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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB5A4100 it is the complementary color #24A5BE00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB5A4100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB5A4100 shade: #E05A3C00, #F16C4F00, #FF7E6200, #FF907500 and #FFA28800

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB5A4100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB5A4100 shade: #DB5A4100, #CA482E00, #B9361B00, #A8240800 and #97120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB5A4100 shade: #DB5B43 and #DB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB5A4100 shade: #DB5B43, #DB8443, #DBAE43, #DBD743 and #B6DB43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB5A4100 shade matches the following richer shades: #DB5B43 and #ED4F30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB5A4100 shade: #DB5B43, #C96855, #B77467, #A58079 and #928C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB5A4100 shade: #DB437D, #DB4354, #DB5943, #DB8243 and #DBAB43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB5A4100 shade: #AB3720, #CD4227, #DB5B43, #E27965 and #E89788

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB5A4100 shade: #DB5A41, #A6DB43 and #4369DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB5A4100 shade: #DB5A41, #43DB59 and #5943DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB5A4100 shade: #DB5A41, #A6DB43, #43C4DB and #7843DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB5A4100 shade: #DB5A41, #78DB43, #43C4DB and #A643DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #DB5A4100

RGBA 219 90 65 0

HSLA 9.74, 0.68%, 0.56%, 0

LABA 54.82, 49.07, 39.72, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #24A5BE00

RGBA 36 165 190 0

HSLA 189.74, 0.68%, 0.44%, 0

LABA 62.51, -24.69, -22.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E05A3C00

RGBA 224 90 60 0

HSLA 10.98, 0.73%, 0.56%, 0

LABA 55.57, 50.62, 43.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F16C4F00

RGBA 241 108 79 0

HSLA 10.74, 0.85%, 0.63%, 0

LABA 61.65, 49.3, 40.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7E6200

RGBA 255 126 98 0

HSLA 10.7, 1%, 0.69%, 0

LABA 67.32, 46.89, 38.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF907500

RGBA 255 144 117 0

HSLA 11.74, 1%, 0.73%, 0

LABA 71.21, 39.3, 32.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA28800

RGBA 255 162 136 0

HSLA 13.11, 1%, 0.77%, 0

LABA 75.38, 31.71, 27.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DB5A4100

RGBA 219 90 65 0

HSLA 9.74, 0.68%, 0.56%, 0

LABA 54.82, 49.07, 39.72, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CA482E00

RGBA 202 72 46 0

HSLA 10, 0.63%, 0.49%, 0

LABA 48.75, 50.29, 42.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B9361B00

RGBA 185 54 27 0

HSLA 10.25, 0.75%, 0.42%, 0

LABA 42.81, 51.27, 45.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A8240800

RGBA 168 36 8 0

HSLA 10.5, 0.91%, 0.35%, 0

LABA 37.12, 51.76, 47.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #97120000

RGBA 151 18 0 0

HSLA 7.15, 1%, 0.3%, 0

LABA 31.83, 51.29, 45.31, 0

 

CMYK 0 / 58 / 69 / 14

HEX #DB5B43

RGB 219 91 67

HSL 9.47, 0.68%, 0.56%

LAB 55.02, 48.71, 38.86

 

CMYK 0 / 69 / 69 / 14

HEX #DB4343

RGB 219 67 67

HSL 0, 0.68%, 0.56%

LAB 51.24, 58.84, 34.43

 

CMYK 0 / 58 / 69 / 14

HEX #DB5B43

RGB 219 91 67

HSL 9.47, 0.68%, 0.56%

LAB 55.02, 48.71, 38.86

 

CMYK 0 / 40 / 69 / 14

HEX #DB8443

RGB 219 132 67

HSL 25.66, 0.68%, 0.56%

LAB 63.32, 28, 48.19

 

CMYK 0 / 21 / 69 / 14

HEX #DBAE43

RGB 219 174 67

HSL 42.24, 0.68%, 0.56%

LAB 73.37, 5.51, 58.88

 

CMYK 0 / 2 / 69 / 14

HEX #DBD743

RGB 219 215 67

HSL 58.42, 0.68%, 0.56%

LAB 84, -15.58, 69.58

 

CMYK 17 / 0 / 69 / 14

HEX #B6DB43

RGB 182 219 67

HSL 74.61, 0.68%, 0.56%

LAB 82.39, -32.55, 67.07

 

CMYK 0 / 58 / 69 / 14

HEX #DB5B43

RGB 219 91 67

HSL 9.47, 0.68%, 0.56%

LAB 55.02, 48.71, 38.86

 

CMYK 0 / 67 / 80 / 7

HEX #ED4F30

RGB 237 79 48

HSL 9.84, 0.84%, 0.56%

LAB 55.9, 59.26, 50.59

 

CMYK 0 / 58 / 69 / 14

HEX #DB5B43

RGB 219 91 67

HSL 9.47, 0.68%, 0.56%

LAB 55.02, 48.71, 38.86

 

CMYK 0 / 48 / 58 / 21

HEX #C96855

RGB 201 104 85

HSL 9.83, 0.52%, 0.56%

LAB 55.05, 36.74, 28.2

 

CMYK 0 / 37 / 44 / 28

HEX #B77467

RGB 183 116 103

HSL 9.75, 0.36%, 0.56%

LAB 55.62, 24.86, 18.19

 

