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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6AA3 it is the complementary color #24955C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6AA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6AA3 shade: #E06A9E, #F17CB1, #FF8EC4, #FFA0D7 and #FFB2EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6AA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6AA3 shade: #DB6AA3, #CA5890, #B9467D, #A8346A and #972257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6AA3 shade: #DB6BA3, #DB6B85 and #DB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6AA3 shade: #DB6BA3, #DB6BC1, #D66BDB, #B86BDB and #996BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6AA3 shade matches the following richer shades: #DB6BA3, #EA5CA3 and #F84DA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6AA3 shade: #DB6BA3, #CC7AA3, #BD88A3, #AE97A3 and #9FA6A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6AA3 shade: #D56BDB, #DB6BC2, #DB6BA5, #DB6B87 and #DB6D6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6AA3 shade: #C42F7A, #D3498F, #DB6BA3, #E38CB8 and #EBADCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6AA3 shade: #DB6AA3, #DBB76B and #6BD1DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6AA3 shade: #DB6AA3, #A5DB6B and #6BA5DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6AA3 shade: #DB6AA3, #DBB76B, #6BDBA1 and #6B8EDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6AA3 shade: #DB6AA3, #DBD96B, #6BDBA1 and #6B6DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 26 / 14

HEX #DB6AA3

RGB 219 106 163

HSL 329.73, 0.61%, 0.64%

LAB 59.9, 50.57, -9.82

 

Complementary color

CMYK 76 / 0 / 38 / 42

HEX #24955C

RGB 36 149 92

HSL 149.73, 0.61%, 0.36%

LAB 54.7, -44.48, 21.46

 

CMYK 0 / 53 / 29 / 12

HEX #E06A9E

RGB 224 106 158

HSL 333.56, 0.66%, 0.65%

LAB 60.45, 51.52, -6.05

 

CMYK 0 / 49 / 27 / 5

HEX #F17CB1

RGB 241 124 177

HSL 332.82, 0.81%, 0.72%

LAB 66.74, 50.77, -7.29

 

CMYK 0 / 44 / 23 / 0

HEX #FF8EC4

RGB 255 142 196

HSL 331.33, 1%, 0.78%

LAB 72.62, 49.01, -8.98

 

CMYK 0 / 37 / 16 / 0

HEX #FFA0D7

RGB 255 160 215

HSL 325.26, 1%, 0.81%

LAB 76.87, 42.65, -13.08

 

CMYK 0 / 30 / 8 / 0

HEX #FFB2EA

RGB 255 178 234

HSL 316.36, 1%, 0.85%

LAB 81.31, 36.36, -16.69

 

CMYK 0 / 52 / 26 / 14

HEX #DB6AA3

RGB 219 106 163

HSL 329.73, 0.61%, 0.64%

LAB 59.9, 50.57, -9.82

 

CMYK 0 / 56 / 29 / 21

HEX #CA5890

RGB 202 88 144

HSL 330.53, 0.52%, 0.57%

LAB 53.55, 51.23, -8.49

 

CMYK 0 / 62 / 32 / 27

HEX #B9467D

RGB 185 70 125

HSL 331.3, 0.45%, 0.5%

LAB 47.2, 51.73, -6.87

 

CMYK 0 / 69 / 37 / 34

HEX #A8346A

RGB 168 52 106

HSL 332.07, 0.53%, 0.43%

LAB 40.93, 51.89, -4.82

 

CMYK 0 / 77 / 42 / 41

HEX #972257

RGB 151 34 87

HSL 332.82, 0.63%, 0.36%

LAB 34.83, 51.45, -2.14

 

CMYK 0 / 51 / 26 / 14

HEX #DB6BA3

RGB 219 107 163

HSL 330, 0.61%, 0.64%

LAB 60.09, 50.08, -9.54

 

CMYK 0 / 51 / 39 / 14

HEX #DB6B85

RGB 219 107 133

HSL 346.07, 0.61%, 0.64%

LAB 59.22, 46.37, 6.55

 

