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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB5E11 it is the complementary color #24A1EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB5E11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB5E11 shade: #E05E0C, #F1701F, #FF8232, #FF9445 and #FFA658

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB5E11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB5E11 shade: #DB5E11, #CA4C00, #B93A00, #A82800 and #971600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB5E11 shade: #DA5D10, #DA2610 and #DA1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB5E11 shade: #DA5D10, #DA9310, #DACA10, #B3DA10 and #7DDA10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB5E11 shade matches the following richer shades: #DA5D10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB5E11 shade: #DA5D10, #C76123, #B46636, #A16A49 and #8E6F5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB5E11 shade: #DA1032, #DA2410, #DA5A10, #DA9010 and #DAC610

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB5E11 shade: #8D3C0A, #B34C0D, #DA5D10, #EE7225 and #F18A4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB5E11 shade: #DB5E11, #67DA10 and #1017DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB5E11 shade: #DB5E11, #10DA5A and #5A10DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB5E11 shade: #DB5E11, #67DA10, #1090DA and #8210DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB5E11 shade: #DB5E11, #2BDA10, #1090DA and #BF10DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 92 / 14

HEX #DB5E11

RGB 219 94 17

HSL 22.87, 0.86%, 0.46%

LAB 55.18, 45.73, 60.79

 

Complementary color

CMYK 85 / 32 / 0 / 7

HEX #24A1EE

RGB 36 161 238

HSL 202.87, 0.86%, 0.54%

LAB 63.37, -5.89, -47.7

 

CMYK 0 / 58 / 95 / 12

HEX #E05E0C

RGB 224 94 12

HSL 23.21, 0.9%, 0.46%

LAB 55.97, 47.53, 62.86

 

CMYK 0 / 54 / 87 / 5

HEX #F1701F

RGB 241 112 31

HSL 23.14, 0.88%, 0.53%

LAB 61.99, 45.64, 63.17

 

CMYK 0 / 49 / 80 / 0

HEX #FF8232

RGB 255 130 50

HSL 23.41, 1%, 0.6%

LAB 67.62, 42.66, 61.74

 

CMYK 0 / 42 / 73 / 0

HEX #FF9445

RGB 255 148 69

HSL 25.48, 1%, 0.64%

LAB 71.47, 34.29, 57.33

 

CMYK 0 / 35 / 65 / 0

HEX #FFA658

RGB 255 166 88

HSL 28.02, 1%, 0.67%

LAB 75.6, 25.93, 52.94

 

CMYK 0 / 57 / 92 / 14

HEX #DB5E11

RGB 219 94 17

HSL 22.87, 0.86%, 0.46%

LAB 55.18, 45.73, 60.79

 

CMYK 0 / 62 / 100 / 21

HEX #CA4C00

RGB 202 76 0

HSL 22.57, 1%, 0.4%

LAB 49.16, 47.58, 59.57

 

CMYK 0 / 69 / 100 / 27

HEX #B93A00

RGB 185 58 0

HSL 18.81, 1%, 0.36%

LAB 43.27, 49.27, 54.89

 

CMYK 0 / 76 / 100 / 34

HEX #A82800

RGB 168 40 0

HSL 14.29, 1%, 0.33%

LAB 37.56, 50.35, 50.34

 

CMYK 0 / 85 / 100 / 41

HEX #971600

RGB 151 22 0

HSL 8.74, 1%, 0.3%

LAB 32.15, 50.39, 45.53

 

CMYK 0 / 57 / 93 / 15

HEX #DA5D10

RGB 218 93 16

HSL 22.87, 0.86%, 0.46%

LAB 54.84, 45.81, 60.73

 

CMYK 0 / 83 / 93 / 15

HEX #DA2610

RGB 218 38 16

HSL 6.53, 0.86%, 0.46%

LAB 47.4, 66, 55.88

 

CMYK 0 / 93 / 93 / 15

HEX #DA1010

RGB 218 16 16

HSL 0, 0.86%, 0.46%

LAB 46.06, 69.85, 55.06

 

CMYK 0 / 57 / 93 / 15

HEX #DA5D10

RGB 218 93 16

HSL 22.87, 0.86%, 0.46%

LAB 54.84, 45.81, 60.73

 

CMYK 0 / 33 / 93 / 15

HEX #DA9310

RGB 218 147 16

HSL 38.91, 0.86%, 0.46%

LAB 66.37, 17.88, 68.89

 

CMYK 0 / 7 / 93 / 15

HEX #DACA10

RGB 218 202 16

HSL 55.25, 0.86%, 0.46%

LAB 80.28, -11.04, 79.25

 

CMYK 18 / 0 / 93 / 15

HEX #B3DA10

RGB 179 218 16

HSL 71.58, 0.86%, 0.46%

LAB 81.71, -35.09, 79.08

 

CMYK 43 / 0 / 93 / 15

HEX #7DDA10

RGB 125 218 16

HSL 87.62, 0.86%, 0.46%

LAB 78.78, -54.9, 75.5

 

CMYK 0 / 57 / 93 / 15

HEX #DA5D10

RGB 218 93 16

HSL 22.87, 0.86%, 0.46%

LAB 54.84, 45.81, 60.73

 

CMYK 0 / 57 / 93 / 15

HEX #DA5D10

RGB 218 93 16

HSL 22.87, 0.86%, 0.46%

LAB 54.84, 45.81, 60.73

 

CMYK 0 / 51 / 82 / 22

HEX #C76123

RGB 199 97 35

HSL 22.68, 0.7%, 0.46%

LAB 52.74, 36.9, 51.35

 

