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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB42583F it is the complementary color #24BDA73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB42583F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB42583F shade: #E042533F, #F154663F, #FF66793F, #FF788C3F and #FF8A9F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB42583F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB42583F shade: #DB42583F, #CA30453F, #B91E323F, #A80C1F3F and #97000C3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB42583F shade: #DB4358 and #DB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB42583F shade: #DB4358, #DB4382, #DB43AB, #DB43D4 and #B943DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB42583F shade matches the following richer shades: #DB4358 and #ED304C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB42583F shade: #DB4358, #C95565, #B76772, #A5797F and #928B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB42583F shade: #DB43AB, #DB4382, #DB4359, #DB5443 and #DB7D43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB42583F shade: #AB2034, #CD273F, #DB4358, #E26577 and #E88896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB42583F shade: #DB4258, #D3DB43 and #4396DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB42583F shade: #DB4258, #59DB43 and #4359DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB42583F shade: #DB4258, #D3DB43, #43DBC4 and #4A43DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB42583F shade: #DB4258, #A6DB43, #43DBC4 and #7843DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 15 / 4

HEX #DB42583F

RGBA 219 66 88 0.25

HSLA 351.37, 0.68%, 0.56%, 0.25

LABA 51.45, 60.41, 22.33, 0.25

 

Complementary color

CMYK 20 / 0 / 3 / 6

HEX #24BDA73F

RGBA 36 189 167 0.25

HSLA 171.37, 0.68%, 0.44%, 0.25

LABA 69.16, -42.89, 0.28, 0.25

 

CMYK 0 / 18 / 16 / 3

HEX #E042533F

RGBA 224 66 83 0.25

HSLA 353.54, 0.72%, 0.57%, 0.25

LABA 52.25, 61.62, 26.52, 0.25

 

CMYK 0 / 16 / 14 / 1

HEX #F154663F

RGBA 241 84 102 0.25

HSLA 353.12, 0.85%, 0.64%, 0.25

LABA 58.04, 61.24, 23.48, 0.25

 

CMYK 0 / 15 / 13 / 0

HEX #FF66793F

RGBA 255 102 121 0.25

HSLA 352.55, 1%, 0.7%, 0.25

LABA 63.46, 59.62, 20.2, 0.25

 

CMYK 0 / 13 / 11 / 0

HEX #FF788C3F

RGBA 255 120 140 0.25

HSLA 351.11, 1%, 0.74%, 0.25

LABA 66.97, 53.13, 14.22, 0.25

 

CMYK 0 / 11 / 9 / 0

HEX #FF8A9F3F

RGBA 255 138 159 0.25

HSLA 349.23, 1%, 0.77%, 0.25

LABA 70.83, 46.36, 9, 0.25

 

CMYK 0 / 17 / 15 / 4

HEX #DB42583F

RGBA 219 66 88 0.25

HSLA 351.37, 0.68%, 0.56%, 0.25

LABA 51.45, 60.41, 22.33, 0.25

 

CMYK 0 / 19 / 16 / 5

HEX #CA30453F

RGBA 202 48 69 0.25

HSLA 351.82, 0.62%, 0.49%, 0.25

LABA 45.77, 60.34, 25.82, 0.25

 

CMYK 0 / 21 / 18 / 7

HEX #B91E323F

RGBA 185 30 50 0.25

HSLA 352.26, 0.72%, 0.42%, 0.25

LABA 40.37, 59.54, 30.02, 0.25

 

CMYK 0 / 23 / 20 / 9

HEX #A80C1F3F

RGBA 168 12 31 0.25

HSLA 352.69, 0.87%, 0.35%, 0.25

LABA 35.37, 57.64, 34.92, 0.25

 

CMYK 0 / 25 / 23 / 10

HEX #97000C3F

RGBA 151 0 12 0.25

HSLA 355.23, 1%, 0.3%, 0.25

LABA 30.89, 54.36, 39.72, 0.25

 

CMYK 0 / 69 / 60 / 14

HEX #DB4358

RGB 219 67 88

HSL 351.71, 0.68%, 0.56%

LAB 51.59, 60.04, 22.51

 

CMYK 0 / 69 / 69 / 14

HEX #DB4343

RGB 219 67 67

HSL 0, 0.68%, 0.56%

LAB 51.24, 58.84, 34.43

 

CMYK 0 / 69 / 60 / 14

HEX #DB4358

RGB 219 67 88

HSL 351.71, 0.68%, 0.56%

LAB 51.59, 60.04, 22.51

 

CMYK 0 / 69 / 41 / 14

HEX #DB4382

RGB 219 67 130

HSL 335.13, 0.68%, 0.56%

LAB 52.6, 63.53, -1.26

 

CMYK 0 / 69 / 22 / 14

HEX #DB43AB

RGB 219 67 171

HSL 318.95, 0.68%, 0.56%

LAB 54.04, 68.27, -23.36

 

CMYK 0 / 69 / 3 / 14

HEX #DB43D4

RGB 219 67 212

HSL 302.76, 0.68%, 0.56%

LAB 55.92, 74.17, -44.08

 

CMYK 16 / 69 / 0 / 14

HEX #B943DB

RGB 185 67 219

HSL 286.58, 0.68%, 0.56%

LAB 51.2, 68.04, -55.87

 

CMYK 0 / 69 / 60 / 14

HEX #DB4358

RGB 219 67 88

HSL 351.71, 0.68%, 0.56%

LAB 51.59, 60.04, 22.51

 

CMYK 0 / 80 / 68 / 7

HEX #ED304C

RGB 237 48 76

HSL 351.11, 0.84%, 0.56%

LAB 52.55, 70.53, 31.54

 