CMYK 0 / 51 / 51 / 14

HEX #DB6B6B

RGB 219 107 107

HSL 0, 0.61%, 0.64%

LAB 58.64, 43.78, 20.79

 

CMYK 0 / 51 / 26 / 14

HEX #DB6BA3

RGB 219 107 163

HSL 330, 0.61%, 0.64%

LAB 60.09, 50.08, -9.54

 

CMYK 0 / 51 / 12 / 14

HEX #DB6BC1

RGB 219 107 193

HSL 313.93, 0.61%, 0.64%

LAB 61.16, 54.51, -25.09

 

CMYK 2 / 51 / 0 / 14

HEX #D66BDB

RGB 214 107 219

HSL 297.32, 0.61%, 0.64%

LAB 61.59, 57.48, -39.15

 

CMYK 16 / 51 / 0 / 14

HEX #B86BDB

RGB 184 107 219

HSL 281.25, 0.61%, 0.64%

LAB 57.87, 49.34, -45.27

 

CMYK 30 / 51 / 0 / 14

HEX #996BDB

RGB 153 107 219

HSL 264.64, 0.61%, 0.64%

LAB 54.45, 41.17, -50.9

 

CMYK 0 / 51 / 26 / 14

HEX #DB6BA3

RGB 219 107 163

HSL 330, 0.61%, 0.64%

LAB 60.09, 50.08, -9.54

 

CMYK 0 / 61 / 30 / 8

HEX #EA5CA3

RGB 234 92 163

HSL 330, 0.77%, 0.64%

LAB 59.7, 61.58, -9.89

 

CMYK 0 / 69 / 34 / 3

HEX #F84DA3

RGB 248 77 163

HSL 329.82, 0.92%, 0.64%

LAB 59.81, 71.36, -9.5

 

CMYK 0 / 51 / 26 / 14

HEX #DB6BA3

RGB 219 107 163

HSL 330, 0.61%, 0.64%

LAB 60.09, 50.08, -9.54

 

CMYK 0 / 40 / 20 / 20

HEX #CC7AA3

RGB 204 122 163

HSL 330, 0.45%, 0.64%

LAB 61.13, 37.39, -8.19

 

CMYK 0 / 28 / 14 / 26

HEX #BD88A3

RGB 189 136 163

HSL 329.43, 0.29%, 0.64%

LAB 62.57, 24.45, -6.24

 

CMYK 0 / 13 / 6 / 32

HEX #AE97A3

RGB 174 151 163

HSL 328.7, 0.12%, 0.64%

LAB 64.78, 10.63, -3.14

 

CMYK 4 / 0 / 2 / 35

HEX #9FA6A3

RGB 159 166 163

HSL 154.29, 0.04%, 0.64%

LAB 67.49, -3.06, 0.68

 

CMYK 3 / 51 / 0 / 14

HEX #D56BDB

RGB 213 107 219

HSL 296.79, 0.61%, 0.64%

LAB 61.46, 57.21, -39.36

 

CMYK 0 / 51 / 11 / 14

HEX #DB6BC2

RGB 219 107 194

HSL 313.39, 0.61%, 0.64%

LAB 61.19, 54.66, -25.6

 

CMYK 0 / 51 / 25 / 14

HEX #DB6BA5

RGB 219 107 165

HSL 328.93, 0.61%, 0.64%

LAB 60.15, 50.36, -10.6

 

CMYK 0 / 51 / 38 / 14

HEX #DB6B87

RGB 219 107 135

HSL 345, 0.61%, 0.64%

LAB 59.27, 46.59, 5.47

 

CMYK 0 / 50 / 51 / 14

HEX #DB6D6B

RGB 219 109 107

HSL 1.07, 0.61%, 0.64%

LAB 59.03, 42.78, 21.32

 

