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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB62A9 it is the complementary color #249D56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB62A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB62A9 shade: #E062A4, #F174B7, #FF86CA, #FF98DD and #FFAAF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB62A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB62A9 shade: #DB62A9, #CA5096, #B93E83, #A82C70 and #971A5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB62A9 shade: #DB61A9, #DB6188, #DB6167 and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB62A9 shade: #DB61A9, #DB61CA, #CC61DB, #AB61DB and #8A61DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB62A9 shade matches the following richer shades: #DB61A9, #EB51AB and #FB42AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB62A9 shade: #DB61A9, #CB71A6, #BC80A3, #AC90A1 and #9CA09E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB62A9 shade: #CB61DB, #DB61CB, #DB61AA, #DB618A and #DB6169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB62A9 shade: #BE2B82, #D43F96, #DB61A9, #E383BB and #EAA4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB62A9 shade: #DB62A9, #DBAA61 and #61DBDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB62A9 shade: #DB62A9, #AADB61 and #61AADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB62A9 shade: #DB62A9, #DBAA61, #61DB92 and #6192DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB62A9 shade: #DB62A9, #DBCF61, #61DB92 and #616DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 23 / 14

HEX #DB62A9

RGB 219 98 169

HSL 324.79, 0.63%, 0.62%

LAB 58.66, 55.2, -15.15

 

Complementary color

CMYK 77 / 0 / 45 / 38

HEX #249D56

RGB 36 157 86

HSL 144.79, 0.63%, 0.38%

LAB 57.23, -48.71, 28.04

 

CMYK 0 / 56 / 27 / 12

HEX #E062A4

RGB 224 98 164

HSL 328.57, 0.67%, 0.63%

LAB 59.22, 56.05, -11.35

 

CMYK 0 / 52 / 24 / 5

HEX #F174B7

RGB 241 116 183

HSL 327.84, 0.82%, 0.7%

LAB 65.44, 55.43, -12.62

 

CMYK 0 / 47 / 21 / 0

HEX #FF86CA

RGB 255 134 202

HSL 326.28, 1%, 0.76%

LAB 71.27, 53.79, -14.34

 

CMYK 0 / 40 / 13 / 0

HEX #FF98DD

RGB 255 152 221

HSL 319.81, 1%, 0.8%

LAB 75.41, 47.67, -18.55

 

CMYK 0 / 33 / 6 / 0

HEX #FFAAF0

RGB 255 170 240

HSL 310.59, 1%, 0.83%

LAB 79.78, 41.54, -22.23

 

CMYK 0 / 55 / 23 / 14

HEX #DB62A9

RGB 219 98 169

HSL 324.79, 0.63%, 0.62%

LAB 58.66, 55.2, -15.15

 

CMYK 0 / 60 / 26 / 21

HEX #CA5096

RGB 202 80 150

HSL 325.57, 0.54%, 0.55%

LAB 52.39, 55.66, -13.77

 

CMYK 0 / 66 / 29 / 27

HEX #B93E83

RGB 185 62 131

HSL 326.34, 0.5%, 0.48%

LAB 46.17, 55.86, -12.06

 

CMYK 0 / 74 / 33 / 34

HEX #A82C70

RGB 168 44 112

HSL 327.1, 0.58%, 0.42%

LAB 40.07, 55.56, -9.85

 

CMYK 0 / 83 / 38 / 41

HEX #971A5D

RGB 151 26 93

HSL 327.84, 0.71%, 0.35%

LAB 34.21, 54.43, -6.93

 

CMYK 0 / 56 / 23 / 14

HEX #DB61A9

RGB 219 97 169

HSL 324.59, 0.63%, 0.62%

LAB 58.48, 55.66, -15.42

 

CMYK 0 / 56 / 38 / 14

HEX #DB6188

RGB 219 97 136

HSL 340.82, 0.63%, 0.62%

LAB 57.45, 51.53, 2.25

 

CMYK 0 / 56 / 53 / 14

HEX #DB6167

RGB 219 97 103

HSL 357.05, 0.63%, 0.62%

LAB 56.67, 48.31, 20.46

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 56 / 23 / 14

HEX #DB61A9

RGB 219 97 169

HSL 324.59, 0.63%, 0.62%

LAB 58.48, 55.66, -15.42

 

CMYK 0 / 56 / 8 / 14

HEX #DB61CA

RGB 219 97 202

HSL 308.36, 0.63%, 0.62%

LAB 59.77, 60.61, -32.34

 

CMYK 7 / 56 / 0 / 14

HEX #CC61DB

RGB 204 97 219

HSL 292.62, 0.63%, 0.62%

LAB 58.51, 59.56, -44.08

 

CMYK 22 / 56 / 0 / 14

HEX #AB61DB

RGB 171 97 219

HSL 276.39, 0.63%, 0.62%

LAB 54.37, 51.13, -50.91

 

CMYK 37 / 56 / 0 / 14

HEX #8A61DB

RGB 138 97 219

HSL 260.16, 0.63%, 0.62%

LAB 50.77, 43.09, -56.88

 

CMYK 0 / 56 / 23 / 14

HEX #DB61A9

RGB 219 97 169

HSL 324.59, 0.63%, 0.62%

LAB 58.48, 55.66, -15.42

 

CMYK 0 / 66 / 27 / 8

HEX #EB51AB

RGB 235 81 171

HSL 324.94, 0.79%, 0.62%

LAB 58.5, 67.3, -16.32

 

CMYK 0 / 74 / 31 / 2

HEX #FB42AE

RGB 251 66 174

HSL 324.97, 0.96%, 0.62%

LAB 59.4, 76.93, -16.44

 