CMYK 0 / 69 / 60 / 14

HEX #DB4358

RGB 219 67 88

HSL 351.71, 0.68%, 0.56%

LAB 51.59, 60.04, 22.51

 

CMYK 0 / 58 / 50 / 21

HEX #C95565

RGB 201 85 101

HSL 351.72, 0.52%, 0.56%

LAB 51.67, 47.55, 14.36

 

CMYK 0 / 44 / 38 / 28

HEX #B76772

RGB 183 103 114

HSL 351.75, 0.36%, 0.56%

LAB 52.93, 33.25, 8.02

 

CMYK 0 / 27 / 23 / 35

HEX #A5797F

RGB 165 121 127

HSL 351.82, 0.2%, 0.56%

LAB 55.28, 18.08, 3.49

 

CMYK 0 / 5 / 4 / 43

HEX #928B8C

RGB 146 139 140

HSL 351.43, 0.03%, 0.56%

LAB 58.48, 2.79, 0.39

 

CMYK 0 / 69 / 22 / 14

HEX #DB43AB

RGB 219 67 171

HSL 318.95, 0.68%, 0.56%

LAB 54.04, 68.27, -23.36

 

CMYK 0 / 69 / 41 / 14

HEX #DB4382

RGB 219 67 130

HSL 335.13, 0.68%, 0.56%

LAB 52.6, 63.53, -1.26

 

CMYK 0 / 69 / 59 / 14

HEX #DB4359

RGB 219 67 89

HSL 351.32, 0.68%, 0.56%

LAB 51.61, 60.1, 21.94

 

CMYK 0 / 62 / 69 / 14

HEX #DB5443

RGB 219 84 67

HSL 6.71, 0.68%, 0.56%

LAB 53.82, 51.87, 37.46

 

CMYK 0 / 43 / 69 / 14

HEX #DB7D43

RGB 219 125 67

HSL 22.89, 0.68%, 0.56%

LAB 61.77, 31.71, 46.49

 

CMYK 0 / 81 / 70 / 33

HEX #AB2034

RGB 171 32 52

HSL 351.37, 0.68%, 0.4%

LAB 37.73, 55.16, 24.95

 

CMYK 0 / 81 / 69 / 20

HEX #CD273F

RGB 205 39 63

HSL 351.33, 0.68%, 0.48%

LAB 45.34, 63.46, 29.05

 

CMYK 0 / 69 / 60 / 14

HEX #DB4358

RGB 219 67 88

HSL 351.71, 0.68%, 0.56%

LAB 51.59, 60.04, 22.51

 

CMYK 0 / 55 / 47 / 11

HEX #E26577

RGB 226 101 119

HSL 351.36, 0.68%, 0.64%

LAB 58.8, 50.25, 14.23

 

CMYK 0 / 41 / 35 / 9

HEX #E88896

RGB 232 136 150

HSL 351.25, 0.68%, 0.72%

LAB 67.25, 38.19, 8.54

 

CMYK 0 / 70 / 60 / 14

HEX #DB4258

RGB 219 66 88

HSL 351.37, 0.68%, 0.56%

LAB 51.45, 60.41, 22.33

 

CMYK 4 / 0 / 69 / 14

HEX #D3DB43

RGB 211 219 67

HSL 63.16, 0.68%, 0.56%

LAB 84.44, -20.85, 69.8

 

CMYK 69 / 32 / 0 / 14

HEX #4396DB

RGB 67 150 219

HSL 207.24, 0.68%, 0.56%

LAB 60, -2.97, -42.46

 

CMYK 0 / 70 / 60 / 14

HEX #DB4258

RGB 219 66 88

HSL 351.37, 0.68%, 0.56%

LAB 51.45, 60.41, 22.33

 

CMYK 59 / 0 / 69 / 14

HEX #59DB43

RGB 89 219 67

HSL 111.32, 0.68%, 0.56%

LAB 77.99, -62.94, 61.17

 

CMYK 69 / 59 / 0 / 14

HEX #4359DB

RGB 67 89 219

HSL 231.32, 0.68%, 0.56%

LAB 43.44, 34.47, -69

 

CMYK 0 / 70 / 60 / 14

HEX #DB4258

RGB 219 66 88

HSL 351.37, 0.68%, 0.56%

LAB 51.45, 60.41, 22.33

 

CMYK 4 / 0 / 69 / 14

HEX #D3DB43

RGB 211 219 67

HSL 63.16, 0.68%, 0.56%

LAB 84.44, -20.85, 69.8

 

CMYK 69 / 0 / 11 / 14

HEX #43DBC4

RGB 67 219 196

HSL 170.92, 0.68%, 0.56%

LAB 79.52, -44.66, -0.2

 

CMYK 66 / 69 / 0 / 14

HEX #4A43DB

RGB 74 67 219

HSL 242.76, 0.68%, 0.56%

LAB 38.87, 48.57, -76.46

 

CMYK 0 / 70 / 60 / 14

HEX #DB4258

RGB 219 66 88

HSL 351.37, 0.68%, 0.56%

LAB 51.45, 60.41, 22.33

 

CMYK 24 / 0 / 69 / 14

HEX #A6DB43

RGB 166 219 67

HSL 80.92, 0.68%, 0.56%

LAB 81.39, -38.72, 65.74

 

CMYK 69 / 0 / 11 / 14

HEX #43DBC4

RGB 67 219 196

HSL 170.92, 0.68%, 0.56%

LAB 79.52, -44.66, -0.2

 

CMYK 45 / 69 / 0 / 14

HEX #7843DB

RGB 120 67 219

HSL 260.92, 0.68%, 0.56%

LAB 42.95, 55.4, -69.63

 

Description

Color code: HEX #DB42583F | qconv.com Color code: HEX #DB42583F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 66 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 66 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 15 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 15% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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