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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB63D9 it is the complementary color #249C26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB63D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB63D9 shade: #E063D4, #F175E7, #FF87FA, #FF99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB63D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB63D9 shade: #DB63D9, #CA51C6, #B93FB3, #A82DA0 and #971B8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB63D9 shade: #DB61D9, #DB61B8, #DB6197, #DB6176 and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB63D9 shade: #DB61D9, #BC61DB, #9B61DB, #7A61DB and #6161DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB63D9 shade matches the following richer shades: #DB61D9, #EB51E8 and #FB42F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB63D9 shade: #DB61D9, #CB71CA, #BC80BB, #AC90AC and #9CA09C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB63D9 shade: #9C61DB, #BD61DB, #DB61D9, #DB61B9 and #DB6198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB63D9 shade: #BE2BBC, #D43FD1, #DB61D9, #E383E1 and #EAA4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB63D9 shade: #DB63D9, #DB7C61 and #61DBAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB63D9 shade: #DB63D9, #D9DB61 and #61D9DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB63D9 shade: #DB63D9, #DB7C61, #61DB63 and #61C1DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB63D9 shade: #DB63D9, #DBA061, #61DB63 and #619CDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 1 / 14

HEX #DB63D9

RGB 219 99 217

HSL 301, 0.63%, 0.62%

LAB 60.78, 62.2, -39.26

 

Complementary color

CMYK 77 / 0 / 76 / 39

HEX #249C26

RGB 36 156 38

HSL 121, 0.63%, 0.38%

LAB 56.38, -54.59, 49.37

 

CMYK 0 / 56 / 5 / 12

HEX #E063D4

RGB 224 99 212

HSL 305.76, 0.67%, 0.63%

LAB 61.24, 62.69, -35.66

 

CMYK 0 / 51 / 4 / 5

HEX #F175E7

RGB 241 117 231

HSL 304.84, 0.82%, 0.7%

LAB 67.42, 62.22, -36.47

 

CMYK 0 / 47 / 2 / 0

HEX #FF87FA

RGB 255 135 250

HSL 302.5, 1%, 0.76%

LAB 73.21, 60.8, -37.75

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 55 / 1 / 14

HEX #DB63D9

RGB 219 99 217

HSL 301, 0.63%, 0.62%

LAB 60.78, 62.2, -39.26

 

CMYK 0 / 60 / 2 / 21

HEX #CA51C6

RGB 202 81 198

HSL 301.98, 0.53%, 0.55%

LAB 54.57, 62.5, -38.37

 

CMYK 0 / 66 / 3 / 27

HEX #B93FB3

RGB 185 63 179

HSL 302.95, 0.49%, 0.49%

LAB 48.42, 62.48, -37.22

 

CMYK 0 / 73 / 5 / 34

HEX #A82DA0

RGB 168 45 160

HSL 303.9, 0.58%, 0.42%

LAB 42.37, 61.93, -35.69

 

CMYK 0 / 82 / 7 / 41

HEX #971B8D

RGB 151 27 141

HSL 304.84, 0.7%, 0.35%

LAB 36.53, 60.51, -33.58

 

CMYK 0 / 56 / 1 / 14

HEX #DB61D9

RGB 219 97 217

HSL 300.98, 0.63%, 0.62%

LAB 60.44, 63.1, -39.78

 

CMYK 0 / 56 / 16 / 14

HEX #DB61B8

RGB 219 97 184

HSL 317.21, 0.63%, 0.62%

LAB 59.04, 57.82, -23.21

 

CMYK 0 / 56 / 31 / 14

HEX #DB6197

RGB 219 97 151

HSL 333.44, 0.63%, 0.62%

LAB 57.89, 53.3, -5.86

 

CMYK 0 / 56 / 46 / 14

HEX #DB6176

RGB 219 97 118

HSL 349.67, 0.63%, 0.62%

LAB 56.99, 49.65, 12.14

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 56 / 1 / 14

HEX #DB61D9

RGB 219 97 217

HSL 300.98, 0.63%, 0.62%

LAB 60.44, 63.1, -39.78

 

CMYK 14 / 56 / 0 / 14

HEX #BC61DB

RGB 188 97 219

HSL 284.75, 0.63%, 0.62%

LAB 56.44, 55.45, -47.49

 

CMYK 29 / 56 / 0 / 14

HEX #9B61DB

RGB 155 97 219

HSL 268.52, 0.63%, 0.62%

LAB 52.54, 47.15, -53.93

 

CMYK 44 / 56 / 0 / 14

HEX #7A61DB

RGB 122 97 219

HSL 252.3, 0.63%, 0.62%

LAB 49.25, 39.46, -59.39

 

CMYK 56 / 56 / 0 / 14

HEX #6161DB

RGB 97 97 219

HSL 240, 0.63%, 0.62%

LAB 47.24, 34.35, -62.74

 

CMYK 0 / 56 / 1 / 14

HEX #DB61D9

RGB 219 97 217

HSL 300.98, 0.63%, 0.62%

LAB 60.44, 63.1, -39.78

 

CMYK 0 / 66 / 1 / 8

HEX #EB51E8

RGB 235 81 232

HSL 301.17, 0.79%, 0.62%

LAB 61.11, 75.96, -46.98

 

CMYK 0 / 74 / 2 / 2

HEX #FB42F7

RGB 251 66 247

HSL 301.3, 0.96%, 0.62%

LAB 62.61, 86.53, -52.8

 

CMYK 0 / 56 / 1 / 14

HEX #DB61D9

RGB 219 97 217

HSL 300.98, 0.63%, 0.62%

LAB 60.44, 63.1, -39.78

 

