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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB75DC it is the complementary color #248A23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB75DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB75DC shade: #E075D7, #F187EA, #FF99FD, #FFABFF and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB75DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB75DC shade: #DB75DC, #CA63C9, #B951B6, #A83FA3 and #972D90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB75DC shade: #DB74DC, #DC74C1, #DC74A5, #DC7489 and #DC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB75DC shade: #DB74DC, #BF74DC, #A374DC, #8774DC and #7474DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB75DC shade matches the following richer shades: #DB74DC, #E966EA and #F658F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB75DC shade: #DB74DC, #CD82CE, #BF90C0, #B29EB2 and #A4ACA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB75DC shade: #A374DC, #BE74DC, #DA74DC, #DC74C2 and #DC74A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB75DC shade: #C932CB, #D253D4, #DB74DC, #E395E4 and #ECB6EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB75DC shade: #DB75DC, #DC8774 and #74DCB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB75DC shade: #DB75DC, #DCDA74 and #74DCDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB75DC shade: #DB75DC, #DC8774, #76DC74 and #74C9DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB75DC shade: #DB75DC, #DCA674, #76DC74 and #74AADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 0 / 14

HEX #DB75DC

RGB 219 117 220

HSL 299.42, 0.6%, 0.66%

LAB 64.12, 54.18, -35.71

 

Complementary color

CMYK 74 / 0 / 75 / 46

HEX #248A23

RGB 36 138 35

HSL 119.42, 0.6%, 0.34%

LAB 50.3, -48.81, 44.35

 

CMYK 0 / 48 / 4 / 12

HEX #E075D7

RGB 224 117 215

HSL 305.05, 0.63%, 0.67%

LAB 64.54, 54.74, -32.21

 

CMYK 0 / 44 / 3 / 5

HEX #F187EA

RGB 241 135 234

HSL 303.96, 0.79%, 0.74%

LAB 70.85, 54.07, -32.8

 

CMYK 0 / 40 / 1 / 0

HEX #FF99FD

RGB 255 153 253

HSL 301.18, 1%, 0.8%

LAB 76.76, 52.48, -33.88

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 47 / 0 / 14

HEX #DB75DC

RGB 219 117 220

HSL 299.42, 0.6%, 0.66%

LAB 64.12, 54.18, -35.71

 

CMYK 0 / 51 / 0 / 21

HEX #CA63C9

RGB 202 99 201

HSL 300.58, 0.49%, 0.59%

LAB 57.75, 54.81, -35.11

 

CMYK 0 / 56 / 2 / 27

HEX #B951B6

RGB 185 81 182

HSL 301.73, 0.43%, 0.52%

LAB 51.36, 55.3, -34.35

 

CMYK 0 / 63 / 3 / 34

HEX #A83FA3

RGB 168 63 163

HSL 302.86, 0.45%, 0.45%

LAB 44.98, 55.54, -33.37

 

CMYK 0 / 70 / 5 / 41

HEX #972D90

RGB 151 45 144

HSL 303.96, 0.54%, 0.38%

LAB 38.67, 55.33, -32.03

 

CMYK 0 / 47 / 0 / 14

HEX #DB74DC

RGB 219 116 220

HSL 299.42, 0.6%, 0.66%

LAB 63.93, 54.68, -36

 

CMYK 0 / 47 / 12 / 14

HEX #DC74C1

RGB 220 116 193

HSL 315.58, 0.6%, 0.66%

LAB 62.97, 50.4, -22.29

 

CMYK 0 / 47 / 25 / 14

HEX #DC74A5

RGB 220 116 165

HSL 331.73, 0.6%, 0.66%

LAB 62.02, 46.22, -7.8

 

CMYK 0 / 47 / 38 / 14

HEX #DC7489

RGB 220 116 137

HSL 347.88, 0.6%, 0.66%

LAB 61.23, 42.66, 7.13

 

CMYK 0 / 47 / 47 / 14

HEX #DC7474

RGB 220 116 116

HSL 0, 0.6%, 0.66%

LAB 60.75, 40.44, 18.52

 

CMYK 0 / 47 / 0 / 14

HEX #DB74DC

RGB 219 116 220

HSL 299.42, 0.6%, 0.66%

LAB 63.93, 54.68, -36

 

CMYK 13 / 47 / 0 / 14

HEX #BF74DC

RGB 191 116 220

HSL 283.27, 0.6%, 0.66%

LAB 60.55, 46.77, -41.55

 

CMYK 26 / 47 / 0 / 14

HEX #A374DC

RGB 163 116 220

HSL 267.12, 0.6%, 0.66%

LAB 57.51, 39.03, -46.55

 

CMYK 39 / 47 / 0 / 14

HEX #8774DC

RGB 135 116 220

HSL 250.96, 0.6%, 0.66%

LAB 54.88, 31.71, -50.89

 

CMYK 47 / 47 / 0 / 14

HEX #7474DC

RGB 116 116 220

HSL 240, 0.6%, 0.66%

LAB 53.35, 27.15, -53.4

 

CMYK 0 / 47 / 0 / 14

HEX #DB74DC

RGB 219 116 220

HSL 299.42, 0.6%, 0.66%

LAB 63.93, 54.68, -36

 

CMYK 0 / 56 / 0 / 8

HEX #E966EA

RGB 233 102 234

HSL 299.55, 0.76%, 0.66%

LAB 63.97, 67.37, -43.61

 

CMYK 1 / 65 / 0 / 3

HEX #F658F8

RGB 246 88 248

HSL 299.25, 0.92%, 0.66%

LAB 64.44, 78.43, -50.49

 

CMYK 0 / 47 / 0 / 14

HEX #DB74DC

RGB 219 116 220

HSL 299.42, 0.6%, 0.66%

LAB 63.93, 54.68, -36

 

