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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB59D5 it is the complementary color #24A62A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB59D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB59D5 shade: #E059D0, #F16BE3, #FF7DF6, #FF8FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB59D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB59D5 shade: #DB59D5, #CA47C2, #B935AF, #A8239C and #971189

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB59D5 shade: #DA57D4, #DA57B1, #DA578D, #DA576A and #DA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB59D5 shade: #DA57D4, #BD57DA, #9957DA, #7657DA and #5757DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB59D5 shade matches the following richer shades: #DA57D4, #EA47E3 and #FB36F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB59D5 shade: #DA57D4, #C968C5, #B978B6, #A889A7 and #989998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB59D5 shade: #9957DA, #BB57DA, #DA57D5, #DA57B3 and #DA5790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB59D5 shade: #B728B0, #D235CB, #DA57D4, #E179DC and #E99BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB59D5 shade: #DB59D5, #DA7657 and #57DAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB59D5 shade: #DB59D5, #D5DA57 and #57D5DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB59D5 shade: #DB59D5, #DA7657, #57DA5C and #57BBDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB59D5 shade: #DB59D5, #DA9D57, #57DA5C and #5794DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 3 / 14

HEX #DB59D5

RGB 219 89 213

HSL 302.77, 0.64%, 0.6%

LAB 58.98, 65.91, -39.81

 

Complementary color

CMYK 78 / 0 / 75 / 35

HEX #24A62A

RGB 36 166 42

HSL 122.77, 0.64%, 0.4%

LAB 59.72, -57.5, 51.28

 

CMYK 0 / 60 / 7 / 12

HEX #E059D0

RGB 224 89 208

HSL 307.11, 0.69%, 0.61%

LAB 59.48, 66.37, -36.16

 

CMYK 0 / 56 / 6 / 5

HEX #F16BE3

RGB 241 107 227

HSL 306.27, 0.83%, 0.68%

LAB 65.56, 66.1, -37.14

 

CMYK 0 / 51 / 4 / 0

HEX #FF7DF6

RGB 255 125 246

HSL 304.15, 1%, 0.75%

LAB 71.27, 64.82, -38.59

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 59 / 3 / 14

HEX #DB59D5

RGB 219 89 213

HSL 302.77, 0.64%, 0.6%

LAB 58.98, 65.91, -39.81

 

CMYK 0 / 65 / 4 / 21

HEX #CA47C2

RGB 202 71 194

HSL 303.66, 0.55%, 0.54%

LAB 52.9, 65.93, -38.69

 

CMYK 0 / 71 / 5 / 27

HEX #B935AF

RGB 185 53 175

HSL 304.55, 0.55%, 0.47%

LAB 46.92, 65.49, -37.24

 

CMYK 0 / 79 / 7 / 34

HEX #A8239C

RGB 168 35 156

HSL 305.41, 0.66%, 0.4%

LAB 41.1, 64.32, -35.29

 

CMYK 0 / 89 / 9 / 41

HEX #971189

RGB 151 17 137

HSL 306.27, 0.8%, 0.33%

LAB 35.57, 62.05, -32.64

 

CMYK 0 / 60 / 3 / 15

HEX #DA57D4

RGB 218 87 212

HSL 302.75, 0.64%, 0.6%

LAB 58.49, 66.33, -40.04

 

CMYK 0 / 60 / 19 / 15

HEX #DA57B1

RGB 218 87 177

HSL 318.78, 0.64%, 0.6%

LAB 56.97, 60.95, -22.36

 

CMYK 0 / 60 / 35 / 15

HEX #DA578D

RGB 218 87 141

HSL 335.27, 0.64%, 0.6%

LAB 55.73, 56.32, -3.22

 

CMYK 0 / 60 / 51 / 15

HEX #DA576A

RGB 218 87 106

HSL 351.3, 0.64%, 0.6%

LAB 54.83, 52.83, 16.16

 

CMYK 0 / 60 / 60 / 15

HEX #DA5757

RGB 218 87 87

HSL 0, 0.64%, 0.6%

LAB 54.46, 51.38, 26.81

 

CMYK 0 / 60 / 3 / 15

HEX #DA57D4

RGB 218 87 212

HSL 302.75, 0.64%, 0.6%

LAB 58.49, 66.33, -40.04

 

CMYK 13 / 60 / 0 / 15

HEX #BD57DA

RGB 189 87 218

HSL 286.72, 0.64%, 0.6%

LAB 54.76, 60.25, -49.59

 

CMYK 30 / 60 / 0 / 15

HEX #9957DA

RGB 153 87 218

HSL 270.23, 0.64%, 0.6%

LAB 50.28, 51.71, -57.01

 

CMYK 46 / 60 / 0 / 15

HEX #7657DA

RGB 118 87 218

HSL 254.2, 0.64%, 0.6%

LAB 46.62, 44.07, -63.1

 

CMYK 60 / 60 / 0 / 15

HEX #5757DA

RGB 87 87 218

HSL 240, 0.64%, 0.6%

LAB 44.1, 38.33, -67.31

 

CMYK 0 / 60 / 3 / 15

HEX #DA57D4

RGB 218 87 212

HSL 302.75, 0.64%, 0.6%

LAB 58.49, 66.33, -40.04

 

CMYK 0 / 70 / 3 / 8

HEX #EA47E3

RGB 234 71 227

HSL 302.58, 0.8%, 0.6%

LAB 59.48, 78.44, -46.78

 

CMYK 0 / 78 / 4 / 2

HEX #FB36F2

RGB 251 54 242

HSL 302.74, 0.96%, 0.6%

LAB 61.27, 88.9, -52.15

 

