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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB5D554C it is the complementary color #24A2AA4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB5D554C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB5D554C shade: #E05D504C, #F16F634C, #FF81764C, #FF93894C and #FFA59C4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB5D554C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB5D554C shade: #DB5D554C, #CA4B424C, #B9392F4C, #A8271C4C and #9715094C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB5D554C shade: #DB5F57 and #DB5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB5D554C shade: #DB5F57, #DB8257, #DBA657, #DBCA57 and #C9DB57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB5D554C shade matches the following richer shades: #DB5F57, #EC5046 and #FC4236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB5D554C shade: #DB5F57, #CB6D67, #BA7C78, #AA8A88 and #999999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB5D554C shade: #DB5797, #DB5773, #DB5D57, #DB8157 and #DBA457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB5D554C shade: #B83027, #D43E35, #DB5F57, #E37F79 and #EA9F9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB5D554C shade: #DB5D55, #BADB57 and #5785DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB5D554C shade: #DB5D55, #57DB5D and #5D57DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB5D554C shade: #DB5D55, #BADB57, #57D5DB and #7857DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB5D554C shade: #DB5D55, #92DB57, #57D5DB and #A057DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 18 / 4

HEX #DB5D554C

RGBA 219 93 85 0.3

HSLA 3.58, 0.65%, 0.6%, 0.3

LABA 55.63, 48.84, 29.49, 0.3

 

Complementary color

CMYK 24 / 1 / 0 / 10

HEX #24A2AA4C

RGBA 36 162 170 0.3

HSLA 183.58, 0.65%, 0.4%, 0.3

LABA 60.89, -29.6, -13.66, 0.3

 

CMYK 0 / 18 / 19 / 4

HEX #E05D504C

RGBA 224 93 80 0.3

HSLA 5.42, 0.7%, 0.6%, 0.3

LABA 56.34, 50.29, 33.4, 0.3

 

CMYK 0 / 16 / 18 / 2

HEX #F16F634C

RGBA 241 111 99 0.3

HSLA 5.07, 0.84%, 0.67%, 0.3

LABA 62.48, 49.12, 30.99, 0.3

 

CMYK 0 / 15 / 16 / 0

HEX #FF81764C

RGBA 255 129 118 0.3

HSLA 4.82, 1%, 0.73%, 0.3

LABA 68.22, 46.87, 28.26, 0.3

 

CMYK 0 / 13 / 14 / 0

HEX #FF93894C

RGBA 255 147 137 0.3

HSLA 5.08, 1%, 0.77%, 0.3

LABA 72.18, 39.53, 23.09, 0.3

 

CMYK 0 / 11 / 12 / 0

HEX #FFA59C4C

RGBA 255 165 156 0.3

HSLA 5.45, 1%, 0.81%, 0.3

LABA 76.42, 32.22, 18.51, 0.3

 

CMYK 0 / 17 / 18 / 4

HEX #DB5D554C

RGBA 219 93 85 0.3

HSLA 3.58, 0.65%, 0.6%, 0.3

LABA 55.63, 48.84, 29.49, 0.3

 

CMYK 0 / 19 / 20 / 6

HEX #CA4B424C

RGBA 202 75 66 0.3

HSLA 3.97, 0.56%, 0.53%, 0.3

LABA 49.47, 49.91, 32.17, 0.3

 

CMYK 0 / 21 / 22 / 8

HEX #B9392F4C

RGBA 185 57 47 0.3

HSLA 4.35, 0.59%, 0.45%, 0.3

LABA 43.43, 50.77, 35.28, 0.3

 

CMYK 0 / 23 / 25 / 10

HEX #A8271C4C

RGBA 168 39 28 0.3

HSLA 4.71, 0.71%, 0.38%, 0.3

LABA 37.59, 51.18, 38.75, 0.3

 

