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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB7728 it is the complementary color #2488D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB7728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB7728 shade: #E07723, #F18936, #FF9B49, #FFAD5C and #FFBF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB7728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB7728 shade: #DB7728, #CA6515, #B95302, #A84100 and #972F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB7728 shade: #DB7829, #DB4829 and #DB2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB7728 shade: #DB7829, #DBA729, #DBD729, #AEDB29 and #7FDB29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB7728 shade matches the following richer shades: #DB7829 and #EF7515

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB7728 shade: #DB7829, #C77A3E, #B27C52, #9E7F66 and #8A817A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB7728 shade: #DB293B, #DB4729, #DB7629, #DBA629 and #DBD529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB7728 shade: #98511A, #BB6420, #DB7829, #E18E4D and #E7A470

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB7728 shade: #DB7728, #6ADB29 and #2F29DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB7728 shade: #DB7728, #29DB76 and #7629DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB7728 shade: #DB7728, #6ADB29, #298EDB and #9A29DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB7728 shade: #DB7728, #35DB29, #298EDB and #CF29DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 82 / 14

HEX #DB7728

RGB 219 119 40

HSL 26.48, 0.71%, 0.51%

LAB 60.25, 33.73, 57.17

 

Complementary color

CMYK 83 / 37 / 0 / 16

HEX #2488D7

RGB 36 136 215

HSL 206.48, 0.71%, 0.49%

LAB 54.96, 0.19, -48.24

 

CMYK 0 / 47 / 84 / 12

HEX #E07723

RGB 224 119 35

HSL 26.67, 0.75%, 0.51%

LAB 60.92, 35.61, 59.9

 

CMYK 0 / 43 / 78 / 5

HEX #F18936

RGB 241 137 54

HSL 26.63, 0.87%, 0.58%

LAB 67.17, 33.75, 58.99

 

CMYK 0 / 39 / 71 / 0

HEX #FF9B49

RGB 255 155 73

HSL 27.03, 1%, 0.64%

LAB 73.01, 30.86, 57.13

 

CMYK 0 / 32 / 64 / 0

HEX #FFAD5C

RGB 255 173 92

HSL 29.82, 1%, 0.68%

LAB 77.23, 22.51, 52.88

 

CMYK 0 / 25 / 56 / 0

HEX #FFBF6F

RGB 255 191 111

HSL 33.33, 1%, 0.72%

LAB 81.66, 14.41, 48.84

 

CMYK 0 / 46 / 82 / 14

HEX #DB7728

RGB 219 119 40

HSL 26.48, 0.71%, 0.51%

LAB 60.25, 33.73, 57.17

 

CMYK 0 / 50 / 90 / 21

HEX #CA6515

RGB 202 101 21

HSL 26.52, 0.81%, 0.44%

LAB 53.94, 35.71, 57.58

 

CMYK 0 / 55 / 99 / 27

HEX #B95302

RGB 185 83 2

HSL 26.56, 0.98%, 0.37%

LAB 47.63, 37.81, 56.72

 

CMYK 0 / 61 / 100 / 34

HEX #A84100

RGB 168 65 0

HSL 23.21, 1%, 0.33%

LAB 41.38, 40, 52.24

 

CMYK 0 / 69 / 100 / 41

HEX #972F00

RGB 151 47 0

HSL 18.68, 1%, 0.3%

LAB 35.23, 41.86, 47.35

 

CMYK 0 / 45 / 81 / 14

HEX #DB7829

RGB 219 120 41

HSL 26.63, 0.71%, 0.51%

LAB 60.47, 33.24, 56.98

 

CMYK 0 / 67 / 81 / 14

HEX #DB4829

RGB 219 72 41

HSL 10.45, 0.71%, 0.51%

LAB 51.67, 55.89, 48.85

 

CMYK 0 / 81 / 81 / 14

HEX #DB2929

RGB 219 41 41

HSL 0, 0.71%, 0.51%

LAB 48.01, 66.04, 45.36

 

CMYK 0 / 45 / 81 / 14

HEX #DB7829

RGB 219 120 41

HSL 26.63, 0.71%, 0.51%

LAB 60.47, 33.24, 56.98

 

CMYK 0 / 24 / 81 / 14

HEX #DBA729

RGB 219 167 41

HSL 42.47, 0.71%, 0.51%

LAB 71.46, 8.14, 66.74

 

CMYK 0 / 2 / 81 / 14

HEX #DBD729

RGB 219 215 41

HSL 58.65, 0.71%, 0.51%

LAB 83.87, -16.59, 77.45

 

CMYK 21 / 0 / 81 / 14

HEX #AEDB29

RGB 174 219 41

HSL 75.17, 0.71%, 0.51%

LAB 81.74, -36.91, 74.34

 

CMYK 42 / 0 / 81 / 14

HEX #7FDB29

RGB 127 219 41

HSL 91.01, 0.71%, 0.51%

LAB 79.23, -53.88, 71.16

 

CMYK 0 / 45 / 81 / 14

HEX #DB7829

RGB 219 120 41

HSL 26.63, 0.71%, 0.51%

LAB 60.47, 33.24, 56.98

 

CMYK 0 / 51 / 91 / 6

HEX #EF7515

RGB 239 117 21

HSL 26.42, 0.87%, 0.51%

LAB 62.62, 42.26, 66.4

 

CMYK 0 / 45 / 81 / 14

HEX #DB7829

RGB 219 120 41

HSL 26.63, 0.71%, 0.51%

LAB 60.47, 33.24, 56.98

 

