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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB63C0 it is the complementary color #249C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB63C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB63C0 shade: #E063BB, #F175CE, #FF87E1, #FF99F4 and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB63C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB63C0 shade: #DB63C0, #CA51AD, #B93F9A, #A82D87 and #971B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB63C0 shade: #DB61BF, #DB619E, #DB617D and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB63C0 shade: #DB61BF, #D561DB, #B461DB, #9361DB and #7261DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB63C0 shade matches the following richer shades: #DB61BF, #EA51C8 and #FA41D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB63C0 shade: #DB61BF, #CB70B7, #BB80AE, #AC90A5 and #9C9F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB63C0 shade: #B461DB, #D561DB, #DB61C0, #DB61A0 and #DB617F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB63C0 shade: #BE2B9D, #D33FB2, #DB61BF, #E282CD and #EAA4DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB63C0 shade: #DB63C0, #DB9361 and #61DBC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB63C0 shade: #DB63C0, #C0DB61 and #61C0DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB63C0 shade: #DB63C0, #DB9361, #61DB7B and #61A8DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB63C0 shade: #DB63C0, #DBB861, #61DB7B and #6183DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 12 / 14

HEX #DB63C0

RGB 219 99 192

HSL 313.5, 0.63%, 0.62%

LAB 59.7, 58.12, -26.77

 

Complementary color

CMYK 77 / 0 / 60 / 39

HEX #249C3F

RGB 36 156 63

HSL 133.5, 0.63%, 0.38%

LAB 56.6, -51.95, 38.95

 

CMYK 0 / 56 / 17 / 12

HEX #E063BB

RGB 224 99 187

HSL 317.76, 0.67%, 0.63%

LAB 60.21, 58.79, -23.06

 

CMYK 0 / 51 / 15 / 5

HEX #F175CE

RGB 241 117 206

HSL 316.94, 0.82%, 0.7%

LAB 66.43, 58.25, -24.08

 

CMYK 0 / 47 / 12 / 0

HEX #FF87E1

RGB 255 135 225

HSL 315, 1%, 0.76%

LAB 72.24, 56.72, -25.56

 

CMYK 0 / 40 / 4 / 0

HEX #FF99F4

RGB 255 153 244

HSL 306.47, 1%, 0.8%

LAB 76.42, 50.92, -29.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 55 / 12 / 14

HEX #DB63C0

RGB 219 99 192

HSL 313.5, 0.63%, 0.62%

LAB 59.7, 58.12, -26.77

 

CMYK 0 / 60 / 14 / 21

HEX #CA51AD

RGB 202 81 173

HSL 314.38, 0.53%, 0.55%

LAB 53.45, 58.5, -25.67

 

CMYK 0 / 66 / 17 / 27

HEX #B93F9A

RGB 185 63 154

HSL 315.25, 0.49%, 0.49%

LAB 47.24, 58.59, -24.28

 

CMYK 0 / 73 / 20 / 34

HEX #A82D87

RGB 168 45 135

HSL 316.1, 0.58%, 0.42%

LAB 41.14, 58.18, -22.46

 

CMYK 0 / 82 / 23 / 41

HEX #971B74

RGB 151 27 116

HSL 316.94, 0.7%, 0.35%

LAB 35.25, 56.92, -20.02

 

CMYK 0 / 56 / 13 / 14

HEX #DB61BF

RGB 219 97 191

HSL 313.77, 0.63%, 0.62%

LAB 59.32, 58.88, -26.79

 

CMYK 0 / 56 / 28 / 14

HEX #DB619E

RGB 219 97 158

HSL 330, 0.63%, 0.62%

LAB 58.11, 54.18, -9.6

 

CMYK 0 / 56 / 43 / 14

HEX #DB617D

RGB 219 97 125

HSL 346.23, 0.63%, 0.62%

LAB 57.16, 50.35, 8.28

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 56 / 13 / 14

HEX #DB61BF

RGB 219 97 191

HSL 313.77, 0.63%, 0.62%

LAB 59.32, 58.88, -26.79

 

CMYK 3 / 56 / 0 / 14

HEX #D561DB

RGB 213 97 219

HSL 297.05, 0.63%, 0.62%

LAB 59.72, 61.89, -42.1

 

CMYK 18 / 56 / 0 / 14

HEX #B461DB

RGB 180 97 219

HSL 280.82, 0.63%, 0.62%

LAB 55.45, 53.4, -49.13

 

CMYK 33 / 56 / 0 / 14

HEX #9361DB

RGB 147 97 219

HSL 264.59, 0.63%, 0.62%

LAB 51.69, 45.22, -55.35

 

CMYK 48 / 56 / 0 / 14

HEX #7261DB

RGB 114 97 219

HSL 248.36, 0.63%, 0.62%

LAB 48.56, 37.74, -60.54

 

CMYK 0 / 56 / 13 / 14

HEX #DB61BF

RGB 219 97 191

HSL 313.77, 0.63%, 0.62%

LAB 59.32, 58.88, -26.79

 

CMYK 0 / 65 / 15 / 8

HEX #EA51C8

RGB 234 81 200

HSL 313.33, 0.78%, 0.62%

LAB 59.48, 70.89, -31.49

 

CMYK 0 / 74 / 17 / 2

HEX #FA41D0

RGB 250 65 208

HSL 313.62, 0.95%, 0.62%

LAB 60.48, 81.11, -34.29

 

CMYK 0 / 56 / 13 / 14

HEX #DB61BF

RGB 219 97 191

HSL 313.77, 0.63%, 0.62%

LAB 59.32, 58.88, -26.79

 

