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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6C7ABF it is the complementary color #249385BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6C7ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6C7ABF shade: #E06C75BF, #F17E88BF, #FF909BBF, #FFA2AEBF and #FFB4C1BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6C7ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6C7ABF shade: #DB6C7ABF, #CA5A67BF, #B94854BF, #A83641BF and #97242EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6C7ABF shade: #DB6B79 and #DB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6C7ABF shade: #DB6B79, #DB6B98, #DB6BB6, #DB6BD4 and #C46BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6C7ABF shade matches the following richer shades: #DB6B79, #EA5C6E and #F94D63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6C7ABF shade: #DB6B79, #CC7A84, #BD8990, #AF989B and #A0A7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6C7ABF shade: #DB6BB6, #DB6B98, #DB6B7A, #DB7A6B and #DB986B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6C7ABF shade: #C43042, #D34A5B, #DB6B79, #E38C97 and #EBAEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6C7ABF shade: #DB6C7A, #D4DB6B and #6BA7DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6C7ABF shade: #DB6C7A, #7ADB6B and #6B7ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6C7ABF shade: #DB6C7A, #D4DB6B, #6BDBCC and #736BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6C7ABF shade: #DB6C7A, #B2DB6B, #6BDBCC and #946BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 33 / 11

HEX #DB6C7ABF

RGBA 219 108 122 0.75

HSLA 352.43, 0.61%, 0.64%, 0.75

LABA 59.15, 44.71, 12.83, 0.75

 

Complementary color

CMYK 57 / 0 / 7 / 32

HEX #249385BF

RGBA 36 147 133 0.75

HSLA 172.43, 0.61%, 0.36%, 0.75

LABA 55.01, -33.51, -1.35, 0.75

 

CMYK 0 / 39 / 36 / 9

HEX #E06C75BF

RGBA 224 108 117 0.75

HSLA 355.34, 0.65%, 0.65%, 0.75

LABA 59.76, 45.99, 16.68, 0.75

 

CMYK 0 / 36 / 33 / 4

HEX #F17E88BF

RGBA 241 126 136 0.75

HSLA 354.78, 0.8%, 0.72%, 0.75

LABA 66.06, 44.97, 14.93, 0.75

 

CMYK 0 / 33 / 29 / 0

HEX #FF909BBF

RGBA 255 144 155 0.75

HSLA 354.05, 1%, 0.78%, 0.75

LABA 71.94, 42.9, 12.81, 0.75

 

CMYK 0 / 27 / 24 / 0

HEX #FFA2AEBF

RGBA 255 162 174 0.75

HSLA 352.26, 1%, 0.82%, 0.75

LABA 76.17, 35.9, 8.33, 0.75

 

CMYK 0 / 22 / 18 / 0

HEX #FFB4C1BF

RGBA 255 180 193 0.75

HSLA 349.6, 1%, 0.85%, 0.75

LABA 80.6, 29.02, 4.37, 0.75

 

CMYK 0 / 38 / 33 / 11

HEX #DB6C7ABF

RGBA 219 108 122 0.75

HSLA 352.43, 0.61%, 0.64%, 0.75

LABA 59.15, 44.71, 12.83, 0.75

 

CMYK 0 / 42 / 37 / 16

HEX #CA5A67BF

RGBA 202 90 103 0.75

HSLA 353.04, 0.51%, 0.57%, 0.75

LABA 52.78, 45.69, 14.73, 0.75

 

CMYK 0 / 46 / 41 / 21

HEX #B94854BF

RGBA 185 72 84 0.75

HSLA 353.63, 0.45%, 0.5%, 0.75

LABA 46.43, 46.6, 17, 0.75

 

CMYK 0 / 51 / 46 / 26

HEX #A83641BF

RGBA 168 54 65 0.75

HSLA 354.21, 0.51%, 0.44%, 0.75

LABA 40.16, 47.31, 19.79, 0.75

 

CMYK 0 / 57 / 52 / 31

HEX #97242EBF

RGBA 151 36 46 0.75

HSLA 354.78, 0.61%, 0.37%, 0.75

LABA 34.06, 47.56, 23.31, 0.75

 

