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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB41E1 it is the complementary color #24BE1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB41E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB41E1 shade: #E041DC, #F153EF, #FF65FF, #FF77FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB41E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB41E1 shade: #DB41E1, #CA2FCE, #B91DBB, #A80BA8 and #970095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB41E1 shade: #DB41E1, #E141BC, #E14191, #E14166 and #E14141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB41E1 shade: #DB41E1, #B041E1, #8541E1, #5A41E1 and #4141E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB41E1 shade matches the following richer shades: #DB41E1 and #EC30F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB41E1 shade: #DB41E1, #CB53D0, #BB65BE, #AA77AC and #9A889A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB41E1 shade: #8441E1, #AF41E1, #D941E1, #E141BF and #E14194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB41E1 shade: #AE1CB4, #D122D8, #DB41E1, #E265E7 and #E989ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB41E1 shade: #DB41E1, #E15941 and #41E199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB41E1 shade: #DB41E1, #E1D941 and #41E1D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB41E1 shade: #DB41E1, #E15941, #49E141 and #41C9E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB41E1 shade: #DB41E1, #E18941, #49E141 and #4199E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

Complementary color

CMYK 81 / 0 / 84 / 25

HEX #24BE1E

RGB 36 190 30

HSL 117.75, 0.73%, 0.43%

LAB 67.5, -65.64, 62.32

 

CMYK 0 / 71 / 2 / 12

HEX #E041DC

RGB 224 65 220

HSL 301.51, 0.72%, 0.57%

LAB 56.88, 77.16, -47.05

 

CMYK 0 / 66 / 1 / 5

HEX #F153EF

RGB 241 83 239

HSL 300.76, 0.85%, 0.64%

LAB 62.61, 77.7, -48.46

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 2 / 77 / 0 / 19

HEX #CA2FCE

RGB 202 47 206

HSL 298.49, 0.63%, 0.5%

LAB 50.74, 75.8, -49.03

 

CMYK 1 / 84 / 0 / 27

HEX #B91DBB

RGB 185 29 187

HSL 299.24, 0.73%, 0.42%

LAB 45.33, 73.85, -46.8

 

CMYK 0 / 93 / 0 / 34

HEX #A80BA8

RGB 168 11 168

HSL 300, 0.88%, 0.35%

LAB 40.23, 70.71, -43.88

 

CMYK 0 / 100 / 1 / 41

HEX #970095

RGB 151 0 149

HSL 300.79, 1%, 0.3%

LAB 35.5, 66.15, -40.13

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 0 / 71 / 16 / 12

HEX #E141BC

RGB 225 65 188

HSL 313.88, 0.73%, 0.57%

LAB 55.5, 72.7, -30.9

 

CMYK 0 / 71 / 36 / 12

HEX #E14191

RGB 225 65 145

HSL 330, 0.73%, 0.57%

LAB 53.85, 67.44, -8.25

 

CMYK 0 / 71 / 55 / 12

HEX #E14166

RGB 225 65 102

HSL 346.13, 0.73%, 0.57%

LAB 52.67, 63.54, 15.77

 

CMYK 0 / 71 / 71 / 12

HEX #E14141

RGB 225 65 65

HSL 0, 0.73%, 0.57%

LAB 52.03, 61.35, 36.76

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 22 / 71 / 0 / 12

HEX #B041E1

RGB 176 65 225

HSL 281.63, 0.73%, 0.57%

LAB 50.03, 68.16, -61.22

 

CMYK 41 / 71 / 0 / 12

HEX #8541E1

RGB 133 65 225

HSL 265.5, 0.73%, 0.57%

LAB 44.52, 60.14, -70.41

 

CMYK 60 / 71 / 0 / 12

HEX #5A41E1

RGB 90 65 225

HSL 249.38, 0.73%, 0.57%

LAB 40.23, 53.51, -77.61

 

CMYK 71 / 71 / 0 / 12

HEX #4141E1

RGB 65 65 225

HSL 240, 0.73%, 0.57%

LAB 38.45, 50.63, -80.61

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 3 / 80 / 0 / 5

HEX #EC30F3

RGB 236 48 243

HSL 297.85, 0.89%, 0.57%

LAB 58.43, 87.66, -57.37

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 2 / 60 / 0 / 18

HEX #CB53D0

RGB 203 83 208

HSL 297.6, 0.57%, 0.57%

LAB 55.52, 63.61, -42.58

 

