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Color name
HEX #DB5C15

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB5C15 it is the complementary color #24A3EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB5C15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB5C15 shade: #E05C10, #F16E23, #FF8036, #FF9249 and #FFA45C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB5C15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB5C15 shade: #DB5C15, #CA4A02, #B93800, #A82600 and #971400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB5C15 shade: #DB5C14, #DB2614 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB5C15 shade: #DB5C14, #DB9114, #DBC714, #BADB14 and #84DB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB5C15 shade matches the following richer shades: #DB5C14 and #EF5601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB5C15 shade: #DB5C14, #C86128, #B5673B, #A16C4F and #8E7262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB5C15 shade: #DB1439, #DB2514, #DB5A14, #DB8F14 and #DBC414

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB5C15 shade: #903C0D, #B64C11, #DB5C14, #EC722D and #EF8B53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB5C15 shade: #DB5C15, #6EDB14 and #141EDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB5C15 shade: #DB5C15, #14DB5A and #5A14DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB5C15 shade: #DB5C15, #6EDB14, #1496DB and #8214DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB5C15 shade: #DB5C15, #32DB14, #1496DB and #BD14DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 90 / 14

HEX #DB5C15

RGB 219 92 21

HSL 21.52, 0.83%, 0.47%

LAB 54.83, 46.73, 59.42

 

Complementary color

CMYK 85 / 30 / 0 / 8

HEX #24A3EA

RGB 36 163 234

HSL 201.52, 0.83%, 0.53%

LAB 63.76, -8.45, -44.89

 

CMYK 0 / 59 / 93 / 12

HEX #E05C10

RGB 224 92 16

HSL 21.92, 0.87%, 0.47%

LAB 55.62, 48.5, 61.72

 

CMYK 0 / 54 / 85 / 5

HEX #F16E23

RGB 241 110 35

HSL 21.84, 0.88%, 0.54%

LAB 61.63, 46.69, 61.5

 

CMYK 0 / 50 / 79 / 0

HEX #FF8036

RGB 255 128 54

HSL 22.09, 1%, 0.61%

LAB 67.25, 43.78, 59.74

 

CMYK 0 / 43 / 71 / 0

HEX #FF9249

RGB 255 146 73

HSL 24.07, 1%, 0.64%

LAB 71.08, 35.49, 55.08

 

CMYK 0 / 36 / 64 / 0

HEX #FFA45C

RGB 255 164 92

HSL 26.5, 1%, 0.68%

LAB 75.19, 27.21, 50.54

 

CMYK 0 / 58 / 90 / 14

HEX #DB5C15

RGB 219 92 21

HSL 21.52, 0.83%, 0.47%

LAB 54.83, 46.73, 59.42

 

CMYK 0 / 63 / 99 / 21

HEX #CA4A02

RGB 202 74 2

HSL 21.6, 0.98%, 0.4%

LAB 48.83, 48.49, 58.89

 

CMYK 0 / 70 / 100 / 27

HEX #B93800

RGB 185 56 0

HSL 18.16, 1%, 0.36%

LAB 42.98, 50.07, 54.74

 

CMYK 0 / 77 / 100 / 34

HEX #A82600

RGB 168 38 0

HSL 13.57, 1%, 0.33%

LAB 37.32, 51.01, 50.23

 

CMYK 0 / 87 / 100 / 41

HEX #971400

RGB 151 20 0

HSL 7.95, 1%, 0.3%

LAB 31.99, 50.86, 45.42

 

CMYK 0 / 58 / 91 / 14

HEX #DB5C14

RGB 219 92 20

HSL 21.71, 0.83%, 0.47%

LAB 54.83, 46.71, 59.71

 

CMYK 0 / 83 / 91 / 14

HEX #DB2614

RGB 219 38 20

HSL 5.43, 0.83%, 0.47%

LAB 47.62, 66.33, 54.7

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 58 / 91 / 14

HEX #DB5C14

RGB 219 92 20

HSL 21.71, 0.83%, 0.47%

LAB 54.83, 46.71, 59.71

 

CMYK 0 / 34 / 91 / 14

HEX #DB9114

RGB 219 145 20

HSL 37.69, 0.83%, 0.47%

LAB 66.03, 19.44, 67.92

 

CMYK 0 / 9 / 91 / 14

HEX #DBC714

RGB 219 199 20

HSL 53.97, 0.83%, 0.47%

LAB 79.59, -9.04, 78.21

 

CMYK 15 / 0 / 91 / 14

HEX #BADB14

RGB 186 219 20

HSL 69.95, 0.83%, 0.47%

LAB 82.46, -32.67, 79.36

 

CMYK 40 / 0 / 91 / 14

HEX #84DB14

RGB 132 219 20

HSL 86.23, 0.83%, 0.47%

LAB 79.4, -52.9, 75.6

 

CMYK 0 / 58 / 91 / 14

HEX #DB5C14

RGB 219 92 20

HSL 21.71, 0.83%, 0.47%

LAB 54.83, 46.71, 59.71

 

CMYK 0 / 64 / 100 / 6

HEX #EF5601

RGB 239 86 1

HSL 21.43, 0.99%, 0.47%

LAB 57.08, 56.31, 66.95

 

CMYK 0 / 58 / 91 / 14

HEX #DB5C14

RGB 219 92 20

HSL 21.71, 0.83%, 0.47%

LAB 54.83, 46.71, 59.71

 

