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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6CE2 it is the complementary color #24931D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6CE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6CE2 shade: #E06CDD, #F17EF0, #FF90FF, #FFA2FF and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6CE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6CE2 shade: #DB6CE2, #CA5ACF, #B948BC, #A836A9 and #972496

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6CE2 shade: #DA6AE2, #E26AC8, #E26AA8, #E26A88 and #E26A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6CE2 shade: #DA6AE2, #BA6AE2, #9A6AE2, #7A6AE2 and #6A6AE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6CE2 shade matches the following richer shades: #DA6AE2, #E75CF0 and #F44DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6CE2 shade: #DA6AE2, #CE78D3, #C187C5, #B495B6 and #A8A4A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6CE2 shade: #9A6AE2, #BA6AE2, #DA6AE2, #E26ACA and #E26AAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6CE2 shade: #C629D0, #D248DB, #DA6AE2, #E38CE8 and #EBAFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6CE2 shade: #DB6CE2, #E27A6A and #6AE2AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6CE2 shade: #DB6CE2, #E2DA6A and #6AE2DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6CE2 shade: #DB6CE2, #E27A6A, #72E26A and #6AD2E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6CE2 shade: #DB6CE2, #E29E6A, #72E26A and #6AAEE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 52 / 0 / 11

HEX #DB6CE2

RGB 219 108 226

HSL 296.44, 0.67%, 0.65%

LAB 62.74, 59.61, -41.22

 

Complementary color

CMYK 76 / 0 / 80 / 42

HEX #24931D

RGB 36 147 29

HSL 116.44, 0.67%, 0.35%

LAB 53.31, -52.29, 49.44

 

CMYK 0 / 52 / 1 / 12

HEX #E06CDD

RGB 224 108 221

HSL 301.55, 0.65%, 0.65%

LAB 63.17, 60.08, -37.7

 

CMYK 0 / 48 / 0 / 5

HEX #F17EF0

RGB 241 126 240

HSL 300.52, 0.8%, 0.72%

LAB 69.41, 59.5, -38.34

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 3 / 52 / 0 / 11

HEX #DB6CE2

RGB 219 108 226

HSL 296.44, 0.67%, 0.65%

LAB 62.74, 59.61, -41.22

 

CMYK 2 / 57 / 0 / 19

HEX #CA5ACF

RGB 202 90 207

HSL 297.44, 0.55%, 0.58%

LAB 56.46, 60.09, -40.54

 

CMYK 2 / 62 / 0 / 26

HEX #B948BC

RGB 185 72 188

HSL 298.45, 0.46%, 0.51%

LAB 50.19, 60.34, -39.67

 

CMYK 1 / 68 / 0 / 34

HEX #A836A9

RGB 168 54 169

HSL 299.48, 0.52%, 0.44%

LAB 43.98, 60.21, -38.5

 

CMYK 0 / 76 / 1 / 41

HEX #972496

RGB 151 36 150

HSL 300.52, 0.61%, 0.37%

LAB 37.92, 59.42, -36.88

 

CMYK 4 / 53 / 0 / 11

HEX #DA6AE2

RGB 218 106 226

HSL 296, 0.67%, 0.65%

LAB 62.26, 60.29, -41.98

 

CMYK 0 / 53 / 12 / 11

HEX #E26AC8

RGB 226 106 200

HSL 313, 0.67%, 0.65%

LAB 62.21, 58.12, -27.36

 

CMYK 0 / 53 / 26 / 11

HEX #E26AA8

RGB 226 106 168

HSL 329, 0.67%, 0.65%

LAB 61.05, 53.46, -10.88

 

CMYK 0 / 53 / 40 / 11

HEX #E26A88

RGB 226 106 136

HSL 345, 0.67%, 0.65%

LAB 60.12, 49.58, 6.23

 

CMYK 0 / 53 / 53 / 11

HEX #E26A6A

RGB 226 106 106

HSL 0, 0.67%, 0.65%

LAB 59.45, 46.71, 22.64

 

CMYK 4 / 53 / 0 / 11

HEX #DA6AE2

RGB 218 106 226

HSL 296, 0.67%, 0.65%

LAB 62.26, 60.29, -41.98

 

CMYK 18 / 53 / 0 / 11

HEX #BA6AE2

RGB 186 106 226

HSL 280, 0.67%, 0.65%

LAB 58.26, 51.87, -48.55

 

CMYK 32 / 53 / 0 / 11

HEX #9A6AE2

RGB 154 106 226

HSL 264, 0.67%, 0.65%

LAB 54.73, 43.72, -54.39

 

CMYK 46 / 53 / 0 / 11

HEX #7A6AE2

RGB 122 106 226

HSL 248, 0.67%, 0.65%

LAB 51.77, 36.22, -59.31

 

CMYK 53 / 53 / 0 / 11

HEX #6A6AE2

RGB 106 106 226

HSL 240, 0.67%, 0.65%

LAB 50.53, 32.86, -61.36

 

CMYK 4 / 53 / 0 / 11

HEX #DA6AE2

RGB 218 106 226

HSL 296, 0.67%, 0.65%

LAB 62.26, 60.29, -41.98

 

CMYK 4 / 62 / 0 / 6

HEX #E75CF0

RGB 231 92 240

HSL 296.35, 0.83%, 0.65%

LAB 62.45, 72.12, -49.35

 

CMYK 4 / 70 / 0 / 0

HEX #F44DFE

RGB 244 77 254

HSL 296.61, 0.99%, 0.65%

LAB 63.09, 82.83, -55.97

 

CMYK 4 / 53 / 0 / 11

HEX #DA6AE2

RGB 218 106 226

HSL 296, 0.67%, 0.65%

LAB 62.26, 60.29, -41.98

 