CMYK 0 / 60 / 3 / 15

HEX #DA57D4

RGB 218 87 212

HSL 302.75, 0.64%, 0.6%

LAB 58.49, 66.33, -40.04

 

CMYK 0 / 48 / 2 / 21

HEX #C968C5

RGB 201 104 197

HSL 302.47, 0.47%, 0.6%

LAB 58.37, 51.36, -31.88

 

CMYK 0 / 35 / 2 / 27

HEX #B978B6

RGB 185 120 182

HSL 302.77, 0.32%, 0.6%

LAB 59.09, 35.29, -22.37

 

CMYK 0 / 18 / 1 / 34

HEX #A889A7

RGB 168 137 167

HSL 301.94, 0.15%, 0.6%

LAB 60.79, 17.11, -11.4

 

CMYK 1 / 0 / 1 / 40

HEX #989998

RGB 152 153 152

HSL 120, 0%, 0.6%

LAB 63.11, -0.55, 0.39

 

CMYK 30 / 60 / 0 / 15

HEX #9957DA

RGB 153 87 218

HSL 270.23, 0.64%, 0.6%

LAB 50.28, 51.71, -57.01

 

CMYK 14 / 60 / 0 / 15

HEX #BB57DA

RGB 187 87 218

HSL 285.8, 0.64%, 0.6%

LAB 54.49, 59.76, -50.03

 

CMYK 0 / 60 / 2 / 15

HEX #DA57D5

RGB 218 87 213

HSL 302.29, 0.64%, 0.6%

LAB 58.53, 66.5, -40.53

 

CMYK 0 / 60 / 18 / 15

HEX #DA57B3

RGB 218 87 179

HSL 317.86, 0.64%, 0.6%

LAB 57.05, 61.24, -23.39

 

CMYK 0 / 60 / 34 / 15

HEX #DA5790

RGB 218 87 144

HSL 333.89, 0.64%, 0.6%

LAB 55.82, 56.67, -4.85

 

CMYK 0 / 78 / 4 / 28

HEX #B728B0

RGB 183 40 176

HSL 302.94, 0.64%, 0.44%

LAB 45.25, 69.18, -40.49

 

CMYK 0 / 75 / 3 / 18

HEX #D235CB

RGB 210 53 203

HSL 302.68, 0.64%, 0.52%

LAB 52.46, 75.27, -44.49

 

CMYK 0 / 60 / 3 / 15

HEX #DA57D4

RGB 218 87 212

HSL 302.75, 0.64%, 0.6%

LAB 58.49, 66.33, -40.04

 

CMYK 0 / 46 / 2 / 12

HEX #E179DC

RGB 225 121 220

HSL 302.88, 0.63%, 0.68%

LAB 65.63, 53.93, -33.3

 

CMYK 0 / 33 / 2 / 9

HEX #E99BE5

RGB 233 155 229

HSL 303.08, 0.64%, 0.76%

LAB 73.82, 40.49, -25.58

 

CMYK 0 / 59 / 3 / 14

HEX #DB59D5

RGB 219 89 213

HSL 302.77, 0.64%, 0.6%

LAB 58.98, 65.91, -39.81

 

CMYK 0 / 46 / 60 / 15

HEX #DA7657

RGB 218 118 87

HSL 14.2, 0.64%, 0.6%

LAB 60.38, 36.22, 34.31

 

CMYK 60 / 0 / 22 / 15

HEX #57DAAA

RGB 87 218 170

HSL 158.02, 0.64%, 0.6%

LAB 79.08, -47.21, 13.05

 

CMYK 0 / 59 / 3 / 14

HEX #DB59D5

RGB 219 89 213

HSL 302.77, 0.64%, 0.6%

LAB 58.98, 65.91, -39.81

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 60 / 2 / 0 / 15

HEX #57D5DA

RGB 87 213 218

HSL 182.29, 0.64%, 0.6%

LAB 78.85, -32.98, -12.89

 

CMYK 0 / 59 / 3 / 14

HEX #DB59D5

RGB 219 89 213

HSL 302.77, 0.64%, 0.6%

LAB 58.98, 65.91, -39.81

 

CMYK 0 / 46 / 60 / 15

HEX #DA7657

RGB 218 118 87

HSL 14.2, 0.64%, 0.6%

LAB 60.38, 36.22, 34.31

 

CMYK 60 / 0 / 58 / 15

HEX #57DA5C

RGB 87 218 92

HSL 122.29, 0.64%, 0.6%

LAB 77.84, -60.56, 50.6

 

CMYK 60 / 14 / 0 / 15

HEX #57BBDA

RGB 87 187 218

HSL 194.2, 0.64%, 0.6%

LAB 71.3, -20.13, -24.32

 

CMYK 0 / 59 / 3 / 14

HEX #DB59D5

RGB 219 89 213

HSL 302.77, 0.64%, 0.6%

LAB 58.98, 65.91, -39.81

 

CMYK 0 / 28 / 60 / 15

HEX #DA9D57

RGB 218 157 87

HSL 32.06, 0.64%, 0.6%

LAB 69.26, 15.41, 45.03

 

CMYK 60 / 0 / 58 / 15

HEX #57DA5C

RGB 87 218 92

HSL 122.29, 0.64%, 0.6%

LAB 77.84, -60.56, 50.6

 

CMYK 60 / 32 / 0 / 15

HEX #5794DA

RGB 87 148 218

HSL 212.06, 0.64%, 0.6%

LAB 60.13, 1.25, -41.65

 

Description

Color code: HEX #DB59D5 | qconv.com Color code: HEX #DB59D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 89 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 89 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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