB 185 83 130

HSL 332.35, 0.42%, 0.53%

LAB 49.63, 46.31, -6.27

 

CMYK 0 / 61 / 34 / 34

HEX #A8416F

RGB 168 65 111

HSL 333.2, 0.44%, 0.46%

LAB 43.14, 46.91, -4.65

 

CMYK 0 / 69 / 39 / 41

HEX #972F5C

RGB 151 47 92

HSL 334.04, 0.53%, 0.39%

LAB 36.72, 47.18, -2.57

 

CMYK 0 / 46 / 24 / 14

HEX #DB76A7

RGB 219 118 167

HSL 330.89, 0.58%, 0.66%

LAB 62.34, 45.15, -8.47

 

CMYK 0 / 46 / 36 / 14

HEX #DB768C

RGB 219 118 140

HSL 346.93, 0.58%, 0.66%

LAB 61.58, 41.64, 5.89

 

CMYK 0 / 46 / 46 / 14

HEX #DB7676

RGB 219 118 118

HSL 0, 0.58%, 0.66%

LAB 61.07, 39.24, 17.79

 

CMYK 0 / 46 / 24 / 14

HEX #DB76A7

RGB 219 118 167

HSL 330.89, 0.58%, 0.66%

LAB 62.34, 45.15, -8.47

 

CMYK 0 / 46 / 11 / 14

HEX #DB76C2

RGB 219 118 194

HSL 314.85, 0.58%, 0.66%

LAB 63.27, 49.25, -22.42

 

CMYK 1 / 46 / 0 / 14

HEX #D876DB

RGB 216 118 219

HSL 298.22, 0.58%, 0.66%

LAB 63.89, 52.65, -35.54

 

CMYK 14 / 46 / 0 / 14

HEX #BD76DB

RGB 189 118 219

HSL 282.18, 0.58%, 0.66%

LAB 60.68, 44.94, -40.79

 

CMYK 26 / 46 / 0 / 14

HEX #A176DB

RGB 161 118 219

HSL 265.54, 0.58%, 0.66%

LAB 57.7, 37.13, -45.69

 

CMYK 0 / 46 / 24 / 14

HEX #DB76A7

RGB 219 118 167

HSL 330.89, 0.58%, 0.66%

LAB 62.34, 45.15, -8.47

 

CMYK 0 / 55 / 28 / 9

HEX #E968A7

RGB 233 104 167

HSL 330.7, 0.75%, 0.66%

LAB 61.67, 56.45, -9.28

 

CMYK 0 / 64 / 32 / 3

HEX #F75AA7

RGB 247 90 167

HSL 330.57, 0.91%, 0.66%

LAB 61.55, 66.63, -9.23

 

CMYK 0 / 46 / 24 / 14

HEX #DB76A7

RGB 219 118 167

HSL 330.89, 0.58%, 0.66%

LAB 62.34, 45.15, -8.47

 

CMYK 0 / 36 / 18 / 20

HEX #CD84A8

RGB 205 132 168

HSL 330.41, 0.42%, 0.66%

LAB 63.6, 33.14, -7.36

 

CMYK 0 / 24 / 12 / 25

HEX #BF92A8

RGB 191 146 168

HSL 330.67, 0.26%, 0.66%

LAB 65.33, 20.47, -4.96

 

CMYK 0 / 10 / 5 / 31

HEX #B1A0A8

RGB 177 160 168

HSL 331.76, 0.1%, 0.66%

LAB 67.51, 7.63, -1.9

 

CMYK 7 / 0 / 3 / 32

HEX #A2AEA8

RGB 162 174 168

HSL 150, 0.07%, 0.66%

LAB 70.02, -5.36, 1.62

 

CMYK 2 / 46 / 0 / 14

HEX #D776DB

RGB 215 118 219

HSL 297.62, 0.58%, 0.66%

LAB 63.77, 52.36, -35.74

 

CMYK 0 / 46 / 11 / 14

HEX #DB76C3

RGB 219 118 195

HSL 314.26, 0.58%, 0.66%

LAB 63.31, 49.41, -22.93

 

CMYK 0 / 46 / 23 / 14

HEX #DB76A8

RGB 219 118 168

HSL 330.3, 0.58%, 0.66%

LAB 62.38, 45.29, -8.99

 

