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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB54863F it is the complementary color #24AB793F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB54863F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB54863F shade: #E054813F, #F166943F, #FF78A73F, #FF8ABA3F and #FF9CCD3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB54863F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB54863F shade: #DB54863F, #CA42733F, #B930603F, #A81E4D3F and #970C3A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB54863F shade: #DA5285, #DA5260 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB54863F shade: #DA5285, #DA52A9, #DA52CE, #C252DA and #9D52DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB54863F shade matches the following richer shades: #DA5285, #EB4280 and #FC317C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB54863F shade: #DA5285, #C96389, #B9748E, #A88592 and #979696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB54863F shade: #DA52CF, #DA52AB, #DA5287, #DA5262 and #DA6752

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB54863F shade: #B4265B, #D3306D, #DA5285, #E2759D and #E997B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB54863F shade: #DB5486, #DAC152 and #52BDDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB54863F shade: #DB5486, #87DA52 and #5287DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB54863F shade: #DB5486, #DAC152, #52DAA6 and #526BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB54863F shade: #DB5486, #CBDA52, #52DAA6 and #6252DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 10 / 4

HEX #DB54863F

RGBA 219 84 134 0.25

HSLA 337.78, 0.65%, 0.59%, 0.25

LABA 55.2, 57.16, 0.15, 0.25

 

Complementary color

CMYK 20 / 0 / 7 / 8

HEX #24AB793F

RGBA 36 171 121 0.25

HSLA 157.78, 0.65%, 0.41%, 0.25

LABA 62.41, -46.94, 15.97, 0.25

 

CMYK 0 / 16 / 11 / 3

HEX #E054813F

RGBA 224 84 129 0.25

HSLA 340.71, 0.69%, 0.6%, 0.25

LABA 55.86, 58.19, 4.16, 0.25

 

CMYK 0 / 14 / 10 / 1

HEX #F166943F

RGBA 241 102 148 0.25

HSLA 340.14, 0.83%, 0.67%, 0.25

LABA 61.95, 57.64, 2.22, 0.25

 

CMYK 0 / 13 / 9 / 0

HEX #FF78A73F

RGBA 255 120 167 0.25

HSLA 339.11, 1%, 0.74%, 0.25

LABA 67.64, 55.98, -0.1, 0.25

 

CMYK 0 / 11 / 7 / 0

HEX #FF8ABA3F

RGBA 255 138 186 0.25

HSLA 335.38, 1%, 0.77%, 0.25

LABA 71.54, 49.64, -5.02, 0.25

 

CMYK 0 / 10 / 5 / 0

HEX #FF9CCD3F

RGBA 255 156 205 0.25

HSLA 330.3, 1%, 0.81%, 0.25

LABA 75.73, 43.21, -9.31, 0.25

 

CMYK 0 / 15 / 10 / 4

HEX #DB54863F

RGBA 219 84 134 0.25

HSLA 337.78, 0.65%, 0.59%, 0.25

LABA 55.2, 57.16, 0.15, 0.25

 

CMYK 0 / 17 / 11 / 5

HEX #CA42733F

RGBA 202 66 115 0.25

HSLA 338.38, 0.56%, 0.53%, 0.25

LABA 49.12, 57.46, 2.34, 0.25

 

CMYK 0 / 19 / 12 / 7

HEX #B930603F

RGBA 185 48 96 0.25

HSLA 338.98, 0.59%, 0.46%, 0.25

LABA 43.17, 57.32, 5.06, 0.25

 

CMYK 0 / 21 / 14 / 9

HEX #A81E4D3F

RGBA 168 30 77 0.25

HSLA 339.57, 0.7%, 0.39%, 0.25

LABA 37.46, 56.44, 8.53, 0.25

 

CMYK 0 / 23 / 15 / 10

HEX #970C3A3F

RGBA 151 12 58 0.25

HSLA 340.14, 0.85%, 0.32%, 0.25

LABA 32.14, 54.38, 13.03, 0.25

 

