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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB5E1A it is the complementary color #24A1E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB5E1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB5E1A shade: #E05E15, #F17028, #FF823B, #FF944E and #FFA661

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB5E1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB5E1A shade: #DB5E1A, #CA4C07, #B93A00, #A82800 and #971600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB5E1A shade: #DB5E1A, #DB2A1A and #DB1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB5E1A shade: #DB5E1A, #DB921A, #DBC61A, #BCDB1A and #88DB1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB5E1A shade matches the following richer shades: #DB5E1A and #EF5806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB5E1A shade: #DB5E1A, #C7642E, #B36A41, #A06F55 and #8C7569

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB5E1A shade: #DB1A3D, #DB2A1A, #DB5D1A, #DB911A and #DBC51A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB5E1A shade: #913E11, #B64E15, #DB5E1A, #E77537 and #EC8E5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB5E1A shade: #DB5E1A, #71DB1A and #1A23DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB5E1A shade: #DB5E1A, #1ADB5D and #5D1ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB5E1A shade: #DB5E1A, #71DB1A, #1A97DB and #841ADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB5E1A shade: #DB5E1A, #37DB1A, #1A97DB and #BE1ADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

Complementary color

CMYK 84 / 30 / 0 / 10

HEX #24A1E5

RGB 36 161 229

HSL 201.14, 0.79%, 0.52%

LAB 62.95, -9.12, -43.42

 

CMYK 0 / 58 / 91 / 12

HEX #E05E15

RGB 224 94 21

HSL 21.58, 0.83%, 0.48%

LAB 55.99, 47.65, 60.62

 

CMYK 0 / 54 / 83 / 5

HEX #F17028

RGB 241 112 40

HSL 21.49, 0.88%, 0.55%

LAB 62.03, 45.85, 59.96

 

CMYK 0 / 49 / 77 / 0

HEX #FF823B

RGB 255 130 59

HSL 21.73, 1%, 0.62%

LAB 67.68, 42.97, 57.98

 

CMYK 0 / 42 / 69 / 0

HEX #FF944E

RGB 255 148 78

HSL 23.73, 1%, 0.65%

LAB 71.55, 34.71, 53.22

 

CMYK 0 / 35 / 62 / 0

HEX #FFA661

RGB 255 166 97

HSL 26.2, 1%, 0.69%

LAB 75.7, 26.49, 48.66

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 0 / 62 / 97 / 21

HEX #CA4C07

RGB 202 76 7

HSL 21.23, 0.93%, 0.41%

LAB 49.18, 47.65, 57.88

 

CMYK 0 / 69 / 100 / 27

HEX #B93A00

RGB 185 58 0

HSL 18.81, 1%, 0.36%

LAB 43.27, 49.27, 54.89

 

CMYK 0 / 76 / 100 / 34

HEX #A82800

RGB 168 40 0

HSL 14.29, 1%, 0.33%

LAB 37.56, 50.35, 50.34

 

CMYK 0 / 85 / 100 / 41

HEX #971600

RGB 151 22 0

HSL 8.74, 1%, 0.3%

LAB 32.15, 50.39, 45.53

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 0 / 81 / 88 / 14

HEX #DB2A1A

RGB 219 42 26

HSL 4.97, 0.79%, 0.48%

LAB 48, 65.45, 52.56

 

CMYK 0 / 88 / 88 / 14

HEX #DB1A1A

RGB 219 26 26

HSL 0, 0.79%, 0.48%

LAB 46.81, 68.83, 51.66

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 0 / 33 / 88 / 14

HEX #DB921A

RGB 219 146 26

HSL 37.31, 0.79%, 0.48%

LAB 66.28, 19.02, 66.72

 

CMYK 0 / 10 / 88 / 14

HEX #DBC61A

RGB 219 198 26

HSL 53.47, 0.79%, 0.48%

LAB 79.34, -8.42, 77

 

CMYK 14 / 0 / 88 / 14

HEX #BCDB1A

RGB 188 219 26

HSL 69.64, 0.79%, 0.48%

LAB 82.61, -31.74, 78.6

 

CMYK 38 / 0 / 88 / 14

HEX #88DB1A

RGB 136 219 26

HSL 85.8, 0.79%, 0.48%

LAB 79.6, -51.4, 74.89

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 0 / 63 / 97 / 6

HEX #EF5806

RGB 239 88 6

HSL 21.12, 0.95%, 0.48%

LAB 57.41, 55.51, 66.14

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 0 / 50 / 77 / 22

HEX #C7642E

RGB 199 100 46

HSL 21.18, 0.62%, 0.48%

LAB 53.44, 35.74, 47.08

 