CMYK 0 / 51 / 45 / 14

HEX #DB6B79

RGB 219 107 121

HSL 352.5, 0.61%, 0.64%

LAB 58.93, 45.1, 13.11

 

CMYK 0 / 51 / 51 / 14

HEX #DB6B6B

RGB 219 107 107

HSL 0, 0.61%, 0.64%

LAB 58.64, 43.78, 20.79

 

CMYK 0 / 51 / 45 / 14

HEX #DB6B79

RGB 219 107 121

HSL 352.5, 0.61%, 0.64%

LAB 58.93, 45.1, 13.11

 

CMYK 0 / 51 / 31 / 14

HEX #DB6B98

RGB 219 107 152

HSL 335.89, 0.61%, 0.64%

LAB 59.75, 48.63, -3.7

 

CMYK 0 / 51 / 17 / 14

HEX #DB6BB6

RGB 219 107 182

HSL 319.82, 0.61%, 0.64%

LAB 60.74, 52.81, -19.46

 

CMYK 0 / 51 / 3 / 14

HEX #DB6BD4

RGB 219 107 212

HSL 303.75, 0.61%, 0.64%

LAB 61.94, 57.63, -34.63

 

CMYK 11 / 51 / 0 / 14

HEX #C46BDB

RGB 196 107 219

HSL 287.68, 0.61%, 0.64%

LAB 59.31, 52.59, -42.89

 

CMYK 0 / 51 / 45 / 14

HEX #DB6B79

RGB 219 107 121

HSL 352.5, 0.61%, 0.64%

LAB 58.93, 45.1, 13.11

 

CMYK 0 / 61 / 53 / 8

HEX #EA5C6E

RGB 234 92 110

HSL 352.39, 0.77%, 0.64%

LAB 58.29, 56.24, 18.97

 

CMYK 0 / 69 / 60 / 2

HEX #F94D63

RGB 249 77 99

HSL 352.33, 0.93%, 0.64%

LAB 58.37, 66.17, 25.91

 

CMYK 0 / 51 / 45 / 14

HEX #DB6B79

RGB 219 107 121

HSL 352.5, 0.61%, 0.64%

LAB 58.93, 45.1, 13.11

 

CMYK 0 / 40 / 35 / 20

HEX #CC7A84

RGB 204 122 132

HSL 352.68, 0.45%, 0.64%

LAB 60.27, 33.11, 8.35

 

CMYK 0 / 28 / 24 / 26

HEX #BD8990

RGB 189 137 144

HSL 351.92, 0.28%, 0.64%

LAB 62.27, 20.88, 4.13

 

CMYK 0 / 13 / 11 / 31

HEX #AF989B

RGB 175 152 155

HSL 352.17, 0.13%, 0.64%

LAB 64.91, 9.02, 1.56

 

CMYK 4 / 0 / 1 / 35

HEX #A0A7A6

RGB 160 167 166

HSL 171.43, 0.04%, 0.64%

LAB 67.92, -2.67, -0.35

 

CMYK 0 / 51 / 17 / 14

HEX #DB6BB6

RGB 219 107 182

HSL 319.82, 0.61%, 0.64%

LAB 60.74, 52.81, -19.46

 

CMYK 0 / 51 / 31 / 14

HEX #DB6B98

RGB 219 107 152

HSL 335.89, 0.61%, 0.64%

LAB 59.75, 48.63, -3.7

 

CMYK 0 / 51 / 44 / 14

HEX #DB6B7A

RGB 219 107 122

HSL 351.96, 0.61%, 0.64%

LAB 58.96, 45.2, 12.56

 

CMYK 0 / 44 / 51 / 14

HEX #DB7A6B

RGB 219 122 107

HSL 8.04, 0.61%, 0.64%

LAB 61.69, 36.13, 24.87

 

CMYK 0 / 31 / 51 / 14

HEX #DB986B

RGB 219 152 107

HSL 24.11, 0.61%, 0.64%

LAB 68.44, 20.14, 33.67

 