CMYK 0 / 26 / 28 / 12

HEX #9715094C

RGBA 151 21 9 0.3

HSLA 5.07, 0.89%, 0.31%, 0.3

LABA 32.11, 50.76, 41.83, 0.3

 

CMYK 0 / 57 / 60 / 14

HEX #DB5F57

RGB 219 95 87

HSL 3.64, 0.65%, 0.6%

LAB 56.02, 48.04, 28.85

 

CMYK 0 / 60 / 60 / 14

HEX #DB5757

RGB 219 87 87

HSL 0, 0.65%, 0.6%

LAB 54.62, 51.72, 27.05

 

CMYK 0 / 57 / 60 / 14

HEX #DB5F57

RGB 219 95 87

HSL 3.64, 0.65%, 0.6%

LAB 56.02, 48.04, 28.85

 

CMYK 0 / 41 / 60 / 14

HEX #DB8257

RGB 219 130 87

HSL 19.55, 0.65%, 0.6%

LAB 63.11, 30.31, 37.69

 

CMYK 0 / 24 / 60 / 14

HEX #DBA657

RGB 219 166 87

HSL 35.91, 0.65%, 0.6%

LAB 71.57, 11, 47.75

 

CMYK 0 / 8 / 60 / 14

HEX #DBCA57

RGB 219 202 87

HSL 52.27, 0.65%, 0.6%

LAB 80.73, -7.87, 58.11

 

CMYK 8 / 0 / 60 / 14

HEX #C9DB57

RGB 201 219 87

HSL 68.18, 0.65%, 0.6%

LAB 83.85, -23.7, 61.11

 

CMYK 0 / 57 / 60 / 14

HEX #DB5F57

RGB 219 95 87

HSL 3.64, 0.65%, 0.6%

LAB 56.02, 48.04, 28.85

 

CMYK 0 / 66 / 70 / 7

HEX #EC5046

RGB 236 80 70

HSL 3.61, 0.81%, 0.6%

LAB 56.1, 59.39, 39.18

 

CMYK 0 / 74 / 79 / 1

HEX #FC4236

RGB 252 66 54

HSL 3.64, 0.97%, 0.6%

LAB 56.94, 68.73, 49.5

 

CMYK 0 / 57 / 60 / 14

HEX #DB5F57

RGB 219 95 87

HSL 3.64, 0.65%, 0.6%

LAB 56.02, 48.04, 28.85

 

CMYK 0 / 46 / 49 / 20

HEX #CB6D67

RGB 203 109 103

HSL 3.6, 0.49%, 0.6%

LAB 56.7, 36.45, 20.09

 

CMYK 0 / 33 / 35 / 27

HEX #BA7C78

RGB 186 124 120

HSL 3.64, 0.32%, 0.6%

LAB 58.24, 23.62, 12.07

 

CMYK 0 / 19 / 20 / 33

HEX #AA8A88

RGB 170 138 136

HSL 3.53, 0.17%, 0.6%

LAB 60.34, 11.8, 5.65

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 0 / 60 / 31 / 14

HEX #DB5797

RGB 219 87 151

HSL 330.91, 0.65%, 0.6%

LAB 56.2, 57.81, -8.38

 

CMYK 0 / 60 / 47 / 14

HEX #DB5773

RGB 219 87 115

HSL 347.27, 0.65%, 0.6%

LAB 55.19, 53.96, 11.38

 

CMYK 0 / 58 / 60 / 14

HEX #DB5D57

RGB 219 93 87

HSL 2.73, 0.65%, 0.6%

LAB 55.66, 48.98, 28.39

 

CMYK 0 / 41 / 60 / 14

HEX #DB8157

RGB 219 129 87

HSL 19.09, 0.65%, 0.6%

LAB 62.88, 30.84, 37.42

 

CMYK 0 / 25 / 60 / 14

HEX #DBA457

RGB 219 164 87

HSL 35, 0.65%, 0.6%

LAB 71.08, 12.07, 47.18

 