CMYK 2 / 47 / 0 / 25

HEX #BB65BE

RGB 187 101 190

HSL 297.98, 0.41%, 0.57%

LAB 55.67, 47.52, -32.2

 

CMYK 1 / 31 / 0 / 33

HEX #AA77AC

RGB 170 119 172

HSL 297.74, 0.24%, 0.57%

LAB 56.8, 28.97, -20.29

 

CMYK 0 / 12 / 0 / 40

HEX #9A889A

RGB 154 136 154

HSL 300, 0.08%, 0.57%

LAB 58.8, 10.14, -7.08

 

CMYK 41 / 71 / 0 / 12

HEX #8441E1

RGB 132 65 225

HSL 265.13, 0.73%, 0.57%

LAB 44.41, 59.97, -70.61

 

CMYK 22 / 71 / 0 / 12

HEX #AF41E1

RGB 175 65 225

HSL 281.25, 0.73%, 0.57%

LAB 49.89, 67.96, -61.45

 

CMYK 4 / 71 / 0 / 12

HEX #D941E1

RGB 217 65 225

HSL 297, 0.73%, 0.57%

LAB 56.06, 76.48, -51.24

 

CMYK 0 / 71 / 15 / 12

HEX #E141BF

RGB 225 65 191

HSL 312.75, 0.73%, 0.57%

LAB 55.63, 73.11, -32.43

 

CMYK 0 / 71 / 34 / 12

HEX #E14194

RGB 225 65 148

HSL 328.88, 0.73%, 0.57%

LAB 53.95, 67.76, -9.87

 

CMYK 3 / 84 / 0 / 29

HEX #AE1CB4

RGB 174 28 180

HSL 297.63, 0.73%, 0.41%

LAB 42.95, 70.93, -46.6

 

CMYK 3 / 84 / 0 / 15

HEX #D122D8

RGB 209 34 216

HSL 297.69, 0.73%, 0.49%

LAB 51.45, 81.65, -53.56

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 2 / 56 / 0 / 9

HEX #E265E7

RGB 226 101 231

HSL 297.69, 0.73%, 0.65%

LAB 62.71, 65.53, -43.98

 

CMYK 2 / 42 / 0 / 7

HEX #E989ED

RGB 233 137 237

HSL 297.6, 0.74%, 0.73%

LAB 70.41, 51.26, -35.21

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 0 / 60 / 71 / 12

HEX #E15941

RGB 225 89 65

HSL 9, 0.73%, 0.57%

LAB 55.62, 51.64, 40.89

 

CMYK 71 / 0 / 32 / 12

HEX #41E199

RGB 65 225 153

HSL 153, 0.73%, 0.57%

LAB 80.33, -57.34, 23.63

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 0 / 4 / 71 / 12

HEX #E1D941

RGB 225 217 65

HSL 57, 0.73%, 0.57%

LAB 85, -14.16, 71.43

 

CMYK 71 / 0 / 4 / 12

HEX #41E1D9

RGB 65 225 217

HSL 177, 0.73%, 0.57%

LAB 81.83, -41.96, -7.98

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 0 / 60 / 71 / 12

HEX #E15941

RGB 225 89 65

HSL 9, 0.73%, 0.57%

LAB 55.62, 51.64, 40.89

 

CMYK 68 / 0 / 71 / 12

HEX #49E141

RGB 73 225 65

HSL 117, 0.73%, 0.57%

LAB 79.41, -68.48, 63.25

 

CMYK 71 / 11 / 0 / 12

HEX #41C9E1

RGB 65 201 225

HSL 189, 0.73%, 0.57%

LAB 75.03, -28.44, -22.48

 

CMYK 3 / 71 / 0 / 12

HEX #DB41E1

RGB 219 65 225

HSL 297.75, 0.73%, 0.57%

LAB 56.36, 76.9, -50.73

 

CMYK 0 / 39 / 71 / 12

HEX #E18941

RGB 225 137 65

HSL 27, 0.73%, 0.57%

LAB 65.18, 27.71, 51.39

 

CMYK 68 / 0 / 71 / 12

HEX #49E141

RGB 73 225 65

HSL 117, 0.73%, 0.57%

LAB 79.41, -68.48, 63.25

 

CMYK 71 / 32 / 0 / 12

HEX #4199E1

RGB 65 153 225

HSL 207, 0.73%, 0.57%

LAB 61.08, -2.91, -44.09

 

Description

Color code: HEX #DB41E1 | qconv.com Color code: HEX #DB41E1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 65 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 65 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 71 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 71% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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