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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB64E8 it is the complementary color #249B17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB64E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB64E8 shade: #E064E3, #F176F6, #FF88FF, #FF9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB64E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB64E8 shade: #DB64E8, #CA52D5, #B940C2, #A82EAF and #971C9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB64E8 shade: #DB64E8, #E864D1, #E864AE, #E8648A and #E86466

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB64E8 shade: #DB64E8, #B764E8, #9464E8, #7064E8 and #6464E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB64E8 shade matches the following richer shades: #DB64E8 and #E655F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB64E8 shade: #DB64E8, #CF72D9, #C481CB, #B88FBC and #AC9DAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB64E8 shade: #9464E8, #B764E8, #DB64E8, #E864D2 and #E864AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB64E8 shade: #C620D9, #D240E2, #DB64E8, #E388ED and #ECABF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB64E8 shade: #DB64E8, #E87164 and #64E8A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB64E8 shade: #DB64E8, #E8DB64 and #64E8DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB64E8 shade: #DB64E8, #E87164, #71E864 and #64DBE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB64E8 shade: #DB64E8, #E89964, #71E864 and #64B3E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

Complementary color

CMYK 77 / 0 / 85 / 39

HEX #249B17

RGB 36 155 23

HSL 114.09, 0.74%, 0.35%

LAB 55.97, -55.23, 53.65

 

CMYK 1 / 56 / 0 / 11

HEX #E064E3

RGB 224 100 227

HSL 298.58, 0.69%, 0.64%

LAB 62.09, 64.77, -42.75

 

CMYK 2 / 52 / 0 / 4

HEX #F176F6

RGB 241 118 246

HSL 297.66, 0.88%, 0.71%

LAB 68.25, 64.31, -43.44

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 5 / 62 / 0 / 16

HEX #CA52D5

RGB 202 82 213

HSL 294.96, 0.61%, 0.58%

LAB 55.48, 64.67, -45.5

 

CMYK 5 / 67 / 0 / 24

HEX #B940C2

RGB 185 64 194

HSL 295.85, 0.52%, 0.51%

LAB 49.35, 64.64, -44.49

 

CMYK 4 / 74 / 0 / 31

HEX #A82EAF

RGB 168 46 175

HSL 296.74, 0.58%, 0.43%

LAB 43.32, 64.08, -43.11

 

CMYK 3 / 82 / 0 / 39

HEX #971C9C

RGB 151 28 156

HSL 297.66, 0.7%, 0.36%

LAB 37.5, 62.67, -41.19

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 0 / 57 / 10 / 9

HEX #E864D1

RGB 232 100 209

HSL 310.45, 0.74%, 0.65%

LAB 62.4, 63.92, -32.08

 

CMYK 0 / 57 / 25 / 9

HEX #E864AE

RGB 232 100 174

HSL 326.36, 0.74%, 0.65%

LAB 61.07, 58.88, -14.21

 

CMYK 0 / 57 / 41 / 9

HEX #E8648A

RGB 232 100 138

HSL 342.73, 0.74%, 0.65%

LAB 59.98, 54.6, 4.99

 

CMYK 0 / 57 / 56 / 9

HEX #E86466

RGB 232 100 102

HSL 359.09, 0.74%, 0.65%

LAB 59.19, 51.35, 24.74

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 21 / 57 / 0 / 9

HEX #B764E8

RGB 183 100 232

HSL 277.73, 0.74%, 0.65%

LAB 57.08, 55.42, -53.81

 

CMYK 36 / 57 / 0 / 9

HEX #9464E8

RGB 148 100 232

HSL 261.82, 0.74%, 0.65%

LAB 53.21, 47.1, -60.23

 

CMYK 52 / 57 / 0 / 9

HEX #7064E8

RGB 112 100 232

HSL 245.45, 0.74%, 0.65%

LAB 49.96, 39.45, -65.64

 

CMYK 57 / 57 / 0 / 9

HEX #6464E8

RGB 100 100 232

HSL 240, 0.74%, 0.65%

LAB 49.07, 37.21, -67.12

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 7 / 65 / 0 / 4

HEX #E655F6

RGB 230 85 246

HSL 294.04, 0.9%, 0.65%

LAB 61.63, 75.67, -53.99

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 5 / 47 / 0 / 15

HEX #CF72D9

RGB 207 114 217

HSL 294.17, 0.58%, 0.65%

LAB 61.92, 51.73, -37.58

 

