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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB74B5 it is the complementary color #248B4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB74B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB74B5 shade: #E074B0, #F186C3, #FF98D6, #FFAAE9 and #FFBCFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB74B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB74B5 shade: #DB74B5, #CA62A2, #B9508F, #A83E7C and #972C69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB74B5 shade: #DB75B5, #DB759A, #DB757E and #DB7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB74B5 shade: #DB75B5, #DB75D1, #CA75DB, #AE75DB and #9275DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB74B5 shade matches the following richer shades: #DB75B5, #E967B9 and #F759BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB74B5 shade: #DB75B5, #CD83B2, #BF91AE, #B19FAA and #A3ADA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB74B5 shade: #CA75DB, #DB75D1, #DB75B5, #DB759A and #DB757F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB74B5 shade: #C93492, #D254A4, #DB75B5, #E395C7 and #ECB6D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB74B5 shade: #DB74B5, #DBAF75 and #75DBD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB74B5 shade: #DB74B5, #B5DB75 and #75B5DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB74B5 shade: #DB74B5, #DBAF75, #75DB9A and #75A1DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB74B5 shade: #DB74B5, #DBCD75, #75DB9A and #7582DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 17 / 14

HEX #DB74B5

RGB 219 116 181

HSL 322.14, 0.59%, 0.66%

LAB 62.41, 48.22, -16.35

 

Complementary color

CMYK 74 / 0 / 47 / 45

HEX #248B4A

RGB 36 139 74

HSL 142.14, 0.59%, 0.34%

LAB 51.08, -44.02, 26.57

 

CMYK 0 / 48 / 21 / 12

HEX #E074B0

RGB 224 116 176

HSL 326.67, 0.64%, 0.67%

LAB 62.9, 49.08, -12.7

 

CMYK 0 / 44 / 19 / 5

HEX #F186C3

RGB 241 134 195

HSL 325.79, 0.79%, 0.74%

LAB 69.25, 48.32, -13.65

 

CMYK 0 / 40 / 16 / 0

HEX #FF98D6

RGB 255 152 214

HSL 323.88, 1%, 0.8%

LAB 75.18, 46.59, -15.06

 

CMYK 0 / 33 / 9 / 0

HEX #FFAAE9

RGB 255 170 233

HSL 315.53, 1%, 0.83%

LAB 79.55, 40.36, -18.81

 

CMYK 0 / 26 / 1 / 0

HEX #FFBCFC

RGB 255 188 252

HSL 302.69, 1%, 0.87%

LAB 84.1, 34.23, -22.11

 

CMYK 0 / 47 / 17 / 14

HEX #DB74B5

RGB 219 116 181

HSL 322.14, 0.59%, 0.66%

LAB 62.41, 48.22, -16.35

 

CMYK 0 / 51 / 20 / 21

HEX #CA62A2

RGB 202 98 162

HSL 323.08, 0.5%, 0.59%

LAB 55.99, 48.93, -15.37

 

CMYK 0 / 57 / 23 / 27

HEX #B9508F

RGB 185 80 143

HSL 324, 0.43%, 0.52%

LAB 49.54, 49.54, -14.19

 

CMYK 0 / 63 / 26 / 34

HEX #A83E7C

RGB 168 62 124

HSL 324.91, 0.46%, 0.45%

LAB 43.1, 49.95, -12.71

 

CMYK 0 / 71 / 30 / 41

HEX #972C69

RGB 151 44 105

HSL 325.79, 0.55%, 0.38%

LAB 36.74, 49.95, -10.78

 

CMYK 0 / 47 / 17 / 14

HEX #DB75B5

RGB 219 117 181

HSL 322.35, 0.59%, 0.66%

LAB 62.61, 47.71, -16.06

 

CMYK 0 / 47 / 30 / 14

HEX #DB759A

RGB 219 117 154

HSL 338.24, 0.59%, 0.66%

LAB 61.75, 43.89, -1.9

 