CMYK 2 / 43 / 0 / 17

HEX #CE78D3

RGB 206 120 211

HSL 296.7, 0.51%, 0.65%

LAB 62.72, 47.25, -32.97

 

CMYK 2 / 31 / 0 / 23

HEX #C187C5

RGB 193 135 197

HSL 296.13, 0.35%, 0.65%

LAB 63.91, 32.51, -23.39

 

CMYK 1 / 18 / 0 / 29

HEX #B495B6

RGB 180 149 182

HSL 296.36, 0.18%, 0.65%

LAB 65.42, 17.45, -12.81

 

CMYK 0 / 2 / 0 / 34

HEX #A8A4A8

RGB 168 164 168

HSL 300, 0.02%, 0.65%

LAB 67.8, 2.19, -1.56

 

CMYK 32 / 53 / 0 / 11

HEX #9A6AE2

RGB 154 106 226

HSL 264, 0.67%, 0.65%

LAB 54.73, 43.72, -54.39

 

CMYK 18 / 53 / 0 / 11

HEX #BA6AE2

RGB 186 106 226

HSL 280, 0.67%, 0.65%

LAB 58.26, 51.87, -48.55

 

CMYK 4 / 53 / 0 / 11

HEX #DA6AE2

RGB 218 106 226

HSL 296, 0.67%, 0.65%

LAB 62.26, 60.29, -41.98

 

CMYK 0 / 53 / 11 / 11

HEX #E26ACA

RGB 226 106 202

HSL 312, 0.67%, 0.65%

LAB 62.29, 58.44, -28.37

 

CMYK 0 / 53 / 25 / 11

HEX #E26AAA

RGB 226 106 170

HSL 328, 0.67%, 0.65%

LAB 61.11, 53.73, -11.93

 

CMYK 5 / 80 / 0 / 18

HEX #C629D0

RGB 198 41 208

HSL 296.41, 0.67%, 0.49%

LAB 49.67, 76.9, -51.92

 

CMYK 4 / 67 / 0 / 14

HEX #D248DB

RGB 210 72 219

HSL 296.33, 0.67%, 0.57%

LAB 55.53, 71.54, -48.74

 

CMYK 4 / 53 / 0 / 11

HEX #DA6AE2

RGB 218 106 226

HSL 296, 0.67%, 0.65%

LAB 62.26, 60.29, -41.98

 

CMYK 2 / 40 / 0 / 9

HEX #E38CE8

RGB 227 140 232

HSL 296.74, 0.67%, 0.73%

LAB 70.12, 47.04, -32.98

 

CMYK 2 / 27 / 0 / 6

HEX #EBAFEF

RGB 235 175 239

HSL 296.25, 0.67%, 0.81%

LAB 78.78, 32.35, -23.41

 

CMYK 3 / 52 / 0 / 11

HEX #DB6CE2

RGB 219 108 226

HSL 296.44, 0.67%, 0.65%

LAB 62.74, 59.61, -41.22

 

CMYK 0 / 46 / 53 / 11

HEX #E27A6A

RGB 226 122 106

HSL 8, 0.67%, 0.65%

LAB 62.62, 38.7, 26.83

 

CMYK 53 / 0 / 25 / 11

HEX #6AE2AA

RGB 106 226 170

HSL 152, 0.67%, 0.65%

LAB 82.03, -46.63, 17.28

 

CMYK 3 / 52 / 0 / 11

HEX #DB6CE2

RGB 219 108 226

HSL 296.44, 0.67%, 0.65%

LAB 62.74, 59.61, -41.22

 

CMYK 0 / 4 / 53 / 11

HEX #E2DA6A

RGB 226 218 106

HSL 56, 0.67%, 0.65%

LAB 85.68, -11.67, 55.3

 

CMYK 53 / 0 / 4 / 11

HEX #6AE2DA

RGB 106 226 218

HSL 176, 0.67%, 0.65%

LAB 83.19, -35.56, -6.38

 

CMYK 3 / 52 / 0 / 11

HEX #DB6CE2

RGB 219 108 226

HSL 296.44, 0.67%, 0.65%

LAB 62.74, 59.61, -41.22

 

CMYK 0 / 46 / 53 / 11

HEX #E27A6A

RGB 226 122 106

HSL 8, 0.67%, 0.65%

LAB 62.62, 38.7, 26.83

 

CMYK 50 / 0 / 53 / 11

HEX #72E26A

RGB 114 226 106

HSL 116, 0.67%, 0.65%

LAB 81.3, -55.17, 48.49

 

CMYK 53 / 7 / 0 / 11

HEX #6AD2E2

RGB 106 210 226

HSL 188, 0.67%, 0.65%

LAB 78.84, -25.79, -17.14

 

CMYK 3 / 52 / 0 / 11

HEX #DB6CE2

RGB 219 108 226

HSL 296.44, 0.67%, 0.65%

LAB 62.74, 59.61, -41.22

 

CMYK 0 / 30 / 53 / 11

HEX #E29E6A

RGB 226 158 106

HSL 26, 0.67%, 0.65%

LAB 70.64, 19.67, 37.14

 

CMYK 50 / 0 / 53 / 11

HEX #72E26A

RGB 114 226 106

HSL 116, 0.67%, 0.65%

LAB 81.3, -55.17, 48.49

 

CMYK 53 / 23 / 0 / 11

HEX #6AAEE2

RGB 106 174 226

HSL 206, 0.67%, 0.65%

LAB 68.63, -7.04, -32.75

 

Description

Color code: HEX #DB6CE2 | qconv.com Color code: HEX #DB6CE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 108 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 108 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 52 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 52% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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