CMYK 0 / 37 / 0 / 19

HEX #CD82CE

RGB 205 130 206

HSL 299.21, 0.44%, 0.66%

LAB 64.48, 40.75, -27.45

 

CMYK 1 / 25 / 0 / 25

HEX #BF90C0

RGB 191 144 192

HSL 298.75, 0.28%, 0.66%

LAB 65.62, 25.92, -18.02

 

CMYK 0 / 11 / 0 / 30

HEX #B29EB2

RGB 178 158 178

HSL 300, 0.11%, 0.66%

LAB 67.38, 10.96, -7.67

 

CMYK 5 / 0 / 5 / 33

HEX #A4ACA4

RGB 164 172 164

HSL 120, 0.05%, 0.66%

LAB 69.52, -4.34, 3.13

 

CMYK 26 / 47 / 0 / 14

HEX #A374DC

RGB 163 116 220

HSL 267.12, 0.6%, 0.66%

LAB 57.51, 39.03, -46.55

 

CMYK 14 / 47 / 0 / 14

HEX #BE74DC

RGB 190 116 220

HSL 282.69, 0.6%, 0.66%

LAB 60.43, 46.49, -41.74

 

CMYK 1 / 47 / 0 / 14

HEX #DA74DC

RGB 218 116 220

HSL 298.85, 0.6%, 0.66%

LAB 63.81, 54.39, -36.21

 

CMYK 0 / 47 / 12 / 14

HEX #DC74C2

RGB 220 116 194

HSL 315, 0.6%, 0.66%

LAB 63.01, 50.56, -22.8

 

CMYK 0 / 47 / 25 / 14

HEX #DC74A6

RGB 220 116 166

HSL 331.15, 0.6%, 0.66%

LAB 62.05, 46.36, -8.32

 

CMYK 1 / 75 / 0 / 20

HEX #C932CB

RGB 201 50 203

HSL 299.22, 0.6%, 0.5%

LAB 50.7, 74.29, -47.38

 

CMYK 1 / 61 / 0 / 17

HEX #D253D4

RGB 210 83 212

HSL 299.07, 0.6%, 0.58%

LAB 56.72, 66.02, -42.89

 

CMYK 0 / 47 / 0 / 14

HEX #DB74DC

RGB 219 116 220

HSL 299.42, 0.6%, 0.66%

LAB 63.93, 54.68, -36

 

CMYK 0 / 35 / 0 / 11

HEX #E395E4

RGB 227 149 228

HSL 299.24, 0.59%, 0.74%

LAB 71.84, 41.6, -28.11

 

CMYK 0 / 23 / 0 / 7

HEX #ECB6EC

RGB 236 182 236

HSL 300, 0.59%, 0.82%

LAB 80.37, 28.39, -19.37

 

CMYK 0 / 47 / 0 / 14

HEX #DB75DC

RGB 219 117 220

HSL 299.42, 0.6%, 0.66%

LAB 64.12, 54.18, -35.71

 

CMYK 0 / 39 / 47 / 14

HEX #DC8774

RGB 220 135 116

HSL 10.96, 0.6%, 0.66%

LAB 64.81, 30.5, 24.01

 

CMYK 47 / 0 / 20 / 14

HEX #74DCB0

RGB 116 220 176

HSL 154.62, 0.6%, 0.66%

LAB 80.76, -40.4, 12.39

 

CMYK 0 / 47 / 0 / 14

HEX #DB75DC

RGB 219 117 220

HSL 299.42, 0.6%, 0.66%

LAB 64.12, 54.18, -35.71

 

CMYK 0 / 1 / 47 / 14

HEX #DCDA74

RGB 220 218 116

HSL 58.85, 0.6%, 0.66%

LAB 85.31, -13.23, 50.06

 

CMYK 47 / 0 / 1 / 14

HEX #74DCDA

RGB 116 220 218

HSL 178.85, 0.6%, 0.66%

LAB 81.82, -30.63, -8.38

 

CMYK 0 / 47 / 0 / 14

HEX #DB75DC

RGB 219 117 220

HSL 299.42, 0.6%, 0.66%

LAB 64.12, 54.18, -35.71

 

CMYK 0 / 39 / 47 / 14

HEX #DC8774

RGB 220 135 116

HSL 10.96, 0.6%, 0.66%

LAB 64.81, 30.5, 24.01

 

CMYK 46 / 0 / 47 / 14

HEX #76DC74

RGB 118 220 116

HSL 118.85, 0.6%, 0.66%

LAB 79.78, -50.37, 41.9

 

CMYK 47 / 9 / 0 / 14

HEX #74C9DC

RGB 116 201 220

HSL 190.96, 0.6%, 0.66%

LAB 76.47, -20.76, -17.46

 

CMYK 0 / 47 / 0 / 14

HEX #DB75DC

RGB 219 117 220

HSL 299.42, 0.6%, 0.66%

LAB 64.12, 54.18, -35.71

 

CMYK 0 / 25 / 47 / 14

HEX #DCA674

RGB 220 166 116

HSL 28.85, 0.6%, 0.66%

LAB 72.06, 13.85, 33.54

 

CMYK 46 / 0 / 47 / 14

HEX #76DC74

RGB 118 220 116

HSL 118.85, 0.6%, 0.66%

LAB 79.78, -50.37, 41.9

 

CMYK 47 / 23 / 0 / 14

HEX #74AADC

RGB 116 170 220

HSL 208.85, 0.6%, 0.66%

LAB 67.75, -4.33, -30.78

 

Description

Color code: HEX #DB75DC | qconv.com Color code: HEX #DB75DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 117 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 117 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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