CMYK 0 / 56 / 23 / 14

HEX #DB61A9

RGB 219 97 169

HSL 324.59, 0.63%, 0.62%

LAB 58.48, 55.66, -15.42

 

CMYK 0 / 44 / 18 / 20

HEX #CB71A6

RGB 203 113 166

HSL 324.67, 0.46%, 0.62%

LAB 59.21, 42.25, -12.8

 

CMYK 0 / 32 / 13 / 26

HEX #BC80A3

RGB 188 128 163

HSL 325, 0.31%, 0.62%

LAB 60.58, 28.52, -9.21

 

CMYK 0 / 16 / 6 / 33

HEX #AC90A1

RGB 172 144 161

HSL 323.57, 0.14%, 0.62%

LAB 62.75, 13.46, -5.03

 

CMYK 2 / 0 / 1 / 37

HEX #9CA09E

RGB 156 160 158

HSL 150, 0.02%, 0.62%

LAB 65.5, -1.81, 0.53

 

CMYK 7 / 56 / 0 / 14

HEX #CB61DB

RGB 203 97 219

HSL 292.13, 0.63%, 0.62%

LAB 58.38, 59.3, -44.3

 

CMYK 0 / 56 / 7 / 14

HEX #DB61CB

RGB 219 97 203

HSL 307.87, 0.63%, 0.62%

LAB 59.82, 60.77, -32.84

 

CMYK 0 / 56 / 22 / 14

HEX #DB61AA

RGB 219 97 170

HSL 324.1, 0.63%, 0.62%

LAB 58.52, 55.8, -15.94

 

CMYK 0 / 56 / 37 / 14

HEX #DB618A

RGB 219 97 138

HSL 339.84, 0.63%, 0.62%

LAB 57.51, 51.75, 1.16

 

CMYK 0 / 56 / 52 / 14

HEX #DB6169

RGB 219 97 105

HSL 356.07, 0.63%, 0.62%

LAB 56.71, 48.47, 19.35

 

CMYK 0 / 77 / 32 / 25

HEX #BE2B82

RGB 190 43 130

HSL 324.49, 0.63%, 0.46%

LAB 44.64, 63.72, -13.69

 

CMYK 0 / 70 / 29 / 17

HEX #D43F96

RGB 212 63 150

HSL 324.97, 0.63%, 0.54%

LAB 51.56, 65.24, -14.88

 

CMYK 0 / 56 / 23 / 14

HEX #DB61A9

RGB 219 97 169

HSL 324.59, 0.63%, 0.62%

LAB 58.48, 55.66, -15.42

 

CMYK 0 / 42 / 18 / 11

HEX #E383BB

RGB 227 131 187

HSL 325, 0.63%, 0.7%

LAB 66.64, 44.09, -13.27

 

CMYK 0 / 30 / 12 / 8

HEX #EAA4CD

RGB 234 164 205

HSL 324.86, 0.63%, 0.78%

LAB 75.11, 31.94, -10.49

 

CMYK 0 / 55 / 23 / 14

HEX #DB62A9

RGB 219 98 169

HSL 324.79, 0.63%, 0.62%

LAB 58.66, 55.2, -15.15

 

CMYK 0 / 22 / 56 / 14

HEX #DBAA61

RGB 219 170 97

HSL 35.9, 0.63%, 0.62%

LAB 72.68, 9.62, 44.11

 

CMYK 56 / 0 / 0 / 14

HEX #61DBDB

RGB 97 219 219

HSL 180, 0.63%, 0.62%

LAB 80.92, -33.76, -10.32

 

CMYK 0 / 55 / 23 / 14

HEX #DB62A9

RGB 219 98 169

HSL 324.79, 0.63%, 0.62%

LAB 58.66, 55.2, -15.15

 

CMYK 22 / 0 / 56 / 14

HEX #AADB61

RGB 170 219 97

HSL 84.1, 0.63%, 0.62%

LAB 81.88, -34.9, 53.97

 

CMYK 56 / 22 / 0 / 14

HEX #61AADB

RGB 97 170 219

HSL 204.1, 0.63%, 0.62%

LAB 66.83, -8.86, -31.72

 

CMYK 0 / 55 / 23 / 14

HEX #DB62A9

RGB 219 98 169

HSL 324.79, 0.63%, 0.62%

LAB 58.66, 55.2, -15.15

 

CMYK 0 / 22 / 56 / 14

HEX #DBAA61

RGB 219 170 97

HSL 35.9, 0.63%, 0.62%

LAB 72.68, 9.62, 44.11

 

CMYK 56 / 0 / 33 / 14

HEX #61DB92

RGB 97 219 146

HSL 144.1, 0.63%, 0.62%

LAB 79.2, -50.44, 25.85

 

CMYK 56 / 33 / 0 / 14

HEX #6192DB

RGB 97 146 219

HSL 215.9, 0.63%, 0.62%

LAB 60.08, 4.74, -42.25

 

CMYK 0 / 55 / 23 / 14

HEX #DB62A9

RGB 219 98 169

HSL 324.79, 0.63%, 0.62%

LAB 58.66, 55.2, -15.15

 

CMYK 0 / 5 / 56 / 14

HEX #DBCF61

RGB 219 207 97

HSL 54.1, 0.63%, 0.62%

LAB 82.14, -9.69, 55.19

 

CMYK 56 / 0 / 33 / 14

HEX #61DB92

RGB 97 219 146

HSL 144.1, 0.63%, 0.62%

LAB 79.2, -50.44, 25.85

 

CMYK 56 / 50 / 0 / 14

HEX #616DDB

RGB 97 109 219

HSL 234.1, 0.63%, 0.62%

LAB 50.21, 27.03, -57.96

 

Description

Color code: HEX #DB62A9 | qconv.com Color code: HEX #DB62A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 98 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 98 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 23 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 23% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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