CMYK 0 / 76 / 38 / 23

HEX #C42F7A

RGB 196 47 122

HSL 329.8, 0.61%, 0.48%

LAB 45.87, 63.19, -6.83

 

CMYK 0 / 65 / 32 / 17

HEX #D3498F

RGB 211 73 143

HSL 329.57, 0.61%, 0.56%

LAB 52.51, 60.36, -9.31

 

CMYK 0 / 51 / 26 / 14

HEX #DB6BA3

RGB 219 107 163

HSL 330, 0.61%, 0.64%

LAB 60.09, 50.08, -9.54

 

CMYK 0 / 38 / 19 / 11

HEX #E38CB8

RGB 227 140 184

HSL 329.66, 0.61%, 0.72%

LAB 68.42, 38.95, -8.92

 

CMYK 0 / 26 / 13 / 8

HEX #EBADCC

RGB 235 173 204

HSL 330, 0.61%, 0.8%

LAB 77.23, 27.33, -6.78

 

CMYK 0 / 52 / 26 / 14

HEX #DB6AA3

RGB 219 106 163

HSL 329.73, 0.61%, 0.64%

LAB 59.9, 50.57, -9.82

 

CMYK 0 / 16 / 51 / 14

HEX #DBB76B

RGB 219 183 107

HSL 40.71, 0.61%, 0.64%

LAB 76.06, 3.55, 43.2

 

CMYK 51 / 5 / 0 / 14

HEX #6BD1DB

RGB 107 209 219

HSL 185.36, 0.61%, 0.64%

LAB 78.37, -26.99, -14.09

 

CMYK 0 / 52 / 26 / 14

HEX #DB6AA3

RGB 219 106 163

HSL 329.73, 0.61%, 0.64%

LAB 59.9, 50.57, -9.82

 

CMYK 25 / 0 / 51 / 14

HEX #A5DB6B

RGB 165 219 107

HSL 88.93, 0.61%, 0.64%

LAB 81.69, -35.74, 49.07

 

CMYK 51 / 25 / 0 / 14

HEX #6BA5DB

RGB 107 165 219

HSL 208.93, 0.61%, 0.64%

LAB 65.87, -3.93, -33.18

 

CMYK 0 / 52 / 26 / 14

HEX #DB6AA3

RGB 219 106 163

HSL 329.73, 0.61%, 0.64%

LAB 59.9, 50.57, -9.82

 

CMYK 0 / 16 / 51 / 14

HEX #DBB76B

RGB 219 183 107

HSL 40.71, 0.61%, 0.64%

LAB 76.06, 3.55, 43.2

 

CMYK 51 / 0 / 26 / 14

HEX #6BDBA1

RGB 107 219 161

HSL 148.93, 0.61%, 0.64%

LAB 79.82, -45.23, 18.92

 

CMYK 51 / 35 / 0 / 14

HEX #6B8EDB

RGB 107 142 219

HSL 221.25, 0.61%, 0.64%

LAB 59.51, 9.26, -43.11

 

CMYK 0 / 52 / 26 / 14

HEX #DB6AA3

RGB 219 106 163

HSL 329.73, 0.61%, 0.64%

LAB 59.9, 50.57, -9.82

 

CMYK 0 / 1 / 51 / 14

HEX #DBD96B

RGB 219 217 107

HSL 58.93, 0.61%, 0.64%

LAB 84.87, -13.92, 53.75

 

CMYK 51 / 0 / 26 / 14

HEX #6BDBA1

RGB 107 219 161

HSL 148.93, 0.61%, 0.64%

LAB 79.82, -45.23, 18.92

 

CMYK 51 / 50 / 0 / 14

HEX #6B6DDB

RGB 107 109 219

HSL 238.93, 0.61%, 0.64%

LAB 50.89, 29.08, -56.82

 

Description

Color code: HEX #DB6AA3 | qconv.com Color code: HEX #DB6AA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 106 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 106 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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