CMYK 0 / 47 / 42 / 14

HEX #DB757E

RGB 219 117 126

HSL 354.71, 0.59%, 0.66%

LAB 61.04, 40.57, 13.16

 

CMYK 0 / 47 / 47 / 14

HEX #DB7575

RGB 219 117 117

HSL 0, 0.59%, 0.66%

LAB 60.84, 39.65, 18.05

 

CMYK 0 / 47 / 17 / 14

HEX #DB75B5

RGB 219 117 181

HSL 322.35, 0.59%, 0.66%

LAB 62.61, 47.71, -16.06

 

CMYK 0 / 47 / 5 / 14

HEX #DB75D1

RGB 219 117 209

HSL 305.88, 0.59%, 0.66%

LAB 63.66, 52.26, -30.27

 

CMYK 8 / 47 / 0 / 14

HEX #CA75DB

RGB 202 117 219

HSL 290, 0.59%, 0.66%

LAB 61.99, 49.16, -38.63

 

CMYK 21 / 47 / 0 / 14

HEX #AE75DB

RGB 174 117 219

HSL 273.53, 0.59%, 0.66%

LAB 58.82, 41.26, -43.83

 

CMYK 33 / 47 / 0 / 14

HEX #9275DB

RGB 146 117 219

HSL 257.06, 0.59%, 0.66%

LAB 56.04, 33.68, -48.42

 

CMYK 0 / 47 / 17 / 14

HEX #DB75B5

RGB 219 117 181

HSL 322.35, 0.59%, 0.66%

LAB 62.61, 47.71, -16.06

 

CMYK 0 / 56 / 21 / 9

HEX #E967B9

RGB 233 103 185

HSL 322.15, 0.75%, 0.66%

LAB 62.11, 59.32, -18.91

 

CMYK 0 / 64 / 23 / 3

HEX #F759BD

RGB 247 89 189

HSL 322.03, 0.91%, 0.66%

LAB 62.16, 69.7, -20.92

 

CMYK 0 / 47 / 17 / 14

HEX #DB75B5

RGB 219 117 181

HSL 322.35, 0.59%, 0.66%

LAB 62.61, 47.71, -16.06

 

CMYK 0 / 36 / 13 / 20

HEX #CD83B2

RGB 205 131 178

HSL 321.89, 0.43%, 0.66%

LAB 63.69, 35.29, -12.89

 

CMYK 0 / 24 / 9 / 25

HEX #BF91AE

RGB 191 145 174

HSL 322.17, 0.26%, 0.66%

LAB 65.27, 22.06, -8.43

 

CMYK 0 / 10 / 4 / 31

HEX #B19FAA

RGB 177 159 170

HSL 323.33, 0.1%, 0.66%

LAB 67.31, 8.55, -3.31

 

CMYK 6 / 0 / 3 / 32

HEX #A3ADA7

RGB 163 173 167

HSL 144, 0.06%, 0.66%

LAB 69.8, -4.66, 1.86

 

CMYK 8 / 47 / 0 / 14

HEX #CA75DB

RGB 202 117 219

HSL 290, 0.59%, 0.66%

LAB 61.99, 49.16, -38.63

 

CMYK 0 / 47 / 5 / 14

HEX #DB75D1

RGB 219 117 209

HSL 305.88, 0.59%, 0.66%

LAB 63.66, 52.26, -30.27

 

CMYK 0 / 47 / 17 / 14

HEX #DB75B5

RGB 219 117 181

HSL 322.35, 0.59%, 0.66%

LAB 62.61, 47.71, -16.06

 

CMYK 0 / 47 / 30 / 14

HEX #DB759A

RGB 219 117 154

HSL 338.24, 0.59%, 0.66%

LAB 61.75, 43.89, -1.9

 

CMYK 0 / 47 / 42 / 14

HEX #DB757F

RGB 219 117 127

HSL 354.12, 0.59%, 0.66%

LAB 61.06, 40.68, 12.62

 

