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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6BAB it is the complementary color #249454. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6BAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6BAB shade: #E06BA6, #F17DB9, #FF8FCC, #FFA1DF and #FFB3F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6BAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6BAB shade: #DB6BAB, #CA5998, #B94785, #A83572 and #97235F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6BAB shade: #DB6BAB, #DB6B8D, #DB6B6F and #DB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6BAB shade: #DB6BAB, #DB6BC9, #CF6BDB, #B16BDB and #926BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6BAB shade matches the following richer shades: #DB6BAB, #EA5CAD and #F94DAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6BAB shade: #DB6BAB, #CC7AA9, #BD89A7, #AF98A5 and #A0A7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6BAB shade: #CE6BDB, #DB6BCA, #DB6BAD, #DB6B8F and #DB6B71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6BAB shade: #C43085, #D34A98, #DB6BAB, #E38CBE and #EBAED1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6BAB shade: #DB6BAB, #DBB06B and #6BD9DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6BAB shade: #DB6BAB, #ADDB6B and #6BADDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6BAB shade: #DB6BAB, #DBB06B, #6BDB9A and #6B96DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6BAB shade: #DB6BAB, #DBD26B, #6BDB9A and #6B75DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

Complementary color

CMYK 76 / 0 / 43 / 42

HEX #249454

RGB 36 148 84

HSL 145.71, 0.61%, 0.36%

LAB 54.23, -45.66, 25.23

 

CMYK 0 / 52 / 26 / 12

HEX #E06BA6

RGB 224 107 166

HSL 329.74, 0.65%, 0.65%

LAB 60.88, 52.09, -10.01

 

CMYK 0 / 48 / 23 / 5

HEX #F17DB9

RGB 241 125 185

HSL 328.97, 0.81%, 0.72%

LAB 67.18, 51.36, -11.15

 

CMYK 0 / 44 / 20 / 0

HEX #FF8FCC

RGB 255 143 204

HSL 327.32, 1%, 0.78%

LAB 73.07, 49.64, -12.74

 

CMYK 0 / 37 / 13 / 0

HEX #FFA1DF

RGB 255 161 223

HSL 320.43, 1%, 0.82%

LAB 77.33, 43.39, -16.75

 

CMYK 0 / 30 / 5 / 0

HEX #FFB3F2

RGB 255 179 242

HSL 310.26, 1%, 0.85%

LAB 81.79, 37.19, -20.27

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 56 / 25 / 21

HEX #CA5998

RGB 202 89 152

HSL 326.55, 0.52%, 0.57%

LAB 53.99, 51.83, -12.54

 

CMYK 0 / 62 / 28 / 27

HEX #B94785

RGB 185 71 133

HSL 327.37, 0.45%, 0.5%

LAB 47.64, 52.3, -11.05

 

CMYK 0 / 68 / 32 / 34

HEX #A83572

RGB 168 53 114

HSL 328.17, 0.52%, 0.43%

LAB 41.35, 52.44, -9.18

 

CMYK 0 / 77 / 37 / 41

HEX #97235F

RGB 151 35 95

HSL 328.97, 0.62%, 0.36%

LAB 35.22, 51.99, -6.71

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 51 / 36 / 14

HEX #DB6B8D

RGB 219 107 141

HSL 341.79, 0.61%, 0.64%

LAB 59.43, 47.29, 2.22

 

CMYK 0 / 51 / 49 / 14

HEX #DB6B6F

RGB 219 107 111

HSL 357.86, 0.61%, 0.64%

LAB 58.72, 44.14, 18.59

 

CMYK 0 / 51 / 51 / 14

HEX #DB6B6B

RGB 219 107 107

HSL 0, 0.61%, 0.64%

LAB 58.64, 43.78, 20.79

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 51 / 8 / 14

HEX #DB6BC9

RGB 219 107 201

HSL 309.64, 0.61%, 0.64%

LAB 61.47, 55.79, -29.14

 

CMYK 5 / 51 / 0 / 14

HEX #CF6BDB

RGB 207 107 219

HSL 293.57, 0.61%, 0.64%

LAB 60.69, 55.58, -40.63

 

CMYK 19 / 51 / 0 / 14

HEX #B16BDB

RGB 177 107 219

HSL 277.5, 0.61%, 0.64%

LAB 57.05, 47.47, -46.6

 

CMYK 33 / 51 / 0 / 14

HEX #926BDB

RGB 146 107 219

HSL 260.89, 0.61%, 0.64%

LAB 53.75, 39.4, -52.06

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 61 / 26 / 8

HEX #EA5CAD

RGB 234 92 173

HSL 325.77, 0.77%, 0.64%

LAB 60.04, 62.82, -15.16

 

