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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB42E5 it is the complementary color #24BD1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB42E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB42E5 shade: #E042E0, #F154F3, #FF66FF, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB42E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB42E5 shade: #DB42E5, #CA30D2, #B91EBF, #A80CAC and #970099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB42E5 shade: #DB42E5, #E542C3, #E54297, #E5426B and #E54242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB42E5 shade: #DB42E5, #AF42E5, #8342E5, #5742E5 and #4242E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB42E5 shade matches the following richer shades: #DB42E5 and #EA31F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB42E5 shade: #DB42E5, #CC53D3, #BC65C2, #AD76B1 and #9E879F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB42E5 shade: #8342E5, #AF42E5, #DA42E5, #E542C4 and #E54299

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB42E5 shade: #B119BB, #D41EDF, #DB42E5, #E266EA and #E98BEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB42E5 shade: #DB42E5, #E55842 and #42E599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB42E5 shade: #DB42E5, #E5DA42 and #42E5DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB42E5 shade: #DB42E5, #E55842, #4DE542 and #42CFE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB42E5 shade: #DB42E5, #E58942, #4DE542 and #429EE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

Complementary color

CMYK 81 / 0 / 86 / 26

HEX #24BD1A

RGB 36 189 26

HSL 116.32, 0.76%, 0.42%

LAB 67.16, -65.53, 62.95

 

CMYK 0 / 71 / 0 / 12

HEX #E042E0

RGB 224 66 224

HSL 300, 0.72%, 0.57%

LAB 57.2, 77.46, -48.79

 

CMYK 1 / 65 / 0 / 5

HEX #F154F3

RGB 241 84 243

HSL 299.25, 0.87%, 0.64%

LAB 62.94, 77.98, -50.16

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 4 / 77 / 0 / 18

HEX #CA30D2

RGB 202 48 210

HSL 297.04, 0.64%, 0.51%

LAB 51.06, 76.17, -50.81

 

CMYK 3 / 84 / 0 / 25

HEX #B91EBF

RGB 185 30 191

HSL 297.76, 0.73%, 0.43%

LAB 45.64, 74.27, -48.65

 

CMYK 2 / 93 / 0 / 33

HEX #A80CAC

RGB 168 12 172

HSL 298.5, 0.87%, 0.36%

LAB 40.52, 71.21, -45.81

 

CMYK 1 / 100 / 0 / 40

HEX #970099

RGB 151 0 153

HSL 299.22, 1%, 0.3%

LAB 35.75, 66.77, -42.17

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 0 / 71 / 15 / 10

HEX #E542C3

RGB 229 66 195

HSL 312.52, 0.76%, 0.58%

LAB 56.58, 74.27, -33.2

 

CMYK 0 / 71 / 34 / 10

HEX #E54297

RGB 229 66 151

HSL 328.71, 0.76%, 0.58%

LAB 54.85, 68.81, -10.22

 

CMYK 0 / 71 / 53 / 10

HEX #E5426B

RGB 229 66 107

HSL 344.91, 0.76%, 0.58%

LAB 53.62, 64.73, 14.19

 

CMYK 0 / 71 / 71 / 10

HEX #E54242

RGB 229 66 66

HSL 0, 0.76%, 0.58%

LAB 52.89, 62.27, 37.38

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 24 / 71 / 0 / 10

HEX #AF42E5

RGB 175 66 229

HSL 280.12, 0.76%, 0.58%

LAB 50.3, 68.38, -63.07

 

CMYK 43 / 71 / 0 / 10

HEX #8342E5

RGB 131 66 229

HSL 263.93, 0.76%, 0.58%

LAB 44.77, 60.33, -72.29

 

CMYK 62 / 71 / 0 / 10

HEX #5742E5

RGB 87 66 229

HSL 247.73, 0.76%, 0.58%

LAB 40.54, 53.79, -79.39

 

CMYK 71 / 71 / 0 / 10

HEX #4242E5

RGB 66 66 229

HSL 240, 0.76%, 0.58%

LAB 39.09, 51.46, -81.83

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 5 / 80 / 0 / 4

HEX #EA31F6

RGB 234 49 246

HSL 296.35, 0.92%, 0.58%

LAB 58.36, 87.54, -59.18

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 3 / 61 / 0 / 17

HEX #CC53D3

RGB 204 83 211

HSL 296.72, 0.59%, 0.58%

LAB 55.81, 64.38, -43.82

 

CMYK 3 / 48 / 0 / 24

HEX #BC65C2

RGB 188 101 194

HSL 296.13, 0.43%, 0.58%

LAB 55.98, 48.56, -34.01

 