CMYK 0 / 74 / 27 / 21

HEX #C93492

RGB 201 52 146

HSL 322.15, 0.59%, 0.5%

LAB 48.2, 65.62, -17.79

 

CMYK 0 / 60 / 22 / 18

HEX #D254A4

RGB 210 84 164

HSL 321.9, 0.58%, 0.58%

LAB 54.79, 58.15, -18.26

 

CMYK 0 / 47 / 17 / 14

HEX #DB75B5

RGB 219 117 181

HSL 322.35, 0.59%, 0.66%

LAB 62.61, 47.71, -16.06

 

CMYK 0 / 34 / 12 / 11

HEX #E395C7

RGB 227 149 199

HSL 321.54, 0.58%, 0.74%

LAB 70.84, 36.56, -13.66

 

CMYK 0 / 23 / 8 / 7

HEX #ECB6D8

RGB 236 182 216

HSL 322.22, 0.59%, 0.82%

LAB 79.75, 24.86, -9.52

 

CMYK 0 / 47 / 17 / 14

HEX #DB74B5

RGB 219 116 181

HSL 322.14, 0.59%, 0.66%

LAB 62.41, 48.22, -16.35

 

CMYK 0 / 20 / 47 / 14

HEX #DBAF75

RGB 219 175 117

HSL 34.12, 0.59%, 0.66%

LAB 74.19, 8.73, 35.73

 

CMYK 47 / 0 / 1 / 14

HEX #75DBD8

RGB 117 219 216

HSL 178.24, 0.59%, 0.66%

LAB 81.51, -30.43, -7.76

 

CMYK 0 / 47 / 17 / 14

HEX #DB74B5

RGB 219 116 181

HSL 322.14, 0.59%, 0.66%

LAB 62.41, 48.22, -16.35

 

CMYK 17 / 0 / 47 / 14

HEX #B5DB75

RGB 181 219 117

HSL 82.35, 0.59%, 0.66%

LAB 82.79, -28.77, 45.86

 

CMYK 47 / 17 / 0 / 14

HEX #75B5DB

RGB 117 181 219

HSL 202.35, 0.59%, 0.66%

LAB 70.83, -10.36, -25.48

 

CMYK 0 / 47 / 17 / 14

HEX #DB74B5

RGB 219 116 181

HSL 322.14, 0.59%, 0.66%

LAB 62.41, 48.22, -16.35

 

CMYK 0 / 20 / 47 / 14

HEX #DBAF75

RGB 219 175 117

HSL 34.12, 0.59%, 0.66%

LAB 74.19, 8.73, 35.73

 

CMYK 47 / 0 / 30 / 14

HEX #75DB9A

RGB 117 219 154

HSL 141.76, 0.59%, 0.66%

LAB 80.05, -44.08, 22.97

 

CMYK 47 / 26 / 0 / 14

HEX #75A1DB

RGB 117 161 219

HSL 214.12, 0.59%, 0.66%

LAB 65.27, 0.66, -34.06

 

CMYK 0 / 47 / 17 / 14

HEX #DB74B5

RGB 219 116 181

HSL 322.14, 0.59%, 0.66%

LAB 62.41, 48.22, -16.35

 

CMYK 0 / 6 / 47 / 14

HEX #DBCD75

RGB 219 205 117

HSL 51.76, 0.59%, 0.66%

LAB 81.84, -6.96, 45.33

 

CMYK 47 / 0 / 30 / 14

HEX #75DB9A

RGB 117 219 154

HSL 141.76, 0.59%, 0.66%

LAB 80.05, -44.08, 22.97

 

CMYK 47 / 41 / 0 / 14

HEX #7582DB

RGB 117 130 219

HSL 232.35, 0.59%, 0.66%

LAB 56.94, 18.71, -47.13

 

Description

Color code: HEX #DB74B5 | qconv.com Color code: HEX #DB74B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 116 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 116 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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