CMYK 0 / 69 / 30 / 2

HEX #F94DAF

RGB 249 77 175

HSL 325.81, 0.93%, 0.64%

LAB 60.38, 72.96, -15.57

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 40 / 17 / 20

HEX #CC7AA9

RGB 204 122 169

HSL 325.61, 0.45%, 0.64%

LAB 61.33, 38.32, -11.33

 

CMYK 0 / 28 / 12 / 26

HEX #BD89A7

RGB 189 137 167

HSL 325.38, 0.28%, 0.64%

LAB 62.93, 24.57, -7.98

 

CMYK 0 / 13 / 6 / 31

HEX #AF98A5

RGB 175 152 165

HSL 326.09, 0.13%, 0.64%

LAB 65.19, 10.8, -3.65

 

CMYK 4 / 0 / 2 / 35

HEX #A0A7A3

RGB 160 167 163

HSL 145.71, 0.04%, 0.64%

LAB 67.84, -3.25, 1.2

 

CMYK 6 / 51 / 0 / 14

HEX #CE6BDB

RGB 206 107 219

HSL 293.04, 0.61%, 0.64%

LAB 60.56, 55.3, -40.84

 

CMYK 0 / 51 / 8 / 14

HEX #DB6BCA

RGB 219 107 202

HSL 309.11, 0.61%, 0.64%

LAB 61.52, 55.96, -29.64

 

CMYK 0 / 51 / 21 / 14

HEX #DB6BAD

RGB 219 107 173

HSL 324.64, 0.61%, 0.64%

LAB 60.42, 51.48, -14.79

 

CMYK 0 / 51 / 35 / 14

HEX #DB6B8F

RGB 219 107 143

HSL 340.71, 0.61%, 0.64%

LAB 59.49, 47.52, 1.14

 

CMYK 0 / 51 / 48 / 14

HEX #DB6B71

RGB 219 107 113

HSL 356.79, 0.61%, 0.64%

LAB 58.76, 44.33, 17.5

 

CMYK 0 / 76 / 32 / 23

HEX #C43085

RGB 196 48 133

HSL 325.54, 0.61%, 0.48%

LAB 46.37, 64.08, -12.79

 

CMYK 0 / 65 / 28 / 17

HEX #D34A98

RGB 211 74 152

HSL 325.84, 0.61%, 0.56%

LAB 52.96, 61.06, -13.95

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 38 / 16 / 11

HEX #E38CBE

RGB 227 140 190

HSL 325.52, 0.61%, 0.72%

LAB 68.61, 39.87, -11.99

 

CMYK 0 / 26 / 11 / 8

HEX #EBAED1

RGB 235 174 209

HSL 325.57, 0.6%, 0.8%

LAB 77.6, 27.61, -8.94

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 20 / 51 / 14

HEX #DBB06B

RGB 219 176 107

HSL 36.96, 0.61%, 0.64%

LAB 74.3, 7.26, 41.03

 

CMYK 51 / 1 / 0 / 14

HEX #6BD9DB

RGB 107 217 219

HSL 181.07, 0.61%, 0.64%

LAB 80.66, -30.86, -10.66

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 21 / 0 / 51 / 14

HEX #ADDB6B

RGB 173 219 107

HSL 84.64, 0.61%, 0.64%

LAB 82.17, -32.81, 49.76

 

CMYK 51 / 21 / 0 / 14

HEX #6BADDB

RGB 107 173 219

HSL 204.64, 0.61%, 0.64%

LAB 68.11, -8.35, -29.7

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 20 / 51 / 14

HEX #DBB06B

RGB 219 176 107

HSL 36.96, 0.61%, 0.64%

LAB 74.3, 7.26, 41.03

 

CMYK 51 / 0 / 30 / 14

HEX #6BDB9A

RGB 107 219 154

HSL 145.18, 0.61%, 0.64%

LAB 79.68, -46.6, 22.4

 

CMYK 51 / 32 / 0 / 14

HEX #6B96DB

RGB 107 150 219

HSL 216.96, 0.61%, 0.64%

LAB 61.7, 4.59, -39.67

 

CMYK 0 / 51 / 22 / 14

HEX #DB6BAB

RGB 219 107 171

HSL 325.71, 0.61%, 0.64%

LAB 60.35, 51.2, -13.75

 

CMYK 0 / 4 / 51 / 14

HEX #DBD26B

RGB 219 210 107

HSL 55.18, 0.61%, 0.64%

LAB 83.03, -10.4, 51.58

 

CMYK 51 / 0 / 30 / 14

HEX #6BDB9A

RGB 107 219 154

HSL 145.18, 0.61%, 0.64%

LAB 79.68, -46.6, 22.4

 

CMYK 51 / 47 / 0 / 14

HEX #6B75DB

RGB 107 117 219

HSL 234.64, 0.61%, 0.64%

LAB 52.91, 24.24, -53.59

 

Description

Color code: HEX #DB6BAB | qconv.com Color code: HEX #DB6BAB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 107 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 107 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 22 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 22% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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