CMYK 0 / 41 / 64 / 30

HEX #B36A41

RGB 179 106 65

HSL 21.58, 0.47%, 0.48%

LAB 52.14, 25.34, 35.1

 

CMYK 0 / 31 / 47 / 37

HEX #A06F55

RGB 160 111 85

HSL 20.8, 0.31%, 0.48%

LAB 51.27, 16.23, 22.24

 

CMYK 0 / 16 / 25 / 45

HEX #8C7569

RGB 140 117 105

HSL 20.57, 0.14%, 0.48%

LAB 51.06, 6.99, 9.96

 

CMYK 0 / 88 / 72 / 14

HEX #DB1A3D

RGB 219 26 61

HSL 349.12, 0.79%, 0.48%

LAB 47.15, 69.83, 33.09

 

CMYK 0 / 81 / 88 / 14

HEX #DB2A1A

RGB 219 42 26

HSL 4.97, 0.79%, 0.48%

LAB 48, 65.45, 52.56

 

CMYK 0 / 58 / 88 / 14

HEX #DB5D1A

RGB 219 93 26

HSL 20.83, 0.79%, 0.48%

LAB 55.03, 46.35, 57.96

 

CMYK 0 / 34 / 88 / 14

HEX #DB911A

RGB 219 145 26

HSL 36.99, 0.79%, 0.48%

LAB 66.05, 19.55, 66.54

 

CMYK 0 / 10 / 88 / 14

HEX #DBC51A

RGB 219 197 26

HSL 53.16, 0.79%, 0.48%

LAB 79.08, -7.91, 76.8

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 0 / 57 / 88 / 29

HEX #B64E15

RGB 182 78 21

HSL 21.24, 0.79%, 0.4%

LAB 46.24, 39.41, 50.29

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 0 / 49 / 76 / 9

HEX #E77537

RGB 231 117 55

HSL 21.14, 0.79%, 0.56%

LAB 61.64, 40.04, 52.64

 

CMYK 0 / 40 / 61 / 7

HEX #EC8E5B

RGB 236 142 91

HSL 21.1, 0.79%, 0.64%

LAB 67.97, 31.05, 41.98

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 48 / 0 / 88 / 14

HEX #71DB1A

RGB 113 219 26

HSL 92.95, 0.79%, 0.48%

LAB 78.61, -58.77, 73.65

 

CMYK 88 / 84 / 0 / 14

HEX #1A23DB

RGB 26 35 219

HSL 237.2, 0.79%, 0.48%

LAB 30.73, 61.47, -90.01

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 88 / 0 / 58 / 14

HEX #1ADB5D

RGB 26 219 93

HSL 140.83, 0.79%, 0.48%

LAB 77.08, -69.59, 48.99

 

CMYK 58 / 88 / 0 / 14

HEX #5D1ADB

RGB 93 26 219

HSL 260.83, 0.79%, 0.48%

LAB 34.36, 68.31, -83.85

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 48 / 0 / 88 / 14

HEX #71DB1A

RGB 113 219 26

HSL 92.95, 0.79%, 0.48%

LAB 78.61, -58.77, 73.65

 

CMYK 88 / 31 / 0 / 14

HEX #1A97DB

RGB 26 151 219

HSL 201.14, 0.79%, 0.48%

LAB 59.4, -7.77, -43.46

 

CMYK 40 / 88 / 0 / 14

HEX #841ADB

RGB 132 26 219

HSL 272.95, 0.79%, 0.48%

LAB 39.17, 72.28, -75.75

 

CMYK 0 / 57 / 88 / 14

HEX #DB5E1A

RGB 219 94 26

HSL 21.14, 0.79%, 0.48%

LAB 55.22, 45.88, 58.1

 

CMYK 75 / 0 / 88 / 14

HEX #37DB1A

RGB 55 219 26

HSL 110.98, 0.79%, 0.48%

LAB 77.01, -71.85, 71.66

 

CMYK 88 / 31 / 0 / 14

HEX #1A97DB

RGB 26 151 219

HSL 201.14, 0.79%, 0.48%

LAB 59.4, -7.77, -43.46

 

CMYK 13 / 88 / 0 / 14

HEX #BE1ADB

RGB 190 26 219

HSL 290.98, 0.79%, 0.48%

LAB 48.01, 80.4, -60.97

 

Description

Color code: HEX #DB5E1A | qconv.com Color code: HEX #DB5E1A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 94 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 94 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 88 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 88% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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