CMYK 0 / 46 / 36 / 14

HEX #DB768D

RGB 219 118 141

HSL 346.34, 0.58%, 0.66%

LAB 61.6, 41.75, 5.35

 

CMYK 0 / 45 / 46 / 14

HEX #DB7976

RGB 219 121 118

HSL 1.78, 0.58%, 0.66%

LAB 61.69, 37.69, 18.64

 

CMYK 0 / 74 / 37 / 21

HEX #C9357E

RGB 201 53 126

HSL 330.41, 0.58%, 0.5%

LAB 47.59, 63.02, -6.62

 

CMYK 0 / 60 / 30 / 18

HEX #D25592

RGB 210 85 146

HSL 330.72, 0.58%, 0.58%

LAB 54.32, 55.35, -8.4

 

CMYK 0 / 46 / 24 / 14

HEX #DB76A7

RGB 219 118 167

HSL 330.89, 0.58%, 0.66%

LAB 62.34, 45.15, -8.47

 

CMYK 0 / 33 / 17 / 11

HEX #E397BC

RGB 227 151 188

HSL 330.79, 0.58%, 0.74%

LAB 70.94, 33.75, -7.41

 

CMYK 0 / 22 / 11 / 7

HEX #ECB7D1

RGB 236 183 209

HSL 330.57, 0.58%, 0.82%

LAB 79.79, 23.16, -5.69

 

CMYK 0 / 46 / 23 / 14

HEX #DB77A8

RGB 219 119 168

HSL 330.6, 0.58%, 0.66%

LAB 62.58, 44.78, -8.7

 

CMYK 0 / 14 / 46 / 14

HEX #DBBC76

RGB 219 188 118

HSL 41.58, 0.58%, 0.66%

LAB 77.48, 1.95, 39.39

 

CMYK 46 / 5 / 0 / 14

HEX #76D1DB

RGB 118 209 219

HSL 185.94, 0.58%, 0.66%

LAB 78.79, -24.57, -13.42

 

CMYK 0 / 46 / 23 / 14

HEX #DB77A8

RGB 219 119 168

HSL 330.6, 0.58%, 0.66%

LAB 62.58, 44.78, -8.7

 

CMYK 23 / 0 / 46 / 14

HEX #A8DB76

RGB 168 219 118

HSL 90.3, 0.58%, 0.66%

LAB 82, -33.43, 44.22

 

CMYK 46 / 23 / 0 / 14

HEX #76A8DB

RGB 118 168 219

HSL 210.3, 0.58%, 0.66%

LAB 67.26, -3.02, -30.98

 

CMYK 0 / 46 / 23 / 14

HEX #DB77A8

RGB 219 119 168

HSL 330.6, 0.58%, 0.66%

LAB 62.58, 44.78, -8.7

 

CMYK 0 / 14 / 46 / 14

HEX #DBBC76

RGB 219 188 118

HSL 41.58, 0.58%, 0.66%

LAB 77.48, 1.95, 39.39

 

CMYK 46 / 0 / 23 / 14

HEX #76DBA8

RGB 118 219 168

HSL 149.7, 0.58%, 0.66%

LAB 80.37, -41.1, 16.07

 

CMYK 46 / 32 / 0 / 14

HEX #7694DB

RGB 118 148 219

HSL 222.18, 0.58%, 0.66%

LAB 61.78, 8.35, -39.5

 

CMYK 0 / 46 / 23 / 14

HEX #DB77A8

RGB 219 119 168

HSL 330.6, 0.58%, 0.66%

LAB 62.58, 44.78, -8.7

 

CMYK 0 / 0 / 46 / 14

HEX #DBDB76

RGB 219 219 118

HSL 60, 0.58%, 0.66%

LAB 85.52, -13.94, 49.34

 

CMYK 46 / 0 / 23 / 14

HEX #76DBA8

RGB 118 219 168

HSL 149.7, 0.58%, 0.66%

LAB 80.37, -41.1, 16.07

 

CMYK 46 / 46 / 0 / 14

HEX #7676DB

RGB 118 118 219

HSL 240, 0.58%, 0.66%

LAB 53.95, 26.12, -51.89

 

Description

Color code: HEX #DB77A8 | qconv.com Color code: HEX #DB77A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 119 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 119 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 23 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 23% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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