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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB7312 it is the complementary color #248CED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB7312. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB7312 shade: #E0730D, #F18520, #FF9733, #FFA946 and #FFBB59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB7312. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB7312 shade: #DB7312, #CA6100, #B94F00, #A83D00 and #972B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB7312 shade: #D97212, #D93C12 and #D91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB7312 shade: #D97212, #D9A812, #D5D912, #9FD912 and #69D912

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB7312 shade matches the following richer shades: #D97212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB7312 shade: #D97212, #C67325, #B37338, #A0744B and #8D745E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB7312 shade: #D9121F, #D93912, #D96F12, #D9A412 and #D9D912

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB7312 shade: #8D4A0B, #B35E0F, #D97212, #ED8626 and #F19C4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB7312 shade: #DB7312, #54D912 and #1F12D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB7312 shade: #DB7312, #12D96F and #6F12D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB7312 shade: #DB7312, #54D912, #127CD9 and #9712D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB7312 shade: #DB7312, #18D912, #127CD9 and #D212D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 92 / 14

HEX #DB7312

RGB 219 115 18

HSL 28.96, 0.85%, 0.46%

LAB 59.31, 35.31, 63.44

 

Complementary color

CMYK 85 / 41 / 0 / 7

HEX #248CED

RGB 36 140 237

HSL 208.96, 0.85%, 0.54%

LAB 57.31, 6.02, -56.78

 

CMYK 0 / 49 / 94 / 12

HEX #E0730D

RGB 224 115 13

HSL 29, 0.89%, 0.46%

LAB 60.01, 37.26, 65.33

 

CMYK 0 / 45 / 87 / 5

HEX #F18520

RGB 241 133 32

HSL 29, 0.88%, 0.54%

LAB 66.2, 35.18, 66.18

 

CMYK 0 / 41 / 80 / 0

HEX #FF9733

RGB 255 151 51

HSL 29.41, 1%, 0.6%

LAB 71.98, 32.06, 65.34

 

CMYK 0 / 34 / 73 / 0

HEX #FFA946

RGB 255 169 70

HSL 32.11, 1%, 0.64%

LAB 76.12, 23.44, 61.67

 

CMYK 0 / 27 / 65 / 0

HEX #FFBB59

RGB 255 187 89

HSL 35.42, 1%, 0.67%

LAB 80.47, 15.02, 57.91

 

CMYK 0 / 47 / 92 / 14

HEX #DB7312

RGB 219 115 18

HSL 28.96, 0.85%, 0.46%

LAB 59.31, 35.31, 63.44

 

CMYK 0 / 52 / 100 / 21

HEX #CA6100

RGB 202 97 0

HSL 28.81, 1%, 0.4%

LAB 53.07, 37.48, 61.75

 

CMYK 0 / 57 / 100 / 27

HEX #B94F00

RGB 185 79 0

HSL 25.62, 1%, 0.36%

LAB 46.85, 39.78, 56.78

 

CMYK 0 / 64 / 100 / 34

HEX #A83D00

RGB 168 61 0

HSL 21.79, 1%, 0.33%

LAB 40.67, 41.87, 51.86

 

CMYK 0 / 72 / 100 / 41

HEX #972B00

RGB 151 43 0

HSL 17.09, 1%, 0.3%

LAB 34.61, 43.52, 47.02

 

CMYK 0 / 47 / 92 / 15

HEX #D97212

RGB 217 114 18

HSL 28.94, 0.85%, 0.46%

LAB 58.82, 35.01, 62.96

 

CMYK 0 / 72 / 92 / 15

HEX #D93C12

RGB 217 60 18

HSL 12.66, 0.85%, 0.46%

LAB 49.53, 59.26, 56.5

 

CMYK 0 / 92 / 92 / 15

HEX #D91212

RGB 217 18 18

HSL 0, 0.85%, 0.46%

LAB 45.94, 69.37, 54.15

 

CMYK 0 / 47 / 92 / 15

HEX #D97212

RGB 217 114 18

HSL 28.94, 0.85%, 0.46%

LAB 58.82, 35.01, 62.96

 

CMYK 0 / 23 / 92 / 15

HEX #D9A812

RGB 217 168 18

HSL 45.23, 0.85%, 0.46%

LAB 71.42, 6.22, 72.23

 

CMYK 2 / 0 / 92 / 15

HEX #D5D912

RGB 213 217 18

HSL 61.21, 0.85%, 0.46%

LAB 83.87, -20.59, 81.56

 

CMYK 27 / 0 / 92 / 15

HEX #9FD912

RGB 159 217 18

HSL 77.49, 0.85%, 0.46%

LAB 80.2, -42.42, 77.11

 

CMYK 52 / 0 / 92 / 15

HEX #69D912

RGB 105 217 18

HSL 93.77, 0.85%, 0.46%

LAB 77.68, -60.56, 74.02

 

CMYK 0 / 47 / 92 / 15

HEX #D97212

RGB 217 114 18

HSL 28.94, 0.85%, 0.46%

LAB 58.82, 35.01, 62.96

 

CMYK 0 / 47 / 92 / 15

HEX #D97212

RGB 217 114 18

HSL 28.94, 0.85%, 0.46%

LAB 58.82, 35.01, 62.96

 

CMYK 0 / 42 / 81 / 22

HEX #C67325

RGB 198 115 37

HSL 29.07, 0.69%, 0.46%

LAB 56.49, 27.05, 53.88

 