CMYK 0 / 45 / 10 / 20

HEX #CB70B7

RGB 203 112 183

HSL 313.19, 0.47%, 0.62%

LAB 59.62, 45.5, -21.93

 

CMYK 0 / 32 / 7 / 27

HEX #BB80AE

RGB 187 128 174

HSL 313.22, 0.3%, 0.62%

LAB 60.83, 30.09, -15.13

 

CMYK 0 / 16 / 4 / 33

HEX #AC90A5

RGB 172 144 165

HSL 315, 0.14%, 0.62%

LAB 62.87, 14.2, -7.12

 

CMYK 2 / 0 / 1 / 38

HEX #9C9F9D

RGB 156 159 157

HSL 140, 0.02%, 0.62%

LAB 65.2, -1.46, 0.66

 

CMYK 18 / 56 / 0 / 14

HEX #B461DB

RGB 180 97 219

HSL 280.82, 0.63%, 0.62%

LAB 55.45, 53.4, -49.13

 

CMYK 3 / 56 / 0 / 14

HEX #D561DB

RGB 213 97 219

HSL 297.05, 0.63%, 0.62%

LAB 59.72, 61.89, -42.1

 

CMYK 0 / 56 / 12 / 14

HEX #DB61C0

RGB 219 97 192

HSL 313.28, 0.63%, 0.62%

LAB 59.36, 59.03, -27.3

 

CMYK 0 / 56 / 27 / 14

HEX #DB61A0

RGB 219 97 160

HSL 329.02, 0.63%, 0.62%

LAB 58.18, 54.45, -10.67

 

CMYK 0 / 56 / 42 / 14

HEX #DB617F

RGB 219 97 127

HSL 345.25, 0.63%, 0.62%

LAB 57.21, 50.55, 7.18

 

CMYK 0 / 77 / 17 / 25

HEX #BE2B9D

RGB 190 43 157

HSL 313.47, 0.63%, 0.46%

LAB 45.78, 67.12, -28.26

 

CMYK 0 / 70 / 16 / 17

HEX #D33FB2

RGB 211 63 178

HSL 313.38, 0.63%, 0.54%

LAB 52.53, 68.63, -29.9

 

CMYK 0 / 56 / 13 / 14

HEX #DB61BF

RGB 219 97 191

HSL 313.77, 0.63%, 0.62%

LAB 59.32, 58.88, -26.79

 

CMYK 0 / 42 / 9 / 11

HEX #E282CD

RGB 226 130 205

HSL 313.13, 0.62%, 0.7%

LAB 66.93, 47.15, -22.92

 

CMYK 0 / 30 / 7 / 8

HEX #EAA4DA

RGB 234 164 218

HSL 313.71, 0.63%, 0.78%

LAB 75.52, 34.12, -16.98

 

CMYK 0 / 55 / 12 / 14

HEX #DB63C0

RGB 219 99 192

HSL 313.5, 0.63%, 0.62%

LAB 59.7, 58.12, -26.77

 

CMYK 0 / 33 / 56 / 14

HEX #DB9361

RGB 219 147 97

HSL 24.59, 0.63%, 0.62%

LAB 67.12, 21.97, 37.32

 

CMYK 56 / 0 / 11 / 14

HEX #61DBC4

RGB 97 219 196

HSL 168.69, 0.63%, 0.62%

LAB 80.29, -39.63, 1.01

 

CMYK 0 / 55 / 12 / 14

HEX #DB63C0

RGB 219 99 192

HSL 313.5, 0.63%, 0.62%

LAB 59.7, 58.12, -26.77

 

CMYK 12 / 0 / 56 / 14

HEX #C0DB61

RGB 192 219 97

HSL 73.28, 0.63%, 0.62%

LAB 83.3, -26.49, 55.98

 

CMYK 56 / 12 / 0 / 14

HEX #61C0DB

RGB 97 192 219

HSL 193.28, 0.63%, 0.62%

LAB 73.13, -20.51, -22.05

 

CMYK 0 / 55 / 12 / 14

HEX #DB63C0

RGB 219 99 192

HSL 313.5, 0.63%, 0.62%

LAB 59.7, 58.12, -26.77

 

CMYK 0 / 33 / 56 / 14

HEX #DB9361

RGB 219 147 97

HSL 24.59, 0.63%, 0.62%

LAB 67.12, 21.97, 37.32

 

CMYK 56 / 0 / 44 / 14

HEX #61DB7B

RGB 97 219 123

HSL 132.79, 0.63%, 0.62%

LAB 78.83, -54.39, 37.08

 

CMYK 56 / 23 / 0 / 14

HEX #61A8DB

RGB 97 168 219

HSL 205.08, 0.63%, 0.62%

LAB 66.26, -7.76, -32.6

 

CMYK 0 / 55 / 12 / 14

HEX #DB63C0

RGB 219 99 192

HSL 313.5, 0.63%, 0.62%

LAB 59.7, 58.12, -26.77

 

CMYK 0 / 16 / 56 / 14

HEX #DBB861

RGB 219 184 97

HSL 42.79, 0.63%, 0.62%

LAB 76.19, 2.19, 48.3

 

CMYK 56 / 0 / 44 / 14

HEX #61DB7B

RGB 97 219 123

HSL 132.79, 0.63%, 0.62%

LAB 78.83, -54.39, 37.08

 

CMYK 56 / 40 / 0 / 14

HEX #6183DB

RGB 97 131 219

HSL 223.28, 0.63%, 0.62%

LAB 55.98, 13.63, -48.74

 

Description

Color code: HEX #DB63C0 | qconv.com Color code: HEX #DB63C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 99 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 99 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 12 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 12% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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