CMYK 0 / 76 / 66 / 23

HEX #C43042

RGB 196 48 66

HSL 352.7, 0.61%, 0.48%

LAB 44.58, 58.41, 25.9

 

CMYK 0 / 65 / 57 / 17

HEX #D34A5B

RGB 211 74 91

HSL 352.55, 0.61%, 0.56%

LAB 51.27, 54.96, 20.05

 

CMYK 0 / 51 / 45 / 14

HEX #DB6B79

RGB 219 107 121

HSL 352.5, 0.61%, 0.64%

LAB 58.93, 45.1, 13.11

 

CMYK 0 / 38 / 33 / 11

HEX #E38C97

RGB 227 140 151

HSL 352.41, 0.61%, 0.72%

LAB 67.52, 34.39, 8.28

 

CMYK 0 / 26 / 23 / 8

HEX #EBAEB5

RGB 235 174 181

HSL 353.11, 0.6%, 0.8%

LAB 76.84, 23.27, 5.19

 

CMYK 0 / 51 / 44 / 14

HEX #DB6C7A

RGB 219 108 122

HSL 352.43, 0.61%, 0.64%

LAB 59.15, 44.71, 12.83

 

CMYK 3 / 0 / 51 / 14

HEX #D4DB6B

RGB 212 219 107

HSL 63.75, 0.61%, 0.64%

LAB 84.85, -17.72, 53.6

 

CMYK 51 / 24 / 0 / 14

HEX #6BA7DB

RGB 107 167 219

HSL 207.86, 0.61%, 0.64%

LAB 66.43, -5.05, -32.31

 

CMYK 0 / 51 / 44 / 14

HEX #DB6C7A

RGB 219 108 122

HSL 352.43, 0.61%, 0.64%

LAB 59.15, 44.71, 12.83

 

CMYK 44 / 0 / 51 / 14

HEX #7ADB6B

RGB 122 219 107

HSL 111.96, 0.61%, 0.64%

LAB 79.54, -49.99, 45.96

 

CMYK 51 / 44 / 0 / 14

HEX #6B7ADB

RGB 107 122 219

HSL 231.96, 0.61%, 0.64%

LAB 54.2, 21.21, -51.53

 

CMYK 0 / 51 / 44 / 14

HEX #DB6C7A

RGB 219 108 122

HSL 352.43, 0.61%, 0.64%

LAB 59.15, 44.71, 12.83

 

CMYK 3 / 0 / 51 / 14

HEX #D4DB6B

RGB 212 219 107

HSL 63.75, 0.61%, 0.64%

LAB 84.85, -17.72, 53.6

 

CMYK 51 / 0 / 7 / 14

HEX #6BDBCC

RGB 107 219 204

HSL 171.96, 0.61%, 0.64%

LAB 80.82, -35.61, -2.43

 

CMYK 47 / 51 / 0 / 14

HEX #736BDB

RGB 115 107 219

HSL 244.29, 0.61%, 0.64%

LAB 51.01, 32.02, -56.6

 

CMYK 0 / 51 / 44 / 14

HEX #DB6C7A

RGB 219 108 122

HSL 352.43, 0.61%, 0.64%

LAB 59.15, 44.71, 12.83

 

CMYK 19 / 0 / 51 / 14

HEX #B2DB6B

RGB 178 219 107

HSL 81.96, 0.61%, 0.64%

LAB 82.48, -30.94, 50.2

 

CMYK 51 / 0 / 7 / 14

HEX #6BDBCC

RGB 107 219 204

HSL 171.96, 0.61%, 0.64%

LAB 80.82, -35.61, -2.43

 

CMYK 32 / 51 / 0 / 14

HEX #946BDB

RGB 148 107 219

HSL 261.96, 0.61%, 0.64%

LAB 53.95, 39.9, -51.73

 

Description

Color code: HEX #DB6C7ABF | qconv.com Color code: HEX #DB6C7ABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 108 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 108 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 33 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 33% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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