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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB444B it is the complementary color #24BBB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB444B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB444B shade: #E04446, #F15659, #FF686C, #FF7A7F and #FF8C92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB444B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB444B shade: #DB444B, #CA3238, #B92025, #A80E12 and #970000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB444B shade: #DB434A and #DB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB444B shade: #DB434A, #DB4373, #DB439C, #DB43C5 and #C843DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB444B shade matches the following richer shades: #DB434A and #ED3039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB444B shade: #DB434A, #C9555A, #B7676B, #A5797B and #928B8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB444B shade: #DB439C, #DB4373, #DB434A, #DB6443 and #DB8C43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB444B shade: #AB2027, #CD272F, #DB434A, #E2656B and #E8888C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB444B shade: #DB444B, #C4DB43 and #4387DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB444B shade: #DB444B, #4ADB43 and #434ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB444B shade: #DB444B, #C4DB43, #43DBD3 and #5943DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB444B shade: #DB444B, #96DB43, #43DBD3 and #8743DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 66 / 14

HEX #DB444B

RGB 219 68 75

HSL 357.22, 0.68%, 0.56%

LAB 51.5, 58.88, 30.09

 

Complementary color

CMYK 81 / 0 / 4 / 27

HEX #24BBB4

RGB 36 187 180

HSL 177.22, 0.68%, 0.44%

LAB 68.9, -38.36, -7.23

 

CMYK 0 / 70 / 69 / 12

HEX #E04446

RGB 224 68 70

HSL 359.23, 0.72%, 0.57%

LAB 52.31, 60.18, 34.19

 

CMYK 0 / 64 / 63 / 5

HEX #F15659

RGB 241 86 89

HSL 358.84, 0.85%, 0.64%

LAB 58.11, 59.59, 31.09

 

CMYK 0 / 59 / 58 / 0

HEX #FF686C

RGB 255 104 108

HSL 358.41, 1%, 0.7%

LAB 63.54, 57.78, 27.72

 

CMYK 0 / 52 / 50 / 0

HEX #FF7A7F

RGB 255 122 127

HSL 357.74, 1%, 0.74%

LAB 67.06, 51, 21.69

 

CMYK 0 / 45 / 43 / 0

HEX #FF8C92

RGB 255 140 146

HSL 356.87, 1%, 0.77%

LAB 70.93, 43.97, 16.39

 

CMYK 0 / 69 / 66 / 14

HEX #DB444B

RGB 219 68 75

HSL 357.22, 0.68%, 0.56%

LAB 51.5, 58.88, 30.09

 

CMYK 0 / 75 / 72 / 21

HEX #CA3238

RGB 202 50 56

HSL 357.63, 0.6%, 0.49%

LAB 45.8, 59.06, 33.63

 

CMYK 0 / 83 / 80 / 27

HEX #B92025

RGB 185 32 37

HSL 358.04, 0.71%, 0.43%

LAB 40.38, 58.58, 37.7

 

CMYK 0 / 92 / 89 / 34

HEX #A80E12

RGB 168 14 18

HSL 358.44, 0.85%, 0.36%

LAB 35.37, 57.04, 41.9

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 69 / 66 / 14

HEX #DB434A

RGB 219 67 74

HSL 357.24, 0.68%, 0.56%

LAB 51.35, 59.2, 30.49

 

CMYK 0 / 69 / 69 / 14

HEX #DB4343

RGB 219 67 67

HSL 0, 0.68%, 0.56%

LAB 51.24, 58.84, 34.43

 

CMYK 0 / 69 / 66 / 14

HEX #DB434A

RGB 219 67 74

HSL 357.24, 0.68%, 0.56%

LAB 51.35, 59.2, 30.49

 

CMYK 0 / 69 / 47 / 14

HEX #DB4373

RGB 219 67 115

HSL 341.05, 0.68%, 0.56%

LAB 52.19, 62.11, 7.13

 

CMYK 0 / 69 / 29 / 14

HEX #DB439C

RGB 219 67 156

HSL 324.87, 0.68%, 0.56%

LAB 53.47, 66.39, -15.43

 

CMYK 0 / 69 / 10 / 14

HEX #DB43C5

RGB 219 67 197

HSL 308.68, 0.68%, 0.56%

LAB 55.18, 71.89, -36.66

 

CMYK 9 / 69 / 0 / 14

HEX #C843DB

RGB 200 67 219

HSL 292.5, 0.68%, 0.56%

LAB 53.39, 71.2, -52.24

 

CMYK 0 / 69 / 66 / 14

HEX #DB434A

RGB 219 67 74

HSL 357.24, 0.68%, 0.56%

LAB 51.35, 59.2, 30.49

 

CMYK 0 / 80 / 76 / 7

HEX #ED3039

RGB 237 48 57

HSL 357.14, 0.84%, 0.56%

LAB 52.3, 69.76, 42.18

 

CMYK 0 / 69 / 66 / 14

HEX #DB434A

RGB 219 67 74

HSL 357.24, 0.68%, 0.56%

LAB 51.35, 59.2, 30.49

 

CMYK 0 / 58 / 55 / 21

HEX #C9555A

RGB 201 85 90

HSL 357.41, 0.52%, 0.56%

LAB 51.44, 46.61, 20.58

 

