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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB7564 it is the complementary color #248A9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB7564. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB7564 shade: #E0755F, #F18772, #FF9985, #FFAB98 and #FFBDAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB7564. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB7564 shade: #DB7564, #CA6351, #B9513E, #A83F2B and #972D18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB7564 shade: #DB7766 and #DB6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB7564 shade: #DB7766, #DB9666, #DBB666, #DBD666 and #C1DB66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB7564 shade matches the following richer shades: #DB7766, #EA6C57 and #FA6148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB7564 shade: #DB7766, #CC8275, #BD8D85, #AD9894 and #9EA2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB7564 shade: #DB6695, #DB6676, #DB7666, #DB9566 and #DBB466

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB7564 shade: #C1432D, #D35945, #DB7766, #E39588 and #EBB2A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB7564 shade: #DB7564, #B4DB66 and #6685DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB7564 shade: #DB7564, #66DB76 and #7666DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB7564 shade: #DB7564, #B4DB66, #66CCDB and #8D66DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB7564 shade: #DB7564, #91DB66, #66CCDB and #B066DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 54 / 14

HEX #DB7564

RGB 219 117 100

HSL 8.57, 0.62%, 0.63%

LAB 60.52, 38.12, 27.27

 

Complementary color

CMYK 77 / 11 / 0 / 39

HEX #248A9B

RGB 36 138 155

HSL 188.57, 0.62%, 0.37%

LAB 52.86, -22.28, -17.25

 

CMYK 0 / 48 / 58 / 12

HEX #E0755F

RGB 224 117 95

HSL 10.23, 0.68%, 0.63%

LAB 61.13, 39.62, 31

 

CMYK 0 / 44 / 53 / 5

HEX #F18772

RGB 241 135 114

HSL 9.92, 0.82%, 0.7%

LAB 67.46, 38.37, 29.12

 

CMYK 0 / 40 / 48 / 0

HEX #FF9985

RGB 255 153 133

HSL 9.84, 1%, 0.76%

LAB 73.37, 36.08, 26.88

 

CMYK 0 / 33 / 40 / 0

HEX #FFAB98

RGB 255 171 152

HSL 11.07, 1%, 0.8%

LAB 77.67, 28.65, 22.4

 

CMYK 0 / 26 / 33 / 0

HEX #FFBDAB

RGB 255 189 171

HSL 12.86, 1%, 0.84%

LAB 82.16, 21.41, 18.41

 

CMYK 0 / 47 / 54 / 14

HEX #DB7564

RGB 219 117 100

HSL 8.57, 0.62%, 0.63%

LAB 60.52, 38.12, 27.27

 

CMYK 0 / 51 / 60 / 21

HEX #CA6351

RGB 202 99 81

HSL 8.93, 0.53%, 0.55%

LAB 54.11, 39.4, 29.31

 

CMYK 0 / 56 / 66 / 27

HEX #B9513E

RGB 185 81 62

HSL 9.27, 0.5%, 0.48%

LAB 47.68, 40.74, 31.65

 

CMYK 0 / 63 / 74 / 34

HEX #A83F2B

RGB 168 63 43

HSL 9.6, 0.59%, 0.41%

LAB 41.3, 42.05, 34.34

 

CMYK 0 / 70 / 84 / 41

HEX #972D18

RGB 151 45 24

HSL 9.92, 0.73%, 0.34%

LAB 35.05, 43.18, 37.27

 

CMYK 0 / 46 / 53 / 14

HEX #DB7766

RGB 219 119 102

HSL 8.72, 0.62%, 0.63%

LAB 60.97, 37.25, 26.74

 

CMYK 0 / 53 / 53 / 14

HEX #DB6666

RGB 219 102 102

HSL 0, 0.62%, 0.63%

LAB 57.58, 45.82, 22.25

 

CMYK 0 / 46 / 53 / 14

HEX #DB7766

RGB 219 119 102

HSL 8.72, 0.62%, 0.63%

LAB 60.97, 37.25, 26.74

 

CMYK 0 / 32 / 53 / 14

HEX #DB9666

RGB 219 150 102

HSL 24.62, 0.62%, 0.63%

LAB 67.9, 20.77, 35.64

 

CMYK 0 / 17 / 53 / 14

HEX #DBB666

RGB 219 182 102

HSL 41.03, 0.62%, 0.63%

LAB 75.75, 3.65, 45.31

 

CMYK 0 / 2 / 53 / 14

HEX #DBD666

RGB 219 214 102

HSL 57.44, 0.62%, 0.63%

LAB 84.02, -12.83, 55.08

 

CMYK 12 / 0 / 53 / 14

HEX #C1DB66

RGB 193 219 102

HSL 73.33, 0.62%, 0.63%

LAB 83.42, -25.66, 53.88

 

CMYK 0 / 46 / 53 / 14

HEX #DB7766

RGB 219 119 102

HSL 8.72, 0.62%, 0.63%

LAB 60.97, 37.25, 26.74

 

CMYK 0 / 54 / 63 / 8

HEX #EA6C57

RGB 234 108 87

HSL 8.57, 0.78%, 0.63%

LAB 60.7, 47.24, 35.21

 

CMYK 0 / 61 / 71 / 2

HEX #FA6148

RGB 250 97 72

HSL 8.43, 0.95%, 0.63%

LAB 61.08, 57.07, 44.41

 

CMYK 0 / 46 / 53 / 14

HEX #DB7766

RGB 219 119 102

HSL 8.72, 0.62%, 0.63%

LAB 60.97, 37.25, 26.74

 

