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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB5145 it is the complementary color #24AEBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB5145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB5145 shade: #E05140, #F16353, #FF7566, #FF8779 and #FF998C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB5145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB5145 shade: #DB5145, #CA3F32, #B92D1F, #A81B0C and #970900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB5145 shade: #DB4F43 and #DB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB5145 shade: #DB4F43, #DB7843, #DBA143, #DBCA43 and #C3DB43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB5145 shade matches the following richer shades: #DB4F43 and #ED3F30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB5145 shade: #DB4F43, #C95E55, #B76D67, #A57C79 and #928C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB5145 shade: #DB438A, #DB4361, #DB4D43, #DB7543 and #DB9E43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB5145 shade: #AB2C20, #CD3427, #DB4F43, #E26F65 and #E89088

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB5145 shade: #DB5145, #B2DB43 and #4375DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB5145 shade: #DB5145, #43DB4D and #4D43DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB5145 shade: #DB5145, #B2DB43, #43D1DB and #6B43DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB5145 shade: #DB5145, #85DB43, #43D1DB and #9943DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 68 / 14

HEX #DB5145

RGB 219 81 69

HSL 4.8, 0.68%, 0.56%

LAB 53.36, 53.28, 35.8

 

Complementary color

CMYK 81 / 6 / 0 / 27

HEX #24AEBA

RGB 36 174 186

HSL 184.8, 0.68%, 0.44%

LAB 65.11, -30.45, -16.23

 

CMYK 0 / 64 / 71 / 12

HEX #E05140

RGB 224 81 64

HSL 6.38, 0.72%, 0.56%

LAB 54.14, 54.73, 39.7

 

CMYK 0 / 59 / 66 / 5

HEX #F16353

RGB 241 99 83

HSL 6.08, 0.85%, 0.64%

LAB 60.11, 53.67, 36.95

 

CMYK 0 / 54 / 60 / 0

HEX #FF7566

RGB 255 117 102

HSL 5.88, 1%, 0.7%

LAB 65.7, 51.46, 33.85

 

CMYK 0 / 47 / 53 / 0

HEX #FF8779

RGB 255 135 121

HSL 6.27, 1%, 0.74%

LAB 69.45, 44.15, 28.23

 

CMYK 0 / 40 / 45 / 0

HEX #FF998C

RGB 255 153 140

HSL 6.78, 1%, 0.77%

LAB 73.5, 36.75, 23.24

 

CMYK 0 / 63 / 68 / 14

HEX #DB5145

RGB 219 81 69

HSL 4.8, 0.68%, 0.56%

LAB 53.36, 53.28, 35.8

 

CMYK 0 / 69 / 75 / 21

HEX #CA3F32

RGB 202 63 50

HSL 5.13, 0.6%, 0.49%

LAB 47.42, 54.14, 38.87

 

CMYK 0 / 76 / 83 / 27

HEX #B92D1F

RGB 185 45 31

HSL 5.45, 0.71%, 0.42%

LAB 41.67, 54.6, 42.2

 

CMYK 0 / 84 / 93 / 34

HEX #A81B0C

RGB 168 27 12

HSL 5.77, 0.87%, 0.35%

LAB 36.24, 54.34, 45.13

 

CMYK 0 / 94 / 100 / 41

HEX #970900

RGB 151 9 0

HSL 3.58, 1%, 0.3%

LAB 31.29, 52.86, 44.94

 

CMYK 0 / 64 / 69 / 14

HEX #DB4F43

RGB 219 79 67

HSL 4.74, 0.68%, 0.56%

LAB 53.01, 54.04, 36.52

 

CMYK 0 / 69 / 69 / 14

HEX #DB4343

RGB 219 67 67

HSL 0, 0.68%, 0.56%

LAB 51.24, 58.84, 34.43

 

CMYK 0 / 64 / 69 / 14

HEX #DB4F43

RGB 219 79 67

HSL 4.74, 0.68%, 0.56%

LAB 53.01, 54.04, 36.52

 

CMYK 0 / 45 / 69 / 14

HEX #DB7843

RGB 219 120 67

HSL 20.92, 0.68%, 0.56%

LAB 60.69, 34.33, 45.3

 

CMYK 0 / 26 / 69 / 14

HEX #DBA143

RGB 219 161 67

HSL 37.11, 0.68%, 0.56%

LAB 70.14, 12.44, 55.52

 

CMYK 0 / 8 / 69 / 14

HEX #DBCA43

RGB 219 202 67

HSL 53.29, 0.68%, 0.56%

LAB 80.58, -9.05, 66.19

 

CMYK 11 / 0 / 69 / 14

HEX #C3DB43

RGB 195 219 67

HSL 69.47, 0.68%, 0.56%

LAB 83.27, -27.37, 68.25

 

CMYK 0 / 64 / 69 / 14

HEX #DB4F43

RGB 219 79 67

HSL 4.74, 0.68%, 0.56%

LAB 53.01, 54.04, 36.52

 

CMYK 0 / 73 / 80 / 7

HEX #ED3F30

RGB 237 63 48

HSL 4.76, 0.84%, 0.56%

LAB 53.79, 65.06, 48.53

 

CMYK 0 / 64 / 69 / 14

HEX #DB4F43

RGB 219 79 67

HSL 4.74, 0.68%, 0.56%

LAB 53.01, 54.04, 36.52

 

CMYK 0 / 53 / 58 / 21

HEX #C95E55

RGB 201 94 85

HSL 4.66, 0.52%, 0.56%

LAB 53.04, 41.84, 25.61

 