CMYK 0 / 44 / 42 / 28

HEX #B7676B

RGB 183 103 107

HSL 357, 0.36%, 0.56%

LAB 52.76, 32.43, 11.92

 

CMYK 0 / 27 / 25 / 35

HEX #A5797B

RGB 165 121 123

HSL 357.27, 0.2%, 0.56%

LAB 55.18, 17.47, 5.66

 

CMYK 0 / 5 / 5 / 43

HEX #928B8B

RGB 146 139 139

HSL 0, 0.03%, 0.56%

LAB 58.45, 2.6, 0.92

 

CMYK 0 / 69 / 29 / 14

HEX #DB439C

RGB 219 67 156

HSL 324.87, 0.68%, 0.56%

LAB 53.47, 66.39, -15.43

 

CMYK 0 / 69 / 47 / 14

HEX #DB4373

RGB 219 67 115

HSL 341.05, 0.68%, 0.56%

LAB 52.19, 62.11, 7.13

 

CMYK 0 / 69 / 66 / 14

HEX #DB434A

RGB 219 67 74

HSL 357.24, 0.68%, 0.56%

LAB 51.35, 59.2, 30.49

 

CMYK 0 / 54 / 69 / 14

HEX #DB6443

RGB 219 100 67

HSL 13.03, 0.68%, 0.56%

LAB 56.66, 44.44, 40.75

 

CMYK 0 / 36 / 69 / 14

HEX #DB8C43

RGB 219 140 67

HSL 28.82, 0.68%, 0.56%

LAB 65.14, 23.72, 50.18

 

CMYK 0 / 81 / 77 / 33

HEX #AB2027

RGB 171 32 39

HSL 356.98, 0.68%, 0.4%

LAB 37.55, 54.59, 32.69

 

CMYK 0 / 81 / 77 / 20

HEX #CD272F

RGB 205 39 47

HSL 357.11, 0.68%, 0.48%

LAB 45.13, 62.8, 38.24

 

CMYK 0 / 69 / 66 / 14

HEX #DB434A

RGB 219 67 74

HSL 357.24, 0.68%, 0.56%

LAB 51.35, 59.2, 30.49

 

CMYK 0 / 55 / 53 / 11

HEX #E2656B

RGB 226 101 107

HSL 357.12, 0.68%, 0.64%

LAB 58.54, 49.19, 20.84

 

CMYK 0 / 41 / 40 / 9

HEX #E8888C

RGB 232 136 140

HSL 357.5, 0.68%, 0.72%

LAB 67.02, 37.03, 13.84

 

CMYK 0 / 69 / 66 / 14

HEX #DB444B

RGB 219 68 75

HSL 357.22, 0.68%, 0.56%

LAB 51.5, 58.88, 30.09

 

CMYK 11 / 0 / 69 / 14

HEX #C4DB43

RGB 196 219 67

HSL 69.08, 0.68%, 0.56%

LAB 83.34, -26.97, 68.34

 

CMYK 69 / 38 / 0 / 14

HEX #4387DB

RGB 67 135 219

HSL 213.16, 0.68%, 0.56%

LAB 55.72, 5.85, -49.23

 

CMYK 0 / 69 / 66 / 14

HEX #DB444B

RGB 219 68 75

HSL 357.22, 0.68%, 0.56%

LAB 51.5, 58.88, 30.09

 

CMYK 66 / 0 / 69 / 14

HEX #4ADB43

RGB 74 219 67

HSL 117.24, 0.68%, 0.56%

LAB 77.59, -66.16, 60.64

 

CMYK 69 / 66 / 0 / 14

HEX #434ADB

RGB 67 74 219

HSL 237.24, 0.68%, 0.56%

LAB 39.92, 43.66, -74.75

 

CMYK 0 / 69 / 66 / 14

HEX #DB444B

RGB 219 68 75

HSL 357.22, 0.68%, 0.56%

LAB 51.5, 58.88, 30.09

 

CMYK 11 / 0 / 69 / 14

HEX #C4DB43

RGB 196 219 67

HSL 69.08, 0.68%, 0.56%

LAB 83.34, -26.97, 68.34

 

CMYK 69 / 0 / 4 / 14

HEX #43DBD3

RGB 67 219 211

HSL 176.84, 0.68%, 0.56%

LAB 79.93, -40.67, -7.6

 

CMYK 59 / 69 / 0 / 14

HEX #5943DB

RGB 89 67 219

HSL 248.68, 0.68%, 0.56%

LAB 40, 50.52, -74.56

 

CMYK 0 / 69 / 66 / 14

HEX #DB444B

RGB 219 68 75

HSL 357.22, 0.68%, 0.56%

LAB 51.5, 58.88, 30.09

 

CMYK 32 / 0 / 69 / 14

HEX #96DB43

RGB 150 219 67

HSL 87.24, 0.68%, 0.56%

LAB 80.49, -44.6, 64.54

 

CMYK 69 / 0 / 4 / 14

HEX #43DBD3

RGB 67 219 211

HSL 176.84, 0.68%, 0.56%

LAB 79.93, -40.67, -7.6

 

CMYK 38 / 69 / 0 / 14

HEX #8743DB

RGB 135 67 219

HSL 266.84, 0.68%, 0.56%

LAB 44.63, 58.1, -66.81

 

Description

Color code: HEX #DB444B | qconv.com Color code: HEX #DB444B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 68 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 68 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 66 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 66% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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