CMYK 0 / 43 / 70 / 29

HEX #B46636

RGB 180 102 54

HSL 22.86, 0.54%, 0.46%

LAB 51.24, 27.27, 39.94

 

CMYK 0 / 34 / 55 / 37

HEX #A16A49

RGB 161 106 73

HSL 22.5, 0.38%, 0.46%

LAB 49.94, 18.32, 27.42

 

CMYK 0 / 22 / 35 / 44

HEX #8E6F5C

RGB 142 111 92

HSL 22.8, 0.21%, 0.46%

LAB 49.37, 9.43, 15.26

 

CMYK 0 / 93 / 77 / 15

HEX #DA1032

RGB 218 16 50

HSL 349.9, 0.86%, 0.46%

LAB 46.32, 70.58, 38.57

 

CMYK 0 / 83 / 93 / 15

HEX #DA2410

RGB 218 36 16

HSL 5.94, 0.86%, 0.46%

LAB 47.24, 66.46, 55.78

 

CMYK 0 / 59 / 93 / 15

HEX #DA5A10

RGB 218 90 16

HSL 21.98, 0.86%, 0.46%

LAB 54.3, 47.22, 60.37

 

CMYK 0 / 34 / 93 / 15

HEX #DA9010

RGB 218 144 16

HSL 38.02, 0.86%, 0.46%

LAB 65.66, 19.49, 68.37

 

CMYK 0 / 9 / 93 / 15

HEX #DAC610

RGB 218 198 16

HSL 54.06, 0.86%, 0.46%

LAB 79.23, -9.01, 78.46

 

CMYK 0 / 57 / 93 / 45

HEX #8D3C0A

RGB 141 60 10

HSL 22.9, 0.87%, 0.3%

LAB 35.82, 31.94, 43.16

 

CMYK 0 / 58 / 93 / 30

HEX #B34C0D

RGB 179 76 13

HSL 22.77, 0.86%, 0.38%

LAB 45.33, 39.08, 51.99

 

CMYK 0 / 57 / 93 / 15

HEX #DA5D10

RGB 218 93 16

HSL 22.87, 0.86%, 0.46%

LAB 54.84, 45.81, 60.73

 

CMYK 0 / 52 / 84 / 7

HEX #EE7225

RGB 238 114 37

HSL 22.99, 0.86%, 0.54%

LAB 61.95, 43.66, 60.85

 

CMYK 0 / 43 / 69 / 5

HEX #F18A4B

RGB 241 138 75

HSL 22.77, 0.86%, 0.62%

LAB 67.57, 34.16, 49.77

 

CMYK 0 / 57 / 92 / 14

HEX #DB5E11

RGB 219 94 17

HSL 22.87, 0.86%, 0.46%

LAB 55.18, 45.73, 60.79

 

CMYK 53 / 0 / 93 / 15

HEX #67DA10

RGB 103 218 16

HSL 94.16, 0.86%, 0.46%

LAB 77.91, -61.52, 74.44

 

CMYK 93 / 89 / 0 / 15

HEX #1017DA

RGB 16 23 218

HSL 237.92, 0.86%, 0.46%

LAB 28.86, 65.39, -92.55

 

CMYK 0 / 57 / 92 / 14

HEX #DB5E11

RGB 219 94 17

HSL 22.87, 0.86%, 0.46%

LAB 55.18, 45.73, 60.79

 

CMYK 93 / 0 / 59 / 15

HEX #10DA5A

RGB 16 218 90

HSL 141.98, 0.86%, 0.46%

LAB 76.67, -70.24, 49.84

 

CMYK 59 / 93 / 0 / 15

HEX #5A10DA

RGB 90 16 218

HSL 261.98, 0.86%, 0.46%

LAB 33.15, 70.18, -85.29

 

CMYK 0 / 57 / 92 / 14

HEX #DB5E11

RGB 219 94 17

HSL 22.87, 0.86%, 0.46%

LAB 55.18, 45.73, 60.79

 

CMYK 53 / 0 / 93 / 15

HEX #67DA10

RGB 103 218 16

HSL 94.16, 0.86%, 0.46%

LAB 77.91, -61.52, 74.44

 

CMYK 93 / 34 / 0 / 15

HEX #1090DA

RGB 16 144 218

HSL 201.98, 0.86%, 0.46%

LAB 57.19, -4.62, -46.4

 

CMYK 40 / 93 / 0 / 15

HEX #8210DA

RGB 130 16 218

HSL 273.86, 0.86%, 0.46%

LAB 38.16, 73.76, -76.84

 

CMYK 0 / 57 / 92 / 14

HEX #DB5E11

RGB 219 94 17

HSL 22.87, 0.86%, 0.46%

LAB 55.18, 45.73, 60.79

 

CMYK 80 / 0 / 93 / 15

HEX #2BDA10

RGB 43 218 16

HSL 111.98, 0.86%, 0.46%

LAB 76.49, -73.43, 72.69

 

CMYK 93 / 34 / 0 / 15

HEX #1090DA

RGB 16 144 218

HSL 201.98, 0.86%, 0.46%

LAB 57.19, -4.62, -46.4

 

CMYK 12 / 93 / 0 / 15

HEX #BF10DA

RGB 191 16 218

HSL 291.98, 0.86%, 0.46%

LAB 47.64, 81.78, -60.99

 

Description

Color code: HEX #DB5E11 | qconv.com Color code: HEX #DB5E11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 94 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 94 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 92 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 92% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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