CMYK 2 / 33 / 0 / 31

HEX #AD76B1

RGB 173 118 177

HSL 295.93, 0.27%, 0.58%

LAB 57.09, 31.51, -22.69

 

CMYK 1 / 15 / 0 / 38

HEX #9E879F

RGB 158 135 159

HSL 297.5, 0.11%, 0.58%

LAB 59.07, 13.13, -9.51

 

CMYK 43 / 71 / 0 / 10

HEX #8342E5

RGB 131 66 229

HSL 263.93, 0.76%, 0.58%

LAB 44.77, 60.33, -72.29

 

CMYK 24 / 71 / 0 / 10

HEX #AF42E5

RGB 175 66 229

HSL 280.12, 0.76%, 0.58%

LAB 50.3, 68.38, -63.07

 

CMYK 5 / 71 / 0 / 10

HEX #DA42E5

RGB 218 66 229

HSL 295.95, 0.76%, 0.58%

LAB 56.54, 77.02, -52.71

 

CMYK 0 / 71 / 14 / 10

HEX #E542C4

RGB 229 66 196

HSL 312.15, 0.76%, 0.58%

LAB 56.62, 74.41, -33.71

 

CMYK 0 / 71 / 33 / 10

HEX #E54299

RGB 229 66 153

HSL 327.98, 0.76%, 0.58%

LAB 54.92, 69.03, -11.3

 

CMYK 5 / 87 / 0 / 27

HEX #B119BB

RGB 177 25 187

HSL 296.3, 0.76%, 0.42%

LAB 43.7, 73.18, -49.5

 

CMYK 5 / 87 / 0 / 13

HEX #D41EDF

RGB 212 30 223

HSL 296.58, 0.76%, 0.5%

LAB 52.12, 83.96, -56.44

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 3 / 56 / 0 / 8

HEX #E266EA

RGB 226 102 234

HSL 296.36, 0.76%, 0.66%

LAB 63.02, 65.6, -45.17

 

CMYK 3 / 42 / 0 / 6

HEX #E98BEF

RGB 233 139 239

HSL 296.4, 0.76%, 0.74%

LAB 70.89, 50.61, -35.57

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 0 / 62 / 71 / 10

HEX #E55842

RGB 229 88 66

HSL 8.1, 0.76%, 0.58%

LAB 56.12, 53.52, 41.09

 

CMYK 71 / 0 / 33 / 10

HEX #42E599

RGB 66 229 153

HSL 152.02, 0.76%, 0.58%

LAB 81.56, -58.72, 25.31

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 0 / 5 / 71 / 10

HEX #E5DA42

RGB 229 218 66

HSL 55.95, 0.76%, 0.58%

LAB 85.6, -12.95, 71.77

 

CMYK 71 / 0 / 5 / 10

HEX #42E5DA

RGB 66 229 218

HSL 175.95, 0.76%, 0.58%

LAB 83.05, -43.34, -6.7

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 0 / 62 / 71 / 10

HEX #E55842

RGB 229 88 66

HSL 8.1, 0.76%, 0.58%

LAB 56.12, 53.52, 41.09

 

CMYK 66 / 0 / 71 / 10

HEX #4DE542

RGB 77 229 66

HSL 115.95, 0.76%, 0.58%

LAB 80.74, -68.94, 64.29

 

CMYK 71 / 10 / 0 / 10

HEX #42CFE5

RGB 66 207 229

HSL 188.1, 0.76%, 0.58%

LAB 76.95, -30.03, -21.72

 

CMYK 4 / 71 / 0 / 10

HEX #DB42E5

RGB 219 66 229

HSL 296.32, 0.76%, 0.58%

LAB 56.7, 77.23, -52.45

 

CMYK 0 / 40 / 71 / 10

HEX #E58942

RGB 229 137 66

HSL 26.13, 0.76%, 0.58%

LAB 65.7, 29.4, 51.63

 

CMYK 66 / 0 / 71 / 10

HEX #4DE542

RGB 77 229 66

HSL 115.95, 0.76%, 0.58%

LAB 80.74, -68.94, 64.29

 

CMYK 71 / 31 / 0 / 10

HEX #429EE5

RGB 66 158 229

HSL 206.13, 0.76%, 0.58%

LAB 62.73, -4.25, -43.71

 

Description

Color code: HEX #DB42E5 | qconv.com Color code: HEX #DB42E5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 66 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 66 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 71 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 71% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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