CMYK 0 / 36 / 43 / 20

HEX #CC8275

RGB 204 130 117

HSL 8.97, 0.46%, 0.63%

LAB 61.73, 27.04, 18.95

 

CMYK 0 / 25 / 30 / 26

HEX #BD8D85

RGB 189 141 133

HSL 8.57, 0.3%, 0.63%

LAB 62.98, 17.08, 11.38

 

CMYK 0 / 12 / 14 / 32

HEX #AD9894

RGB 173 152 148

HSL 9.6, 0.13%, 0.63%

LAB 64.55, 7.08, 4.94

 

CMYK 3 / 1 / 0 / 36

HEX #9EA2A3

RGB 158 162 163

HSL 192, 0.03%, 0.63%

LAB 66.33, -1.23, -1.02

 

CMYK 0 / 53 / 32 / 14

HEX #DB6695

RGB 219 102 149

HSL 335.9, 0.62%, 0.63%

LAB 58.73, 50.68, -3.46

 

CMYK 0 / 53 / 46 / 14

HEX #DB6676

RGB 219 102 118

HSL 351.79, 0.62%, 0.63%

LAB 57.91, 47.26, 13.43

 

CMYK 0 / 46 / 53 / 14

HEX #DB7666

RGB 219 118 102

HSL 8.21, 0.62%, 0.63%

LAB 60.76, 37.77, 26.46

 

CMYK 0 / 32 / 53 / 14

HEX #DB9566

RGB 219 149 102

HSL 24.1, 0.62%, 0.63%

LAB 67.66, 21.31, 35.34

 

CMYK 0 / 18 / 53 / 14

HEX #DBB466

RGB 219 180 102

HSL 40, 0.62%, 0.63%

LAB 75.24, 4.71, 44.7

 

CMYK 0 / 65 / 77 / 24

HEX #C1432D

RGB 193 67 45

HSL 8.92, 0.62%, 0.47%

LAB 46.37, 49.27, 39.99

 

CMYK 0 / 58 / 67 / 17

HEX #D35945

RGB 211 89 69

HSL 8.45, 0.62%, 0.55%

LAB 53.41, 46.87, 35.54

 

CMYK 0 / 46 / 53 / 14

HEX #DB7766

RGB 219 119 102

HSL 8.72, 0.62%, 0.63%

LAB 60.97, 37.25, 26.74

 

CMYK 0 / 34 / 40 / 11

HEX #E39588

RGB 227 149 136

HSL 8.57, 0.62%, 0.71%

LAB 69.19, 27.84, 18.99

 

CMYK 0 / 24 / 28 / 8

HEX #EBB2A9

RGB 235 178 169

HSL 8.18, 0.62%, 0.79%

LAB 77.5, 19.47, 12.65

 

CMYK 0 / 47 / 54 / 14

HEX #DB7564

RGB 219 117 100

HSL 8.57, 0.62%, 0.63%

LAB 60.52, 38.12, 27.27

 

CMYK 18 / 0 / 53 / 14

HEX #B4DB66

RGB 180 219 102

HSL 80, 0.62%, 0.63%

LAB 82.55, -30.67, 52.64

 

CMYK 53 / 39 / 0 / 14

HEX #6685DB

RGB 102 133 219

HSL 224.1, 0.62%, 0.63%

LAB 56.8, 13.49, -47.42

 

CMYK 0 / 47 / 54 / 14

HEX #DB7564

RGB 219 117 100

HSL 8.57, 0.62%, 0.63%

LAB 60.52, 38.12, 27.27

 

CMYK 53 / 0 / 46 / 14

HEX #66DB76

RGB 102 219 118

HSL 128.21, 0.62%, 0.63%

LAB 78.92, -53.94, 39.71

 

CMYK 46 / 53 / 0 / 14

HEX #7666DB

RGB 118 102 219

HSL 248.21, 0.62%, 0.63%

LAB 50.06, 35.66, -58.11

 

CMYK 0 / 47 / 54 / 14

HEX #DB7564

RGB 219 117 100

HSL 8.57, 0.62%, 0.63%

LAB 60.52, 38.12, 27.27

 

CMYK 18 / 0 / 53 / 14

HEX #B4DB66

RGB 180 219 102

HSL 80, 0.62%, 0.63%

LAB 82.55, -30.67, 52.64

 

CMYK 53 / 7 / 0 / 14

HEX #66CCDB

RGB 102 204 219

HSL 187.69, 0.62%, 0.63%

LAB 76.75, -25.55, -16.54

 

CMYK 36 / 53 / 0 / 14

HEX #8D66DB

RGB 141 102 219

HSL 260, 0.62%, 0.63%

LAB 52.15, 40.99, -54.64

 

CMYK 0 / 47 / 54 / 14

HEX #DB7564

RGB 219 117 100

HSL 8.57, 0.62%, 0.63%

LAB 60.52, 38.12, 27.27

 

CMYK 34 / 0 / 53 / 14

HEX #91DB66

RGB 145 219 102

HSL 97.95, 0.62%, 0.63%

LAB 80.54, -43.28, 49.77

 

CMYK 53 / 7 / 0 / 14

HEX #66CCDB

RGB 102 204 219

HSL 187.69, 0.62%, 0.63%

LAB 76.75, -25.55, -16.54

 

CMYK 20 / 53 / 0 / 14

HEX #B066DB

RGB 176 102 219

HSL 277.95, 0.62%, 0.63%

LAB 55.93, 49.82, -48.39

 

Description

Color code: HEX #DB7564 | qconv.com Color code: HEX #DB7564 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 117 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 117 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 54 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 54% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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