CMYK 0 / 62 / 39 / 15

HEX #DA5285

RGB 218 82 133

HSL 337.5, 0.65%, 0.59%

LAB 54.69, 57.6, -0.01

 

CMYK 0 / 62 / 56 / 15

HEX #DA5260

RGB 218 82 96

HSL 353.82, 0.65%, 0.59%

LAB 53.8, 54.23, 20.67

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 62 / 39 / 15

HEX #DA5285

RGB 218 82 133

HSL 337.5, 0.65%, 0.59%

LAB 54.69, 57.6, -0.01

 

CMYK 0 / 62 / 22 / 15

HEX #DA52A9

RGB 218 82 169

HSL 321.62, 0.65%, 0.59%

LAB 55.89, 61.96, -19.37

 

CMYK 0 / 62 / 6 / 15

HEX #DA52CE

RGB 218 82 206

HSL 305.29, 0.65%, 0.59%

LAB 57.46, 67.41, -38.24

 

CMYK 11 / 62 / 0 / 15

HEX #C252DA

RGB 194 82 218

HSL 289.41, 0.65%, 0.59%

LAB 54.62, 63.68, -49.77

 

CMYK 28 / 62 / 0 / 15

HEX #9D52DA

RGB 157 82 218

HSL 273.09, 0.65%, 0.59%

LAB 49.82, 55.14, -57.73

 

CMYK 0 / 62 / 39 / 15

HEX #DA5285

RGB 218 82 133

HSL 337.5, 0.65%, 0.59%

LAB 54.69, 57.6, -0.01

 

CMYK 0 / 72 / 46 / 8

HEX #EB4280

RGB 235 66 128

HSL 337.99, 0.81%, 0.59%

LAB 55.19, 68.16, 4.03

 

CMYK 0 / 81 / 51 / 1

HEX #FC317C

RGB 252 49 124

HSL 337.83, 0.97%, 0.59%

LAB 56.43, 77.14, 8.6

 

CMYK 0 / 62 / 39 / 15

HEX #DA5285

RGB 218 82 133

HSL 337.5, 0.65%, 0.59%

LAB 54.69, 57.6, -0.01

 

CMYK 0 / 51 / 32 / 21

HEX #C96389

RGB 201 99 137

HSL 337.65, 0.49%, 0.59%

LAB 55.22, 44.65, -1.9

 

CMYK 0 / 37 / 23 / 27

HEX #B9748E

RGB 185 116 142

HSL 337.39, 0.33%, 0.59%

LAB 56.84, 30.71, -2.69

 

CMYK 0 / 21 / 13 / 34

HEX #A88592

RGB 168 133 146

HSL 337.71, 0.17%, 0.59%

LAB 59.14, 15.52, -1.85

 

CMYK 0 / 1 / 1 / 41

HEX #979696

RGB 151 150 150

HSL 0, 0%, 0.59%

LAB 62.16, 0.37, 0.12

 

CMYK 0 / 62 / 5 / 15

HEX #DA52CF

RGB 218 82 207

HSL 304.85, 0.65%, 0.59%

LAB 57.51, 67.57, -38.74

 

CMYK 0 / 62 / 22 / 15

HEX #DA52AB

RGB 218 82 171

HSL 320.74, 0.65%, 0.59%

LAB 55.97, 62.23, -20.42

 

CMYK 0 / 62 / 38 / 15

HEX #DA5287

RGB 218 82 135

HSL 336.62, 0.65%, 0.59%

LAB 54.75, 57.82, -1.11

 

CMYK 0 / 62 / 55 / 15

HEX #DA5262

RGB 218 82 98

HSL 352.94, 0.65%, 0.59%

LAB 53.84, 54.38, 19.54

 

CMYK 0 / 53 / 62 / 15

HEX #DA6752

RGB 218 103 82

HSL 9.26, 0.65%, 0.59%

LAB 57.28, 43.48, 33.23

 