CMYK 0 / 44 / 0 / 20

HEX #CB71CA

RGB 203 113 202

HSL 300.67, 0.46%, 0.62%

LAB 60.58, 48.31, -31.26

 

CMYK 0 / 32 / 1 / 26

HEX #BC80BB

RGB 188 128 187

HSL 301, 0.31%, 0.62%

LAB 61.41, 32.82, -21.63

 

CMYK 0 / 16 / 0 / 33

HEX #AC90AC

RGB 172 144 172

HSL 300, 0.14%, 0.62%

LAB 63.09, 15.53, -10.75

 

CMYK 2 / 0 / 2 / 37

HEX #9CA09C

RGB 156 160 156

HSL 120, 0.02%, 0.62%

LAB 65.44, -2.2, 1.57

 

CMYK 29 / 56 / 0 / 14

HEX #9C61DB

RGB 156 97 219

HSL 269.02, 0.63%, 0.62%

LAB 52.65, 47.4, -53.75

 

CMYK 14 / 56 / 0 / 14

HEX #BD61DB

RGB 189 97 219

HSL 285.25, 0.63%, 0.62%

LAB 56.57, 55.7, -47.28

 

CMYK 0 / 56 / 1 / 14

HEX #DB61D9

RGB 219 97 217

HSL 300.98, 0.63%, 0.62%

LAB 60.44, 63.1, -39.78

 

CMYK 0 / 56 / 16 / 14

HEX #DB61B9

RGB 219 97 185

HSL 316.72, 0.63%, 0.62%

LAB 59.08, 57.96, -23.72

 

CMYK 0 / 56 / 31 / 14

HEX #DB6198

RGB 219 97 152

HSL 332.95, 0.63%, 0.62%

LAB 57.92, 53.42, -6.4

 

CMYK 0 / 77 / 1 / 25

HEX #BE2BBC

RGB 190 43 188

HSL 300.82, 0.63%, 0.46%

LAB 47.37, 71.66, -44.09

 

CMYK 0 / 70 / 1 / 17

HEX #D43FD1

RGB 212 63 209

HSL 301.21, 0.63%, 0.54%

LAB 54.19, 73.51, -45.17

 

CMYK 0 / 56 / 1 / 14

HEX #DB61D9

RGB 219 97 217

HSL 300.98, 0.63%, 0.62%

LAB 60.44, 63.1, -39.78

 

CMYK 0 / 42 / 1 / 11

HEX #E383E1

RGB 227 131 225

HSL 301.25, 0.63%, 0.7%

LAB 68.02, 50.38, -32.36

 

CMYK 0 / 30 / 0 / 8

HEX #EAA4E9

RGB 234 164 233

HSL 300.86, 0.63%, 0.78%

LAB 76.02, 36.78, -24.38

 

CMYK 0 / 55 / 1 / 14

HEX #DB63D9

RGB 219 99 217

HSL 301, 0.63%, 0.62%

LAB 60.78, 62.2, -39.26

 

CMYK 0 / 43 / 56 / 14

HEX #DB7C61

RGB 219 124 97

HSL 13.28, 0.63%, 0.62%

LAB 61.95, 34.23, 30.79

 

CMYK 56 / 0 / 21 / 14

HEX #61DBAC

RGB 97 219 172

HSL 156.89, 0.63%, 0.62%

LAB 79.72, -45.18, 12.94

 

CMYK 0 / 55 / 1 / 14

HEX #DB63D9

RGB 219 99 217

HSL 301, 0.63%, 0.62%

LAB 60.78, 62.2, -39.26

 

CMYK 1 / 0 / 56 / 14

HEX #D9DB61

RGB 217 219 97

HSL 60.98, 0.63%, 0.62%

LAB 85.14, -16.51, 58.56

 

CMYK 56 / 1 / 0 / 14

HEX #61D9DB

RGB 97 217 219

HSL 180.98, 0.63%, 0.62%

LAB 80.34, -32.82, -11.18

 

CMYK 0 / 55 / 1 / 14

HEX #DB63D9

RGB 219 99 217

HSL 301, 0.63%, 0.62%

LAB 60.78, 62.2, -39.26

 

CMYK 0 / 43 / 56 / 14

HEX #DB7C61

RGB 219 124 97

HSL 13.28, 0.63%, 0.62%

LAB 61.95, 34.23, 30.79

 

CMYK 56 / 0 / 55 / 14

HEX #61DB63

RGB 97 219 99

HSL 120.98, 0.63%, 0.62%

LAB 78.52, -57.74, 48.28

 

CMYK 56 / 12 / 0 / 14

HEX #61C1DB

RGB 97 193 219

HSL 192.79, 0.63%, 0.62%

LAB 73.41, -21.02, -21.62

 

CMYK 0 / 55 / 1 / 14

HEX #DB63D9

RGB 219 99 217

HSL 301, 0.63%, 0.62%

LAB 60.78, 62.2, -39.26

 

CMYK 0 / 27 / 56 / 14

HEX #DBA061

RGB 219 160 97

HSL 30.98, 0.63%, 0.62%

LAB 70.22, 14.98, 41.13

 

CMYK 56 / 0 / 55 / 14

HEX #61DB63

RGB 97 219 99

HSL 120.98, 0.63%, 0.62%

LAB 78.52, -57.74, 48.28

 

CMYK 56 / 29 / 0 / 14

HEX #619CDB

RGB 97 156 219

HSL 210.98, 0.63%, 0.62%

LAB 62.87, -1.03, -37.87

 

Description

Color code: HEX #DB63D9 | qconv.com Color code: HEX #DB63D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 99 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 99 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 1 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 1% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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