CMYK 0 / 40 / 44 / 28

HEX #B76D67

RGB 183 109 103

HSL 4.5, 0.36%, 0.56%

LAB 54.01, 28.71, 15.99

 

CMYK 0 / 25 / 27 / 35

HEX #A57C79

RGB 165 124 121

HSL 4.09, 0.2%, 0.56%

LAB 55.88, 15.47, 7.83

 

CMYK 0 / 4 / 5 / 43

HEX #928C8B

RGB 146 140 139

HSL 8.57, 0.03%, 0.56%

LAB 58.72, 2.04, 1.32

 

CMYK 0 / 69 / 37 / 14

HEX #DB438A

RGB 219 67 138

HSL 331.97, 0.68%, 0.56%

LAB 52.85, 64.35, -5.68

 

CMYK 0 / 69 / 56 / 14

HEX #DB4361

RGB 219 67 97

HSL 348.16, 0.68%, 0.56%

LAB 51.77, 60.66, 17.36

 

CMYK 0 / 65 / 69 / 14

HEX #DB4D43

RGB 219 77 67

HSL 3.95, 0.68%, 0.56%

LAB 52.7, 54.87, 36.15

 

CMYK 0 / 47 / 69 / 14

HEX #DB7543

RGB 219 117 67

HSL 19.74, 0.68%, 0.56%

LAB 60.06, 35.89, 44.59

 

CMYK 0 / 28 / 69 / 14

HEX #DB9E43

RGB 219 158 67

HSL 35.92, 0.68%, 0.56%

LAB 69.41, 14.05, 54.75

 

CMYK 0 / 74 / 81 / 33

HEX #AB2C20

RGB 171 44 32

HSL 5.18, 0.68%, 0.4%

LAB 38.84, 50.54, 38.01

 

CMYK 0 / 75 / 81 / 20

HEX #CD3427

RGB 205 52 39

HSL 4.7, 0.68%, 0.48%

LAB 46.42, 58.7, 43.93

 

CMYK 0 / 64 / 69 / 14

HEX #DB4F43

RGB 219 79 67

HSL 4.74, 0.68%, 0.56%

LAB 53.01, 54.04, 36.52

 

CMYK 0 / 51 / 55 / 11

HEX #E26F65

RGB 226 111 101

HSL 4.8, 0.68%, 0.64%

LAB 60.32, 43.85, 26.63

 

CMYK 0 / 38 / 41 / 9

HEX #E89088

RGB 232 144 136

HSL 5, 0.68%, 0.72%

LAB 68.66, 32.4, 18.36

 

CMYK 0 / 63 / 68 / 14

HEX #DB5145

RGB 219 81 69

HSL 4.8, 0.68%, 0.56%

LAB 53.36, 53.28, 35.8

 

CMYK 19 / 0 / 69 / 14

HEX #B2DB43

RGB 178 219 67

HSL 76.18, 0.68%, 0.56%

LAB 82.13, -34.12, 66.73

 

CMYK 69 / 47 / 0 / 14

HEX #4375DB

RGB 67 117 219

HSL 220.26, 0.68%, 0.56%

LAB 50.72, 16.88, -57.21

 

CMYK 0 / 63 / 68 / 14

HEX #DB5145

RGB 219 81 69

HSL 4.8, 0.68%, 0.56%

LAB 53.36, 53.28, 35.8

 

CMYK 69 / 0 / 65 / 14

HEX #43DB4D

RGB 67 219 77

HSL 123.95, 0.68%, 0.56%

LAB 77.51, -66.53, 56.57

 

CMYK 65 / 69 / 0 / 14

HEX #4D43DB

RGB 77 67 219

HSL 243.95, 0.68%, 0.56%

LAB 39.08, 48.93, -76.11

 

CMYK 0 / 63 / 68 / 14

HEX #DB5145

RGB 219 81 69

HSL 4.8, 0.68%, 0.56%

LAB 53.36, 53.28, 35.8

 

CMYK 19 / 0 / 69 / 14

HEX #B2DB43

RGB 178 219 67

HSL 76.18, 0.68%, 0.56%

LAB 82.13, -34.12, 66.73

 

CMYK 69 / 5 / 0 / 14

HEX #43D1DB

RGB 67 209 219

HSL 183.95, 0.68%, 0.56%

LAB 77.23, -33.81, -15.93

 

CMYK 51 / 69 / 0 / 14

HEX #6B43DB

RGB 107 67 219

HSL 255.79, 0.68%, 0.56%

LAB 41.62, 53.23, -71.85

 

CMYK 0 / 63 / 68 / 14

HEX #DB5145

RGB 219 81 69

HSL 4.8, 0.68%, 0.56%

LAB 53.36, 53.28, 35.8

 

CMYK 39 / 0 / 69 / 14

HEX #85DB43

RGB 133 219 67

HSL 93.95, 0.68%, 0.56%

LAB 79.65, -50.44, 63.41

 

CMYK 69 / 5 / 0 / 14

HEX #43D1DB

RGB 67 209 219

HSL 183.95, 0.68%, 0.56%

LAB 77.23, -33.81, -15.93

 

CMYK 30 / 69 / 0 / 14

HEX #9943DB

RGB 153 67 219

HSL 273.95, 0.68%, 0.56%

LAB 46.84, 61.53, -63.12

 

Description

Color code: HEX #DB5145 | qconv.com Color code: HEX #DB5145 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 81 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 81 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 68 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 68% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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