CMYK 0 / 79 / 49 / 29

HEX #B4265B

RGB 180 38 91

HSL 337.61, 0.65%, 0.43%

LAB 40.97, 58.64, 4.92

 

CMYK 0 / 77 / 48 / 17

HEX #D3306D

RGB 211 48 109

HSL 337.55, 0.65%, 0.51%

LAB 48.34, 65.64, 5.08

 

CMYK 0 / 62 / 39 / 15

HEX #DA5285

RGB 218 82 133

HSL 337.5, 0.65%, 0.59%

LAB 54.69, 57.6, -0.01

 

CMYK 0 / 48 / 31 / 11

HEX #E2759D

RGB 226 117 157

HSL 337.98, 0.65%, 0.67%

LAB 62.78, 46.66, -2

 

CMYK 0 / 35 / 22 / 9

HEX #E997B5

RGB 233 151 181

HSL 338.05, 0.65%, 0.75%

LAB 71.41, 34.79, -2.74

 

CMYK 0 / 62 / 39 / 14

HEX #DB5486

RGB 219 84 134

HSL 337.78, 0.65%, 0.59%

LAB 55.2, 57.16, 0.15

 

CMYK 0 / 11 / 62 / 15

HEX #DAC152

RGB 218 193 82

HSL 48.97, 0.65%, 0.59%

LAB 78.26, -4, 57.57

 

CMYK 62 / 13 / 0 / 15

HEX #52BDDA

RGB 82 189 218

HSL 192.79, 0.65%, 0.59%

LAB 71.72, -22.04, -23.69

 

CMYK 0 / 62 / 39 / 14

HEX #DB5486

RGB 219 84 134

HSL 337.78, 0.65%, 0.59%

LAB 55.2, 57.16, 0.15

 

CMYK 38 / 0 / 62 / 15

HEX #87DA52

RGB 135 218 82

HSL 96.62, 0.65%, 0.59%

LAB 79.56, -48.17, 57.39

 

CMYK 62 / 38 / 0 / 15

HEX #5287DA

RGB 82 135 218

HSL 216.62, 0.65%, 0.59%

LAB 56.27, 7.98, -47.75

 

CMYK 0 / 62 / 39 / 14

HEX #DB5486

RGB 219 84 134

HSL 337.78, 0.65%, 0.59%

LAB 55.2, 57.16, 0.15

 

CMYK 0 / 11 / 62 / 15

HEX #DAC152

RGB 218 193 82

HSL 48.97, 0.65%, 0.59%

LAB 78.26, -4, 57.57

 

CMYK 62 / 0 / 24 / 15

HEX #52DAA6

RGB 82 218 166

HSL 157.06, 0.65%, 0.59%

LAB 78.86, -49.03, 14.84

 

CMYK 62 / 51 / 0 / 15

HEX #526BDA

RGB 82 107 218

HSL 228.97, 0.65%, 0.59%

LAB 48.72, 25.16, -59.82

 

CMYK 0 / 62 / 39 / 14

HEX #DB5486

RGB 219 84 134

HSL 337.78, 0.65%, 0.59%

LAB 55.2, 57.16, 0.15

 

CMYK 7 / 0 / 62 / 15

HEX #CBDA52

RGB 203 218 82

HSL 66.62, 0.65%, 0.59%

LAB 83.68, -22.75, 63.06

 

CMYK 62 / 0 / 24 / 15

HEX #52DAA6

RGB 82 218 166

HSL 157.06, 0.65%, 0.59%

LAB 78.86, -49.03, 14.84

 

CMYK 55 / 62 / 0 / 15

HEX #6252DA

RGB 98 82 218

HSL 247.06, 0.65%, 0.59%

LAB 43.79, 43.16, -67.77

 

Description

Color code: HEX #DB54863F | qconv.com Color code: HEX #DB54863F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 84 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 84 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 10% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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