CMYK 3 / 36 / 0 / 20

HEX #C481CB

RGB 196 129 203

HSL 294.32, 0.42%, 0.65%

LAB 63.13, 37.9, -27.94

 

CMYK 2 / 24 / 0 / 26

HEX #B88FBC

RGB 184 143 188

HSL 294.67, 0.25%, 0.65%

LAB 64.54, 23.34, -17.47

 

CMYK 1 / 10 / 0 / 32

HEX #AC9DAE

RGB 172 157 174

HSL 292.94, 0.09%, 0.65%

LAB 66.47, 8.63, -6.83

 

CMYK 36 / 57 / 0 / 9

HEX #9464E8

RGB 148 100 232

HSL 261.82, 0.74%, 0.65%

LAB 53.21, 47.1, -60.23

 

CMYK 21 / 57 / 0 / 9

HEX #B764E8

RGB 183 100 232

HSL 277.73, 0.74%, 0.65%

LAB 57.08, 55.42, -53.81

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 0 / 57 / 9 / 9

HEX #E864D2

RGB 232 100 210

HSL 310, 0.74%, 0.65%

LAB 62.44, 64.08, -32.58

 

CMYK 0 / 57 / 25 / 9

HEX #E864AF

RGB 232 100 175

HSL 325.91, 0.74%, 0.65%

LAB 61.1, 59.01, -14.73

 

CMYK 9 / 85 / 0 / 15

HEX #C620D9

RGB 198 32 217

HSL 293.84, 0.74%, 0.49%

LAB 49.55, 80.3, -57.27

 

CMYK 7 / 72 / 0 / 11

HEX #D240E2

RGB 210 64 226

HSL 294.07, 0.74%, 0.57%

LAB 54.93, 75.54, -53.67

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 4 / 43 / 0 / 7

HEX #E388ED

RGB 227 136 237

HSL 294.06, 0.74%, 0.73%

LAB 69.51, 50.02, -36.66

 

CMYK 3 / 30 / 0 / 5

HEX #ECABF3

RGB 236 171 243

HSL 294.17, 0.75%, 0.81%

LAB 78.13, 35.54, -26.56

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 0 / 51 / 57 / 9

HEX #E87164

RGB 232 113 100

HSL 5.91, 0.74%, 0.65%

LAB 61.56, 44.98, 28.98

 

CMYK 57 / 0 / 28 / 9

HEX #64E8A6

RGB 100 232 166

HSL 150, 0.74%, 0.65%

LAB 83.53, -51.25, 21.42

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 0 / 6 / 57 / 9

HEX #E8DB64

RGB 232 219 100

HSL 54.09, 0.74%, 0.65%

LAB 86.37, -10.19, 58.95

 

CMYK 57 / 0 / 6 / 9

HEX #64E8DB

RGB 100 232 219

HSL 174.09, 0.74%, 0.65%

LAB 84.76, -39.21, -4.61

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 0 / 51 / 57 / 9

HEX #E87164

RGB 232 113 100

HSL 5.91, 0.74%, 0.65%

LAB 61.56, 44.98, 28.98

 

CMYK 51 / 0 / 57 / 9

HEX #71E864

RGB 113 232 100

HSL 114.09, 0.74%, 0.65%

LAB 82.99, -58.45, 53.22

 

CMYK 57 / 6 / 0 / 9

HEX #64DBE8

RGB 100 219 232

HSL 185.91, 0.74%, 0.65%

LAB 81.4, -29.69, -16.5

 

CMYK 6 / 57 / 0 / 9

HEX #DB64E8

RGB 219 100 232

HSL 294.09, 0.74%, 0.65%

LAB 61.65, 64.38, -46.27

 

CMYK 0 / 34 / 57 / 9

HEX #E89964

RGB 232 153 100

HSL 24.09, 0.74%, 0.65%

LAB 70.08, 24.28, 39.74

 

CMYK 51 / 0 / 57 / 9

HEX #71E864

RGB 113 232 100

HSL 114.09, 0.74%, 0.65%

LAB 82.99, -58.45, 53.22

 

CMYK 57 / 23 / 0 / 9

HEX #64B3E8

RGB 100 179 232

HSL 204.09, 0.74%, 0.65%

LAB 70.02, -9.2, -33.89

 

Description

Color code: HEX #DB64E8 | qconv.com Color code: HEX #DB64E8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 100 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 100 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 57 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 57% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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