CMYK 0 / 52 / 80 / 22

HEX #C86128

RGB 200 97 40

HSL 21.38, 0.67%, 0.47%

LAB 52.93, 37.46, 49.41

 

CMYK 0 / 43 / 67 / 29

HEX #B5673B

RGB 181 103 59

HSL 21.64, 0.51%, 0.47%

LAB 51.66, 27.43, 37.82

 

CMYK 0 / 33 / 51 / 37

HEX #A16C4F

RGB 161 108 79

HSL 21.22, 0.34%, 0.47%

LAB 50.53, 17.75, 24.75

 

CMYK 0 / 20 / 31 / 44

HEX #8E7262

RGB 142 114 98

HSL 21.82, 0.18%, 0.47%

LAB 50.3, 8.52, 13.03

 

CMYK 0 / 91 / 74 / 14

HEX #DB1439

RGB 219 20 57

HSL 348.84, 0.83%, 0.47%

LAB 46.78, 70.57, 35.04

 

CMYK 0 / 83 / 91 / 14

HEX #DB2514

RGB 219 37 20

HSL 5.13, 0.83%, 0.47%

LAB 47.54, 66.56, 54.64

 

CMYK 0 / 59 / 91 / 14

HEX #DB5A14

RGB 219 90 20

HSL 21.11, 0.83%, 0.47%

LAB 54.47, 47.64, 59.46

 

CMYK 0 / 35 / 91 / 14

HEX #DB8F14

RGB 219 143 20

HSL 37.09, 0.83%, 0.47%

LAB 65.56, 20.52, 67.56

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 0 / 58 / 91 / 44

HEX #903C0D

RGB 144 60 13

HSL 21.53, 0.83%, 0.31%

LAB 36.35, 33.23, 42.75

 

CMYK 0 / 58 / 91 / 29

HEX #B64C11

RGB 182 76 17

HSL 21.45, 0.83%, 0.39%

LAB 45.84, 40.31, 51.37

 

CMYK 0 / 58 / 91 / 14

HEX #DB5C14

RGB 219 92 20

HSL 21.71, 0.83%, 0.47%

LAB 54.83, 46.71, 59.71

 

CMYK 0 / 52 / 81 / 7

HEX #EC722D

RGB 236 114 45

HSL 21.68, 0.83%, 0.55%

LAB 61.7, 43.12, 57.36

 

CMYK 0 / 42 / 65 / 6

HEX #EF8B53

RGB 239 139 83

HSL 21.54, 0.83%, 0.63%

LAB 67.61, 33.3, 45.75

 

CMYK 0 / 58 / 90 / 14

HEX #DB5C15

RGB 219 92 21

HSL 21.52, 0.83%, 0.47%

LAB 54.83, 46.73, 59.42

 

CMYK 50 / 0 / 91 / 14

HEX #6EDB14

RGB 110 219 20

HSL 92.86, 0.83%, 0.47%

LAB 78.48, -59.8, 74.47

 

CMYK 91 / 86 / 0 / 14

HEX #141EDB

RGB 20 30 219

HSL 236.98, 0.83%, 0.47%

LAB 29.89, 63.32, -91.41

 

CMYK 0 / 58 / 90 / 14

HEX #DB5C15

RGB 219 92 21

HSL 21.52, 0.83%, 0.47%

LAB 54.83, 46.73, 59.42

 

CMYK 91 / 0 / 59 / 14

HEX #14DB5A

RGB 20 219 90

HSL 141.11, 0.83%, 0.47%

LAB 77.01, -70.35, 50.24

 

CMYK 59 / 91 / 0 / 14

HEX #5A14DB

RGB 90 20 219

HSL 261.11, 0.83%, 0.47%

LAB 33.54, 69.58, -85.22

 

CMYK 0 / 58 / 90 / 14

HEX #DB5C15

RGB 219 92 21

HSL 21.52, 0.83%, 0.47%

LAB 54.83, 46.73, 59.42

 

CMYK 50 / 0 / 91 / 14

HEX #6EDB14

RGB 110 219 20

HSL 92.86, 0.83%, 0.47%

LAB 78.48, -59.8, 74.47

 

CMYK 91 / 32 / 0 / 14

HEX #1496DB

RGB 20 150 219

HSL 200.8, 0.83%, 0.47%

LAB 59.04, -7.52, -44.03

 

CMYK 41 / 91 / 0 / 14

HEX #8214DB

RGB 130 20 219

HSL 273.17, 0.83%, 0.47%

LAB 38.48, 73.28, -76.89

 

CMYK 0 / 58 / 90 / 14

HEX #DB5C15

RGB 219 92 21

HSL 21.52, 0.83%, 0.47%

LAB 54.83, 46.73, 59.42

 

CMYK 77 / 0 / 91 / 14

HEX #32DB14

RGB 50 219 20

HSL 110.95, 0.83%, 0.47%

LAB 76.92, -72.74, 72.53

 

CMYK 91 / 32 / 0 / 14

HEX #1496DB

RGB 20 150 219

HSL 200.8, 0.83%, 0.47%

LAB 59.04, -7.52, -44.03

 

CMYK 14 / 91 / 0 / 14

HEX #BD14DB

RGB 189 20 219

HSL 290.95, 0.83%, 0.47%

LAB 47.54, 81.14, -61.74

 

Description

Color code: HEX #DB5C15 | qconv.com Color code: HEX #DB5C15 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 92 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 92 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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