CMYK 0 / 22 / 27 / 35

HEX #A58079

RGB 165 128 121

HSL 9.55, 0.2%, 0.56%

LAB 56.9, 13.2, 9.27

 

CMYK 0 / 4 / 5 / 43

HEX #928C8B

RGB 146 140 139

HSL 8.57, 0.03%, 0.56%

LAB 58.72, 2.04, 1.32

 

CMYK 0 / 69 / 43 / 14

HEX #DB437D

RGB 219 67 125

HSL 337.11, 0.68%, 0.56%

LAB 52.46, 63.03, 1.52

 

CMYK 0 / 69 / 62 / 14

HEX #DB4354

RGB 219 67 84

HSL 353.29, 0.68%, 0.56%

LAB 51.51, 59.78, 24.79

 

CMYK 0 / 59 / 69 / 14

HEX #DB5943

RGB 219 89 67

HSL 8.68, 0.68%, 0.56%

LAB 54.67, 49.63, 38.45

 

CMYK 0 / 41 / 69 / 14

HEX #DB8243

RGB 219 130 67

HSL 24.87, 0.68%, 0.56%

LAB 62.87, 29.06, 47.7

 

CMYK 0 / 22 / 69 / 14

HEX #DBAB43

RGB 219 171 67

HSL 41.05, 0.68%, 0.56%

LAB 72.62, 7.1, 58.1

 

CMYK 0 / 68 / 81 / 33

HEX #AB3720

RGB 171 55 32

HSL 9.93, 0.68%, 0.4%

LAB 40.4, 46.25, 39.55

 

CMYK 0 / 68 / 81 / 20

HEX #CD4227

RGB 205 66 39

HSL 9.76, 0.68%, 0.48%

LAB 48.29, 53.56, 45.73

 

CMYK 0 / 58 / 69 / 14

HEX #DB5B43

RGB 219 91 67

HSL 9.47, 0.68%, 0.56%

LAB 55.02, 48.71, 38.86

 

CMYK 0 / 46 / 55 / 11

HEX #E27965

RGB 226 121 101

HSL 9.6, 0.68%, 0.64%

LAB 62.32, 38.8, 29.25

 

CMYK 0 / 35 / 41 / 9

HEX #E89788

RGB 232 151 136

HSL 9.38, 0.68%, 0.72%

LAB 70.22, 28.69, 20.5

 

CMYK 0 / 59 / 70 / 14

HEX #DB5A41

RGB 219 90 65

HSL 9.74, 0.68%, 0.56%

LAB 54.82, 49.07, 39.72

 

CMYK 24 / 0 / 69 / 14

HEX #A6DB43

RGB 166 219 67

HSL 80.92, 0.68%, 0.56%

LAB 81.39, -38.72, 65.74

 

CMYK 69 / 52 / 0 / 14

HEX #4369DB

RGB 67 105 219

HSL 225, 0.68%, 0.56%

LAB 47.51, 24.4, -62.39

 

CMYK 0 / 59 / 70 / 14

HEX #DB5A41

RGB 219 90 65

HSL 9.74, 0.68%, 0.56%

LAB 54.82, 49.07, 39.72

 

CMYK 69 / 0 / 59 / 14

HEX #43DB59

RGB 67 219 89

HSL 128.68, 0.68%, 0.56%

LAB 77.62, -65.22, 51.56

 

CMYK 59 / 69 / 0 / 14

HEX #5943DB

RGB 89 67 219

HSL 248.68, 0.68%, 0.56%

LAB 40, 50.52, -74.56

 

CMYK 0 / 59 / 70 / 14

HEX #DB5A41

RGB 219 90 65

HSL 9.74, 0.68%, 0.56%

LAB 54.82, 49.07, 39.72

 

CMYK 24 / 0 / 69 / 14

HEX #A6DB43

RGB 166 219 67

HSL 80.92, 0.68%, 0.56%

LAB 81.39, -38.72, 65.74

 

CMYK 69 / 11 / 0 / 14

HEX #43C4DB

RGB 67 196 219

HSL 189.08, 0.68%, 0.56%

LAB 73.41, -27.54, -21.71

 

CMYK 45 / 69 / 0 / 14

HEX #7843DB

RGB 120 67 219

HSL 260.92, 0.68%, 0.56%

LAB 42.95, 55.4, -69.63

 

CMYK 0 / 59 / 70 / 14

HEX #DB5A41

RGB 219 90 65

HSL 9.74, 0.68%, 0.56%

LAB 54.82, 49.07, 39.72

 

CMYK 45 / 0 / 69 / 14

HEX #78DB43

RGB 120 219 67

HSL 99.08, 0.68%, 0.56%

LAB 79.08, -54.56, 62.64

 

CMYK 69 / 11 / 0 / 14

HEX #43C4DB

RGB 67 196 219

HSL 189.08, 0.68%, 0.56%

LAB 73.41, -27.54, -21.71

 

CMYK 24 / 69 / 0 / 14

HEX #A643DB

RGB 166 67 219

HSL 279.08, 0.68%, 0.56%

LAB 48.56, 64.13, -60.27

 

Description

Color code: HEX #DB5A4100 | qconv.com Color code: HEX #DB5A4100 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 90 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 90 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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