CMYK 0 / 39 / 69 / 22

HEX #C77A3E

RGB 199 122 62

HSL 26.28, 0.55%, 0.51%

LAB 58.42, 24.79, 44.55

 

CMYK 0 / 30 / 54 / 30

HEX #B27C52

RGB 178 124 82

HSL 26.25, 0.38%, 0.51%

LAB 56.57, 16.23, 31.19

 

CMYK 0 / 20 / 35 / 38

HEX #9E7F66

RGB 158 127 102

HSL 26.79, 0.22%, 0.51%

LAB 55.49, 8.27, 18.12

 

CMYK 0 / 7 / 12 / 46

HEX #8A817A

RGB 138 129 122

HSL 26.25, 0.06%, 0.51%

LAB 54.56, 2.12, 5.01

 

CMYK 0 / 81 / 73 / 14

HEX #DB293B

RGB 219 41 59

HSL 353.93, 0.71%, 0.51%

LAB 48.21, 66.64, 35.51

 

CMYK 0 / 68 / 81 / 14

HEX #DB4729

RGB 219 71 41

HSL 10.11, 0.71%, 0.51%

LAB 51.53, 56.29, 48.71

 

CMYK 0 / 46 / 81 / 14

HEX #DB7629

RGB 219 118 41

HSL 25.96, 0.71%, 0.51%

LAB 60.05, 34.28, 56.59

 

CMYK 0 / 24 / 81 / 14

HEX #DBA629

RGB 219 166 41

HSL 42.13, 0.71%, 0.51%

LAB 71.21, 8.68, 66.52

 

CMYK 0 / 3 / 81 / 14

HEX #DBD529

RGB 219 213 41

HSL 57.98, 0.71%, 0.51%

LAB 83.34, -15.6, 77

 

CMYK 0 / 47 / 83 / 40

HEX #98511A

RGB 152 81 26

HSL 26.19, 0.71%, 0.35%

LAB 42.21, 25.63, 43

 

CMYK 0 / 47 / 83 / 27

HEX #BB6420

RGB 187 100 32

HSL 26.32, 0.71%, 0.43%

LAB 51.59, 30.34, 50.89

 

CMYK 0 / 45 / 81 / 14

HEX #DB7829

RGB 219 120 41

HSL 26.63, 0.71%, 0.51%

LAB 60.47, 33.24, 56.98

 

CMYK 0 / 37 / 66 / 12

HEX #E18E4D

RGB 225 142 77

HSL 26.35, 0.71%, 0.59%

LAB 66.44, 25.71, 46.96

 

CMYK 0 / 29 / 52 / 9

HEX #E7A470

RGB 231 164 112

HSL 26.22, 0.71%, 0.67%

LAB 72.7, 19.01, 36.71

 

CMYK 0 / 46 / 82 / 14

HEX #DB7728

RGB 219 119 40

HSL 26.48, 0.71%, 0.51%

LAB 60.25, 33.73, 57.17

 

CMYK 52 / 0 / 81 / 14

HEX #6ADB29

RGB 106 219 41

HSL 98.09, 0.71%, 0.51%

LAB 78.4, -60.22, 70.09

 

CMYK 79 / 81 / 0 / 14

HEX #2F29DB

RGB 47 41 219

HSL 242.02, 0.71%, 0.51%

LAB 32.49, 59.69, -87.06

 

CMYK 0 / 46 / 82 / 14

HEX #DB7728

RGB 219 119 40

HSL 26.48, 0.71%, 0.51%

LAB 60.25, 33.73, 57.17

 

CMYK 81 / 0 / 46 / 14

HEX #29DB76

RGB 41 219 118

HSL 145.96, 0.71%, 0.51%

LAB 77.54, -64.62, 37.67

 

CMYK 46 / 81 / 0 / 14

HEX #7629DB

RGB 118 41 219

HSL 265.96, 0.71%, 0.51%

LAB 38.82, 66.24, -76.4

 

CMYK 0 / 46 / 82 / 14

HEX #DB7728

RGB 219 119 40

HSL 26.48, 0.71%, 0.51%

LAB 60.25, 33.73, 57.17

 

CMYK 52 / 0 / 81 / 14

HEX #6ADB29

RGB 106 219 41

HSL 98.09, 0.71%, 0.51%

LAB 78.4, -60.22, 70.09

 

CMYK 81 / 35 / 0 / 14

HEX #298EDB

RGB 41 142 219

HSL 205.96, 0.71%, 0.51%

LAB 57.01, -1.44, -47.23

 

CMYK 30 / 81 / 0 / 14

HEX #9A29DB

RGB 154 41 219

HSL 278.09, 0.71%, 0.51%

LAB 43.61, 71.36, -68.36

 

CMYK 0 / 46 / 82 / 14

HEX #DB7728

RGB 219 119 40

HSL 26.48, 0.71%, 0.51%

LAB 60.25, 33.73, 57.17

 

CMYK 76 / 0 / 81 / 14

HEX #35DB29

RGB 53 219 41

HSL 115.96, 0.71%, 0.51%

LAB 77.03, -71.49, 68.33

 

CMYK 81 / 35 / 0 / 14

HEX #298EDB

RGB 41 142 219

HSL 205.96, 0.71%, 0.51%

LAB 57.01, -1.44, -47.23

 

CMYK 5 / 81 / 0 / 14

HEX #CF29DB

RGB 207 41 219

HSL 295.96, 0.71%, 0.51%

LAB 51.8, 80.3, -54.73

 

Description

Color code: HEX #DB7728 | qconv.com Color code: HEX #DB7728 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 119 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 119 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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