CMYK 0 / 36 / 69 / 30

HEX #B37338

RGB 179 115 56

HSL 28.78, 0.52%, 0.46%

LAB 54.17, 19.77, 42.12

 

CMYK 0 / 28 / 53 / 37

HEX #A0744B

RGB 160 116 75

HSL 28.94, 0.36%, 0.46%

LAB 52.37, 12.37, 29.33

 

CMYK 0 / 18 / 33 / 45

HEX #8D745E

RGB 141 116 94

HSL 28.09, 0.2%, 0.46%

LAB 50.64, 6.38, 15.83

 

CMYK 0 / 92 / 86 / 15

HEX #D9121F

RGB 217 18 31

HSL 356.08, 0.85%, 0.46%

LAB 46.02, 69.59, 48.51

 

CMYK 0 / 74 / 92 / 15

HEX #D93912

RGB 217 57 18

HSL 11.76, 0.85%, 0.46%

LAB 49.16, 60.29, 56.25

 

CMYK 0 / 49 / 92 / 15

HEX #D96F12

RGB 217 111 18

HSL 28.04, 0.85%, 0.46%

LAB 58.19, 36.56, 62.51

 

CMYK 0 / 24 / 92 / 15

HEX #D9A412

RGB 217 164 18

HSL 44.02, 0.85%, 0.46%

LAB 70.42, 8.35, 71.48

 

CMYK 0 / 0 / 92 / 15

HEX #D9D912

RGB 217 217 18

HSL 60, 0.85%, 0.46%

LAB 84.18, -18.9, 81.94

 

CMYK 0 / 48 / 92 / 45

HEX #8D4A0B

RGB 141 74 11

HSL 29.08, 0.86%, 0.3%

LAB 38.87, 24.32, 45.13

 

CMYK 0 / 47 / 92 / 30

HEX #B35E0F

RGB 179 94 15

HSL 28.9, 0.85%, 0.38%

LAB 49.04, 29.79, 54.11

 

CMYK 0 / 47 / 92 / 15

HEX #D97212

RGB 217 114 18

HSL 28.94, 0.85%, 0.46%

LAB 58.82, 35.01, 62.96

 

CMYK 0 / 43 / 84 / 7

HEX #ED8626

RGB 237 134 38

HSL 28.94, 0.85%, 0.54%

LAB 65.9, 33.19, 63.78

 

CMYK 0 / 35 / 68 / 5

HEX #F19C4D

RGB 241 156 77

HSL 28.9, 0.85%, 0.62%

LAB 71.56, 24.86, 53.22

 

CMYK 0 / 47 / 92 / 14

HEX #DB7312

RGB 219 115 18

HSL 28.96, 0.85%, 0.46%

LAB 59.31, 35.31, 63.44

 

CMYK 61 / 0 / 92 / 15

HEX #54D912

RGB 84 217 18

HSL 100.1, 0.85%, 0.46%

LAB 77.01, -65.95, 73.19

 

CMYK 86 / 92 / 0 / 15

HEX #1F12D9

RGB 31 18 217

HSL 243.92, 0.85%, 0.46%

LAB 28.73, 66.82, -92.18

 

CMYK 0 / 47 / 92 / 14

HEX #DB7312

RGB 219 115 18

HSL 28.96, 0.85%, 0.46%

LAB 59.31, 35.31, 63.44

 

CMYK 92 / 0 / 49 / 15

HEX #12D96F

RGB 18 217 111

HSL 148.04, 0.85%, 0.46%

LAB 76.62, -66.8, 39.91

 

CMYK 49 / 92 / 0 / 15

HEX #6F12D9

RGB 111 18 217

HSL 268.04, 0.85%, 0.46%

LAB 35.64, 71.28, -80.51

 

CMYK 0 / 47 / 92 / 14

HEX #DB7312

RGB 219 115 18

HSL 28.96, 0.85%, 0.46%

LAB 59.31, 35.31, 63.44

 

CMYK 61 / 0 / 92 / 15

HEX #54D912

RGB 84 217 18

HSL 100.1, 0.85%, 0.46%

LAB 77.01, -65.95, 73.19

 

CMYK 92 / 43 / 0 / 15

HEX #127CD9

RGB 18 124 217

HSL 208.04, 0.85%, 0.46%

LAB 51.33, 7.09, -55.18

 

CMYK 30 / 92 / 0 / 15

HEX #9712D9

RGB 151 18 217

HSL 280.1, 0.85%, 0.46%

LAB 41.25, 75.72, -71.08

 

CMYK 0 / 47 / 92 / 14

HEX #DB7312

RGB 219 115 18

HSL 28.96, 0.85%, 0.46%

LAB 59.31, 35.31, 63.44

 

CMYK 89 / 0 / 92 / 15

HEX #18D912

RGB 24 217 18

HSL 118.19, 0.85%, 0.46%

LAB 75.99, -74.86, 71.92

 

CMYK 92 / 43 / 0 / 15

HEX #127CD9

RGB 18 124 217

HSL 208.04, 0.85%, 0.46%

LAB 51.33, 7.09, -55.18

 

CMYK 3 / 92 / 0 / 15

HEX #D212D9

RGB 210 18 217

HSL 297.89, 0.85%, 0.46%

LAB 50.86, 84.39, -55.07

 

Description

Color code: HEX #DB7312 | qconv.com Color code: HEX #DB7312 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 115 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 115 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 92 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 92% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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