CMYK 0 / 74 / 79 / 28

HEX #B83027

RGB 184 48 39

HSL 3.72, 0.65%, 0.44%

LAB 41.92, 53.51, 38.11

 

CMYK 0 / 71 / 75 / 17

HEX #D43E35

RGB 212 62 53

HSL 3.4, 0.65%, 0.52%

LAB 49.13, 57.86, 39.6

 

CMYK 0 / 57 / 60 / 14

HEX #DB5F57

RGB 219 95 87

HSL 3.64, 0.65%, 0.6%

LAB 56.02, 48.04, 28.85

 

CMYK 0 / 44 / 47 / 11

HEX #E37F79

RGB 227 127 121

HSL 3.4, 0.65%, 0.68%

LAB 64.07, 37.86, 20.37

 

CMYK 0 / 32 / 34 / 8

HEX #EA9F9B

RGB 234 159 155

HSL 3.04, 0.65%, 0.76%

LAB 72.66, 27.41, 13.46

 

CMYK 0 / 58 / 61 / 14

HEX #DB5D55

RGB 219 93 85

HSL 3.58, 0.65%, 0.6%

LAB 55.63, 48.84, 29.49

 

CMYK 15 / 0 / 60 / 14

HEX #BADB57

RGB 186 219 87

HSL 75, 0.65%, 0.6%

LAB 82.8, -29.64, 59.67

 

CMYK 60 / 39 / 0 / 14

HEX #5785DB

RGB 87 133 219

HSL 219.09, 0.65%, 0.6%

LAB 56, 10.44, -48.73

 

CMYK 0 / 58 / 61 / 14

HEX #DB5D55

RGB 219 93 85

HSL 3.58, 0.65%, 0.6%

LAB 55.63, 48.84, 29.49

 

CMYK 60 / 0 / 58 / 14

HEX #57DB5D

RGB 87 219 93

HSL 122.73, 0.65%, 0.6%

LAB 78.16, -60.8, 50.52

 

CMYK 58 / 60 / 0 / 14

HEX #5D57DB

RGB 93 87 219

HSL 242.73, 0.65%, 0.6%

LAB 44.6, 39.66, -67.04

 

CMYK 0 / 58 / 61 / 14

HEX #DB5D55

RGB 219 93 85

HSL 3.58, 0.65%, 0.6%

LAB 55.63, 48.84, 29.49

 

CMYK 15 / 0 / 60 / 14

HEX #BADB57

RGB 186 219 87

HSL 75, 0.65%, 0.6%

LAB 82.8, -29.64, 59.67

 

CMYK 60 / 3 / 0 / 14

HEX #57D5DB

RGB 87 213 219

HSL 182.73, 0.65%, 0.6%

LAB 78.89, -32.7, -13.38

 

CMYK 45 / 60 / 0 / 14

HEX #7857DB

RGB 120 87 219

HSL 255, 0.65%, 0.6%

LAB 46.87, 44.76, -63.24

 

CMYK 0 / 58 / 61 / 14

HEX #DB5D55

RGB 219 93 85

HSL 3.58, 0.65%, 0.6%

LAB 55.63, 48.84, 29.49

 

CMYK 33 / 0 / 60 / 14

HEX #92DB57

RGB 146 219 87

HSL 93.18, 0.65%, 0.6%

LAB 80.44, -44.44, 56.39

 

CMYK 60 / 3 / 0 / 14

HEX #57D5DB

RGB 87 213 219

HSL 182.73, 0.65%, 0.6%

LAB 78.89, -32.7, -13.38

 

CMYK 27 / 60 / 0 / 14

HEX #A057DB

RGB 160 87 219

HSL 273.18, 0.65%, 0.6%

LAB 51.16, 53.56, -56.12

 

Description

Color code: HEX #DB5D554C | qconv.com Color code: HEX #DB5D554C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 93 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 93 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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